Beyond Midnight - The Phantom Coach

Summary

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Podcast Summary: Beyond Midnight - The Phantom Coach

Podcast: Harold's Old Time Radio
Episode Date: March 12, 2026
Host: Harold's Old Time Radio (Curator)
Original Broadcast: Beyond Midnight, "The Phantom Coach" (By Michael McCabe)
Theme: Classic supernatural radio drama - the suspenseful tale of a lost traveler, an eerie mansion, and a spectral coach.

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Episode Overview

This episode of Harold's Old Time Radio features the chilling radio drama Beyond Midnight - The Phantom Coach. Set in the winter of 1864, it follows barrister James Murray as he becomes lost on the northern English moors, only to encounter mysterious strangers and a haunted carriage. The story blends atmospheric suspense, encounters with reclusive characters, and ghostly apparitions, all heightened by the immersive style of vintage radio storytelling.

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Key Discussion Points & Story Beats

[00:30] - The Setting and Protagonist

• James Murray is introduced as a barrister and avid sportsman, lost in the bleak December moors during a snowstorm, with darkness and isolation encroaching.
  • "There was not the faintest snake leaf, not the smallest cultivated patch or fence or sheep track. The world had changed, become hostile. Alien." ([00:30])

[04:11] - First Contact: The Guide

• Murray, exhausted and disoriented, calls out and is answered by a local guide/servant, Jacob.
  • They discuss the dangers of the moor and the distance to the nearest village, with Murray expressing gratitude—and desperation—for company.
  • "I began to feel I should be hopelessly lost in the snow." – James Murray ([04:24])
  • Jacob introduces the concept of "the Master," a mysterious figure who may not allow strangers shelter.

[08:47] - Shelter with “The Master”

• Murray arrives at a remote house owned by the so-called Master. Initially hostile, the Master is persuaded to provide food and lodging out of pity for Murray’s predicament.

  • "The same by which I should have clung to your boat if I were drowning. The right of self-preservation." – James Murray ([09:08])

• The host is revealed as a once-renowned man of science, now living in self-imposed exile and isolation after being ostracized by the scientific community.

  • "A man of vision, spurned by his contemporaries because of his greater knowledge. A man born out of his time." – Narrator ([12:16])
  • "I have only suffered for the truth. As many as a better man who suffered before me." – The Master ([13:00])

• Murray feels the pull of home and concern for his young wife, and inquires about a way to return.

  • The Master tells him about a night mail coach that passes nearby, and offers Jacob as a guide to the old coach road. ([14:06])

[15:35] - The Journey to the Old Coach Road

• Jacob leads Murray through a desolate, freezing night toward the crossroads.

  • "Your master is a very eloquent man, Jacob. A brilliant man." – James Murray ([15:35])
  • Jacob is terse, behaving almost like a "tailor’s dummy." ([15:58])

• Jacob warns about a notorious accident on the coach road nine years prior, where the night mail coach plunged into a gully, killing all aboard.

  • "The night mail pitched right over down into the gully below. A good 50ft or more. Just the worst bit of road in the old country." – Jacob ([16:54])
  • Murray parts ways with Jacob at the road, feeling abandoned and vulnerable. ([17:27])

[18:32] - The Phantom Coach Appears

• Murray, now alone, perceives two approaching lights—eventually revealed as the lamps of a seemingly normal coach, which mysteriously makes no noise.

• The coach picks him up without a word from any of the crew or passengers.

  • "The coachman pulled up. The guard muffled to the eyes in capes and comforters and apparently sound asleep. Neither answered Murray's hail nor made the slightest effort to dismount." – Narrator ([19:24])
  • The interior of the coach is cold, damp, and decaying. The other passengers are unresponsive.

• Murray attempts conversation, but is met with silence and chilling details:

  • "The whole coach is in the very last stages of dilapidation. Decaying." – James Murray ([21:07])

[21:44] - Revelation: The Passengers are Dead

• Murray realizes, in horror, that the other passengers are not living men. Their faces and hands are ghastly, corpse-like, and their eyes glow with an unnatural luster.

