
Bright Star 52-10-23 (01) The Oil Swindle
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Narrator/Announcer (Show Introduction)
The Irene Dunn Fred McMurray Show. Starring Irene Dunn as Susan and Fred McMurray as George. Together in the gay new exciting comedy adventure Bright Star.
Susan Armstrong
Have you heard what happened on the Star? Did you hear what he said to her? Do you know what she told him?
Narrator/Announcer (Show Introduction)
Yes, the whole town's talking. The star they're talking about is the Morning Star. A newspaper. The her they're talking about is Susan. Lovely, attractive, headstrong Susan. And the him, well you can see him right now walking down the street over there. Yes, and believe me, if he knew what was about to happen, he wouldn't be whistling.
George Harvey
Hey, Jack. Yeah? Oh, you mean me? Yeah, yeah, you.
Connor Gaston
A reporter writes pieces for the paper and stuff, ain't you?
George Harvey
That's right.
Connor Gaston
Uh huh. Well, let's step into the sally here, will you? I got an item for you.
George Harvey
News, eh? Sure, sure.
Connor Gaston
Right here's a good place.
George Harvey
Yeah, the sun was kind of hot out there anyway. Yeah. Well friend, what's this item you got?
Connor Gaston
Well, it's strictly personal, chum. You, you've been making inquiry around about concerning the guaranteed always flowing oil development company, huh?
George Harvey
True, I have. Yeah.
Connor Gaston
You've been saying like that company ain't on a level.
George Harvey
Well, you might say I entertain certain doubts.
Connor Gaston
Look, let's make it simple, hm? You've been saying that you are going to print that stuff in the Hillsdale Morning Star.
George Harvey
Those are my intentions.
Connor Gaston
Well, the president of our company, Connor Gaston, he asked me to convince you otherwise. Print nothing but praise about our company or I am going to see that you land in the obituary column.
George Harvey
Well that's fair warning, friend. But I think I should tell you that I used to be heavyweight champion in my college.
Connor Gaston
Oh, you was a champion?
George Harvey
Yeah. Don't believe me, eh?
Connor Gaston
Well yeah, sure champ, sure.
George Harvey
But.
Connor Gaston
Wonder just what college he went to.
Sammy
Hi, Mr. Harvey. Wow, an altercation with a truck.
George Harvey
I'll exchange witticisms with you later, Sammy. I want to see Ms. Armstrong.
Sammy
Sure, who doesn't?
George Harvey
Susan, I've got something to say to you.
Susan Armstrong
I'm on the phone, George. Really, Mr. Gaston. No, no. Well, he just came in, Mr. Gaston, and I'll certainly talk to him. Not at all. Goodbye and thank you for calling, Mr. Gaston.
George Harvey
Susan, I've got something to say to you, George, really.
Susan Armstrong
Look at your suit.
George Harvey
Suits get this way when they've been bounced around in the gutter. Occupants still inside.
Susan Armstrong
Oh.
George Harvey
Oh, she says. Try to control your vast outpouring of sympathy, Ms. Armstrong. About this phony oil outfit that everybody in town is falling for.
Susan Armstrong
I've just heard from Mr. Gaston, George. He told me how you assaulted that poor little salesman of his.
George Harvey
He. He what?
Susan Armstrong
What made you do it, George?
George Harvey
Sunspots. Now, listen, Susan, I'm going to write an article blasting Gaston and his crooked outfit from here to.
Susan Armstrong
Just what proof have you?
George Harvey
Well. Well, none yet, but I'll have.
Susan Armstrong
George, I know character. I've talked to Mr. Gaston over the phone and from what Alderman Connolly tells me, Alderman Connolly?
George Harvey
He's as hard to bribe as a head waiter.
Susan Armstrong
I know character, George.
George Harvey
Will you stop saying that?
Susan Armstrong
Shouting will not convince me.
George Harvey
All right, all right. So we won't print anything. So Gaston sells his phony oil stock to the whole town. You happy?
Susan Armstrong
Do I have to remind you, George.
George Harvey
That you're the editor I know. No, that you inherited the paper from your father and did very nicely before I arrived. Granted that I have a nasty suspicious mind. I concur. Have I left out anything? Oh, yes, yes, yes. You know character.
