Baby Rose Marie 19xx.xx.xx Phonograph Recordings

Summary

Harold's Old Time Radio

Episode: Baby Rose Marie 19xx.xx.xx Phonograph Recordings

Release Date: March 14, 2025

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Introduction

In this nostalgic episode of Harold's Old Time Radio, host Harold delves into the enchanting world of Baby Rose Marie, spotlighting her phonograph recordings that hark back to the Golden Age of Radio. The episode captures the essence of a bygone era, showcasing Rose Marie's timeless performances alongside her collaborators, Terry Shand and Andy Snella. Listeners are treated to a blend of classic radio show flair and melodious tunes that evoke memories of families gathered around the radio set.

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Musical Segments and Performances

The core of the episode revolves around a series of musical performances by Rose Marie and her co-performers. These segments are interspersed with brief interludes and interactions, creating a seamless listening experience reminiscent of traditional radio shows.

1. "Love Morning Night or Noon"

   • Duration: [00:43 - 04:34]
   • Description: The episode opens with a heartfelt duet between David and Peter, weaving a narrative of love, longing, and the poetic symbolism of the moon. Their harmonious voices set a romantic tone, with David expressing emotions like, "I only know that I love you. That's all that matters to me." (06:52).

2. "Teach Me to Forget You"

   • Duration: [15:07 - 16:46]
   • Description: Terry Shand leads a poignant rendition of a song about forgiveness and the difficulty of moving on from love. The lyrics, "It's easy to love but so hard to forget," resonate deeply, highlighting the emotional depth of Rose Marie's repertoire.

3. "Boola Boola Neth the Moon"

   • Duration: [17:34 - 19:59]
   • Description: A lively and spirited performance, "Boola Boola" showcases Rose Marie's versatility. The playful lyrics and upbeat tempo reflect the camaraderie and joyous spirit of collegiate traditions, with lines like, "We march down the field of love through the years." (18:51).

4. "Deep in a Dream"

   • Duration: [20:47 - 22:51]
   • Description: This dreamy ballad captures the ethereal quality of romance under the moonlight. Terry Shand's soothing vocals convey a serene longing, encapsulated in the verse, "When I'm deep in a dream of you." (21:19).

5. "I Haven't Changed a Thing"

   • Duration: [23:34 - 25:50]
   • Description: Closing with a sentimental ballad, Rose Marie reflects on enduring love and unchanged feelings. The refrain, "I haven't changed a thing. My heart is still the same," underscores the timeless nature of true affection. (24:16)

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Notable Conversations and Interactions

Throughout the episode, brief dialogues between performers add depth and personality to the show, enhancing the listener's connection to the characters.

• Emotional Exchanges: David and Peter engage in an emotional dialogue exploring themes of trust and betrayal, with David lamenting, "You told a lie when you told me that you would do and say to me goodbye." (03:38). This conversation sets the stage for the heartfelt musical performances that follow.

• Encouraging Reconciliation: Terry Shand and Rose Marie interact warmly, encouraging each other to embrace happiness and move past dreams. Terry's plea, "Please come out of your dream and come into my arms," (14:16) highlights the show's focus on love and togetherness.

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Highlights and Memorable Quotes

• David's Heartfelt Plea: "I only know that I love you. That's all that matters to me." (06:52)
• Terry Shand on Forgiveness: "It's easy to love but so hard to forget." (15:22)
• Rose Marie's Enduring Love: "I haven't changed a thing. My heart is still the same." (24:16)

These quotes encapsulate the emotional core of the episode, emphasizing themes of love, forgiveness, and enduring affection that resonate throughout the performances.

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Conclusion

The "Baby Rose Marie 19xx.xx.xx Phonograph Recordings" episode of Harold's Old Time Radio serves as a heartfelt homage to the Golden Age of Radio. Through a series of beautifully performed songs and genuine interactions, Rose Marie and her collaborators transport listeners back to a time when families bonded over shared stories and melodies. The episode not only celebrates Rose Marie's musical legacy but also reinforces the timeless nature of love and human connection, making it a memorable listen for both long-time fans and newcomers alike.

