
Bright Star 52-11-27 (06) The Crooked Carnival
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George Harvey
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Sailor Granard
The Irene Dunn Fred McMurray Show. Starring Irene Dunn as Susan and Fred McMurray as George. Together in the gay new exciting comedy adventure Bright Star. Yes, it's the irene Dunn Fred McMurray Show. Starring, well, naturally, Irene Dunn is Susan.
George Harvey
Armstrong and Fred McMurray as George Harvey. And right now we find that Irene and Fred, that is Susan and George are strolling down a carnival midway together.
Susan Armstrong
Isn't it exciting, George? I don't think I've been to a carnival in years.
George Harvey
Oh, I can take carnivals or leave them alone. All pretty much the same. Freaks, rides, games. Seen one, you've seen them all. George.
Susan Armstrong
You're not getting any thrill out of this at all.
George Harvey
Oh, I'm enjoying it if you are, Susan.
Susan Armstrong
Thanks very much.
George Harvey
It's just that to me all these things are pretty much old hand we say.
Susan Armstrong
Well, I'm sorry we're boring you, Noel Coward. Shall we leave?
George Harvey
Well, I don't want you to misunderstand me, Susan. All I said was.
Sailor Granard
Hey, hey, hey, hey, hey.
George Harvey
I'm out. You.
Sailor Granard
We've produced the mean attraction of the mighty midway. Gather round, men. Gather up. How you've read about it, your friends have told you. And now you're about to meet in the flesh the little lady guaranteed to give new ideas to you. Older and old ideas to you young ones.
George Harvey
Hey, hey, hey, hey, hey.
Susan Armstrong
You were saying, George?
George Harvey
What was I saying something? Well, it slipped my mind. Susan, why don't we wander over this way, shall we?
Susan Armstrong
Well, not if you want to go home, George.
George Harvey
Well, I wouldn't want to spoil the party.
Sailor Granard
And now that you're lone gathering around me, friends. Step just a little bit closer, friends. Now that you're all gathered around me, I am about to introduce the little lady who could be living the life of an Oriental princess. But she likes it here in the good old USA Princess Hunger.
Susan Armstrong
Shall we leave now, George?
George Harvey
Huh? Oh, it's early yet, isn't it?
Sailor Granard
All right, Princess, all right. Don't tire yourself out now, friends. I believe I Can speak freely. We're all adults here. Step junior. You're bothering the princess friends. When you come inside to see the princess do her complete act, you're going to be watching a girl proclaimed by scientists as the perfect woman. And we all know about these scientists, don't we? All right, Princess.
Susan Armstrong
Thank you.
Sailor Granard
Thank you very much.
George Harvey
We'll see you.
Susan Armstrong
That girl, she's beckoning to you.
George Harvey
To me? Susan? You mean Princess Tonga?
Susan Armstrong
She most certainly is.
George Harvey
I guess she is at that, isn't she? I. I better see what she wants.
Sailor Granard
The only Princess Conra new prouding. Please rule for all inside here you.
George Harvey
George.
Susan Armstrong
She slipped you a note. I saw her.
George Harvey
A note? Well, what do you know? It is a note, isn't it?
Susan Armstrong
Well, if you think, George Harvey, that I came here so you could hobnob with dancing girls.
George Harvey
Susan. Susan, I'll read it to you. She's most likely just a friend of the family. I have a lot of relatives in Cleveland, you know. I'm waiting, Boy reporter. Come to my tent after the show.
Susan Armstrong
Oh, friend of the family.
George Harvey
Now, wait a minute. Must warn you about something that is being planned.
Sailor Granard
Very important.
George Harvey
You must come. Princess Tonga. Well, George sounds kind of serious, Susan. Maybe I better stay and see what's wrong.
Susan Armstrong
Oh, of course.
George Harvey
Yeah, but it's. It's pretty late, Susan, if you want to wait for me in the car.
Susan Armstrong
That's very thoughtful of you.
George Harvey
Well, I'll see you in the car then.
Susan Armstrong
Not on your life. You see me in the car. I'm staying right here with you.
George Harvey
Well, that's. Well, Susan, swell. I just didn't think you like dancing girls. This must be her tent. Here. Susan got her picture on the outside.