Susan Armstrong
Thank you very much.
George Harvey
You're welcome.
Susan Armstrong
Actually, George, you worry me with all your suspicions. Why don't you come to dinner tonight and we'll talk things over comfort.
George Harvey
All right. But if you think you're going to bribe me with food, you're right.
Sammy
Working late tonight, Mr. Harvey? Lift your feet, huh?
George Harvey
Yeah, I'm just filing away the time. Till 6:30, Sammy.
Susan Armstrong
Filing away.
Sammy
Okay, put them down. You and the boss can live things up a little tonight.
George Harvey
Ms. Armstrong has been kind enough to invite me for a platonic dinner. Yes.
Susan Armstrong
Ha.
George Harvey
For one so young, Sammy, you have a very nasty. Ha, ha. Ms. Armstrong is interested in me only as a reporter.
Sammy
That phrase can have a very sad history, Mr. Harvey.
George Harvey
Sweep your floor, Sammy.
Sammy
You know, you could be a success, Mr. Harvey, if you wanted to be.
George Harvey
Your confidence touches me.
Sammy
Why don't you marry Miss Armstrong and let her take you out of all this?
George Harvey
Thank you, horatio Algier.
Sammy
Anytime. 6:15, Mr. Harvey.
George Harvey
No, thanks. Oh, say, Sammy, you haven't got a couple of bucks for a box of chocolates?
Sammy
There's a romantic imagination Chocolates. Take her an orchid. A single rose.
George Harvey
A single rose. Sammy, have you got a buck for a single rose?
Sammy
No.
George Harvey
Well, that's time to go.
Sammy
Visitor, Mr. Harvey.
George Harvey
Yeah, so I see.
Connor Gaston
Good evening. Boy reporters. Ms. Armstrong here.
George Harvey
What's it to you? What's it to you?
Connor Gaston
I wish I'd said that. Gets things like that off all the time.
Sammy
This kid, you should hear him when he's hot.
George Harvey
Stay off my side, Sammy. Ms. Armstrong's not here and she won't be back.
Connor Gaston
Well, I don't blame her. Take a message. My boss, Mr. Gaston. He's a very big man in oil. He enjoyed talking to Ms. Armstrong on the phone today. He wishes her to call on him at his hotel suite tomorrow. Can you remember all that or should I write it down?
George Harvey
Don't bother. Incidentally, chum, that was a pretty lucky punch you got in this afternoon.
Connor Gaston
Well, it happens all the time.
George Harvey
You think you could do it again?
Narrator/Announcer (Show Introduction)
It figures.
Sammy
Mr. Harvey, the paper needs you.
George Harvey
Stand aside, Sammy. This won't take long. All right.
Mr. Gaston
You.
Sammy
Poor Mr. Harvey.
Connor Gaston
Wonder what else he learned in college.
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Susan Armstrong
Honey, this is it. Shot clock winding down, trailing by two.
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George Harvey
What went through your head on the last shot?
Narrator/Announcer
It all happened so fast.
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Sammy
How's the dinner coming?
Patience
Patience.
Susan Armstrong
Mr. Harvey should be here in a minute.
Patience
Everything's under control, Ms. Armstrong.
Susan Armstrong
I want things to be especially nice tonight. Patience. Mr. Harvey and I have been having, well, one of our disagreements. No, but he was quite nice about coming to dinner.
Patience
Big of him. Let's see. He doesn't get paid until tomorrow. Was he nice or just weak from hunger now?
Susan Armstrong
George always speaks very well of you, Patience. And your cooking, too.
Patience
No, Fool. Georgie. What time is old freeloader due?
Susan Armstrong
About 6:30. I thought we might have a leisurely dinner and then retire to the music room later.
Patience
And then you just happen to wander over to the piano, hum a few bars or something romantic.
Susan Armstrong
You think that's too corny?
Patience
George is a corny fellow. He might even bring his saxophone along.
Susan Armstrong
No, I think that's in Hawk. Well, you do your best on the dinner, won't you, Patience?
Patience
I'll pretend I'm cooking it for my favorite movie hero.
Susan Armstrong
And after dinner you'll just leave us.
Patience
Oh, sure. Want me to burn any incense?
