
Adventures Of The Scarlet Cloak 50-02-15 Audition
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Wendell Niles
Hello.
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Brad Carver
The.
Wendell Niles
Adventures of the Scarlet Cloak starring Wendell Niles.
This is a story of the golden west as it was more than a hundred years ago. A land of mystery and intrigue. A romantic paradise where the dons and senoritas held their ancient customs while rubbing elbows with rugged American frontiersmen and pioneers. Where lace trimmed handkerchiefs from Barcelona were carried next to the heart under crude buckskin jackets. The territory was a melting pot. Quiet on the surface like the Pacific. But torn with undercurrents and riptides. It was a restless and growing land where the strong made their own laws and the weak obeyed or perished. This is the saga of Brad Carver. Fabulous man in a fabulous land. Some called him an angel. Some called him a devil. And many claim that he never lived at all. But the story of Brad Carver is as colorful and exciting as were his roaring guns and flashing rapier as he cut a flaming swath through this glorious land. Our story starts in October of 1842. As a dusty and battered wagon train at the end of the Santa Fe Trail paused within sight of a settlement of 200 people.
Brad Carver
Hold your teams. Hold em. Well, we made it, Carver. Los Angeles dead ahead.
Sancho
So that's Los Angeles. Doesn't look like much, McKeever.
Brad Carver
Well, I guess it ain't Boston Carver. But it's gonna be a mighty big city one day. And it looks good to me right now. After 3000 miles of prairie and engines and mountains and desert.
Sancho
It still doesn't look like much to me. Well, it's where you and I park, McKeever.
Brad Carver
Where you striking for?
Sancho
North Monterey.
Brad Carver
I'm heading north myself. San Francisco. As soon as I get these folks in and settled. I'll ride along with you. If you're willing. Sure.
Sancho
McKeever. Thought maybe you'd had enough of me.
Brad Carver
Look, Carver. When we started out, you was just another Boston tea drinker to me. But back There on the trail. You proved I was wrong when the going got rough. And I'm admitting it. So do we ride together or don't we?
Sancho
We ride together, McKeever.
Brad Carver
Good. We'll hit the trail as soon as we get the train into town.
McKeever
Come on.
Brad Carver
We're moving.
Daggert
Get up.
Sancho
Everybody.
Daggert
Get.
Brad Carver
I ain't one for asking a man questions, Carver, but you're in a powerful hurry to get to Monterey.
Sancho
I haven't been there in 20 years. I've got an old score to settle.
Brad Carver
Old score? You couldn't have been more than a kid 20 years ago.
Sancho
I was old enough to remember. My home on fire. My mother and father murdered.
Brad Carver
I'm sorry, Carver. Couldn't be a bad country. You're lucky they didn't get you.
Sancho
They would have. Except for the loyalty of a Mexican named Sancho who worked for my family. I don't know what happened to him afterwards, but he got me to San Francisco and put me on a ship that took me to my father's people in Boston.
Brad Carver
Know who murdered your folks?
Sancho
No. They rode in at night with their faces covered. My father wounded the leader through the shoulder with a rapier and one of the mob stabbed him in the back. I've got to find the leader.
Brad Carver
Well, it won't be easy. He may be dead by now.
Sancho
He may be. But if he isn't, he'll carry a rapier mark on his shoulder. If that man is alive, McKeever, I'm gonna find him and kill him.
Brad Carver
Now I know why we've been knocking on these ponies.
Sancho
We'll switch Mouse at the next station. I want to stay on the trail all night and make Monterey by dawn.
Brad Carver
All right. Get up there. Boy. Oh, boy. Oh, yeah. Is that the house in that grove of trees? Yes.
Sancho
What's left of it. Why? Mother and Father are buried in the grove down there. That's the only news of them I ever had. Well, goodbye, McIver.
Brad Carver
If I thought I could help.
Sancho
Thanks. It's my fight. I want to go down into the grove and be alone for a while.
Brad Carver
If you ever come up to San.
Sancho
Francisco, I'll look you up. I promise.
Brad Carver
Goodbye and Good luck.
Sancho
Goodbye, McKeever.
