An Evening With Groucho 13 Oh How That Woman Could Cook

Summary

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Podcast Summary: "An Evening With Groucho 13 – Oh How That Woman Could Cook"

Podcast: Harold's Old Time Radio
Host: Harold's Old Time Radio
Episode Date: September 28, 2025

Episode Overview

This episode transports listeners back to the golden age of radio with a focus on classic comedy sketches. The highlight is a humorous monologue and song, “Oh How That Woman Could Cook,” performed in the vaudevillian style reminiscent of Groucho Marx, blending sharp wit, physical characterizations, and a touch of nostalgic showbiz storytelling.

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Key Discussion Points & Segments

1. Comedy Skit Start – Monologue & Backstage Antics

[00:36 - 01:05]

• The segment opens past the intro and ad section, setting the stage with a quick exchange about keeping the humor appropriately "high-brow."
• A performer delivers a comedic monologue inspired by the vaudeville circuit:
  • The joke focuses on a woman who, despite her lack of traditional beauty or talent, excels at cooking.

Notable Quote:

"I once knew a woman who couldn't spell cat. Her face was as homely as cinch."
– Comedian [00:36]

2. The Famous Song – “Oh How That Woman Could Cook”

[01:05 - 02:27]

• The performer launches into the full verse:
  • Lampoons the woman's singing, appearance, and piano playing, but repeatedly circles back to praise her extraordinary cooking skills.
  • Delivers playful rhymes comparing her bread to "angel fool's cake" and her tripe to "peaches and cream."
  • The segment ends with a silly romantic punchline: “with the table between us she looked exactly like Venus.”
• The cadence and delivery channel the Marx Brothers’ quick wit and vaudeville stage presence.

Notable Quote:

"Her bread was like angel fool's cake. She could take soup meat and give it one look and right away it was porterhouse steak … with the table between us, she looked exactly like Venus. Oh, look how that woman could cook." – Comedian [01:05–02:27]

3. Backstage Reflection & Subversive Humor

[02:27 - 02:48]

• Transition behind the scenes with the producer/director reflecting on performing the song in Canada:
  • Touches on changing comedic personas to fit the times and locations.
  • The performer comments humorously on “making myself a Jew comedian,” nodding to Groucho’s stage persona and adaptability in show business.

Notable Quote:

"So I put some makeup on him and I made myself a Jew comedian, which I'd never been. I'd never been a Jew comedian. And I sang this song." – Performer [02:41]

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Memorable Moments & Tone

• The skit’s self-aware, slightly irreverent humor pays homage to old radio traditions.
• The on-mic banter between performer and director injects authenticity and nostalgia, reminiscent of live theater.
• The comic song’s over-the-top praise for the woman’s cooking is a tongue-in-cheek celebration of home life.

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Quick Reference Timeline

• 00:36–01:05: Banter about joke quality; comedic monologue on an unlikely romantic interest.
• 01:05–02:27: Song performance – “Oh How That Woman Could Cook.”
• 02:27–02:48: Commentary on the act, adaptation for audience, and comic persona.

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Final Notes

“An Evening With Groucho 13 – Oh How That Woman Could Cook” delivers a vivid slice of vintage radio comedy, channeling Groucho Marx’s flair and vaudeville’s charm. The use of biting wit and playful wordplay captures the spirit of an era when families gathered by the radio for laughter and sharp observational humor.

For listeners interested in classic comedy and showbiz history, this episode is both an entertaining performance and a loving nod to radio’s golden age.

Transcript

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[Comedian]

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[Comedian]

I once knew a woman who couldn't spell cat. Her face was as homely as Cinch.

[Producer/Director]

That wasn't necessary that part.

[Performer/Actor]

Can I try it again?

[Producer/Director]

Let's keep it on a high basis.

[Performer/Actor]

Can I try again? Can I get another crack at it?

[Producer/Director]

Okay.

[Performer/Actor]

Thank you.

[Comedian]

I once knew a woman who couldn't spell cat. Her face was as homely as cinch. In winter she always wore last summer's hat And a size 11 shoe was a pinch. When she played piano strong men would faint and weak men would cry out in grief. And as for her singing, well, it made you feel that it wasn't so tough to be deaf but with all these things that the people would say her voice and her looks couldn't drive them away because, oh, how that woman could cook. Her bread was like angel fool's cake. She could take soup meat and give it one look and right away it was porterhaus steak. Her Pfannekuchen what a beautiful dream. Her tripe was like peaches and cream and with the table between us she looked exactly like Venus. Oh, look how that woman could cook.

[Producer/Director]

Now obviously with the Louis Satania laying at the bottom of the Atlantic Ocean, I'd have got killed if I sang that song in Canada. So I put some makeup on him and I made myself a Jew comedian, which I'd never been. I'd never been a Jew comedian. And I sang this song.

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