
Armed Forces Radio Theater 48-09-26 Fifth Avenue Girl
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Narrator
The Armed Forces Radio Theater presents Fifth Avenue Girl, starring Paulette Goddard. Hear those birds? Those are the birds of Central Park. Central park is a spot in New York where they allow trees and birds and squirrels. Squirrels are animals that like nuts because the nuts sit in Central park and throw food to the squirrels.
John Borden
Here, Squirrel, squirrel, squirrel. Come and get it. Squirrely, Squarely, Squarely.
Narrator
That's John Borden. John Borden is not very experienced at feeding squirrels because for 30 years he's been too busy making a million dollars. But now he's learning fast how to behave himself in the park like this.
John Borden
Excuse me. Miss me? I sit next to you.
Satan Gray
There's no city ordinance against it.
John Borden
Thank you. Here, Squarely, squirrely, Squirrely.
Satan Gray
Will you stop wasting those perfectly good peanuts?
John Borden
What's the matter? Don't you like squirrels?
Satan Gray
Squirrels are too well fed.
John Borden
Say, are you a communist?
Satan Gray
No, but I'm a victim of capitalism.
John Borden
How's that?
Satan Gray
No capital.
John Borden
Oh, Hungry.
Satan Gray
How about you?
John Borden
Me? Oh, well, I'm. I suppose I'm a sort of victim of capitalism myself.
Satan Gray
Oh, well, in that case.
John Borden
What are you doing?
Satan Gray
Tearing the paper in halves. There. Help wanted, female to me. And help wanted, male to you.
John Borden
Thank you. And the peanuts to you.
Satan Gray
Thank you. And nuts to the squirrels. Oh, you poor man. Not so many for the way you laugh. You're not really happy, I can tell.
John Borden
Well, I guess you're right at that. You know something?
Satan Gray
What?
John Borden
This is my birthday and I have nobody to celebrate it with.
Satan Gray
That's a shame. People like you and me. Darn nice people.
John Borden
You betcha.
Satan Gray
And we have to sit here hungry and not celebrating your birthday and out of jobs. And over there on Fifth Avenue are all the plush bottoms and the vander drips and the Bordens. The Bordens yes. Now there's a family that shouldn't exist.
John Borden
So why?
Satan Gray
Well, for example, look at that son of theirs.
John Borden
Tim.
Satan Gray
Yes, Timothy Borden. The boy who's always falling off the polo pony.
John Borden
Well, there's no harm in polo.
Satan Gray
Oh, maybe not, but the brat never works. You know, the last time I saw his picture in the paper I looked at the financial page to see how his old man's business was doing. The stock had dropped from 50 to 30 in one day. And it ought to with a loafer like that Timothy in the family.
John Borden
Yeah, yeah.
Satan Gray
He ought to help his father out, that Darnold fool. He doesn't deserve helping.
John Borden
Darnold fool?
Satan Gray
Well, of course. Don't you read the gossip columns?
John Borden
No. They don't talk about Bob Borden and the gossip columns, do they?
Satan Gray
Oh, no, just about his wife.
John Borden
Really?
Satan Gray
Sure. Where have you been? Mrs. Borden runs around with that gigolo Tommy Hopkins all the time.
John Borden
Oh, that's for sure. No, nothing.
Satan Gray
Well, if old man Borden had any sense he'd put a stop to that.
John Borden
It's an outrage.
Satan Gray
Well, none of our businesses.
John Borden
What? No, no, but look, you said Borden could put a stop to it. How?
Satan Gray
I didn't mean Borden could put a stop to it. It would take a man of intelligence.
John Borden
Yes. Could you tell him how?
Satan Gray
I sure could.
John Borden
You know, that might be a job for you. A man like Borden might be willing to pay money for.
Satan Gray
For information leading to the return of his wife.
John Borden
Yes.
Satan Gray
I never could earn a dollar that easily.