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Timestamps

• "Love Morning Night or Noon": 00:43 - 04:34
• "Teach Me to Forget You": 15:07 - 16:46
• "Boola Boola Neth the Moon": 17:34 - 19:59
• "Deep in a Dream": 20:47 - 22:51
• "I Haven't Changed a Thing": 23:34 - 25:50

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Note: Timestamps correspond to significant segments and quotes within the episode, enhancing navigation and reference for listeners.

Transcript

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[David]

Do you ever get a disappointment just.

[Peter]

Because the moon shine do you ever sit around and move around a little.

[David]

Bit and give up? Oh there's a way to meet the.

[Peter]

Love of burden even though the moon.

[David]

Shines your sea of day titan driving man of mine take a picture of the moon above in Neil tune then you can make a love morning night or noon by the light of the same then take a picture of the moon or night when it's midnight then you could be dry on rainy nights when you hear light you like to spoon you have the proper atmosphere when you're on it long.

[Peter]

Take a little photograph you could love a man at.

[David]

The blazing sun take a picture of the moon above in May or june then you go take a love moon ignite and moon finally light of earth.

[Peter]

Day morning.

[David]

Take a picture of the.

[Peter]

Moon above in la then you could make a love morning night a new either light of the day long.

[Rose Marie]

Take.

[David]

A picture of the moonlight when it's.

[Peter]

Midnight then you could keep your eye on a rainy night when you feel like you like to sing.

[Terry Shand]

You have.

[Peter]

A problem when you call me down you got battles to born away but you could love and fly have to play of the moon up up and made you then you can make a love morning night and you by the I am last night you told me.

[David]

That you did call me and when I asked you the reason why you owe me deceivers lester receivers it was so sudden I had to cry cause I've been so kind of losing I.

[Peter]

Can believe in you you didn't tell.

[David]

The truth in that you told a lie when you told me that you would do and say to me goodbye say that you are te David is.

[Peter]

What is on me you gave me.

[David]

Gutcher thrill in fact you thrilled me still in fact you thrill me more in pain you always will still did.

[Peter]

You wanted to be free David you would feel me would you hurt me.

[David]

Why you must not cry with your would like you and thank you you didn't trust me now wait I guess that's all I do please tell me that you're mine but it was all un because you know I'm yours and that's you know I'm the one David.

[Peter]

You are Peter me David you are Peter me oh you didn't tell the.

[David]

Truth in fact you Told a lie when you told me that you were ruined me with mine.

[Peter]

Say that you all peels on me. Say that you all peel on me.

[David]

You gave me such a million. In fact you threw me filled. In fact you threw me more each day.

[Peter]

And you always do really wanted to be free. Well, honey said if you were peace.

[David]

Would you hurt me?

[Peter]

Why of course I was jealous. I mean and to think you didn't rock me now where I get a fool I.

[David]

Please tell me that you mind that.

[Terry Shand]

It was all un.

[David]

Because you know I'm not Think that.

[Peter]

There'S no other one. Say that you are Be on me. Say that you are Peter Me.

[David]

I heard a song a beautiful song. It brought us through divine. Just let me sing it and you'll know. Now all that's in the thought of mine. I don't know why I roll on the horrible road. I don't know why there's a rhythm and I sing.

[Peter]

I only know that I love you.

[David]

That's all that matters to me. I never could exclaim the rainbow after a. Or why there's something sacred in our.

[Peter]

Dreamy I only know that I love you.

[David]

That's all that matters to me. I don't know how but I love ring from a smile and with his no, don't tell me now but you still love me. There's nothing more I want to know Forgive me overnight the darling's early liar I don't know why or how such things can be. I only know that I love you. That's all the magic in me. I don't know why a rose is.

[Peter]

On a hard brawl I don't know why there's a rhythm in our sea.

[David]

I only know that I love a hug you that's all my mouth is to be.