  • "Then Murray realized that none of the passengers in that coach were living men... Only their eyes. Their eyes. Their terrible eyes were alive." – Narrator ([22:16], [22:38])

• The coach crashes at the site of the old accident, the same broken parapet Jacob mentioned. Murray experiences a "mighty crash," pain, and then darkness.

  • "Then came a mighty crash. A sense of crushing pain. And then... Darkness." – Narrator ([23:14])

[24:05] - Rescue and Aftermath

• Murray awakens—rescued, delirious, and in the care of his beloved wife.

  • It is revealed that he was found half-buried in snow, raving about his spectral ordeal while in a feverish state.

• Murray closes the tale with conviction that what he experienced was real:

  • "Others may form what conclusions they please. I know that I was the fourth inside passenger in the phantom coach." – James Murray ([24:52])

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Notable Quotes & Memorable Moments

• Murray, on seeking shelter:
  "The same by which I should have clung to your boat if I were drowning. The right of self preservation." ([09:08])
• The Master's isolation:
  "I have only suffered for the truth. As many as a better man who suffered before me." ([13:00])
• Jacob, on the haunted road:
  "The night mail pitched right over down into the gully below. A good 50ft or more. Just the worst bit of road in the old country." ([16:54])
• Narrator, when Murray meets the ghostly passengers:
  "Only their eyes. Their terrible eyes were alive. And those eyes were all turned menacingly upon James Murray in that single instance, brief and vivid as a landscape beheld in a flash of summer lightning." ([22:38])
• Murray's final certainty:
  "I know that I was the fourth inside passenger in the phantom coach." ([24:52])

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Important Timestamps

• [00:30] — Murray’s predicament and the desolate moor
• [04:11-05:37] — Meeting Jacob and discussion of the “Master”
• [08:47-13:06] — Entrance into the house, dinner, the Master’s backstory
• [14:06-17:27] — The plan to find the coach, warnings about the accident
• [18:32-21:07] — The approach and description of the phantom coach
• [21:44-22:38] — The passengers revealed to be dead; the crash
• [24:05-24:52] — Rescue, the voice of his wife, and Murray’s final statement

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Conclusion

"Beyond Midnight - The Phantom Coach" delivers a classic supernatural mystery, expertly narrated and acted, that plays on timeless themes of isolation, the unknown, and the thin veil between life and death. Its chilling conclusion and atmospheric details make it a standout in the tradition of Golden Age radio horror, leaving listeners with a lingering unease and wonder about what lurks in the shadows—beyond midnight.

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[Summary skips product advertisements and focuses entirely on the story content as per instructions.]

Transcript

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[Narrator / James Murray]

In the year 1864, in the December of that year, to be more exact, James Murray, barrister at law, did a lot of grass shooting during the last few days of the season. He made several trips across the northern moors after the elusive and soon to be prohibited birds. December. The wind was due east, the moors were bleak and wild. On his last expedition, the very day before the ending of the season, James Murray became hopelessly lost. The first feathery flecks of a coming snowstorm fluttered down upon the heather and a leaden evening was closing in. All around the purple moorland melted into a range of low hills. There was not the faintest snake leaf, not the smallest cultivated patch or fence or sheep track. The world had changed, become hostile. Alien Money shouldered his gun and pushed wearily forward on and beyond midnight.

[James Murray]

Biotech the New Soaked and pre wash Powder Presents Beyond Midnight by Michael McCabe I had a letter recently from Mrs. V.P. head of 7th Street Topmore to Hannah Spread and she said, I cannot fully describe my utter delight on returning to the washing to find the stubborn stains of 2 months standing completely removed. I am so glad I discovered your product, BIOTEX. And now Mrs. J. Longman of Cambridge West East London wrote to say just a word of thanks for your new silk and wax powder Biotex. I find it almost too good to be true. I've just finished my first packet and I washed all my babies woolens with it and they really do stay white. And what is more, they keep their shape so well too. Once again, thanks for a wonderful product. I'm just hoping you won't wait too long before putting a large economy sized

[Narrator / James Murray]

packet on the market.