John Borden
You might be able to. That darned old fool Borden might be awfully glad to meet someone like you. Do you realize Borden might be a pretty lonesome man?
Satan Gray
Really?
John Borden
Do you realize he might wish his son would go into the business? Do you realize he might hate to come home to a house full of servants and no family?
Satan Gray
No, I didn't.
John Borden
Maybe he walks around this very park feeding the squirrels and wishing there was somebody who remembered it was his birthday.
Satan Gray
I see.
John Borden
Do you?
Satan Gray
Yes. And I beg your pardon, Mr. Borden.
John Borden
That's all right. Would you like a job?
Satan Gray
I need one.
John Borden
You got one.
Satan Gray
What do I have to do?
John Borden
I don't know.
Satan Gray
All my life I've been hearing about hard headed businessmen. I never thought that I'd be lucky enough to meet a soft headed one.
John Borden
Well, I can't tell you what you'll have to do when I'm hiring you to tell me what I have to do.
Satan Gray
You mean to win back your wife?
John Borden
To win back my wife and my son. And my peace of mind to teach me to laugh as though I were happy to be happy to live at.
Satan Gray
Life as a Mr. Borden. Instruction number one. Relax.
John Borden
And you will take the job.
Satan Gray
On one condition.
John Borden
What condition?
Satan Gray
That you let me help you celebrate your birthday.
Narrator
Good morning, Mrs. Borden.
Mrs. Borden
Oh, good morning, Higgins. Is my breakfast ready?
Narrator
Yes, madam.
Mrs. Borden
Oh, Higgins, did you have Mr. Borden leave that check for me before he went to the office?
Narrator
Mr. Borden is not yet gone to the office, madam.
Satan Gray
Oh, really?
Narrator
Mr. Borden hasn't yet come down, madam.
Mrs. Borden
Didn't you wake him?
Narrator
I tried to wake him, madam, but he. He threw a shoe at me. Mr. Borden got in rather late, madam. Oh, yes, and he. He brought a person with him.
Mrs. Borden
Well, that's very strange.
John Borden
Morning, Hayes.
Narrator
Morning, sir.
John Borden
Morning, Martha.
Mrs. Borden
John, I think you owe me an explanation.
Narrator
I shall go and see about breakfast, sir.
John Borden
Very tactful of you, Hagen.
Mrs. Borden
Now, John, why are you not at the office?
John Borden
I've retired. What? I've retired. I hired an advisor yesterday and the advisor advised me to retire, so I did.
Mrs. Borden
Have you gone out of your mind, John? I understand you were rot until all hours.
John Borden
Yes, yes. I waved at you in the Flamingo Room, but you were too busy with Tommy Hopkins.
Mrs. Borden
Oh. Well, were you in the Flamingo Room with this man you brought home with you?
John Borden
I didn't bring home any man.
Satan Gray
Oh.
Mrs. Borden
Oh, well, then Higgins must have been mistaken.
John Borden
Certainly is. I brought home a woman.
Satan Gray
A woman?
John Borden
Well, a girl.
Satan Gray
Hello.
John Borden
And Here she is. Ms. Gray, this is my wife.
Narrator
This is Mr. Borden.
Satan Gray
I'm glad to meet you.
Mrs. Borden
Well, I'm horrified to meet you.
Satan Gray
Well, I'm a little horrified too.
John Borden
What?
Satan Gray
I read so many things about you in the papers, Mrs. Borden.
Mrs. Borden
Oh, John, you will tell Higgins to send my breakfast to me in my room.
Satan Gray
Martha, don't go after her.
Narrator
What?
John Borden
Well, she's all upset. She's distressed, but that's all right.
Satan Gray
That's just the point. She'll be more distressed when she finds that I'm staying here for good. Come in.
Narrator
How do you do?
Satan Gray
How do you do?
Narrator
I'm Mr. Borden's son.
Satan Gray
Oh, yes. Timothy. I didn't recognize you without your polo mallet.
Narrator
I'd like to sit down, if I may.