Brad Carver
Get up there, boy.
Sancho
Take care of yourself. J. Carver 17851822 Priscilla Carver 17951822 Dear Lord. Blessed be their memory. Senor, what are you doing here?
McKeever
I just come to place the flowers on the grave, senor. These people, they were my friends.
Sancho
Sancho.
Daggert
You.
Sancho
You must be Sancho.
McKeever
I am Sancho, but I. I Do not recall ever seeing this senor before.
Sancho
Sancho, you remember me? I'm Brad Carver.
McKeever
Bradito.
Sancho
You.
McKeever
You are the little bright carver. Oh, Senor Brad.
Sancho
Don't call me senor. Not you, Sancho. I knew I'd find you.
McKeever
Oh, I prayed this would happen. I have been living in the ruins of the old house. But you should not be near the house. You must go away from here. For a long time they tried to find you. The men used to come at night.
Sancho
But that was years ago. They wouldn't know me now.
McKeever
Seeing you near the old house, they might suspect a stranger come from nowhere. Stranger of your age. No, no, no, Bradito. You must go. They would kill you as they killed your father.
Sancho
That's why I'm back, Sancho. Because they killed my father. And I'm going to stay.
McKeever
Ben, you must go into town like any other stranger. Hey, there is an inn. The Inn of San Bonamenturi. You must also change your name. You cannot use the name of Calvary in Monterrey.
Sancho
You're right. At the inn I'll be Senor Bradford.
McKeever
Bueno, bueno. But we must not stand here talking. Rider might pass. Come Brady to I lead your horse.
Sancho
But you said being near the house is dangerous.
McKeever
We do not go to the house. I will show you something that you never saw before, even when you were a little boy. Through the grove and behind these bushes.
Sancho
But. But this is the base of a cliff. It's solid rock.
McKeever
No, no, not solid. Bradito. Here, you help me push this big rock here.
Sancho
All right.
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Sancho
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Maria Alvarez
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Sancho
It's a cave.
McKeever
But even without the rock, the bushes hide the entrance. Is best now to leave it open in case you should need shelter suddenly.
Sancho
Let's go in.
McKeever
Wait. I strike a light for you. Now you take the torch from w.
Sancho
Sancho. These. These things. I remember them from the house.
McKeever
See? See? I say what I could so that one day you could have them. Here. Look over here. The portraits of your mother and your father.
Sancho
I never knew this cave existed. Nobody ever told me.
McKeever
Your father wished it so. Only he and I knew. I see. I see now by the portrait. Your resemblance to him.
Sancho
My father. You know, Sancho, I never believed that anything could happen to him. He was strong and that gave me faith. And you gave me more faith with your fairy tales.
McKeever
No, I never told you fairy tales, Bradito.
Sancho
You don't remember the stories about El Diablo, the devil himself and the scarlet cloak who came riding at night to punish the wicked? It's too bad your El Diablo wasn't around the night my father was killed. Sancho, a child builds up a lot of hope in a legendary.
McKeever
El Diablo was not a legend. He defended the good against the bad.
Sancho
Perhaps you're right. When stories are told often enough, people begin to believe them.
McKeever
They were not your stories. I did not deceive you. Turn and look at the wall behind him.
Sancho
Masks. Masks in the image of the devil.
McKeever
See? And beneath the masks, a trunk opening satchel. Open it. Brady. Ito, I know the church.
Sancho
A scarlet cloak, a black sombrero and a rapier.
McKeever
Do you remember, Brad? Ito, when you were a little child? Bad men who did bad things in this land. Then one morning they would be found dead wearing the mask of the devil who had come to claim them. That was the work of El Diablo. And he lived in Monterrey while your father lived. Because, Bradito, your father was El Diablo.
Sancho
El Diablo. And that's why he was killed. Because they found out that he stood in the way of their robbing and plundering.
McKeever
And they were strong enough to destroy him. And they will also destroy you. Bradito, you must go away, please.
Sancho
No, Sancho. This cave is mine now. And so is my father's rapier.
McKeever
But you have been raised in Boston. What do you know of such a weapon?
