
All Set and Saddled 42-xx-xx (22) Going to the Circus
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A
Hey, now look here, you two. I've made up me mind. I'm not going to have any more cracks about my voice.
B
All right then, Shorty.
A
You fellas mightn't believe it, but I've been offered big money by more than one circus to go with a Mercedes Brooker.
C
Why didn't you take it up, Ms. Shorty?
A
Well, trouble with circuses, Texas, they ain't no excitement in them. Oh, darn it. I get more excitement just riding around with you.
B
Well, perhaps. Perhaps Texas got something to do with it, Shorty. I remember once he and Tim found a circus pretty exciting.
A
The circus didn't have nothing to do with it. It was that no good low down feeling.
B
Wait a minute, wait a minute, Shorty. Let's tell Tex. Let Tex tell the folks about it.
C
Well, you see, Dory, some time back, Shorty and I went to see a circus that came to town when the show in the big tent was over and the boys were getting a fellow who used to work around the rodeos.
A
Hi, Ticks.
C
I know, Shorty, you want to eat?
A
I want. How do you know? Oh, darn it. You ought to get a job as a fortune teller. Hey, Tex Marcus.
C
Why, Mike. Mike Kelly.
A
Ah, sure does me heart good to see you. Gee, I've been missing you fellas since I left the Rodales.
C
We've missed you too, Mike. What are you doing now?
A
Why, I work here with the circus. Didn't you know? Hey, there's the boss and his daughter. I want you to meet them, Tex. Mr. Johnson. Mr. Johnson, I want you to meet some old pals of mine. I'd be delighted, Mike. Hey, this is Tex Morton and his pal, Shorty Long Tires. And Tex. And Shorty, this is Mr. Johnson's daughter, Ms. Irene, the pride and joy of the Johnston Circus.
B
Mike, you didn't kiss the Blarney Stone. You swallowed it. Mr. Morton. Mr. Long, this is a very great pleasure.
A
Yes, indeed, Mr. Morton. As a matter of fact, something I heard made me very anxious to meet you and your horse, Kim.
C
Well, Kim staked out behind the tent. I'll get him for you if you like.
B
That's wonderful. Father's wanted to own that horse ever since Mike told us about him.
C
Oh, now hold on a minute. I said I'd get him for you. I didn't say I'd sell him.
A
We'd make it well worth your while.
C
Oh, I'm sorry, but Kim's not for sale.
A
Well, if it's a question of Mr.
C
Johnson, you couldn't buy that horse if you gave me your whole circus in exchange. You see, Kim and I sort of belong together. I've had him from the time he was born right up till now. And, well, we've gone through some tough spots and we've had fun together. And somehow I think we. Well, I think we ought to end up that way.
A
Mike, see if you can't poke Mr. Morton.
B
No, Father, please. Mr. Morton's right. It was thoughtless of us to suggest buying Kim.
C
Oh, I wouldn't say that. Lots of people have tried to buy him. But anyhow, thanks for understanding the way I feel.
B
We would like to see him, though, if you could arrange it.
C
Oh, the easiest thing in the world. Irene. Oh, Irene.
B
Mr. Morton, this is my fiance, Mr. Tracy. Reg, this is Tex Morgan.
C
How do you do? Glad to know you. Oh, hello, Irene.
A
I'd like to speak to you and.
C
Mr. Johnson for a minute.
A
I'm sure I can wait. Reg, Mr. Morton is just going to show us his horse, Kim. Well, I'm sorry, sir, but this is rather important.
C
We're breaking up, and there are certain.
A
Details that need your attention. All right.
C
Hey, wait a minute, Jack.
A
That sounded like Kim.
C
Yeah, it was. And somebody's riding him. Hey, Kim.
A
Hello.
B
I hope nothing's wrong. I feel terribly guilty of anything.
C
Hey, what's the big idea, mister?
A
I don't know what you're talking about. Come on, you dumb beef.
C
Listen. Hey, get down off my horse. Come on, get down.
A
Suppose you just try and make me.
C
Well, Miss Irene. I think this is just as good a time as any to show you some of Kim's tricks. All right, boy. Come on down, Kim. Lie down.
A
Hey. Hey, wait a minute. What's going on here?
C
All right, Kim, roll over.
A
Over.
C
That's the boy. Hey, what are you trying to do, kill me?
A
Why, you no good.
C
No, you don't. You don't understand him. You can't finish, mister. Now, what are you doing on my horse? Come on, start talking.