Susan Armstrong
It certainly has a nice costume, I must say.
George Harvey
Yeah, well, she comes from a warm climate. Tonga.
Sailor Granard
Tonga.
George Harvey
Guess she didn't hear me.
Susan Armstrong
Well, I don't know why not. It sounded like the mating call of a moose.
George Harvey
Well, I'll. I'll see if she's in.
Susan Armstrong
I'll be waiting right here. George.
George Harvey
It won't take a minute. Dark in here. Tonga. Oh, looks like somebody over there. Is that you, Tonga? Is that.
Susan Armstrong
George? George, what happened? George? George, what happened?
Sailor Granard
What's wrong? In there.
Susan Armstrong
Bring a light, somebody, quick.
Sailor Granard
I got a place.
George Harvey
My mate.
Sailor Granard
He wants the trouble.
Susan Armstrong
Well, look around. I've lost George.
Sailor Granard
Is this George on the floor?
Susan Armstrong
Oh, George. What happened?
Sailor Granard
Yeah, Looks like he tripped over a tent state, lady. Very tricky things in the dark. Tent stakes. Men have gotten killed that way.
Susan Armstrong
Will you help me get him up?
Sailor Granard
Why should. There we are. What was he doing in here? Was he lost?
Susan Armstrong
Well, no more than usual. Come on, George.
George Harvey
Tonga.
Susan Armstrong
Yes, dear, it's Tonga. Come on. Come on. I have a new dance I want to show you.
George Harvey
Tonga.
Sailor Granard
You sure he's all right, lady?
Susan Armstrong
Oh, yes. Compared with his usual state, he's wonderful. Come on, Gunga Din, let's go home. Good morning, Mr. Harvey.
George Harvey
How are you, Sammy?
Susan Armstrong
Are you combing your hair a new way, Mr. Harvey, or is that a large egg on your head?
George Harvey
Yes, I. I wanted last night at the carnival.
Susan Armstrong
Oh, I see. Morning, Sammy. Hi, Ms. Armstrong. And how are you this morning, George? How's your head?
George Harvey
Throbbing nicely, thank you. Susan, I want to talk to you about last night. Whether you recognize it or not, there's something going on at that carnival.
Susan Armstrong
Shall we go into my office or shall we debate it before the assembled staff of the paper? Oh, I don't mind.
George Harvey
After you, Susan. As I was saying, Susan, there's something afoot at that carnival.
Susan Armstrong
As I recall, George, it was you.
George Harvey
Oh, highly amusing. For your information, Ms. Armstrong, I didn't trip over that tent stake. Somebody slugged me with it.
Susan Armstrong
But why?
George Harvey
That's what I intend to find out. I can smell a story in this thing, Susan, and I'm going back out there tonight and talk to Princess Tonga.
Susan Armstrong
Oh, really, George.
George Harvey
I'm going to talk to Princess Tonga and Ms. Armstrong.
Susan Armstrong
Yes?
Sailor Granard
Well, if I'd known last night that you were the editor of the star, Ms. Armstrong, I could have talked business with you right then and there. Sailor Garnard, Miss Armstrong, operator of the Five State Carnival.
Susan Armstrong
Oh, how do you do, Mr. Granad? You remember Mr. Harvey, the explorer.
Sailor Granard
Well, how's the head, Mr. Harvey?
George Harvey
Just dandy.
Sailor Granard
Well, watch those tent stakes. Nasty things in the dark. Thanks again, Miss Armstrong. I believe in coming right to the point. Carney's done a nice little business here in your town of Hillsdale. Very nice. And we like to reciprocate, show our appreciation.
Susan Armstrong
In what way, Mr. Grinard?
Sailor Granard
Well, just this. You pick a day, any day at all. We'll build it up in your paper. And for that day, we'll turn over the entire gate receipts of the carnival to any local charity you name. Now, how does that strike you?
George Harvey
What do you get out of it, George?
Sailor Granard
Well, the man is right, Ms. Armstrong. Absolutely right. Now, before you go into any deal, you lay your cards right on the table. My concession is would benefit, of course, from a big crowd. And as for me, personally, I'd reap a fortune in goodwill from your little city of Hillsdale. In show business, that's as good as money in the bank.