Mrs. Borden
Of course.
Narrator
My mother tells me that you're staying in this house permanently.
Satan Gray
Yes. Your father seems to like my company.
Narrator
How long have you known my father?
Satan Gray
Ever since last night.
Narrator
You only met him last night in the park. Oh, a pickup.
Advertiser
Mm.
Satan Gray
What do you think of your father's taste?
Narrator
I can understand exactly why he would be attracted to you.
Satan Gray
Thank you.
Narrator
However, my father's an old man.
Satan Gray
Age doesn't matter when the real thing comes along.
Narrator
How about money? Does that matter?
Satan Gray
It helps.
Narrator
Oh, now we're getting somewhere. Look, do you know what this is?
Satan Gray
$50 bill, isn't it?
Narrator
That's exactly what it is. And I'll tell you what I'll do. I'll bet this bill that you can't get out the front door for good by the time I count a thousand.
Satan Gray
Oh, I don't think I could make it. You see, my rheumatism's been bothering me.
Narrator
I'll raise it to $100.
Satan Gray
And you play polo.
Narrator
What's that got to do with it?
Satan Gray
Nothing. It's just that I'm amazed to discover that horses have better breeding than the people who ride them. Goodbye, Timothy.
Mrs. Borden
Higgins, call Mr. Borden to dinner.
Narrator
Oh, Mr. Borden isn't home, madam. He and Ms. Gray are dining at the stock dress. Well, Mother, this is the 10th night in a row that Father has gone out with Ms. Gray.
Mrs. Borden
Yes, Timothy, I know, and I'm worried. He's acting like an old fool. What can we do to keep him home?
Narrator
I'd suggest a line of chorus girls in the drawing room. And now, question of the week. When that prominent manufacturer steps out with a girl, who's Borden? Get it? Boredin in his home, which does he burn up faster, the town or his wife?
Satan Gray
Huh?
Mrs. Borden
Good evening, Ms. Gray.
Narrator
Good evening, Ms. Gray.
Satan Gray
Good evening. My, looks like a family delegation waiting for me.
Narrator
We're waiting for my father.
Satan Gray
Oh, is he late getting down again?
John Borden
Hello there, Mary.
Narrator
Already?
Satan Gray
Come on.
John Borden
Oh, you look beautiful, Mary.
Satan Gray
Thank you.
John Borden
Oh, hello, Martha. Hello, Tim. Well, Mary, ready to step out?
Satan Gray
Yes, we better hurry. You know, those head waiters don't hold tables very long these days.
John Borden
Father, here's Tim.
Mrs. Borden
Tim and I wanted to ask you to stay home for dinner tonight, John.
John Borden
Oh, I couldn't do that. But I might see you later, my dear. You'll be going out with Tommy Hopkins, won't you? Oh, might see at one of the clubs, Father. See here?
Satan Gray
No.
Mrs. Borden
Which club, John?
Satan Gray
Oh, we never know in advance. There's one place up in Harlem, but I'm afraid it's a little too rough for you, Mrs. Borden.
John Borden
Oh, Mary, I want a rumba tonight. How does that song go? That. That rumba song? Goodbye, all.
Satan Gray
Well, well, where we go?
John Borden
The usual.
Satan Gray
Look, Mr. Borden, maybe we ought to go to a nightclub once. At least we'd be indoors oh, but.
John Borden
I can't stand nightclubs, Mary.
Satan Gray
All right, let's go over to the park and find our bench and wait for 4 o' clock in the morning to come again. But tonight, for heaven's sake, don't talk to me about your business problem.
Narrator
We will continue with Act 2 of Fifth Avenue Girl, right after we hear the orchestra play Dancing on the Ceiling.
Satan Gray
Satan Gray is one of the strangest.
Narrator
Jobs anyone ever had. Mr. John Borden is paying her to live in his home and go out with him each night in an effort to win back his wife and make a man of his son. The most attractive feature of Mary's job is that she can sleep late every morning. It's almost noon now and she's just gotten dressed when someone knocks on the door.