[James Murray]

Well, thank you Mrs. Head of Park Boy and Mrs. Longman for your endorsements. I too can endorse biotechs by making certain claims to you ladies, the most important of which is that with biotechs the stubbornest, the very stubbornness, stains just vanish merely by soaking.

[Narrator / James Murray]

It's. Hello.

[James Murray]

Is it possible to keep on throughout the whole of the night walking? Will there not come a time when my limbs simply fail me Walking in circles.

[Narrator / James Murray]

Circles.

[Jacob (Guide/Servant)]

Hello.

[James Murray]

Can you hear me?

[Narrator / James Murray]

Here. This way.

[Jacob (Guide/Servant)]

This way.

[James Murray]

Here.

[Jacob (Guide/Servant)]

Can you find me here? I'd almost given up.

[James Murray]

I'd begun to think of falling down and sleeping. I must have been walking in circles. Thank God.

[Shepherd / Rescuer]

Thank God.

[Jacob (Guide/Servant)]

What for?

[James Murray]

Praise be what for? Well, for you, Connor. I began to feel I should be hopelessly lost in the snow.

[Jacob (Guide/Servant)]

Why then? Folks still get cast away in about 50 time to time. And what to hinder you from being cast away?

[James Murray]

Likewise, if the good Lord is so minded that you and I shall be lost together. Friend, we must submit. But I don't mean to be lost without you. What part of my north and clothing?

[Jacob (Guide/Servant)]

A good 20 mile, more or less.

[James Murray]

And the nearest village?

[Jacob (Guide/Servant)]

Nearest village is white. And that's 12 miles to the side.

[James Murray]

Where do you live then?

[Jacob (Guide/Servant)]

Out. Y I pray you keep that lantern steady.

[James Murray]

You're going home, I presume?

[Jacob (Guide/Servant)]

Maybe I am.

[James Murray]

And I'm going with you.

[Jacob (Guide/Servant)]

Oh, it ain't no use. He won't let you in nothing. We'll see about that.

[James Murray]

Who is he?

[Jacob (Guide/Servant)]

The Master.

[James Murray]

And who is the Master?

[Jacob (Guide/Servant)]

That note to you.

[James Murray]

Well, lead the way, please. And I'll engage that the Master shall give me supper and lodging tonight.

[Shepherd / Rescuer]

You can die.

[Jacob (Guide/Servant)]

Wait, man, wait. Is this the house? It's the house down there.

[Narrator / James Murray]

It.

[James Murray]

So then at least.

[Narrator / James Murray]

Yeah.

[Jacob (Guide/Servant)]

Not for you.

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Three employees and two work trucks.

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[Geico Announcer 2]

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[Geico Announcer 2]

Shockingly low, huh?

[Geico Announcer 1]

Just a little bit of electrician humor.

[Narrator / James Murray]

Do you get it?

[Geico Announcer 2]

I got it.

[Geico Announcer 1]

You know, it feels like we have a real connection.

[Narrator / James Murray]

All right, I'll stop.

[Geico Announcer 2]

Get a commercial auto insurance quote [e-mail] and see how much you could save. It feels good. To geico.

[James Murray]

Who are you? How came you here? What do you want? James Mary, barrister at law, on foot across the moor, meet, drink and sleep. Mine is not a house of entertainment.

[Narrator / James Murray]

Jacob.

[James Murray]

How dare do you admit this stranger?

[Jacob (Guide/Servant)]

I didn't admit him. He followed me over the moor and shouldered his way in before me. I'm no match for six foot two.

[James Murray]

And pray, sir, by what right have you forced an entrance into my house? The same by which I should have clung to your boat if I were drowning. The right of self preservation. Self preservation? There's a foot of snow on the ground already. It'll be deep enough to cover my body by daybreak.

[Narrator / James Murray]

It is true.

[James Murray]

You can stay here if you choose till morning. Jen, serve the supper. This is.

[Narrator / James Murray]

Your manners are not excellent, my friend.

[Shepherd / Rescuer]

You have a very fine head.

[Narrator / James Murray]

Like a poet's kind of scientist you must be if this room's a telescope. That goes saints and devils. Geological specimens, microscope at least have an organ there in the corner. Books, books and more books. Enough to keep a keen man busy for a year. Why do not speak to Red? Blasted. You don't even know your name. But there you look like a visit from bedhole. I wonder if you would consider it bad taste if I drew nearer the fire.