Susan Armstrong
No, no, I don't think so. No. George has hay fever.
Patience
If it's for free, he's got it.
Susan Armstrong
Well, I've got to finish dressing. Oh, Patience, what can I wear to make him really notice me?
Patience
How about a corsage of baked potatoes?
Susan Armstrong
Oh, he is nice, isn't he?
Patience
Hungry, but nice.
Susan Armstrong
Tonight might even be the night that you know.
Patience
I know, I know. Tonight might be the night.
Susan Armstrong
I hope the piano's in tune.
Patience
A man who plays the sax would never notice.
Susan Armstrong
It's so nice to have a man around the house. It's so nice to have a man around the house. Someone who is glad he found you, who will put his arms around you.
Patience
I'm giving two to one nothing happens tonight. Nothing. Good evening, Mr. Harvey.
George Harvey
Good evening, Patience. Ah, more beautiful with each passing hour.
Patience
It's my perfume, Amour Hollandaise.
George Harvey
Turn me aside with the jest patients, but the flame still burns on.
Patience
You'll find a glass of water in the kitchen if it gets too hot. Hey, something happened to you?
George Harvey
Nothing. Nothing at all.
Patience
Oh, sure, sure. Well, have a chair, Gorgeous George. Ms. Armstrong will be descending the grand staircase momentarily.
George Harvey
Comfortable chair, pleasant house. Can't beat the cooking either. Hope my jaw is not too sore to enjoy it.
Susan Armstrong
George. What patient? Should have told me. I had no idea you were. George, what's happened to you?
George Harvey
I brought it on myself.
Susan Armstrong
But I only left it.
George Harvey
It's nothing, Susan. Nothing. Susan, you didn't dress just for me.
Susan Armstrong
Dress? Oh, this? Oh, just an old thing of mine.
George Harvey
Well, it certainly does things for you. Or vice versa, whichever the case may be.
Susan Armstrong
Thank you.
George Harvey
And sorry now I didn't put on my other tie.
Susan Armstrong
Sit down, George.
George Harvey
Oh, didn't realize I was standing I tribute to your dress.
Susan Armstrong
Your glove.
George Harvey
You know, Susan, it always surprises me to see you when you're outside of the office. You look like a different person.
Susan Armstrong
Oh, thanks very much.
George Harvey
I didn't exactly mean it the way it Sounded. I just meant that. Well, women in business, you know, our.
Susan Armstrong
Place is in the home.
George Harvey
No, no, no, no, not that at all. In fact, I can't imagine you in a home. I mean. Yes, well, what I mean is you. Where's my hat? I'll go quietly.
Susan Armstrong
Just don't talk so much, George. Well, look, the piano. I haven't played in ages. Do you mind? No, no, no.
George Harvey
Won't bother me at all. I mean. I mean, I. I love it. Love it.
Susan Armstrong
Will you help me move this bench, George?
George Harvey
Certainly. Yeah, all right. You know, Susan, I was just noticing the candlelight. It does something to you.
Susan Armstrong
Oh, what?
George Harvey
It makes you look. I don't know, changed.
Susan Armstrong
Does it?
George Harvey
Susan, we shouldn't argue all the time like that thing today. I shouldn't have blown up the way I did it. It was foolish.
Susan Armstrong
It's all right, George.
George Harvey
What do we care if some crook pedals a few shares of phony oil stock here in town? Hillsdale hasn't been taken for a long time.
Susan Armstrong
I am sure, George, that the development of the new Hillsdale oil field will do a lot for our city.
George Harvey
Oh, sure. Hillsdale, the new Arabian.
Susan Armstrong
And why not? I have every faith that Mr. Gaston and his organization and I know character.
George Harvey
Character? Character. You told me.
Susan Armstrong
Now, look, here's something you didn't know, Mr. Harvey. There's an error stopping at the General Grant Hotel. Ms. Cecily Burnett. And she's here to try and buy up the entire stock issue. Freeze Hillsdale out.
George Harvey
It'll be the warmest winter we ever had.
Susan Armstrong
George, how are you? The most exasperate. Cigarettes, thank you. We shall not discuss Mr. Gaston further.
