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Styles Mackenzie
We interrupt this program to bring you an important Wayfair message. Wayfair's got style tips for every home. This is Styles MacKenzie helping you make those rooms sing. Today's style tip. When it comes to making a statement, treat bold patterns like neutrals. Go wild like an untamed animal. Print area rug under a rustic farmhouse table. From wayfair.com fierce. This has been your Wayfair style tip to keep those interiors superior. Wayfair, Every style, Every home.
Narrator
Big Sister, the story of Ruth Wayne and her problems as a woman as well as a nurse, a wife and a mother. Today's episode in just a moment after this message from our sponsor. Noon of a full and busy day the day after Big Sister's return from New York. Thinking back over the morning, Ruth realizes with a sense of gratitude and relief that since office hours began, she hasn't once had a chance to think about herself and her problems, about John or Diane or the future. Then, as she crosses the empty waiting room on her way to the door.
Ruth
Ruth.
Reid
Oh, Ruth.
Ruth
Oh, hello, Reed. I thought you were at the hospital.
Reid
I just got back. Where are you going?
Hope
Home for lunch.
Ned
Oh.
Reid
I thought I might be able to persuade you to have a bite with me.
Ruth
Sorry, Reid, not today. I'm afraid I've got a previous engagement.
Reid
Richard.
Ruth
Yes?
Reid
Can I walk part of the way with you? I'd kind of like to stretch my legs.
Ruth
Well, surely. As a matter of fact, if you care to, I'm sure there'll be plenty for you, too.
Reid
Well, thanks, Ruth, but. Well, I think he should have a chance to be alone with you. Besides, he's probably had enough of me to hold him for a while.
Ruth
He told me that you'd taken him out several times while I was away. To a ball game, fishing. It was awfully nice of you, Reed.
Reid
Nonsense. I did it the first time because, well, I knew he was lonesome. He missed you. But after that, it was because I enjoyed it so much myself. He's a pretty swell kid.
Ruth
He thinks quite a lot of you, too. Reid, how much longer are you going to stay here in Glen Falls? Have you thought about it at all?
Reid
In a general sort of way. Why?
Ruth
Well, I was just wondering how long a leave they'd given you from the medical center.
Reid
Oh, strange you're bringing that up. I got a letter from the center asking me when I was coming back. I still haven't answered them.
Ruth
Don't you want to go back?
Reid
In a way. And in a way, I'd like to.
Ruth
Stay here in Glen Falls. But why?
Reid
It's hard to say. I suppose partly because I like the life, the people here, and partly because, well, Dr. Carbo called it an exaggerated sense of the importance of direct contact with the patients.
Ruth
I think that's true, Reid. We couldn't possibly get along without the doctor in general practice. He's the backbone of medicine. But where would he be without the trained researcher, the man who makes the discoveries he uses in his practice?
Reid
Et tu, brute? Or did Dr. Carr coach you?
Ruth
Oh, is that what he said?
Reid
Pretty much.
Ruth
Well, I think he's right. I don't think I've ever told you in so many words how much. How very much I appreciate your coming here in the first place, helping us out while John was away. I don't think I can. I can tell you even now. I know how long you waited to get that post at the center, and I know what important work you were doing there.
Reid
I think you're the one who's exaggerating now. Exaggerating the importance of what I was doing.
Ruth
No, I don't think I am, Reid. In fact, I know I'm not. You helped us out in a very real emergency. But I really think you should go back to the medical center.
Reid
Well, thinking isn't always the whole answer, Ruth. Do you want me to go back?
Ruth
What difference does that make, Reid? Why should that enter into it?
Reid
It just does.
Ruth
Then, yes, Reid, I do want you to go back.
Reid
Oh, well, in that case, I guess it's something I ought to consider.
Narrator
Let's go to New York now, to the one room apartment on Washington Square where John has been staying since he left the Hightowers Hotel.
John
Yes, Come in. I was.
Diane
Hello, John.
John
Well, Diane. What in the name. What are you doing here?
Diane
It's not a very cordial greeting.
John
I don't feel very cordial. I asked you what you were doing here. How did you find out where I was?
Diane
Well, if you want something badly enough, you usually can find some way to get it.
John
Oh, Davis.
Ruth
Huh?
John
At the hotel. Sometimes I wish. Well, you still haven't told me why you came, what you want.
Diane
All right, now, I'd like to sit down. May I?