Susan Armstrong
Well, I'm very interested in the Children's Milk Fund here.
Sailor Granard
All right, the Milk Fund it is. Your paper will sponsor. And of course, we'll need a carnival queen for publicity.
Susan Armstrong
Oh, well, Hillsdale has some very pretty girls.
Sailor Granard
Well, then let's make it as simple as possible and take the prettiest. Miss Armstrong, you'll be the queen. Front page pictures, and you'll be presented with the day's receipts for charity and everybody's happy. Have we got a deal? We've got a deal.
George Harvey
Oh, now, wait a minute, Susan. I refuse to allow you to commit this paper to some scheme you know absolutely nothing about.
Susan Armstrong
Oh, you do?
George Harvey
Yes, I do.
Sailor Granard
Ms. Armstrong. Ms. Armstrong, come out to the carnival grounds this evening. Be our guest. And then if you can come to me and say that the five state carnival is not the straightest shooting as friendliest bunch of honest folks you ever did business with, then our deal is off.
Susan Armstrong
Well, I guess nothing could be fairer than that, could it, George?
George Harvey
Well, Susan, I still think.
Sailor Granard
Well, see you tonight, Miss Armstrong. And George, watch out for those tent stakes. They cost us money.
George Harvey
Susan, I've got this Bernard's ankle figured out. And tonight I'll prove to you that I'm right.
Susan Armstrong
Oh, really, George, must you always be so suspicious?
George Harvey
Yes.
Susan Armstrong
Well, that settles that.
George Harvey
Look, Susan, his concessions are crooked. I'm sure of it. They offer you prizes and then they don't pay off. We'll get the whole town out here and they'll be trimmed and then we'll be responsible.
Susan Armstrong
Now, how can you prove that these concessions are crooked?
George Harvey
Well, we'll go around to a few of them tonight. And I want to talk to Princess Tonga too.
Susan Armstrong
Oh, I just bet you do, Student.
George Harvey
I refuse to be drawn into an argument of this nature, however. Well.
Sailor Granard
Well, good evening, folks. Good evening. How's the queen of the carnival? And the court jester?
George Harvey
Hilariously funny.
Susan Armstrong
Good evening, Mr. Gr.
Sailor Granard
Just pass these folks in free time. This is Thomas Armstrong. With him on the gate, you sure of getting a good honest count? Eyes like a horse. Very glad to meet you, miss.
George Harvey
I'm George. Miss Armstrong's over there.
Sailor Granard
Sure, I know it all the time.
George Harvey
Nothing gets by me.
Sailor Granard
You can bet that.
Susan Armstrong
Oh, Mr. Grinard, if we take over the carnival for a day, do you mind if we have our own man checking the gate just as a source?
Sailor Granard
Very wise precaution. Very wise, Ms. Armstrong. Allison, you folks just circulate around the grounds. Any questions, Just hunt up Sailor Ganard more than happy to oblige.
Susan Armstrong
Where do you think we should go first, George?
George Harvey
Well, there's the shooting gallery over there. Look at those prizes. I bet they haven't given one away in years.
Susan Armstrong
Well, you'd better try it. I don't know anything about guns.
George Harvey
No, it's just an act, Susan. Either have it or you don't. Maybe you can learn a little by watching me.
Sailor Granard
And here comes two more lucky shooters. Gather round and watch this little lady take home the prizes, folks. She's got that gleam in her eye. Here you are, little lady.
Susan Armstrong
But I wasn't going to shoot. I mean my.
George Harvey
Go ahead, Susan. Then I'll show you how to do it later.
Sailor Granard
Excuse me for just one moment, folks. Hey, Charlie, the ladies from the newspaper. Get your hammer ready. Every time she shoots, she hits. Get it? All right, folks, stand back for Annie Oakley. Just about to take home the prizes. You point it that way, lady. You don't win no prizes for plugging me, do I?
Susan Armstrong
Just pull the trigger, George. Is that all?
George Harvey
Well, there's a little more to it than that, but go ahead, try him.
Susan Armstrong
All right. Well, and the little lady.
Sailor Granard
Scars a little tight.
Susan Armstrong
George, I did it.
George Harvey
Yeah, I. I can't believe it.