Satan Gray
Come in. Oh, good morning, Tim.
Narrator
Good afternoon. Did you put these things in my room?
Satan Gray
Yes.
Narrator
Why?
Satan Gray
They're reports on the state of your father's business. And since your father is too old to work.
Narrator
Bunk, he wasn't too old a couple of weeks ago.
Satan Gray
He feels he is now.
Narrator
Are you trying to be clever?
Satan Gray
Somebody's got to fill your father's shoes. They're probably too big for you, though.
Narrator
I'm not a man, is that it?
Satan Gray
Are you?
Narrator
I don't have to take this kind of talk from a gold digger.
Satan Gray
What is a gold digger?
Narrator
Well, you ought to know.
Satan Gray
What makes you think you're not one? What have you done to deserve that suit you're wearing? This house and your polo pony. What have you ever accomplished?
Narrator
And what do you expect to accomplish? Do you expect to marry my father?
Satan Gray
Well, I haven't decided. I like him well enough, but I'd certainly hate to be related to you. Come in.
John Borden
Hello, Mary. Hello there, Tim.
Narrator
Dad, can I speak to you privately?
John Borden
You might ask Miss Gray for an appointment.
Narrator
Do you mind if I speak to my father, Miss Gray?
Satan Gray
Not at all.
Narrator
Well, please go away, then.
Satan Gray
Not at all.
John Borden
What do you want? Speak up, Tim.
Narrator
Well, all right. It's about these reports. Have you seen them?
John Borden
Huh? Oh, those business reports. Well, I told Ms. Gray to throw them out.
Narrator
I've been looking through them and the situation is pretty desperate.
John Borden
Well, why don't you do something about it?
Narrator
Well, I don't know anything about manufacturing pumps.
John Borden
Mary. He says he doesn't know anything about manufacturing pumps.
Satan Gray
Well, I guess he'll just have to learn.
Mrs. Borden
Miss gray.
Satan Gray
Yes, Mrs. Borden?
Mrs. Borden
Do you mind if I sit down here with you, Miss Gray?
Satan Gray
Well, not at all.
Mrs. Borden
I just want to be a good sport. That's All I know when I'm beaten. So let's be friends. Of course, I'll admit that I hated you at first.
Satan Gray
Why shouldn't you?
Mrs. Borden
Well, because I brought this on myself. I gave my husband nothing. And you've given him youth and beauty.
Satan Gray
Oh, my goodness. I'm not beautiful. I have to fix up a lot.
Mrs. Borden
I've kept asking myself why you couldn't have fallen in love with a younger man, but guess that's beside the point.
Satan Gray
Well, all the younger men I know are broke, Mrs. Borden.
Mrs. Borden
Well, I certainly hope it isn't Mr. Borden's money you want.
Satan Gray
Well, not exactly, but he has quite a lot, hasn't he?
Mrs. Borden
Now, see here, I don't want you to take my husband just for his money. I'm giving up my place to you after trying every feminine trick I know of.
Satan Gray
Not every trick.
Mrs. Borden
Oh, what do you mean?
Satan Gray
Nothing.
Mrs. Borden
Well, all right then. But I don't want John to be unhappy. I don't want a woman to have him unless she.
Satan Gray
Unless she really cares for him.
Mrs. Borden
Unless she really cares for him.
Satan Gray
Well. Well, I wouldn't want to tell you this, Mrs. Borden, only I'm a little disappointed in your husband. What? He was a good, very good sport at first, but I'm afraid he's beginning to open up at the seams. He is?
Mrs. Borden
Well, I don't understand.
Satan Gray
Oh, he's such a sentimental old duck, always talking about the past. You know where he's been taking me lately?
Mrs. Borden
No.
Satan Gray
To a joint that serves beef stew exclusively. And if there's anything I hate, it's beef stew. I was weaned on it.