Sancho
I lived in Europe too, Sancho. I fenced with the greatest swordsmen in the world. Fenced with them until I could beat them. Because I knew that someday I must come back here to kill a man with a rapier. Now I have to find that man. Sancho. If I need you, I'll come here. But if you ever need me, ask for Senor Bradford at the Inn of St. Bonaventure.
Brad Carver
You slept well, Senor Bradford?
Sancho
Yes, very well. Say, what is that mob doing outside? Some kind of celebration?
Brad Carver
No, senor. There is much trouble. American gunboats from your country there in the harbor of Monterey have taken down the Mexican flag and put up the American colors.
Sancho
I don't believe it. Not unless there's war.
Brad Carver
We have heard nothing of a war. But they say other nations would like to seize California.
Sancho
That's no secret. Half the world is after this territory.
Brad Carver
I am Mexican, senor, but Mexico is weak and his land is too big. Many of us would welcome the American flag. It is our hope for peace.
Sancho
That mob outside doesn't seem to agree with you.
Brad Carver
That mob outside is not led by Mexican, senor. It is led by American.
Sancho
Really?
Brad Carver
Si.
Sancho
Say, at times I don't return for the night. Think nothing of it. But if I'm ever gone for more than two nights, there's a note for one of your countrymen under my pillow. Please deliver it.
Brad Carver
Si, senor. Muchas gracias.
Wendell Niles
I like things the way they are here. I ain't aiming to see them changed. They say they brought them gunboats in to protect the country. Protected from what? I don't see nobody else trying to grab it. They're gonna get more than they bargained for. I got men riding in from all over the countryside. Men with guts and guns.
Sancho
Are you going to join him?
Wendell Niles
Here comes some of them now. Girl crossing the road.
Sancho
Look out there.
Daggert
I'll get her.
Sancho
That was fast moving, stranger. She's fainted. Somebody get some water from the.
Wendell Niles
Thank you, Charlie.
Sancho
That girl's Maria Alvarez. There'll be the devil to pay for this. There's always the devil to pay when a mob like this cuts loose.
McKeever
Yeah.
Don Ramon de la Torres
This just isn't a girl, stranger.
Sancho
This is the niece of Don Raymond de la Torres, the richest man in California. Thanks. Come on, miss. Drink this.
Don Ramon de la Torres
Came here.
Sancho
A horseman almost ran you down. Yes. Would have too, if this fella hadn't grabbed you.
Don Ramon de la Torres
Oh, gracias. I will be all right now.
Daggert
Let my horse drove. Let me throw.
McKeever
Maria.
Daggert
Maria. What has happened?
Don Ramon de la Torres
I was almost trampled, but this gentleman has saved me. My uncle, Don Ramon de la Torres.
Sancho
Senor Bradford.
Daggert
I am most grateful, Senor Bradford. Who were the horseman?
Sancho
It isn't the horseman you want. Some madman named Daggard has been inciting his mob or it wouldn't have happened.
Brad Carver
I'm here, Don Ramon.
Daggert
You gave you the right to endanger the lives of the people of Monterey. Have you appointed yourself governor of this territory?
Wendell Niles
They changed the flag at the customs house. And we don't.
Daggert
And you will let the officials determine.
Wendell Niles
What action is to be taken.
Daggert
Disperse this crowd at once. But I shall ask the governor to place you under arrest.
Brad Carver
All right.
Wendell Niles
I guess we made a mistake. Man the governor's job. If you cannot stay in town peacefully, get out now.
Daggert
Move on.
Sancho
Move on.
Daggert
All of it. You should not have come into town.
Wendell Niles
My dear.
Daggert
Dagot is an impetuous fool.
Don Ramon de la Torres
I am all right. Thanks to Senor Bradford. I have invited him to visit with us this evening.
Daggert
By all means. You will be most welcome, senor. And we shall try to erase this sad impression of Monterrey.
Sancho
It's not Monterey I'm worried about, Don Ramon. It's that man Daggert. He was planning to lead an attack on the customs house tonight.
