D (4:15)

Well, you'd get nervous too if you was in my place.

C (4:18)

I know.

D (4:20)

Death is a big thing, Amos. Yeah. Oh, me. Why don't the thing start?

C (4:25)

Well, I think as soon as this music is over from the organ. Then the mixed quartet from the lodge is gonna sing one song. And then they go right into the Witten marsh.

D (4:34)

Yeah. Peek out that door there.

C (4:36)

All right, I'll peek out.

D (4:37)

Don't let them see you, though. Is there many people out there?

C (4:40)

Yeah, the church is almost full.

D (4:42)

And cheers, huh? Yeah.

C (4:44)

I see Madame Queen sitting out there. And there. Sadie Blake, too.

D (4:47)

Oh, me, I was nervous, Amos.

C (4:50)

That's all right. And I with you. Now, take it easy, son. Come on now. Pull yourself together.

D (4:54)

My mouth is getting dry just like I told you it was. I feel like I got a mouthful of cotton.

C (5:00)

Now, when you stand up at the altar there. There'll be a table right in front of you. And there it is out there now. And it's got a pitcher of water on there. And the preacher say, it's all right for you to take a drink when you get there. If you feel kind of faint or anything, you see.

D (5:12)

Is there water in the pitcher? I wish I had a drink of it now.

C (5:16)

Yeah, well, the pitcher got water in it. The only thing is I can't go out there and get you a drink of it Now. Wait till you get out there. Cause the pitcher will be right in front of you. And then you can take a swallow of it when you get there, you see?

D (5:27)

Why don't they start a thing?

C (5:28)

Yeah, well, don't worry now. It did start in a minute. A couple of people are still coming in. Yeah, I got the ring now, you know.

D (5:35)

Yeah. Don't lose that now. What has I gotta do?

C (5:40)

Well, you remember what you done last night at the rehearsal?

D (5:43)

Uh, what was that?

C (5:44)

Well, you say I do twice. You say that twice.

D (5:48)

Well, why has I gotta say it twice?

C (5:50)

Well, the preacher asks you two different questions, you see. Then you say, I do once. Then he asks you another question. Then you say, I do again, you see?

D (5:57)

Yeah. You're gonna be standing there by me, ain't you?

C (6:00)

Oh, yeah. I is your best man, son. Now, don't get nervous. And I know just how you feel, but take it easy.

D (6:05)

Yeah, well, stand up close to me now. Cause I can kind of lean on you.

C (6:10)

Yeah, well, that's all right.

D (6:11)

My knees been giving me trouble for the last two days.

C (6:14)

What's the matter with your knees, Andy?

D (6:16)

I don't know. My legs been acting like they've been made out of rubber.

C (6:19)

Wait a minute, wait a minute.

E (6:20)

Everything going all right now, Andy? Don't worry about nothing. Remember, I lookin out for your interest.

D (6:24)

Well, listen, Kingfish, why don't the thing start?

E (6:27)

Yeah, Well, I just sent Layton back there to tell the organ to stop playing and let the mixed chorus sing. Then we go right on.

C (6:32)

I didn't then. We're almost ready to start, Andy.

D (6:34)

I get nervous waiting.

E (6:36)

I know you is, Andy. Everything gonna be all right.

D (6:38)

Just waiting around is getting me. Everybody stick with me now.

E (6:41)

Oh, yeah, yeah.

D (6:42)

Well, we've been waiting for the bride, you know. Well, ain't she here?

E (6:44)

Oh, yeah, she been here, but she been on the telephone out in the front office.

D (6:48)

She talk on the telephone all day. Why can't she let the telephone alone when she gonna get married?

C (6:53)

Yeah. Well, now, right after the singing, the organ goes into the wedd march, Andrew, you see.

D (6:57)

Yeah.

E (6:58)

And then we start down the aisle, you see.

D (7:00)

Yeah, yeah.

E (7:02)

Now, the next thing we want to do. Wait a minute, wait a minute.

C (7:05)

There goes the singing now.

D (7:06)

Yeah.

E (7:06)

Well, now listen, boys, I gonna leave you and I gonna get on in the back of the church there so I can be ready.

C (7:11)

Now.

E (7:12)

We'll start your wedding session right after the song.

D (7:14)

Andy.

E (7:14)

Brother Andy, shake hands.

D (7:15)

Yeah, yeah.

E (7:16)

Good luck to you.

D (7:16)

Thank you, Kingfish.

C (7:17)

Stand up now, Andy, you all right now, Andy? Come on now.

D (7:21)

What is the first thing that happened, Amos?

C (7:23)

Well, you remember the rehearsal we had, don't you? You remember what you done last night at the rehearsal?

D (7:27)

Yeah. Walk over and stand there in the middle when the wedding march starts.

C (7:31)

Yeah, that's right. We stand right up at the altar there.