George Harvey
Quite. Ah, the galler. That phony. He sent word that he was quite fascinated with you and would like you to call at the hotel tomorrow.
Susan Armstrong
How interesting.
George Harvey
Susan, you're not going.
Susan Armstrong
Well, why not?
George Harvey
Why not? You think I'd let you alone with that fake moose?
Susan Armstrong
Well, I fail to see that you have a great amount of choice in the matter.
George Harvey
Oh, you do? Well, if you're going, then I'm going with you.
Susan Armstrong
There seems to be more than the usual confusion in your mind. George. You are a reporter on my paper, not my guard.
George Harvey
Well, right now you. What you need is a guardian, a.
Susan Armstrong
Dinner right amount of jealousy rearing its tousled head.
George Harvey
Oh, sure. Just because I can smell a crook a mile off, it's jealousy.
Susan Armstrong
Well, if you can smell a crook as well as you can send food, well, I might be impressed.
George Harvey
Personalities. All right, if we're down to personality job, how about that Dinner is served.
Patience
What? Dinner.
Connor Gaston
Oh.
George Harvey
Oh, my arm. Miss Armstrong.
Susan Armstrong
I can manage quite nicely, Mr. Harvey.
Patience
Somehow I doubt very much that tonight is the night.
Narrator/Announcer (Show Introduction)
Now, suppose we get back to our two stars, Irene Dunn and Fred McMurray in the second act of our story. Let's see now, Irene. Sorry, I mean Susan is just about to go down.
Susan Armstrong
Good morning, Patience. Good morning, Miss Armstrong.
Patience
Your breakfast is ready.
Susan Armstrong
Thank you.
Patience
I take it that last night was not exactly an evening with Valentino.
Susan Armstrong
Your assumption is correct, Patience.
Patience
Too bad you got a big investment in food in George.
Susan Armstrong
A romance. Patience cannot be built entirely on stuffed cabbage.
Patience
That's open to question.
Susan Armstrong
However.
Connor Gaston
Oh.
Patience
Phone. Are you in?
Susan Armstrong
Miss Armstrong to Mr. Harvey.
Patience
No. Hello, Georgie.
Susan Armstrong
I am not in.
Patience
She is not in, Mr. Harvey.
Susan Armstrong
Wonder what he wanted.
Patience
Why didn't you talk to him and find out?
Susan Armstrong
I couldn't. Well, I. Oh.
Mr. Gaston
Hello.
Patience
He wants to know if you're still not in.
Susan Armstrong
Yes, hello?
Patience
She says yes. He wants to know if you said, yes, you're not in, or yes, you are in.
Susan Armstrong
I'll take it. Patience. Hello, Susan.
George Harvey
I just wanted to make sure you weren't serious about calling on that phony oil promoter today.
Susan Armstrong
Mr. Harvey, as editor of the Star, I cannot see how my appointments are a source of concern to you.
George Harvey
But, Susan, I.
Susan Armstrong
However, your movements as a reporter are in my field, therefore.
George Harvey
But, Susan.
Susan Armstrong
Therefore, you will cover the PTA convention at 10, the dog show at 11, the Rotarian luncheon at 12, hog breeders exhibit at 1, the chrysanthemum grower show at 2 and be in my office from 3 to 5 to write your stories. Any questions?
George Harvey
Yes. Are you mad at me?
Susan Armstrong
Yes.
Patience
Poor Georgie.
Sammy
Well, morose is a word for Mr. Harvey.
George Harvey
I'm a strong man, Sammy. I wish to brood in silence.
Sammy
Miss Armstrong has gone to call on the oil promoter. Pretty racy fellas. Oil promoters.
George Harvey
Go fill an ink well.
Sammy
Why don't you strike back, Mr. Harvey?
George Harvey
How?
Sammy
In the movies, Mr. Harvey, you would burst in on Ms. Armstrong and Mr. Gaston in some suitable disguise. Like, say, a plumber.
George Harvey
Well, that's a silly idea if I ever heard one. Plumber, huh?
Sammy
Borrow a wrench and a plunger. Your suit is just right for it, Sammy.
George Harvey
I may do it. I may just do it.
Sammy
The spirit of the pioneers.
George Harvey
And if this Gaston steps one inch out of line. Sammy, where can I get a nice big fat wrench?