A
I was taking him to the train with the rest of Mr. Johnson's horses. He. He said he bought it from you.
B
What?
A
Oh, Father, that's ridiculous. I said no such thing.
C
I'll take your word on that, Mr. Johnson.
A
You have my words. Daggert, I don't know what you're up to, but I want no part of it. Now, get out of here before I have you whipped off. You can't kick me around like that. I'll show you. They'll bunch of.
B
Hey. I hope you know how Father and I feel about it.
C
Oh, that's all right. No harm done.
B
Well, just to prove that there's no hard feelings, won't you and your friend have dinner with us on the circus train? We've got a wonderful cook.
D
All right.
A
We eat and have bad time.
C
Well, we'd like to. I'm sorry to break in on this happy little gathering, but there's work to be done.
B
But you have to have dinner and I thought.
C
Oh, not this time, Miss Irene. Thank you very much just the same.
B
But we're heading for Long Reach. Take if we get up that way.
C
If we do, you'll have visitors. Goodbye, Miss Irene. Come on, Shorty.
A
Salam, miss. Gee, am I glad to be getting some food at last. You know Tex. Say, what's got into you? A nice free meal we could add. With a bonzer girl like that Miss Irene and you just kick it in the nose.
C
Yeah, that Miss Irene's all right, but. Oh, that fella she's engaged to. Oh, no.
A
Yeah, I lose me appetite just thinking of him.
C
Hey, surely.
A
What's the matter?
C
I'll swear I just saw that Tracy fella peeking in this window. And that horse Stephen Twerp was with him.
A
The one who tried to steal Kim. Ah, you must be wrong.
C
I hope I am. But let's take a look at Kim anyway. If one of those fellas has hurt Kim.
A
Tex, he's gone.
C
Those no good horse stoppers. Come on, Shorty, we're going after them. Your horse is going to have to ride double for a while.
A
Okay? Excellent. But how are we going to catch them? You see this? The circus train's pulling out.
C
Now we're heading for Bryce Summit. The train comes out of a tunnel there and we're going aboard it.
A
Oh, well, I guess you mean while the train's going.
C
Unless you can think of a better way to get on. Shorty. Come on, climb up.
A
All right, I'm up. But I don't like the old thing.
C
Come on, Bessie. Come on, Bessie, let's ride.
A
Let's think this over. Maybe if we climb down on the track.
C
Yeah. Stay here and let Kim think I ran out on him. Not me. I was just thinking, Shorty. Here she is, Shorty. When I give you the word, jump.
A
I still think there's.
C
Okay, let's go. You all right, Shorty?
A
Oh, I don't know. Oh, I think I skins my knees right down to me yak.
C
You'll be all right. I'll find that darn horse if it takes me the rest of my life. Look at that horse, Bill.
A
Yep, me and Tracy got a bargain all right when we bought Kim. Boy, just think of the money we'll win down there. Hey, what was that?
C
Oh, what's the matter with that?
A
Pool or. Cut it out. Shut up. I'll beat the living daylights out of you.
C
Keep your hands off that horse.
A
What?
C
Yeah, I'll teach you to go stealing other people's horses.
A
All right, you put your hands up, all of you. This is strictly between Tex and that. Go on, Tex. Give him one for me.
C
All right, Mel, where's Tracy? Come on, start talking quick.
A
He won't talk for a long time. Mr. Mc is back in one of the other cars.
C
Okay, thanks. Come on, Shorty, we got work to do. Irene, your entire attitude is most unreasonable.
A
You've changed so completely.
B
I'm sorry, Rage, but I can't go to Sydney or anywhere else with you. That's fine.
A
I'm sure you reconsider.
C
You've had a trying day.
A
Thanks.
C
All right, Tracy, I've got a little business to settle with you. Oh, really? That's very interesting. You were in on that horse stealing job with Daggett. I saw you together.
B
And Ridge, you didn't.
C
I'm sorry, Miss Irene, but he did. He took Kim. And I'm gonna give him the threshing of his life for it. Now look here, Morton. All right, reach for the roof, cowboy.
A
Beat me up, will you? You'll have to catch me first.
C
Hey, grab him. Stop him, somebody. Hey, Shorty, where did Tracy go?
A
I don't know, Tex. I think he climbed up on top.
C
Well, get up in front and tell him to stop this train. I'm going up after him.
A
Okay, Tex. It's not good.
C
You're running crazy. I'm gonna get you if I have to take you to China.
A
You ask for.