Mrs. Borden
Oh, beef stew. You know, we used to have a lot of beef stew when we were first married.
Satan Gray
That's exactly what I meant. Beef stew is the one feminine trick that you haven't used, Mrs. Stevenson. Boarding.
John Borden
Well, well, Twiller. So you had to come up here to see the old man, huh? It's always a pleasure to see you, boss. Don't try to kid me. I know you came up here to get advice on how to run the business.
Narrator
Not at all. I came to tell you how well the business is being run without your.
John Borden
Huh?
Narrator
It's your son. Oh, well, he certainly got a wonderful idea.
John Borden
He's my son.
Narrator
The whole thing hinges on a cheaper pump.
John Borden
Yeah, now that's out, Warden Pump said.
Narrator
Wait a minute, boss. There's something to his idea. He says if we extend long term credit to farmers, they'll be able to buy our pumps and irrigate their crops. And we can get credit on their notes and keep the factories rolling.
John Borden
That sounds good. Why didn't we think of that?
Narrator
Hello. Am I butting in?
John Borden
No, no, Tim. Terwilliger and I were just talking over a few personal matters.
Narrator
Well, I wanted to talk to you too, dad. I'll go.
John Borden
Thanks very much for dropping in, Terwilliger. Goodbye. Goodbye. Goodbye. Tim, what's all this about long term credit and a cheaper pump?
Narrator
Your pumps have got whiskers. And so have your ideas.
John Borden
What?
Narrator
If I'm going to run the business, I'm going to run it my way.
John Borden
Now, wait a minute, Borden. Pump set a standard 25 years ago.
Narrator
I don't care about 25 years ago. You've got to try new ideas.
John Borden
Oh, well, you're running the business. Do what you like. Now, what do you want to see me about?
Narrator
Come here.
John Borden
Where?
Narrator
Over here to the door.
John Borden
Right.
Narrator
Smell. Do you smell it?
John Borden
Oh, by the great Lord Harry. Beef stew.
Narrator
Mother's making it out in the kitchen. She was hoping you'd like to stay home and have some then.
John Borden
Beef stew.
Satan Gray
Hello. You all ready to go out?
John Borden
Well, I.
Narrator
My father was thinking of staying home tonight, Ms. Gray.
John Borden
Well, I don't know. I. I do have a date with Miss Gray and I. I'll be glad.
Narrator
To take Miss Gray.
John Borden
Well, I. Would you mind, Mary?
Satan Gray
Well, not if it's what you want, Mr. Borden. Of course we do have a date.
Narrator
It's all settled. Let's go. Ms. Gray.
Satan Gray
This is our bench.
Narrator
Whose bench?
Satan Gray
Your father's and mine.
Narrator
Okay, let's sit down. Now, you and my father don't come to the park every night.
Satan Gray
Yes, we do.
Narrator
Well, if that's true, this whole business is even more disgusting than I thought. Why should you want to sit in the park with an old man?
Satan Gray
Don't you suppose I'd rather sit here with a young man?
Narrator
Well, you're doing that right now.
Satan Gray
Well, I'm very conscious of that.
Narrator
Are you?
Satan Gray
Mm.
Narrator
Well, I'm conscious of you, too.
Satan Gray
Distastefully.
Narrator
That's how I should think of you. But.
Satan Gray
But why?
Narrator
Well, after all, I am young. You said that yourself. And I. I guess the beast is coming out in me.
Satan Gray
Oh, well, I love dumb animals, if they're not too dumb.
Narrator
You know, you're very beautiful.
Satan Gray
Am I?
Narrator
You know you are you. What if I kissed you?
Satan Gray
Well, I don't know. What if you did?
Narrator
Well, I don't know. I.
John Borden
Oh.
Narrator
I shouldn't have done that.
Satan Gray
I. I didn't mind it at all.
Narrator
I suppose that's what you've been doing with my.
Satan Gray
Oh, Tim. No, no. Why, he's old enough to be my father in law.
Narrator
What?