John
I'd rather you didn't, Diane. I was just going out with you.
Diane
Now, surely you can spare me a few minutes, John. After all, I've come a long way to see you.
John
Why?
Diane
Oh, John, stop it. You know why I came. You've known why for years. Do you want me to grovel abase myself? All right, I'll do that, too. I came because I Had to come because there's just nothing I could do about it. I made myself wait until Ruth had had her chance. Then when she came back without you. I took the next train here.
John
I see.
Diane
John. John, please. I've waited so long for this moment. I don't want very much. Just acceptance. I love you. I need you. I don't care if you love me or not. But you need me too. We haven't anyone else now, either of us. Only each other.
John
The two of us. Birds of a fellow.
Diane
Sneer if you want to, but it's true. Two lost, sick people. That's why it's been this way with me all this time. And that's why it will be that way with you too. We were like John, you and I. More alike than any other two people in the whole world. That's why we belong together.
John
Dan, I'm really very sorry, but you'll just have to excuse me.
Diane
You really want me to go, don't you?
John
If you don't mind, Diane, I haven't been very well and I.
Diane
It's all right, John. I. You didn't like hearing the things I said to you, but I had to say them. I'll go now, but not very far, because I've come to New York for good. I'm going to stay here for as long as you stay. So I'll be seeing you again soon.
Narrator
We return to the story of Big Sister after this message from our sponsor. It's that same Evening now, about 10:00 and back in Glen Falls. Neddy is just going up the stairs to his apartment.
Ruth
Hope?
Diane
Yes, Nettie, where are you?
Hope
Here in the kitchen.
Ned
Kitchen? What are you doing in there at this time of night?
Hope
Come on in and see.
Ned
Okay. How are you, Hope?
Hope
Fine. How are you, Nettie?
Ned
Pretty good. Hey, something smells good around here.
Diane
Does it?
Hope
What?
Ned
That cake. Gee whiz, Hope, did you bake that?
Hope
Uh huh. Just took it out of the oven.
Ned
That's terrific, Hope.
Hope
It's just gingerbread. It comes all mixed.
Diane
Sit down.
Hope
I'll cut you a piece.
Ned
Well, you mean eat it now?
Hope
Well, sure. These crazy hours you have to work. I know how hungry you are when you come home.
Ned
You mean you actually. You really did all this? Baked that cake and weighed it up just for me?
Hope
For who else, do you think, silly?
Diane
I'm your wife.
Ned
Oh, I don't know what to say when you're like this. I love you so much I could bust right out, cry. And especially after the way things have been the last couple of Days.
Hope
I know.
Ned
Why can't we be like this, the way we are now all the time?
Hope
We can be, Nettie. We will be. I guess everybody must have times like we've been having when they first get married. Fighting about things that don't really matter.
Ned
Sure, sure. Until you really get used to each other and all.
Hope
And then there's other things that make it tough too. Like not having enough money and worrying all the time.
Narrator
I know.
Ned
And you've been wonderful about that. Well, you just stop worrying about it from now on.
Hope
Stop worrying?
Ned
Yeah, that's my department. And I'll be right in there pitching.
Hope
Oh, Maddie. Oh, you don't know how happy that makes me. You mean you're gonna do it, huh?
Reid
Do it?
Ned
Do what?
Hope
Borrow the money from Frank.
Diane
Buy the garage over at Somerville.
Ned
Who said anything about that?
Diane
Well, you did.
Hope
You said, stop worrying. And you know what I've been worrying about? About you. How you're ever gonna get any place. Here you have this wonderful chance. A good garage, cheap and becoming your own boss.
Ned
Honey, honey, I didn't mean that exactly. I meant. I was just talking kind of generally.
Hope
Oh, I see. Just generally.
Ned
Yeah. Gee whiz, Hope, we've been over that a dozen times before, and you know how I feel about it. I think it's a pretty good proposition.
Narrator
Sure.
Ned
We haven't got the dough for it. The only place we could possibly get it would be from Frank.
Hope
Well.
Ned
Well, I just don't want to borrow from him. I don't trust him.
Hope
You don't trust him? Your own uncle and one of the richest men in town, and you don't trust him. But you went to him and talked to him about it.
Ned
Sure I did, because you made me. You said there wasn't any harm in just talking.
Hope
And.
Ned
Well, I said I'd think it over, didn't I?
Hope
Yeah, but for how long? Until Mr. Brooks sells the garage to somebody else?