[James Murray]

On the table. I had only the homeless farmhouse fair to offer you, sir. Your appetite will I trust make up for the deficiencies of our larder. Ham, eggs, bread and what appears to

[Narrator / James Murray]

be a bottle of excellent sherry.

[James Murray]

My friend, I can think of nothing better. Thank you. Thank you a thousand times thank you. You will preserve my life.

[Narrator / James Murray]

Please. Isn't it the food upon you? Dis is the poisoned, I believe. I cannot help it. I shall expire with a full stomach.

[James Murray]

That was probably the finest meal I've ever tasted.

[Narrator / James Murray]

Thank you.

[James Murray]

To cast away on a desert island in a storm, a glass of uncontaminated water and a crust would seem manna from heaven. I have lived here in semi retirement

[Narrator / James Murray]

for three and 20 years.

[James Murray]

During that time I have not seen

[Narrator / James Murray]

as many strange faces. I have not read a single newspaper.

[James Murray]

You are the first stranger who has crossed my threshold for more than four years. Will you favor me with a few words of information about the art of world from which I have been parted for so long. Interrogate me, Sir. I am heartily at your service. My inquiries will relate primarily to scientific matters. If you are not a student of science, no matter answer to the best of your ability. More and more skeptical of all that lies beyond its narrow radius. Show me any fact in physics, in history, in archaeology, which is supported by testimony.

[Narrator / James Murray]

I believe he has forgotten my presence. There is a brilliant man. A man of vision, spurned by his contemporaries because of his greater knowledge. A man born out of his time. If it were not for my poor dear wife waiting for me anxiously, I swear I could listen to this man all night long.

[James Murray]

Branded as a visionary, Held upon ridicule for my scientific belief. Hooted from that field of science in which I've labored with honor. For during all the best years of my life.

[Narrator / James Murray]

These things happened just three and 20 years ago.

[James Murray]

Since then I have lived as you

[Narrator / James Murray]

see me living now. And the world has forgotten me. And I have forgotten the world.

[James Murray]

Androsa, you have my history.

[Narrator / James Murray]

It is a very sad one, but

[James Murray]

it is a very common one. I have only suffered for the truth. As many as a better man who suffered before me.

[Narrator / James Murray]

You shall have more sherry, pray.

[James Murray]

Why do you look suddenly so anxious? I was thinking of my wife. My poor little wife. We have only been married four months and she'll be waiting for me, Watching for me, not knowing anything about my fate. I promised to see that I should return before d.

[Narrator / James Murray]

It has ceased, Maggie. Ceased.

[James Murray]

If only it were possible. But no, it is impossible. Walk 20 miles across the moor. Even if I could find my way.

[Narrator / James Murray]

Walk 20 miles.

[James Murray]

What are you thinking of? My poor wife. She'll be breaking her heart with suspense and terror. Where is she at this moment?

[Narrator / James Murray]

At dwelling. At dwelling? Yes, it is true. The richness is 20 miles.

[James Murray]

Are you very anxious to save the next eight or ten hours? So anxious I would give ten guineas at this moment for a guide and a horse.

[Narrator / James Murray]

Your wish can be gratified at a less costly rate.

[James Murray]

The nightmare from the north, which changes horses at dwelling, passes within five miles of this spot.

[Narrator / James Murray]

It will be due at a certain

[James Murray]

crossroad in about an hour and a quarter. If Jacob were to go with you across the board and put you onto the old coach road, you could find your way, I suppose, where he joins a new one easily. Gladly.

[Narrator / James Murray]

The snow lies deep.

[James Murray]

A glass of escobar before you start. There are pleasanter journeys than the one

[Narrator / James Murray]

you are contemplating this night. James Murray drank the spirit and it went down like fire, Liquid fire. And took his breath away. There was more than one instant during the the next two hours or so when he wished fervently that he had stayed with a self exiled man of science, Rather than take the path through the snow to the old coach road that night.