Daggert
Please do not be so concerned. The mob has scattered. They will drink and gamble, and by night they will have forgotten. Now come, Maria. I will take you home. Adios, Senor Bradford.
Don Ramon de la Torres
Adios, senor. Until tonight.
Sancho
Until tonight. Sancho.
McKeever
I am here, brother.
Sancho
There's trouble in town.
McKeever
I know, I know. I was there this morning. Senor dug it finds their anger.
Sancho
He was stopped by Don Ramon de la Torres. I think he still plans to go through with an attack.
McKeever
I do not think there will be an attack. Not in the town.
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Sancho
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Maria Alvarez
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McKeever
If there is one it will be out here in the country.
Sancho
In the country?
McKeever
See?
Sancho
I don't understand.
McKeever
Well, the American ships have cannon. They have also taken the cannon in the customs house. A Dagger knows that an attack would be hopeless.
Sancho
But why is he bringing in armed men from all over the countryside?
McKeever
Well, perhaps to leave the countryside itself unprotected. Do you remember Don Castillo and the senora, your father's old friends and neighbors?
Sancho
Of course I do.
McKeever
They have been receiving threats. Somebody wishes to drive them from their land. There has been no open attack against them because they have more than 30 men working on their place. But tonight, Bradito Dagger will have us men in town. The old couple will be alone.
Sancho
You're right, Sancho, but they won't be alone.
McKeever
Oh, Bradito, you're only one man. It will take the devil himself.
Sancho
That's what I mean. El Diablo, the devil himself. Tonight I wear my father's scarlet cloak, black sombrero and his rapier. If the Castillo hacienda is attacked, it will be protected just as it would have been 20 years ago by El Diablo.
Wendell Niles
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Returning to Monterey After a 20 year absence, Brad Carver has learned that his murdered father was the legendary El Diablo, protector of the weak and helpless. Through his father's old friend and servant, Sancho, he also learns that an attack by night riders is planned against the neighboring hacienda. Donning the scarlet cloak, black sombrero and red deer that his father wore, Brad and Sancho ride to a hill overlooking the threatened hacienda.
McKeever
The lamps of the hacienda are out.
Sancho
For some time now and still no signs of a raid.
McKeever
They would wait for sleep to come in the house.
Sancho
I hope you're right.
McKeever
Oh, Bradito, I bless myself here in the moonlight with your father's cloak and sombrero. I feel that once again I ride with El Diablo.
Sancho
Let's hope the raiders feel the same, Sancho.
McKeever
There may be many of them.
Sancho
We'll have help. Come on.
McKeever
Where do we go?
Sancho
Down to the corrals to release the livestock.
McKeever
You have a plan?
Sancho
Yes. If they expect no resistance, they'll take the easy approach to Hacienda. That means they'll ride in on the road from town and across the bridge that forged the stream down there.
McKeever
See? See? That is the way they should call.
Sancho
We'll herd the oxen and cattle and horses into that blind path between the hills just this side of the bridge. When they approach from the other side, I'll charge the bridge. From there on, it's up to you.
McKeever
Bueno. Just tell me what to do.
Sancho
I want you to stampede the herd behind me. Drive them toward the bridge. In this light, with the sound of the stampede, they won't know what's coming at them. They'll scatter and run.
McKeever
Here is the main corral.
Sancho
Move them out as quietly as possible. I'll get the horses from the stables. You drive them into the blind pass and I'll meet you there.
McKeever
I hear something, Brady, though.
Sancho
Horsemen. About ten of them.
Brad Carver
Look.
McKeever
Coming over the hills. They're carrying torches.
Sancho
Good. They're on the road to the bridge. Just as they approach the far side, I'll make my right, turn the stock toward the bridge and stampede them behind me. Then keep after them and keep the movie.
Brad Carver
See?
McKeever
I understand. And lock right with you.
Sancho
El Diablo, get a comment? When you get across the bridge, cut into the hills. I'll double back and meet you near the old missions.
McKeever
Be careful, Br.
Sancho
Now's the time, Sancho. Adios.
McKeever
Diablo.
Sancho
They're outnumbered.
Wendell Niles
It Is al Diablo come back from the dead?