Sailor Granard
And here's your prize. A giant size cupid. All hold it, sir, while the little lady tries again.
George Harvey
Oh, thanks a lot.
Susan Armstrong
Well, here it goes.
Sailor Granard
Don't go to sleep back there, Charlie.
Susan Armstrong
I did it again.
George Harvey
I know, I know, I.
Sailor Granard
Giant panda for the little lady. Why, she's breaking us, folks. But we love it. Hold the panda, sir. It sets off your complexion. And here we are about to try again for another giant prize. Jelly. She's shooting slow bullets, folks, but they never miss. Son of the giant teddy bear. You can carry one more, sir. You're young and strong. There you are. And come back again, little lady.
Susan Armstrong
Oh, my word. Will, wasn't that wonderful? George, I never knew I could shoot.
George Harvey
I can hear you talking soon, but where are you? All I can see is teddy bears.
Susan Armstrong
You certainly can't say these concessions are crooked.
George Harvey
Well, I could, but you wouldn't believe.
Susan Armstrong
Me after I won all these dolls. Oh, honestly, you and your suspicious mind.
George Harvey
Well, I still say there's something going on here. Susan, I'm going to talk to Tonka. Point me in the right direction, will you?
Susan Armstrong
All right, George. Come on.
Sailor Granard
Hiya.
Susan Armstrong
Hiya.
Sailor Granard
Hiya.
George Harvey
Hiya.
Sailor Granard
Gather round, folks. Gather round for the greatest attraction on the Meatway. You won't believe it when I tell you about it. And when you see her you still won't believe it. The one, the only Princess.
Susan Armstrong
T.
George Harvey
Thank you. Thank you very much.
Sailor Granard
Princess, don't raise your motor. And now, folks, I want to.
George Harvey
Hey, Bernard. I want to speak to Tonga.
Sailor Granard
Come out from behind that teddy bear, George. I know you, Tonga.
George Harvey
I want to talk to you.
Sailor Granard
Get away from the princess. George, your bother. And now, folks. What up?
George Harvey
Here, hold your Jubie dolls. I'm gonna talk to her.
Sailor Granard
Hey, Bruno, come over here.
George Harvey
Watch your arm, Mr. Grin.
Sailor Granard
Got a little weightlifting job for you, strong man. Take George here way back and sit him down.
George Harvey
Sure, mister.
Sailor Granard
Hey, wait a minute now.
George Harvey
Tonga. Tonga, you said something was going on at this carnival. You wrote me a note. What's wrong?
Sailor Granard
Go ahead, Princess. Tell the young chick what's wrong.
Susan Armstrong
Him. I never saw him before in my life.
Sailor Granard
All right, Bruno, go ahead. Come on, you.
George Harvey
Hey, no, wait a minute. Let go.
Susan Armstrong
Take your hand off me.
Sailor Granard
George, you shouldn't annoy the princess.
George Harvey
I didn't annoy her. I was just. Well, let it go. Should.
Susan Armstrong
Are you hurt, George?
George Harvey
No, no. Just my dignity. But, Susan, you're not going to sponsor any carnival that preach your star reporter like a bum, are you?
Susan Armstrong
Well, you have to admit, George, you brought it on yourself. And it is for charity, Susan.
George Harvey
Charity begins at home. Help me out, Will.
Sailor Granard
Now Back to our two stars, Irene.
George Harvey
Dunn and Fred McMurray, in the second act of our story. As we rejoin them, Sammy, the office.
Sailor Granard
Boy, seems to be heckling George, as usual.
Susan Armstrong
You're not going to the carnival today, Mr. Harvey?
George Harvey
Later this afternoon, Sammy. Miss Armstrong is home fixing us a boxed supper.
Susan Armstrong
A box supper. A date with a carnival queen. For a guy who fights it all the time, Mr. Harvey, you do sensational.
George Harvey
I am going along merely to protect Ms. Armstrong's interests.
Susan Armstrong
Sammy, how do you find work like that?
George Harvey
Miss Armstrong's lovely neck is sticking out a mile. She sponsored this carnival. What if something happened?
Susan Armstrong
Mr. Harvey, you've been going with her for years and nothing's happened yet.