Mr. Gaston
Yes, ma'.
George Harvey
Am.
Susan Armstrong
Mr. Carter? Gaston? I'm Susan Armstrong from the Hillsdale Morning Star.
Mr. Gaston
Oh, come in, come in. Miss Armstrong, very considerate of you to come.
Susan Armstrong
Oh, not at all, Mr. Gaston.
Mr. Gaston
Here now, just take this chair, Ms. Armstrong, where I can look at you. Like to look a person right smack in the eye, ma'.
George Harvey
Am.
Mr. Gaston
Can tell what sort they are in a minute.
Susan Armstrong
Well, I always think so too.
Mr. Gaston
Nothing shifty eyed about you, ma'. Am, if you'll excuse the liberty.
Susan Armstrong
Well, thank you, Mr. Gaston.
Mr. Gaston
And you and I, Ms. Armstrong, we can do a lot for this city of yours. Civic betterment.
Susan Armstrong
The greatest good for the greatest number.
Mr. Gaston
Exactly. Did you know, ma', am, that a young lady of great wealth is right here in this same hotel trying to buy up my entire issue of stock before the public gets a chance at it?
Susan Armstrong
Well, you're not going to sell?
Mr. Gaston
Well, I haven't met the lady yet, Ms. Burnett of the eastern steamship Burnett's, I believe. But I would much rather give the honest folks of Hillsdale a chance to cash in on the rich natural resources of their little community.
Susan Armstrong
Well, I think that's a fine sentiment, Mr. Gaston.
Mr. Gaston
Why, thank you, Ms. Susan. And if you'll permit me to say so, I plumber.
George Harvey
Why, George, I. I hear you got a leaky pipe, Mr. Gaston.
Mr. Gaston
Before you come busting in here, son, knock.
George Harvey
No, I'm sorry, but don't let me interrupt anything. I'll just go quietly on with my words.
Susan Armstrong
You were saying, Mr. Gaston?
Mr. Gaston
Why, well, where.
Connor Gaston
What?
Mr. Gaston
Oh yes. If you'll permit me to say so, Ms. Susan, the good opinion of a fine woman like yourself means more to me than. Than any. The good opinion of a fine woman like you means more to me.
Susan Armstrong
I can't.
Mr. Gaston
I said the good.
George Harvey
Well, I found the trouble.
Susan Armstrong
Good, then you're leaving?
George Harvey
No, no, no. I have to rip out a section of the wall here.
Mr. Gaston
Ms. Susan, may we continue this conversation over dinner?
George Harvey
Where are you eating?
Susan Armstrong
Will you call me Mr. Gaston?
Mr. Gaston
Oh, my pleasure, ma'.
George Harvey
Am.
Mr. Gaston
Goodbye now. Until tonight.
George Harvey
I'm sorry, I'll be back. I forgot my pickaxe.
Susan Armstrong
George Harvey. Of all the low, underhanded, sneaky, treacherous. Yes.
George Harvey
Susan, if you can't see through this whole swindle by yourself, allow me to.
Susan Armstrong
Make my own judgments. Mr. Harvey. I know.
Sammy
Can't.
George Harvey
I know? Susan. Susan, this, this oil scheme is a fake. What's more, I think this so called heiress here in the hotel, this Cecily Burnett is a fake too. And I'm going to interview her and prove it.
Susan Armstrong
Oh, you are? Oh, you just love that purely business Susan. You're so right, Mr. Harvey. And I'm going to be around to see that it stays purely business.
George Harvey
Well, Ms. Burnett, yes, I. I represent the Hillsdale Morning Star, Ms. Burnett, and.
Susan Armstrong
But how clever of you. I'll take one.
George Harvey
No, no, no, no. You see, Ms. Burnett, I'm a reporter.
Susan Armstrong
Well, of course you are. Come in, Sit down.
Patience
Report.
Susan Armstrong
Thank you, no. Right here by me now.
George Harvey
Well, just a few questions about your business in Hillsdale, Ms. Burnett. You see.
Susan Armstrong
Oh, you want to interview me. You sw.
George Harvey
You see, there's an oil promotion scheme underway here in town, Ms. Burnett, and I.
Susan Armstrong
Brown eyes.