Satan Gray
Sorry, that was a slip of the tongue.
Narrator
Yes, it certainly was, wasn't it?
Satan Gray
Well, I didn't mean.
Narrator
No, no, you didn't mean to let me know you wanted to be more subtle.
Satan Gray
Tim, what are you talking about?
Narrator
I'm talking about you. You went after my father because he had money. And you made a fool of him because there was no other way of getting him.
Satan Gray
Well, that's not true.
Narrator
You kept him from his business and taught him to dance and you flattered him and probably necked with him. But tonight, when you saw that the spell was broken, you went after his son.
Satan Gray
Tim, what are you saying to me?
Narrator
The truth. That's why you brought me to the park. That's why you sat with me on this bench.
Satan Gray
Why, you dirty minded little beast. I'm through with you and your whole family. Mary, listen, will you leave me alone? Mr. Borden.
Mrs. Borden
Oh, hello, Mary.
John Borden
Mary, I've got great news for you. Mrs. Borden and I have met, Mary.
Mrs. Borden
We've made up all our differences. I understand everything now.
Satan Gray
Well, I'm glad of that because I'm resigning.
John Borden
Oh, wait a minute.
Satan Gray
I'm resigning. I can't play any longer. I wasn't doing anything to anybody. I was just sitting on a park bench minding my own business. I didn't ask for this job. You forced it on Meredith. I'm sorry I ever saw you. I'm sorry I ever saw this place.
Mrs. Borden
I can't take it any longer, Mary. Goodbye.
Narrator
Dad. I heard what she said about a job. Was she working here?
Mrs. Borden
Well, of course she was. Timothy.
Narrator
Oh, Mary. Mary.
John Borden
Hey, Tim, Try the park.
Narrator
Hello.
Satan Gray
Don't talk to me.
Narrator
All right. You mind if I sit next to you?
Satan Gray
There's no city ordinance against it.
Narrator
I'd like to beg your pardon.
Satan Gray
Granted.
Narrator
Why did you come to the park?
Satan Gray
Why do you think I did?
Narrator
Because you knew I'd come here.
Satan Gray
You're very clever.
Narrator
It's true, isn't it?
Satan Gray
Oh, yes. Mary, please take your arm from my shoulder.
Narrator
Mary, I want to.
Satan Gray
To what?
Narrator
To marry you.
Satan Gray
So you still think I want to marry a millionaire?
Narrator
Oh, no, no, of course not.
Satan Gray
Well, then take your arm away from my shoulder.
Narrator
Oh, all right.
Satan Gray
And put it around my waist.
Narrator
Oh, all right.
Satan Gray
You see how wrong you are? Tim, I do want to be. Marry a millionaire. I'd love to.
Narrator
Fifth Avenue Girl, starring Paulette Goddard has been a presentation of the Armed Forces Radio Theater. Corporal Bruce Sedley speaking. This is the United States Armed Forces Radio Service, the voice of information and education.
Harold's Old Time Radio Podcast Summary
Episode Title: Armed Forces Radio Theater 48-09-26 Fifth Avenue Girl
Release Date: June 23, 2025
Duration: Approximately 25 minutes
In this episode of Harold's Old Time Radio, listeners are transported back to the Golden Age of Radio with the dramatization of "Fifth Avenue Girl", originally starring Paulette Goddard. This episode, presented by the Armed Forces Radio Theater, captures the essence of pre-television family entertainment, showcasing the timeless allure of radio plays. The story revolves around John Borden, a wealthy but emotionally distant businessman, his wife Martha, their son Timothy, and Mary Gray, a young woman hired to rejuvenate John's personal and professional life.
The episode opens with a brief narrated introduction that sets the tone in Central Park, New York—a serene locale teeming with trees, birds, and squirrels. The narrator (00:01) paints a vivid picture:
"Central Park is a spot in New York where they allow trees and birds and squirrels. Squirrels are animals that like nuts because the nuts sit in Central Park and throw food to the squirrels." (00:01)
This tranquil setting is abruptly contrasted by the first interaction between John Borden (John Borden) and Satan Gray (Satan Gray), highlighting John's lack of experience in nurturing personal relationships despite his business acumen.