C
All right, mister, if that's the way you want to play, I can wait. You're not so good with a gun, Tracy. I could do better with a pea shooter.
A
Why, you.
C
All right, Tracy, your gun's empty. I think that's enough playing around.
A
Keep away from me, Morton. I'm watching you. Keep.
C
Put a knife on me.
A
You got a knife too, have you?
C
Dirty snake. That's a cuddle from me. And one extra for Kim.
A
Pick. How you doing, pig?
C
Fine, Shorty. Tell the sergeant to dust out an extra cell. He's going to have a high class horse sleeve for a steady border.
A
I don't understand you.
C
Well, what's the matter now, Shorty?
A
A beautiful girl like that Miss Irene just finding to be naughty and her father willing to give us a bonzer job. And then you walk out on both of them.
C
Well, you know how I am, shorty. Foot loose and free. That's my kind of life. Pull up stakes and ride away down the trail anytime I feel like it. What do you say, Kim?
A
Yeah, well, it's an awful lonesome kind of life, that's all I can say.
C
Oh, I don't know, shorty. I'll be all right so long as I have old faithful Kim along with me.
D
O faithful, we rode the range together. O faithful in every kind of weather when your roundup days are over There'll be patches white with clover for you oh, faithful pal of mine. Hurry up, old fella. Cause the moon is yellow tonight. Hurry up, old fella. Cause the moon is mellow and bright. There's a coyote a howling to the moon above. So carry me back to the one I love. Hurry up, old felicut we gotta get home tonight. O Faithful, we rode the range together O Faithful in every kind of weather when your roundup days are over they'll be purchased white with clover for you, Faithful pal of mine. Yippy yippee yippy yipp y Food and rest and you've done your best so far. Oh, carry me over the mountain ridge down the trail to the old time bridge to my gal Lily Bunk house Lily and the boy. Oh, faithful, we rose the f together. Oh faithful, in every kind of weather when you round up f I hope they'll be packets white with clover but you, oh, the faithful pal of mine.
Episode: All Set and Saddled 42-xx-xx (22) Going to the Circus
Air Date: October 2, 2025
Host: Harold's Old Time Radio
Episode Theme:
A rollicking Western adventure set around a circus visit, featuring camaraderie, deception, a foiled horse theft, and the unbreakable bond between a cowboy and his trusty horse, Kim.
This classic radio play immerses listeners in the cowboy world as Tex Morton, his sidekick Shorty, and friends encounter a traveling circus. Amid warm reunions and invitations, a plot to steal Tex's beloved horse Kim unravels—a tale blending humor, action, and sentimentality. The episode celebrates loyalty, quick wit, and the old-fashioned Western hero’s code.
Shorty's Bragging Rights (00:06 - 00:23):
Shorty, feeling ribbed about his voice, boasts about having big money offers from circuses but prefers the excitement of riding with his pals.
Reunion with Mike Kelly (01:08 - 01:23):
Tex and Shorty reconnect with old friend Mike, now working in the circus, who introduces them to Mr. Johnson (circus owner) and his daughter, Irene.
Meeting the Fiance, Mr. Tracy (03:00 - 03:07):
Irene’s fiancé, Reg Tracy, is introduced—a moment Tex finds less than charming.
The Theft Unfolds (03:19 - 04:06):
Amid distraction, Kim is stolen. Tex catches a thief trying to ride off with Kim, foiling the attempt with Kim’s trained tricks.
False Accusation Against Mr. Johnson (04:06 - 04:16):
The thief claims Mr. Johnson bought Kim; Johnson quickly denies it and ejects the troublemaker.
Dinner Invitation (04:31 - 05:00):
Irene invites Tex and Shorty for dinner on the circus train. Tex politely declines—sensing something amiss.
Suspicious Activity (05:33 - 05:43):
Tex sees Tracy and the earlier thief sneaking around, leading to a grim discovery: Kim has been stolen after all.
Chase and Train Hopping (06:00 - 07:22):
Tex and Shorty pursue the horse thieves, hopping onto the moving circus train headed for Bryce Summit.
Confrontation & Fistfight (07:22 - 07:54):
Tex confronts the thief in a railcar brawl, demanding to know Tracy’s whereabouts.
This episode of Harold’s Old Time Radio delivers a classic blend of action, comedy, and Western values. Listeners will enjoy fast-paced dialogue, clever problem solving, and a heartfelt finale anchored by loyalty between cowboy and horse. A gem for fans of old-time radio and Western heroics alike.