[James Murray]

Yet I cannot remember such bitter cold. Not a single star. Your master is a very eloquent man, Jacob. A brilliant man.

[Narrator / James Murray]

Yeah.

[Jacob (Guide/Servant)]

Walking is difficult, to be sure.

[James Murray]

How much further to the coast road?

[Narrator / James Murray]

Yeah.

[James Murray]

As a talk from the master. Walking with a servant is like attempting conversation with a tailor's dummy.

[Jacob (Guide/Servant)]

John. Pure road. Keep the stone fence to your right hand and then you can't sail of the way.

[James Murray]

This then, is the old coach road?

[Narrator / James Murray]

Aye.

[Jacob (Guide/Servant)]

It is the old coach road.

[James Murray]

And how far do I go before I reach the crossroad?

[Jacob (Guide/Servant)]

Nigh upon three miles. The road's a fair road. Enough for foot passengers. But cause overstep and narrow for the northern traffic. You'll mind where the parapet's broken away.

[Phantom Coach Passenger]

Close again.

[Jacob (Guide/Servant)]

The sign post. It's never been mended since the accident.

[James Murray]

Accident?

[Jacob (Guide/Servant)]

What accident was that?

[James Murray]

Jacob?

[Jacob (Guide/Servant)]

Beg pardon?

[James Murray]

What accident?

[Jacob (Guide/Servant)]

The night mail pitched right over down into the gully below. A good 50ft or more. Just the worst bit of road in the old country.

[James Murray]

Horrible. Were many lives lot. All four were found dead and t'

[Jacob (Guide/Servant)]

other two died next morning.

[James Murray]

How terrible. How long since this happened? Jacob? How long since the accident?

[Jacob (Guide/Servant)]

Just nine years.

[James Murray]

Near a sign burst, you say? I'll bear it in mind. Good night, Jacob.

[Jacob (Guide/Servant)]

Good night.

[James Murray]

And here. Thank you. I'm deeply obliged to you.

[Jacob (Guide/Servant)]

Good night, sir. And thank you.

[Shepherd / Rescuer]

Doc.

[Narrator / James Murray]

With dark.

[James Murray]

But there's a stone fence.

[Narrator / James Murray]

Silence. Honestly.

[James Murray]

Feel terribly lonely.

[Narrator / James Murray]

Lonely somehow.

[James Murray]

As if. As if I've been deserted by the last man in the world. Citizen of scaling some dantic elk.

[Jacob (Guide/Servant)]

A light.

[Narrator / James Murray]

Is it? Yeah.

[James Murray]

Jacob. He's coming back again.

[Narrator / James Murray]

Why?

[James Murray]

No. There's a second light. Parallel finishing. It must be carriage lamp.

[Narrator / James Murray]

Must be.

[James Murray]

Private vehicle. But what will be out in a night like this? This is to be some coats or the other.

[Narrator / James Murray]

But that would be possible.

[Shepherd / Rescuer]

Coming on fast.

[James Murray]

Cannot hear a sound.

[Narrator / James Murray]

The snow looks strangely rocky. It is possible.

[James Murray]

Having crossed the crossroads in the dark. I think I spent three miles long. Nothing of water. Can I lift to the coach?

[Narrator / James Murray]

I can meet? No.

[James Murray]

I would never have missed a fine coach.

[Narrator / James Murray]

And then the coach for coach it certainly was. Bore down upon Marion. Came around a bend in the road

[Phantom Coach Passenger]

and came towards him fast.

[Narrator / James Murray]

One outside passenger. Four steaming grays.

[Phantom Coach Passenger]

The lamps blazed like a pair of fiery meteors.

[Shepherd / Rescuer]

Hello.

[Jacob (Guide/Servant)]

Wait.

[James Murray]

Wait there.

[Narrator / James Murray]

And the coachman pulled up. The guard muffled to the eyes in capes and comforters and apparently sound asleep.

[Phantom Coach Passenger]

Neither answered Murray's hail nor made the

[Narrator / James Murray]

slightest effort to dismount. The outside passenger did not even turn his head. Murray crammed on inside the coach. And the coach started again. As noiseless as ever. Seems as cold in the coach as it was outside. Three passengers only. And well. Welcome. Yes. This is scarcely the friendliest part of

[Shepherd / Rescuer]

the world I've been hearing how intensely

[James Murray]

cold it is tonight. The winter seems to have begun in earnest.