George Harvey
Oh, you see, I have reason to believe this Gaston isn't what he presumes to be. And six, two. No, no, six, three. But if you're really considering putting money into this thing, Miss Burnett, well, I just don't think it would be very wise.
Susan Armstrong
Excuse, please. Three o' clock's next, Susan. Courtesy of the General Grant Hotel. Put it on the end table. Now, then, as I was saying, how do you know I like wavy hair? You want it over here? Yes, and please hurry. Now then, golden boy, your name is?
George Harvey
George. George Hudson.
Susan Armstrong
Oh, I'm sorry, ma'. Am. Will you please get out of here? I'm sorry, George. I didn't catch your last name.
George Harvey
It's Dope.
Susan Armstrong
What did you say? Oh, I said I hope everything's all right. Well, it's not all right. Now, you please get out of here and get out fast. Oh, certainly, ma'. Am. Now, where were we? Golden boy. Golden boy. Oh, brother. I'm sorry, George. Now, I know what you want. You want to save me millions of dollars and you want to tell me all about it tonight over dinner?
George Harvey
Roughly, yes.
Susan Armstrong
Oh, you do sweep a girl off her feet, Georgie. What time is dinner?
George Harvey
Oh, 9ish.
Susan Armstrong
You speak the language, all right. Get around, but not around me. You, reporter.
George Harvey
Until tonight, Cecily.
Susan Armstrong
Oh, until tonight. Au revoir, Geordie.
George Harvey
Oh. Oh. Au revoir.
Susan Armstrong
Oh, these Frenchmen. Irresistible. Well, Charles Boyer, coming in.
George Harvey
There is a waitress. Susan, of all the low conniving.
Susan Armstrong
An heiress. If she's an heiress, I'm Pocahontas.
George Harvey
If you were any judge of character, Pokey, you'd know that this girl is in danger of being the innocent victim of that swindler you were so eager to make a dinner date with.
Susan Armstrong
I was eager? Well, I didn't notice any long pauses in the conversation while you were making a date with her.
George Harvey
We will not discuss conversations overheard through.
Susan Armstrong
Keyholes banging into a room. As a plumber, I suppose that's recommended by Emily Post.
George Harvey
Now you listen, Susan.
Susan Armstrong
Now, you listen to me, George. After all, where you go tonight is not of the slightest concern to me.
George Harvey
Likewise, I'm sure.
Susan Armstrong
Au revoir, Mr. Harvey.
George Harvey
Au revoir, Ms. Armstrong.
Mr. Gaston
Good evening, Monsieur Harvey and madam.
George Harvey
Oh, bonjour, Charles. Table for two, if you will follow me, please.
Susan Armstrong
Oh, what a delightful little bistro, Georgie. Sort of a subway with music.
George Harvey
It is a little crowded, Cecily.
Narrator/Announcer (Show Introduction)
Monsieur Harvey, your table.
George Harvey
Susan.
Susan Armstrong
George. How nice that we should have adjoining tables.
George Harvey
Adjoining? They're practically overlapping.
Susan Armstrong
Mr. Gaston, you remember Mr. Harvey, the plumber.
Mr. Gaston
Pleasure to see you again, sir.
George Harvey
And Miss Burnett. Miss Armstrong, a waitress.
Susan Armstrong
How do you do? How do you do?
George Harvey
And Mr. Gaston. Miss Burnett.
Mr. Gaston
Real pleasure, Miss Burnett. Ma'. Am. Why did you have to come here?
Susan Armstrong
Quite pleasure, Mr. Gaston. And entirely unexpected, I'm sure.
George Harvey
Shall we sit down, Cecily?
Susan Armstrong
Yes, of course. Just bring me a shoehorn, Georgie, and I think I can make it there.
George Harvey
No trouble at all, was it?
Susan Armstrong
Oh, pardon me. George, my salad. I know you don't like garlic, so if you'll just wring out your sleeve.
George Harvey
Oh, sorry. Is that better?
Mr. Gaston
Mr. Harvester? As long as you've got your elbow in my butter, would you mind just running your arm over my corn on the cob?
George Harvey
I certainly would.