George Harvey
Sammy, I predict great things for you from a problem child. You have a great chance of developing into a juvenile delinquent.
Susan Armstrong
Leaving? Mr. Harvey, what if you see Princess Tonda? I got a message.
George Harvey
For what, Sammy? I should never have asked.
Susan Armstrong
Patience. Yes, Ms. Armstrong? Does this look like I've packed enough supper? Let's see. Who's going to carry this for you? An armored car? Well, we'll be outdoors. Patience and George will have a good appetite. Outdoors, indoors, To a true champion like George, it makes no difference. Dear. I hope that for once he can forget his Suspicions and just have a good time. Knowing George, I doubt it. But I wish you luck. Anything you can recommend patients. The Ferris wheel treatment. You're thrilled, yet afraid. Suspended. Way up there under the stars. You need a strong arm around you to protect. Before or after we eat? I said before or after we eat. Better make it before. From the size of that box, you won't even be able to get him off the ground.
George Harvey
Hey.
Susan Armstrong
Y.
Sailor Granard
Sir, Right this way. Test your strength and ring the bell. All right, step back, folks. He looks like a free swinger. And give that man a box of bonbons.
Susan Armstrong
George, I had no idea you were so strong.
George Harvey
No, it's nothing really, Susan. I've just been doing some push ups at home. Three a night.
Susan Armstrong
Oh, look, the Ferris wheel. Shall we cool off just for a while?
George Harvey
Why not? Two tickets, my friend.
Sailor Granard
Thank you, sir. Going right up.
George Harvey
Passing the bar, please. And here we go.
Susan Armstrong
We're going up so high.
George Harvey
Just hang on to me. Susan. It's nothing, really. It's. Hey, it is a little high, isn't it?
Susan Armstrong
We're stopping? Yeah, right at the top. You think this is safe, George?
George Harvey
Oh, sure, sure. All these companies carry insurance.
Susan Armstrong
George.
George Harvey
Hmm?
Susan Armstrong
Isn't that a strange feeling? Just a moment ago, we were. We were part of that great crowd down there. And now we're all by ourselves, way above it all.
George Harvey
Yeah. Kind of nice, though.
Susan Armstrong
Yes, just like we left all our worldly cares behind us. Yeah.
George Harvey
Susan, I was just wondering what would happen if the wheel got stuck while we were way up here on the top.
Susan Armstrong
Would that be so terrible?
George Harvey
No, no, not at all. Except that we left the supper in the car.
Susan Armstrong
Oh, George, I feel a little chilly.
George Harvey
Oh, are you? Well, here. Yeah. That better?
Susan Armstrong
Much. Ah, this is the way to enjoy a carnival. Your arm around me, the lights, the music, the people down below. Just like little ants.
George Harvey
Yeah, Big crowd. Wonder if we're smart. Trusting Bernard with all that money.
Susan Armstrong
Is that all you can think of at a time like this, George?
George Harvey
Well, not exactly. It's just that it's been so long since I've been on a Ferris wheel, I've forgotten how to act, I guess.
Susan Armstrong
Well, if you need any ideas, look at the other couples.
George Harvey
I don't have to. Susan. Susan, look right straight up at that big star up there.
Susan Armstrong
Where?
George Harvey
No, no, no. It's over this way.
Susan Armstrong
Why, George, you took advantage of me.
George Harvey
And the nice part about it is that science proves that there are over 2,000 visible stars. Oh.
Sailor Granard
Well, well, well. Ms. Armstrong and Mr. Harvey. Welcome, welcome.
George Harvey
Thanks. Just thought we'd stop in and check on the receipts. Granad, you don't mind, do you?
Susan Armstrong
We just wanted to get an idea how things were going, Mr. Granad.
Sailor Granard
Hell, a most wise precaution. Just counting the money here. $1,223. And I feel much safer, George, to turn it over to you right here and now.
Susan Armstrong
We didn't mean that, Mr. Grisel.
Sailor Granard
Business, my dear young lady, is business. And you're lucky to have such a hard headed young man as George here looking out for your interest. I'll just put the cash in a box for you, tie it up nice and tight and there we are, all safe. Hey, what was that?
Susan Armstrong
What?
Sailor Granard
That noise outside. One of the lions.