Sancho
Ross. Get out of here. Wait.
Wendell Niles
It's a cracking throw at the.
Sancho
Come back.
Wendell Niles
Come back. Come back.
Sancho
Oh, boy. Sancho. I'm here. Are you all right?
McKeever
See all about my leg. I was caught for a little while in the stampede. It was just squeezed a little, that's all.
Sancho
I told you to stay behind the herd.
McKeever
See? I know, but I wanted to be closer to you in case they made a fight. Oh, but you were just like your father. Just like him. They were frightened.
Sancho
I'll help you back to the cave.
McKeever
No, no, no. You must not go there tonight. You must be in the company of others so they will not suspect.
Sancho
But I can't leave you while you're injured.
McKeever
You have taken your father's place. El Diablo returns on the same day a stranger comes to the town. They could make much of this unless you spend the evening with others.
Daggert
Yes.
Sancho
Senorita Maria, the niece of Don Ramon de la Torres, invited me to call.
McKeever
Ah, bueno. Then you must go there. He is known and respected. It will be perfect. I will take the cloak and sombrero. I'm the repiat now. You are once again, Senor Bradford, a stranger who stops at the inn of San Bonaventuri.
Daggert
My niece plays that music box incessantly. Senor Bradford, I am afraid we are poor competition.
Don Ramon de la Torres
It is so new and exciting and has come all the way from Paris.
Sancho
Yes, I know. I've seen them there.
Don Ramon de la Torres
You have been to Paris?
Daggert
Arsenal. Bradford seems to have seen a great deal of the world.
Sancho
I was in Europe about two years ago.
Daggert
I thought I noted places of European culture. Do you fin?
Sancho
A little. It's part of a gentleman's training.
Daggert
Excellent. I enjoy the sport. We must try it someday.
Don Ramon de la Torres
It is fortunate for me I have the music to entertain me.
Daggert
Oh, forgive me, my dear. I have been monopolizing the conversation. Now, I have some work in my study. I will leave you alone. Why don't you show Senor Bradford the gardens?
Don Ramon de la Torres
Perhaps the senor wouldn't care.
Sancho
I'd like to see the gardens.
Don Ramon de la Torres
They are very lovely.
Daggert
Adios. Senor Bradford, you must honor us again.
Sancho
My pleasure, sir.
Don Ramon de la Torres
You must find motor different from your little Boston senor.
Sancho
Different in many ways.
Don Ramon de la Torres
Do you plan to stay here for a time?
Sancho
Do you think I should?
Don Ramon de la Torres
I'm sure my wishes would not influence a man who has seen so much of the world. Are you. Will your family join you here?
Sancho
No. And aunt and uncle in Boston are the only family I. I have.
Don Ramon de la Torres
I have not known many Americans the man I am engaged to marry is an official of the Mexican government. Our families arranged it when we were both children.
Sancho
Oh, I see. I hope he isn't riding the horse that's headed this way.
Don Ramon de la Torres
No, he's in Mexico. That is probably some friend of my uncle's coming to play chase.
Sancho
Good, because I want to stay here a while longer. Maria, I'm very much taken with this. This garden.
Don Ramon de la Torres
That is nice to know, Senor.
Daggert
Dagger. You fool. Why do you come here?
Wendell Niles
Let me in. I had to see you right away.
Daggert
Did something go wrong at the castillo hacienda?
Wendell Niles
Something go wrong? Everything went wrong. We were driven off by El Diablo. He's back.
Daggert
Have you been drinking? El Diablo has been dead for 20 years.
Wendell Niles
Well, he wasn't dead tonight. I saw him as clearly as I'm seeing you.
Daggert
You let yourself be frightened by an apparition. I tell you, the man is dead. You saw him die.
Wendell Niles
Yeah. Well, maybe we were wrong. Maybe we killed the wrong man. Or maybe somebody's taking his place.
Sancho
That's impossible.
Wendell Niles
Is it? How about the fellow tried to make trouble for us in town today?
Daggert
Don't be an idiot. His name is Bradford. He comes from Boston, and he is stopping at the inn. Besides, he is here in the garden with my niece at this moment. And he must not find you here when they come in. Now go. I talk to you tomorrow.