Susan Armstrong
Ignore them, Georgie. I'm sure they had a lot to talk about before we came. Yes, we did have a lot to talk about, didn't we, Carter? Carter, I'm sure George wants to tell Cecily all about the plumbing business. And you were explaining oil to me.
Mr. Gaston
Oh, we don't have to talk, Ms. Susan. When I can feel your little hand in mine under the table.
Susan Armstrong
It's my hand. You cheat. Double crossing chisel.
Mr. Gaston
Oh, Cecily.
Susan Armstrong
Out on a business engagement tonight, you told me. Why, you.
Mr. Gaston
Sit down, dear. You're an heiress.
Susan Armstrong
Yes, and I'm just about to become a widow, too. Let me, Adam. George. George.
Patience
Yes, George.
Connor Gaston
Let her out here now, take it easy, Cecily. Hey, you got trouble. Mr. Gaston.
Mr. Gaston
Glad you come in, Rocky.
George Harvey
Were blowing town.
Mr. Gaston
My wife, the heiress, just opened her big rich mouth. Come on, Mrs. Vanderbilt.
Susan Armstrong
Get away, George.
George Harvey
I'll stop him. Susan, stay here.
Mr. Gaston
Rocky, if the demon reporter here gets noisy, keep him quiet. Come on.
Connor Gaston
I can handle him, boss. Hey, sit down there, fire eater.
George Harvey
Sit down. Nothing this time, you musclebound clown. I'm going to Susan to the cop.
Susan Armstrong
You take your hands off my George, you. Hey, the little lady hit me.
George Harvey
And so did I.
Susan Armstrong
Oh, George, you were so masterful.
George Harvey
Oh, you can't fool around forever with George Harvey. Susan. Of course you helped a little.
Susan Armstrong
George, you. You did it.
George Harvey
Well, have it your way, Susan. We won't argue. Mr. Harvey, what has happened? Well, only two for dinner, Charles. The other couple won't be staying.
Narrator/Announcer (Show Introduction)
Our stars, Irene Dunn and Fred McMurray will be back in a moment.
Susan Armstrong
George?
George Harvey
Yes, Susan?
Susan Armstrong
Finished your story?
George Harvey
Just about. I had a call from police headquarters that they couldn't hold Gaston and his wife. They actually hadn't sold any stock yet.
Susan Armstrong
George, you don't actually think I was taken in by him, do you?
Sammy
Do you?
George Harvey
Susan, you don't actually think that I was taken in even for a minute by his wife, the phony heiress, do you?
Susan Armstrong
Well, I don't if you don't, George, if you know what I mean.
George Harvey
I think I know what you mean. After all, Susan, we both no character.
Narrator/Announcer (Show Introduction)
Irene Dunn and Fred McMurray will be back next week in another exciting comedy adventure in the gay new series Bright Star. This is Harry von Zell inviting you to join us then.
Susan Armstrong
Sam.
Narrator/Announcer
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Susan Armstrong
Honey, this is it. Shot clock winding down, trailing by two.
Optimum Fiber Announcer
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Susan Armstrong
Estrello shoots good to see it.
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George Harvey
What went through your head on the last shot?
Narrator/Announcer
It all happened so fast.
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Podcast: Harold's Old Time Radio
Host: Harold's Old Time Radio
Episode: Bright Star 52-10-23 (01) The Oil Swindle
Date: December 28, 2025
This episode of Bright Star, a classic radio comedy adventure starring Irene Dunne as Susan Armstrong and Fred MacMurray as George Harvey, revolves around a suspected oil stock swindle in the small town of Hillsdale. When George suspects that the town’s new oil development is a fraud, he clashes with Susan, editor of the Morning Star newspaper, as he sets out to expose the crooked scheme. The episode mixes sharp banter, romantic tension, and a comic take on investigative journalism as the pair navigate misunderstandings, disguises, and their ongoing quarrels.
The episode captures the breezy, flirtatious banter and rapid-fire quips characteristic of mid-century radio comedies. The dynamic between Susan and George sparkles with mutual respect thinly veiled by constant ribbing. The story delivers both a lighthearted lampoon of small-town scandals and a wink at the screwball traditions of romantic comedies.
Summary prepared for those seeking the heart and humor of this classic radio adventure—without missing a beat.