George Harvey
I don't hear anything or see anything either.
Susan Armstrong
Well, neither do I.
Sailor Granard
And you'll have to excuse me folks. My one big worry is about that lion, Old John L. Getting loose. Why in a crowd like this. Well, here's your box, folks.
Susan Armstrong
Well, thank you very much, Mr. Grard.
Sailor Granard
Pleasure is all mine. Enjoy yourself. The night is young. And George, keep a good eye on that money.
George Harvey
Oh, don't worry. It won't get out of my sight.
Sailor Granard
George. I knew I could trust you.
Susan Armstrong
Hey, George. Wait.
George Harvey
Susan, it's Tonga.
Susan Armstrong
You bet it is. Have you seen him? Where is he? Seeing.
George Harvey
Who?
Susan Armstrong
Sailor Granar. That double crossing rat. He skipped with the dough.
George Harvey
What dough?
Susan Armstrong
The gate receipts, George. The gate receipts. And owing everybody in the carney. Three weeks salary. I found out what he was up to days ago and he promised to cut me in. I should have known. He double crossed his own grandma.
George Harvey
No, no Tonga. We were just a little too smart for him. He gave us the money not 15 minutes ago.
Susan Armstrong
That's right. George has it right here under his arm.
George Harvey
Sure.
Susan Armstrong
Georgie, take a look in the box.
George Harvey
Oh, it's here all right. We both saw him put it in here.
Susan Armstrong
Susan, Booklet. How to learn magic and mystify your friend. George, he pulled a switch, gave you the wrong box.
George Harvey
Why that.
Sailor Granard
Hey, everybody up the midway. The lion is loose. George.
Susan Armstrong
Why that Lars Granar. He turned Jonelle loose to cover up his getaway. Well, he won't get away with it.
George Harvey
As far as I'm concerned, he did. Susan, let's get out of here.
Susan Armstrong
Oh George, wait. Let's stop a minute. I'm all out of breath.
George Harvey
Yeah, so am I. I guess we're safe enough here. Back at the concession buildings, if the lion was around, we'd hear people yelling.
Susan Armstrong
Oh, you were right all along about Granard. I should have listened to you, didn't.
George Harvey
Do me much good to be right. He still made off of the money.
Susan Armstrong
I'm just sick about the whole thing. I could.
George Harvey
What's the matter, George? What?
Susan Armstrong
Inside this building here, I heard someone moving around.
George Harvey
Yeah. Yeah, you're right. Hey, in there. Anybody in there? No answer.
Susan Armstrong
But there is someone. I hear them.
George Harvey
So can I, Susan. There's only one person around who wouldn't answer. Granard.
Susan Armstrong
What are you doing, George?
George Harvey
I'm tearing up a tent stake. I'm going in there after you. Wait out here.
Susan Armstrong
You be careful. Careful.
George Harvey
Now, don't worry. You'll never know what.
Susan Armstrong
George, I don't think you ought, dear. I hope he doesn't. Tonga. Bruno.
George Harvey
Over here.
Susan Armstrong
Quick. What is it? Did you see him?
George Harvey
You gotta catch him quick.
Susan Armstrong
He's inside. George went in after him.
George Harvey
Alone?
Susan Armstrong
Yes. He only has a tent stake.
George Harvey
He's a brave man.
Susan Armstrong
Yes, he certainly is. But then Granard isn't very big. Who is talking about Granad? We just caught him trying to start up his car. You caught Granard?
George Harvey
Sure, with all the money.
Susan Armstrong
But if you caught Granard, who or what is that inside with George? Well, it's the lion. But don't worry. Old John Ell is gentle as a kitten most of the time. Why, everybody knows that. Yes, but does the lion know it? Oh, poor, poor George.
George Harvey
I know you're in here, Granad. The dark isn't going to do you any good. I'm a big carrot eater.
Susan Armstrong
Shoo.
George Harvey
Must be in the funhouse. Great for the nerves. All right. Come out, Granard. I can. Well, two can play at this game. I'll bet he's just as nervous as I am. I'm onto this place now. They can't scare me with a mechanical lion. Growl, Renard. He's in here, all right. I can hear him moving around. Phoniest lion growl I ever heard. Cheap carnival. All right, Renard. I can see your eyes now. Are you coming peaceably? Do you want this tent stake around your head? One last chance, Renard. I'll count up to three. One. Two. Three. All right. Well, he can't say I didn't warn him.