Wendell Niles
I ain't waiting till tomorrow. I'm gonna see what I can find out tonight.
Sancho
Sancho.
McKeever
Is that you, Pradito? Is something wrong?
Sancho
Were you in town looking for me?
McKeever
I have been waiting here in the cave.
Sancho
I left a la Torres and rode to the inn. My room had been searched. A note I'd left for you was missing. A note with money for you to get out of California. If I were discovered then.
McKeever
Somebody knows about you now, Bradito.
Sancho
I'm afraid so, Sancho. Got to do something about that leg of yours.
McKeever
It will be all right in a few days.
Sancho
We haven't got a few days. We've got to get you away from here to a safer place.
McKeever
No, no. You are the one who must go. Someday when the Americans really come, then the land will be safe and to my return.
Sancho
The Americans are here now, Sancho. No.
McKeever
No. I met men returning from town after I left you at the mission. The racing of the flag was a mistake. The command of the ships had a false report of a war. Mexico again controls California. Quiet. Somebody calls Quickly.
Sancho
Sancho, get down behind that trunk.
Wendell Niles
All right, Bradford.
Daggert
Don't move.
Wendell Niles
Well, this is quite a layout. Ain't it? So this was El Diablo's hideout and you took it over.
Sancho
How did you find this place?
Wendell Niles
Had to look through your room at the inn. And I stayed around until you came. I figured you'd run for cover when you found that note was missing. And I was right. So the devil had a son. Might have figured you'd come back. Only you're not gonna last as long as your father did.
McKeever
You can drop your gun, Senor Dagger.
Sancho
All right, Daggert. I'll take that.
Wendell Niles
Pretty tricky, ain't you? Throwing down on me behind my back. Brave when you got an unarmed man.
Sancho
Yeah, it didn't bother you when I was unarmed. Take this gun, Sancho. Throw it outside. What, and throw your own out, too? Do as I say.
Wendell Niles
There's still two of you against one, you know.
Sancho
No, Dagger, just you and me. Sancho won't interfere. Can you use a rapier, Daggert?
Wendell Niles
Yeah, I can use one.
Sancho
There's one on the wall behind you. Under the devil masks. Take it. You've seen those masks in the past, haven't you, Daggert? My father's mark for men like you.
Wendell Niles
Yes, I've seen him. But you'll never put one on me. He's right, El Diablo. This is your last mistake.
Sancho
And you were good, aren't you, Dagger?
Wendell Niles
Next one you won't be talking.
Sancho
I had the pleasure of killing your father.
Wendell Niles
And this blade will do for you.
Sancho
I'm glad you know that, Dagger, because that's going to cost you your life. This is your city suit.
McKeever
You know. Radito.
Don Ramon de la Torres
Yes.
Sancho
There's a chance nobody else has seen it. I want to look at his shoulder. There must be a rapier mark there.
McKeever
See? Bradito?
Don Ramon de la Torres
Si.
Sancho
No mark, Sancho. Dagger is one of the mobs that killed my father. But he wasn't the leader.
McKeever
And so from now on, you play a game of death in the dark with a man whose face you do not know.
Sancho
Yes, but at least I know that the man responsible for the death of my family is still alive.
McKeever
Brady to Daggett's men will search for him tomorrow. We must bury him.
Sancho
No, Sancho. He must be found with a mark of El Diablo. The mask of the devil. I'll put the mask on and then strap his body to his horse and leave him near the town. They.
McKeever
They will put a price on your head.
Sancho
There's already a price on my head, Sancho. The price of a life for a life. Because men like Daggart must die for every innocent and helpless person they kill. If my father could carry that price on his head and pay it, then so can I. As long as there's injustice, as long as the good people of this country are at the mercy of the lawless, they'll have El Diablo to protect them.
Wendell Niles
You have just heard An Adventure of the Scarlet Cloak starring Wendell Niles, Music by Lynn Murray, Story by Joel Murcott, Produced by Vic Hunter and directed by D. Engelbach.