D (7:34)

Well, now, how did they come down the aisle?

C (7:36)

Well, the first thing that happens, the ushers come down first, you see, you got the four ushers. And then my wife Ruby is the matron of honor, you know, and she come down next. Yeah, and then how about pudding face? Yeah. Well, the bride comes down with the kingfish. Of course, the kingfish is gonna give her away, you see. And they ask who give the bride away? And the kingfisher is the one that say, I do. You see, there's the wedding march. Now, come on, let's get on us.

D (8:00)

How I look?

E (8:00)

How I look?

C (8:01)

You look all right. Come on, follow me now.

D (8:03)

Yeah, here I go. Come on, come on.

C (8:05)

Yeah, and that's right. Stand right here now.

D (8:07)

That's right.

C (8:08)

Now, fierce, the window that's got all them pretty colored stained glass in there and look at there.

D (8:14)

Yeah, I'll stand here like this.

C (8:15)

Yeah, that's it now. Now, take your time. They're coming down the aisle. Everything going to be all right now?

D (8:19)

Yeah. Here come the preacher, too.

C (8:21)

Yeah, he. See, he walked out from behind the Palms.

B (8:23)

Yeah, that's right.

C (8:24)

Don't be nervous now.

D (8:26)

Is they coming down the aisle, Amos?

C (8:28)

Yeah, they're almost here. And don't forget now, you gotta turn around and meet your bride. Don't forget that.

D (8:33)

Yeah. You got my ring, agent? You got my ring, agent?

C (8:35)

Yeah, I got it. Yeah, it is right here. Now move over a little bit there. Here, move over a little bit so your wife can get next to you.

D (8:42)

I move over here. Hello, darling.

E (8:46)

Dearly beloved, we are here reverently assembled. To see this man and this woman united and married, which is a relation divinely instituted and sanctified for the welfare and happiness of mankind. By this relation, the home is established. Bringing the truest joys on earth. But it involves unfailing fidelity, unselfish devotion. And sometimes loving forbearance. For as much as these two persons have come hither to be made one in this holy estate. If there be any here present who knows any just cause why they may not be lawfully joined in marriage. I require him to make it known, now or ever after hold his peace. The vow shall now be spoken. After which we will bow our heads in prayer. So I ask you, who giveth this woman to be married to this man? I do. As a token of your unfailing desire. And as a token of your united lives. You may join your right hand. Do you, Andrew H. Brown, take this woman whose hand you now hold to be your lawful wedded wife?

B (10:08)

I do.

E (10:09)

Do you promise to love and cherish her. In sickness and in health, for better or for worse. And forsaking all others. Keep thee only unto her so long as ye both shall live?

C (10:22)

I do.

E (10:24)

Do you, Velada Green, take this man whose hand you now hold to be your lawful wedded husband. And do you promise to love and cherish him. In sickness and in health, for better or for worse, and forsaking all others. Keep thee only unto him so long as ye both shall live?

B (10:46)

I do.

E (10:48)

Andy, what pledge do you offer? That you will fulfill these vows?

C (10:53)

Here's the ring, Andy.

D (10:56)

This diamond wedding ring.

E (10:58)

Do you, Valeta, accept this token of the same?

B (11:02)

I do.

E (11:04)

You will then, Andy, place the ring on the fourth finger of the left hand. You will now join hands. I, by virtue of authority vested in me by the state and this church. I now pronounce you Amos. I shot Andy. Is you hurt, Amos? My arm. My right arm. Quick. Somebody shot from the back of the church.

C (11:27)

Amos.

D (11:28)

My arm.

E (11:29)

King, please help me.

C (11:30)

We got to get Andy to a hospital.

D (11:31)

Amos, help me.

E (11:32)

I think I going to faint.

C (11:32)

Somebody done shot me in the arm.

E (11:34)

Get a hold of him. Oh, come on. We going to take him out here.

B (11:42)

Tonight is another step forward in the great career of Amos and Andy. For tonight they are broadcasting over the largest network of stations in their history. I wish Ramos and Andy and Campbell Supes to welcome most heartily their old friends and the hundreds of thousands of new ones who for the first time through these increased stations can now easily hear Amos and Andy each night. Campbell Soups are glad to bring you Amos and Andy because they are such nationally loved characters with a homey philosophy that attacks life's problems in a way that interests, amuses and in so many cases helps. And for my part, I'm glad to be able to talk to a still larger audience to suggest you're serving various Campbell's soups tonight. I want to suggest this. Won't you try Campbell's Cream of mushroom Soup tomorrow? This may be a new soup to you, but I am confident that if you once serve it, your family will want. Amos and Andy in person will return to you tomorrow at this same hour over this same station. This is Bill Hay speaking for Campbell's Cream of mushroom Soup, bidding you all good night.

E (14:14)

This is the Columbia Broadcasting System.

A (14:31)

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