[Peter]

I never could explain brave or after a while it comes and say greedy not me.

[David]

I only know that I love you. That's all that matters to me. I don't know how the sky above me free summer sun and the winter snow Just tell me now that you still love me. There's nothing more I want to know the beauty of the night Madonna light.

[Peter]

I don't know why I have such big I only know that I love you that's all that matters to me.

[David]

In the dim ding dawning as I start yawning I'm guessing either Weedy Good night. Good night.

[Peter]

Sweet dreams. Good night.

[David]

Oh, the moon is singing the stars are blinking but why do I care for their life? It's night.

[Peter]

That bright.

[David]

1:00 2:00 I should have said goodbye at 10, 4:00, 5:00 I start saying goodbye again in the dim, dim dawning as I start yawning I'm just not weening Good night, good night sweet dream Good night.

[Peter]

Asleep.

[David]

My eyes are open wide I'm sitting in the parlor but baby at night all the time goes flying by until it dawns on me I really should be gone but always heavenly in the ding ding dawn As I tiny on it I'm using my speech Jesus night.

[Peter]

Good night, Jesus night. All that food is singing and those are my blinking but what do I care when life is lost on my bad floor oh, one look at the.

[David]

Minutes you o'clock I just deserve Tomorrow's block My 5 o'clock I start saying goodbye again Good night Grade 3 and A99.

[Terry Shand]

It'S me again Making the same old play again but can you see how happy we could be again?

[Announcer]

Words and music in the modern manner by Rose Marie, NBC's youthful stylist of song.

[Terry Shand]

The penny may be bad but ain't your tiny bride. Here's me again.

[Rose Marie]

Yes, sir.

[Announcer]

And with her usual boyfriends, Terry Shand and Andy Snella, Rosemarie comes to a page of romance in her album of melody. Please come out of your dreams.

[Terry Shand]

Please come out of your dream. Come out of it and come into my arms. Castles in the air will never get you anywhere. And there's a seven little girl beside you Waiting to hear that you care. While the moonlight is bright.

[Peter]

Get into.

[Terry Shand]

It, make the most of its life. Tell me with a kiss that you're.

[Peter]

Asking as thrilling as you seem.

[Terry Shand]

Oh please come out of your dream.

[Peter]

While the moonlight is bright.

[Terry Shand]

Come on, get into it, make a.

[Peter]

Most of its night.

[Terry Shand]

Tell me with a kiss that you're.

[Peter]

As thrilling as you seem.

[Terry Shand]

Oh please come out of your dream.

[Announcer]

And here's a page of the album that's just recently been added. Teach me to forget you.

[Terry Shand]

Teach me to forgive you.

[Peter]

I've tried but tried again.

[Terry Shand]

You taught me how to love you remembering brings me so much pain. Here is a lesson I learned with regret. It easy to love but so hard to forget. So teach me to forget you Just.

[Rose Marie]

Like you, you have forgotten me.

[Terry Shand]

Here is a lesson I learned with regret. It's easy to love but so hard to forget. So teach me to forget you Just.

[Rose Marie]

Like you have forgotten me.

[Announcer]

And here's a gaily colored face that has a collegiate flavor. Mary Rosemary takes her old album over the piano, sits alongside of Terry Shand. And lay together singing a number which is called Boola boola neath the moon.

[David]

Rock rock rock sis boom With a hand and nutty and a hot cha cha.

[Rose Marie]

She is wonder bulla bulla in the moonlight when the stars emerge you feel.

[Terry Shand]

The earth to croon Acting crazy as.

[Rose Marie]

A moon with a you catch out of tune she is wonderful a bulla meet the moon. There's a hill behind the old observatory and whenever there's a moon to gaze.

[Terry Shand]

Upon Then we gather very pears in.

[Rose Marie]

The shadows by the stairs and we boulevard.

[Terry Shand]

No one's ever penalized for holding the referee's the moon Way up above from the time the game begins Final system wins.