Ned
No. I'll make up my mind one of these days. And I'll make it up myself too.
Hope
Are you sure? What do you mean, Ruth is back?
Ruth
Ruth?
Ned
How do you know?
Hope
Because I met her this morning. She got back last night.
Ned
Well, gee whiz, Hope, why didn't you tell me?
Hope
When did I have a chance to? You just got home, didn't you?
Ned
Well, you could have called me at the gas station, couldn't you? I could have gone over there right after work.
Hope
Where are you going?
Ned
Over there. She was. She's been gone an awful long time, Hope. I want to know what's happened with her and John.
Hope
Everything, of course. And you're also going to make up your own mind about the gas station and Frank. Well, don't let me stop you. I'm only your wife.
Diane
Go ahead.
Hope
Go run into your big sister. Go ahead, I tell you. Go ahead.
Narrator
Turning his face strained, Ned Delco Hope stands there for a minute after the door closes behind him, looking down at the half eaten piece of gingerbread, then with a sweep of her hand sends it crashing to the floor, plate and all. And now this message from our sponsor. Listen tomorrow on this station to big sister. This has been a production of Nana Radio. Howard Petrie speaking.
Styles Mackenzie
We interrupt this program to bring you an important Wayfair message. Wayfair's got style tips for every home. This is Styles Mackenzie helping you make those rooms sing. Today's Style TIP when it comes to making a statement, treat bold patterns like neutrals. Go wild like an untamed animal. Print area a rug under a rustic farmhouse table. From wayfair.com fierce this has been your Wayfair style tip to keep those interiors superior. Wayfair Every style, every home.
Podcast Summary: Harold's Old Time Radio – "Big Sister" Episode 3
Podcast Information:
Big Sister Episode 3 delves deep into the intricate lives of Ruth Wayne and her family, exploring the challenges she faces balancing her roles as a nurse, wife, and mother. The episode masterfully intertwines personal struggles with interpersonal relationships, painting a vivid picture of post-war domestic life.
The episode opens with Ruth reflecting on her busy day since returning from New York. She expresses gratitude for being occupied with work, which has allowed her to momentarily set aside personal concerns about herself, her husband John, and her daughter Diane.
Key Quote:
Ruth: “I haven't once had a chance to think about myself and my problems, about John or Diane or the future.” [00:39]
As Ruth prepares to leave, she encounters Reid in the empty waiting room. Their conversation reveals a deep mutual respect and unspoken emotions.
Key Moments:
Notable Quote:
Ruth: “I really think you should go back to the medical center.” [03:23]
Simultaneously, the narrative shifts to New York, where John faces Diane's unexpected appearance. Their tense interaction underscores unresolved feelings and the complexity of their past relationship.
Key Moments:
Notable Quote:
Diane: “I love you. I need you. I don't care if you love me or not. But you need me too.” [05:17]
Back in Glen Falls, the focus shifts to Ruth's home life. Hope and Ned navigate their marital issues, primarily stemming from financial stress and differing perspectives on their future.
Key Moments:
Notable Quote:
Hope: “We can be, Nettie. We will be.” [08:22]
Ruth's reappearance at home heightens the existing tensions. Ned's discovery of her return forces him to confront his emotions and the instability within his own marriage.
Key Moments:
Notable Quote:
Ned: “I want to know what's happened with her and John.” [10:56]
Balancing Personal and Professional Life: Ruth's struggle to manage her demanding job while maintaining her family life highlights the societal expectations of women during the era.
Unresolved Relationships: Diane's relentless pursuit of John underscores the complexities of past relationships and the difficulty of moving on.
Marital Strains: Hope and Ned's financial disagreements reflect the broader theme of economic pressures impacting personal relationships.
Friendship and Loyalty: Reid's unwavering support for Ruth and her family emphasizes the importance of dependable friendships in times of crisis.
Episode 3 of Big Sister intensifies the emotional landscape of the characters, setting the stage for heightened drama in subsequent episodes. Ruth's dual role as a caregiver and family matriarch is further explored, while John's entanglement with Diane and Ned's marital conflicts promise compelling developments. Listeners are left anticipating how these intertwined relationships will evolve and resolve in the coming episodes.
Notable Quotes with Attribution and Timestamps:
This episode of Big Sister masterfully blends personal drama with broader social themes, offering listeners a nuanced portrayal of post-war family life and the enduring impact of past relationships.