John Borden is portrayed as a successful yet emotionally detached millionaire who has neglected personal connections for three decades. His attempt to feed squirrels in the park symbolizes his superficial efforts to reconnect, as he remarks:
"Here, Squirrel, squirrel, squirrel. Come and get it." (01:36)
"This is my birthday and I have nobody to celebrate it with." (03:02)
Enter Satan Gray, a self-described victim of capitalism, who challenges John's indifference:
"Satan Gray: Squirrels are too well fed." (02:11)
Their dialogue reveals John's loneliness and Satan Gray's probing nature, setting the stage for the unfolding drama.
Amidst their interaction, Satan Gray proposes a mutually beneficial arrangement. John, recognizing his need for personal growth, offers Satan a job:
"You might be able to. That darned old fool Borden might be awfully glad to meet someone like you." (05:02)
This offer signifies John's subconscious desire for change, while Satan's acceptance under the condition to celebrate John's birthday introduces a personal stake in their professional relationship.
The narrative shifts to Martha Borden (Mrs. Borden), showcasing her dissatisfaction with John's recent behavior. The strained relationship is evident when Martha confronts John:
"John, I think you owe me an explanation." (06:21)
John reveals his retirement and the introduction of Mary Gray into their household, heightening Martha's suspicions and jealousy:
"John, why are you not at the office?" (07:00)
"This is my wife." (07:50)
The tension culminates in Martha's confrontation with Mary Gray, revealing underlying familial conflicts and the impact of John's neglect on his family.
Timothy Borden (Tim) emerges as a catalyst for change within the family business. His progressive ideas about extending long-term credit to farmers clash with the established business practices advocated by John. Tim's confrontation with his father illustrates the generational and ideological conflicts:
"If I'm going to run the business, I'm going to run it my way." (19:34)
"It's your son." (19:02)
This dynamic underscores the central theme of adaptation versus tradition within the narrative.
The climax unfolds as Mary Gray and Timothy confront each other, unveiling Satan Gray's ulterior motives and Mary's genuine affection for the Borden family. The tension reaches its peak when Mary accuses Satan of manipulating John for financial gain:
"You went after my father because he had money. And you made a fool of him because there was no other way of getting him." (22:27)
Satan Gray's resignation marks a turning point, allowing Martha and John to reconcile:
"We've made up all our differences. I understand everything now." (23:02)
"I'm glad of that because I'm resigning." (23:11)
This resolution paves the way for the family's healing and the reestablishment of genuine relationships.
In the denouement, the characters come to terms with their personal and professional lives. John's acknowledgment of his mistakes and the family's willingness to embrace change signify a hopeful future. The narrator wraps up the episode with a nod to the collaborative efforts that brought peace and understanding back to the Borden family:
"Fifth Avenue Girl, starring Paulette Goddard has been a presentation of the Armed Forces Radio Theater." (25:05)
John Borden's Loneliness:
"This is my birthday and I have nobody to celebrate it with." (03:02)
Satan Gray's Challenge:
"Squirrels are too well fed." (02:11)
Timothy's Assertiveness:
"If I'm going to run the business, I'm going to run it my way." (19:34)
Mary Gray's Confrontation:
"You went after my father because he had money." (22:27)
Resolution and Resignation:
"I'm resigning. I can't play any longer." (23:11)
"Fifth Avenue Girl" is a quintessential representation of the Golden Age of Radio, blending elements of drama, family dynamics, and personal transformation. Harold's Old Time Radio masterfully brings this classic story to contemporary audiences, preserving the charm and timeless lessons of bygone radio entertainment. This episode not only entertains but also offers insightful reflections on wealth, loneliness, generational conflicts, and the pursuit of genuine human connections.