[Rose Marie]

While we're marching down the field of.

[Terry Shand]

Love through the years we'll carry on the old traditions from a freshman till we graduate in June and we learn our ABCs underneath the blue trees while.

[Rose Marie]

We Boola Boola Boola be faculty agrees that there's a sparsity of brains among the members of the varsity.

[Terry Shand]

But this platitude depends on your attitude, my friends, for this is what the varsity contends.

[Rose Marie]

She is wonder boola boola in the.

[Terry Shand]

Moonlight when the stars emerge you feel the urge to croon Acting crazy as a moon. Whether you've got a tomb she is thunder full of the moon. There's a hill behind the old observatory.

[Rose Marie]

And whenever there's a moon to gaze.

[Terry Shand]

Upon Then we gather vars in the shadows by the stairs and we bula.

[Rose Marie]

Bula bula Till the dawn no one's ever been.

[Terry Shand]

Alas for holdings the rapture the reason.

[Rose Marie]

Way up above from the tangling end against the huddle system always wins. While we're marching down the field of love Boola boola boola boola.

[Terry Shand]

Through the years we'll carry on the old traditions from the freshman till we graduate in June and we learn our ABCs underneath a willow trees.

[Rose Marie]

What would Bulla.

[Announcer]

Leaving the piano mic once again, she comes back to her own microphone and turns another page in the album of current popular tunes. And here she finds one of the newer ones, one that's called Deep in a Dream.

[Terry Shand]

Why dim all the lights? And I sink in my chair. The smoke from my cigarette climbs through the air. The walls on the room fade away. You and I'm deep in a dream of you. The smoke makes a stairway for you to descend.

[Rose Marie]

You come in my arms.

[Terry Shand]

May this bliss never end. For we loving you just as we used to. And I'm deep in a dream of you. Then from the ceiling sweet music comes dealing with life through a lover's refrain. You're so appealing that I'm soon revealing my love for you only again. My cigarette burns me. I wake with a start. My hand isn't hurt, but there's pain in my heart. Awake or asleep, every memory I care. When I'm deep in our dream of you. When from the ceiling sweet music I'm stealing. We glide through a lover's refrain. You're so appealing and I'm soon revealing.

[Peter]

My love for you all again.

[Terry Shand]

My cigarette burns me. I wake with a star. My hand isn't hurt, but there's pain in my heart. Awake or asleep, every memory I'll keep. When I'm deep in a dream.

[Announcer]

And as much as we may not care to sometime or other, we always have to come to that old last page, don't we? And here it is, a sentimental page too, etched by the firelight Rosemarie gives us. I haven't changed a thing.

[Terry Shand]

I haven't changed a thing. The room is still the same. I'm waiting for your ring. I hope it's not in vain, darling. Are thoughts of you still cling to me? That's why I have and change the thing I haven't. Round the clock they are worst out.

[Rose Marie]

No more.

[Terry Shand]

I'm waiting for your night. The latches of the dark guarding the sunshine you will bring to me. That's why I haven't changed a thing. The slippers you wore remind me more and more of the happy next year that I once knew. Your rope now drapes the chair. As if you're sitting there with your arms around me the way you used to do. I haven't changed a thing. My heart is still the same. Let's have another thing. There's no need to explain, darling. My ears will do to the thing to me. That's why I haven't changed the thing. Most slippers that you wore remind me more and more of the happiness, dear that I once knew. When your rope now drapes the chair. As if you're sitting there with your arms around me the way you used to. I haven't changed a thing. My heart is still the same. Let's have another thing. There's no need to explain, darling. I is reduced to playing to me. That's why I haven't changed the thing. Yeah.

[Rose Marie]

Yeah.

[Peter]

Yay.

[Terry Shand]

That's why I haven't changed the thing. It's me again Making the same old play again. But can you see how happy we could be again?

[Announcer]

These have been words and music in the modern manner with Rose Marie, NBC's Young lady of Song. This is the National Broadcasting Company, RCA Building, Radio City, New York.