Susan Armstrong
George. George, you're all right.
George Harvey
Sure, I'm all right, Susan. But that's more than I can say for Granard. You better go in and haul him out of there, Bruno. What? I said you better go in and haul him out. Why is everybody looking at me like that? I caught Granard. Look. Come on, I'll show you.
Susan Armstrong
George.
George Harvey
Right in here. I hit him over the head with a Susan. Susan, it's a.
Susan Armstrong
George. Thank you and good night. Clyde Beatty.
George Harvey
Our two stars, Irene Dunn and Fred McMurray, will be back with us in just a moment. Say, Susan.
Susan Armstrong
Yes, George?
George Harvey
I just wanted to get your thinking on this headline on our extra intrepid star Reporter captures lion bare Handed.
Susan Armstrong
Well, I think it's all right, George. Who wrote it?
George Harvey
I did. Oh, and Susan, I. I hope you weren't fooled by that little emotional reaction I had when it was all over. I. I knew all the time it was a lion in the room with me, and I. Well, I. I figured that my one chance was to go for just that right spot behind the ear.
Susan Armstrong
So I. George, do you think you might stop talking long enough to accept a little reward?
George Harvey
Reward? Why, yes, I think so.
Susan Armstrong
All right. There.
George Harvey
Oh, thank you. I wonder how long before the next lion gets loose.
Sailor Granard
Irene Dunn and Fred McMurray will be.
George Harvey
Back next week in another exciting comedy adventure in the gay new series Bright Star. This is Harry Von Zell inviting you to join us. Then.
Episode: Bright Star 52-11-27 (06) "The Crooked Carnival"
Date: October 12, 2025
This episode of Bright Star, originally broadcast in 1952, centers on Susan Armstrong and George Harvey, staff at the Hillsdale Star newspaper, as they investigate the goings-on of a traveling carnival. What begins as a lighthearted excursion quickly turns into a comedic mystery when George is drawn into the suspicions of dishonest practices at the carnival, leading to a tangled case of a missing charity fund, a double-crossing promoter, and a so-called "lion on the loose." The show features the witty banter characteristic of the "golden age" radio comedies and showcases the chemistry between Irene Dunne and Fred MacMurray.
| Timestamp | Speaker | Quote/Description | |---------------|---------------------|------------------------------------------------| | 01:28 | George Harvey | "Seen one, you've seen them all." | | 03:41 | Susan Armstrong | "If you think, George Harvey, that I came here so you could hobnob with dancing girls—" | | 06:54 | George Harvey | "Somebody slugged me with it." | | 07:52 | Susan Armstrong | "What do you get out of it, George?" | | 08:04 | Sailor Granard | "Goodwill... that’s as good as money in the bank."| | 12:09 | George Harvey | "I can hear you talking, Susan, but where are you? All I can see is teddy bears." | | 13:48 | Susan Armstrong | "You brought it on yourself. And it is for charity, Susan." | | 20:56 | Susan Armstrong | "Susan, look! How to learn magic and mystify your friends. He pulled a switch and gave you the wrong box."| | 23:42 | Susan/Bruno | "He only has a tent stake... He's a brave man."| | 25:40 | George Harvey | "Intrepid star reporter captures lion bare handed."| | 26:05 | Susan Armstrong | "Do you think you might stop talking long enough to accept a little reward?"|
True to 1950s radio comedies, the episode is lively, rapid-paced, and packed with light banter and gentle sarcasm. The close rapport between Susan and George provides both heart and humor, while the supporting characters (the flamboyant Granard, the mysterious Princess Tonga, and wisecracking carnival staff) add flavor and suspense. The episode blends old-fashioned wit with classic mystery tropes and a cleverly orchestrated comedic payoff.
Anyone new to Bright Star or Golden Age radio theater will find this episode a charming and clever example of its era. The narrative masterfully intertwines misadventure, romance, and the innocence of community events, all while delivering warm-hearted comedy and a good old-fashioned “whodunit.”