[Narrator / James Murray]

Most friendly. He heard me. I know he did. Or he turned his eyes upon me. Damp. Most disagreeable. Snowy head. White. Nice. It's warmer in the night air by far. I can't bear the smell in here. The window down could hardly let in more cold than was already present.

[James Murray]

Have you any objection to an open window? I said, have you any objection to an open window?

[Narrator / James Murray]

Very well.

[Jacob (Guide/Servant)]

Then I take it you have none.

[James Murray]

Rotten.

[Narrator / James Murray]

Quite. Quite rotten. This window.

[James Murray]

I'm sorry. Excuse me. This window is covered with mildew.

[Jacob (Guide/Servant)]

Have you noticed anybody?

[James Murray]

Have you? The whole coach is in the very last stages of dilapidation. Decaying.

[Shepherd / Rescuer]

Look.

[Jacob (Guide/Servant)]

It's hardly safe, is it?

[James Murray]

How can it possibly be safe?

[Narrator / James Murray]

Why, the old machine is quite foul.

[James Murray]

And it must have been dragged from some outhouse somewhere.

[Narrator / James Murray]

It been.

[James Murray]

Must have been moldering away for years. Quite deplorable. The regular mail, I suppose, is under repair.

[Narrator / James Murray]

Yes. The passenger to which James Murray addressed

[Phantom Coach Passenger]

this last remark turned slowly and looked at him.

[Narrator / James Murray]

Mar knew that he would never forget

[Phantom Coach Passenger]

the sight of that face as long as he lived.

[Narrator / James Murray]

Returned cold at heart under its scrutiny.

[Phantom Coach Passenger]

The eyes glowed with a fiery, unnatural luster.

[Narrator / James Murray]

The face was livid as the face of a cross.

[Phantom Coach Passenger]

The bloodless lips were drawn back as if in the agony of death and

[Narrator / James Murray]

showed the gleaming teeth between cook money.

[James Murray]

Turned to his office.

[Narrator / James Murray]

He too was staring at him with the same startling pallor in his face and the same stony glitter in his eyes.

[Jacob (Guide/Servant)]

What are you? What are you?

[Phantom Coach Passenger]

And then Murray realized that none of the passengers in that coast were living men. Not living men as himself. A pale phosphorescent light, the light of secret suction played upon their awful faces. Upon their hair dank with the views of the grave. Upon their clothes, earth stained and dropping to pieces. Upon their hands, which were as the hands of corpses long buried.

[Jacob (Guide/Servant)]

Only their eyes.

[Phantom Coach Passenger]

Their eyes. Their terrible eyes were alive. And those eyes were all turned menacingly upon James Murray in that single instance, brief and vivid as a landscape beheld in a flash of summer lightning. He saw the moon shining down through a rift of stormy cloud. The ghastly signpost rearing its warning finger by the wayside. The broken parapet, the plunging horses, the black gulf below. Then the coach reeled like a ship at sea. Then came a mighty crash. A sense of crushing pain. And then.

[Narrator / James Murray]

Darkness. Brilliant man. Flightless. Exile. Find food. Ceased snowing. Ceased snowing. Ceased snowing. Ceased snowing. Now hopeless. Walk 20 miles across the. Across the moor.

[James Murray]

Across the where is scolding? Scrolling.

[Shepherd / Rescuer]

Close against the junction of the old coach road in the new oh, thank

[Narrator / James Murray]

God you were saved.

[Shepherd / Rescuer]

Thank God. You must have laid a long snow, Soft snow. They found you at daybreak. Two shepherds. The matters of the your pocketbook showed your name, and I was summoned. You were so long in danger. So long, so many days, weeks. The surgeon said you had dreamed in your delirium. Such a frightful dream, my love, such a frightful dream. Oh, James, my darling. Safe now.

[Narrator / James Murray]

Graves Others may form what conclusions they please. I know that I was the fourth inside passenger in the phantom coach. Sam.