Ryan Seacrest
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Sancho
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Podcast Summary: Adventures Of The Scarlet Cloak 50-02-15 Audition
Podcast Information:
"Adventures Of The Scarlet Cloak" transports listeners to the Golden Age of Radio, immersing them in a riveting Western saga filled with mystery, revenge, and heroic legacy. This episode, expertly narrated by Wendell Niles, weaves a tale set in 1842 Monterey, California, introducing audiences to the enigmatic Brad Carver and his loyal companion, Sancho. The story delves into themes of justice, identity, and the enduring spirit of the American frontier.
The episode opens with Brad Carver and his associate McKeever arriving in the burgeoning settlement of Monterey after a grueling journey along the Santa Fe Trail. The vivid description sets the stage:
Wendell Niles [00:52]: "This is a story of the golden west as it was more than a hundred years ago. A land of mystery and intrigue... a restless and growing land where the strong made their own laws and the weak obeyed or perished."
Brad, portrayed as a larger-than-life figure, immediately senses the tension within the town. His dialogue with McKeever highlights his determination to make a mark in this promising yet volatile environment.
Brad Carver [02:09]: "Hold your teams. Hold 'em. Well, we made it, Carver. Los Angeles dead ahead."
Sancho, an old friend of Brad's family, is introduced with deep personal stakes. His backstory reveals a tragic past where his parents were brutally murdered, igniting his quest for vengeance.
Brad Carver [03:30]: "I ain't one for asking a man questions, Carver, but you're in a powerful hurry to get to Monterey."
Sancho [03:35]: "I haven't been there in 20 years. I've got an old score to settle."
The conversation between Brad and Sancho uncovers the motive behind Sancho's urgent return. Sancho’s recounting of his parents' murder and his vow to find the leader responsible adds emotional depth to his character.
Sancho [04:19]: "But if he isn't, he'll carry a rapier mark on his shoulder. If that man is alive, McKeever, I'm gonna find him and kill him."
As the story progresses, the legend of El Diablo, the protector of the oppressed, comes to the forefront. Brad learns from Sancho that his own father was the legendary El Diablo, a revelation that shapes his identity and destiny.
Sancho [10:00]: "Sancho, a child builds up a lot of hope in a legendary."
McKeever [21:38]: "Thank you, Charlie."
This connection to El Diablo not only elevates Brad's status but also intertwines his fate with the protection of Monterey against lawless elements.
The tranquility of Monterey is disrupted by the emergence of Daggert, a menacing figure leading a mob intent on seizing control of the territory. The tension heightens as Daggert incites the crowd, threatening the safety of the town's residents.
Wendell Niles [13:43]: "Are you going to join him?"
Sancho and Brad strategize to defend the hacienda against the impending attack, showcasing their tactical prowess and unwavering commitment to justice.
The episode builds to a thrilling climax as Sancho dons his father's scarlet cloak and black sombrero, embodying the legacy of El Diablo. Together with Brad, they confront Daggert and his mob in a dramatic showdown.
Sancho [30:05]: "You can drop your gun, Senor Daggert."
Sancho [31:01]: "I'm glad you know that, Dagger, because that's going to cost you your life."
Their confrontation is a battle between good and evil, with Sancho utilizing his fencing skills and the symbolic rapier to uphold his father's legacy and protect the innocent.
In the aftermath of the confrontation, Sancho reflects on the importance of his mission and the enduring need for protectors like El Diablo in Monterey. The resolution underscores the themes of justice and the cyclical nature of heroism.
Sancho [31:54]: "There's a price on my head, Sancho. The price of a life for a life. Because men like Daggart must die for every innocent and helpless person they kill."
"Adventures Of The Scarlet Cloak" masterfully captures the essence of old-time radio dramas, offering a captivating tale of heroism, revenge, and cultural interplay in the American West. Through its richly developed characters and engaging plot, the episode not only entertains but also evokes the spirit of a bygone era where legends like El Diablo walked the rugged landscapes to protect the vulnerable.
For listeners seeking an immersive journey into classic radio storytelling, this episode stands as a testament to the enduring charm and dramatic flair of the Golden Age of Radio.