Call The Police 48-07-20 25 The Case Of The Unknown Strangler

Summary

Podcast Summary: Harold's Old Time Radio – "Call The Police 48-07-20 25 The Case Of The Unknown Strangler"

Episode Information:

• Title: Call The Police 48-07-20 25 The Case Of The Unknown Strangler
• Release Date: April 23, 2025
• Host/Author: Harolds Old Time Radio
• Description: This episode transports listeners to the gripping narratives of the Golden Age of Radio, spotlighting a suspense-filled investigation into a mysterious serial killer known as the Unknown Strangler. Set against the backdrop of mid-20th century America, the story intertwines drama, intrigue, and the relentless pursuit of justice by dedicated law enforcement officers.

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1. Introduction to the Mystery

The episode opens with a gripping introduction by Commissioner Bill Grant (00:38) that sets the stage for the unfolding mystery:

"Attention homicide section. Frames for detail. Murder suspect in your zone. Close in according to instruction." (00:38)

This immediate dive into active police communication immerses listeners into the urgent atmosphere surrounding the case of the Unknown Strangler.

2. Establishing the Threat

Dr. Bernard Rayburn provides a poignant reflection on the role of police officers in safeguarding communities:

"Between you and the evil outside the law stands the policeman of your community. He gives up his safety that you may be safe. And sometimes he gives up his life to protect yours." (00:55)

This sets a heroic tone for the narrative, emphasizing the sacrifices made by law enforcement.

3. The First Victim: Ms. Francie Abbey

Commissioner Grant narrates the initial crime to the audience:

"Never to be forgotten is the case of the Unknown Strangler. The opening... Ms. Francie Abbey, 47-year-old spinster who earned a small living teaching singing, was making herself a bite of dinner in her modest two by four kitchenette." (01:42)

As the story unfolds, listeners witness the discovery of Ms. Abbey's murder, marked by the unsettling absence of any discernible motive.

4. The Second Incident: Joel Crocker's Murder

The narrative progresses swiftly to the second victim, Joel Crocker, an aging lawyer, whose murder mirrors the first in its lack of apparent reason:

"Two crimes alike as a pair of peas in a pod... Illogical death without reason or motive." (03:39)

This repetition heightens the tension, illustrating the escalating threat posed by the Unknown Strangler.

5. Introduction of Libby Tyler and Liz Porter

Libby Tyler, a member of the police team, introduces her expertise in criminal psychology:

"This is really the criminal psych department speaking, Bill. But you're dealing with just what the papers say you are. A homicidal murderer." (04:35)

The appearance of Liz Porter, a distressed fiancée seeking help for her missing boyfriend, Leonard Walker, adds a personal stake to the investigation:

"My name is Liz Porter. You've got to help me. He's been missing for days." (05:17)

6. The Investigation Intensifies

As the murders continue unabated, Sergeant Maggio updates Commissioner Grant on the latest victim:

"Another strangler victim... Young guy about 25, no identification." (06:10)

The discovery of a drypoint pen cap in Leonard Walker's car becomes a pivotal clue:

"I took a last look at Leonard Walker's car and found it stuck under the front seat cover. It's a cap of one of those new fangled drypoint pens." (10:19)

7. Breakthrough with Dr. Bernard Rayburn

Recognizing the complexity of the case, Grant enlists the help of Dr. Bernard Rayburn, an expert in abnormal psychology:

"I can tell you that he's an obviously schizophrenic type... He very probably doesn't know that he's the strangler." (09:07)

Dr. Rayburn's analysis introduces the possibility that the strangler may be unaware of his own actions, complicating the pursuit.

8. The Strangler’s Capture and Twist

Despite initial progress, the strangler eludes capture. A dramatic turn occurs when Dr. Rayburn presents a sketch that unsettlingly resembles himself:

"This is a picture of the strangler... all mental illnesses have similar physical correlatives." (20:23)

In a shocking twist, it’s revealed that Dr. Rayburn himself is the Unknown Strangler, suffering from severe schizophrenia that causes him to switch identities without awareness.

9. Climactic Confrontation and Resolution

The culmination of the investigation sees Commissioner Grant confronting Dr. Rayburn, only to fall victim to his phasal change. The realization dawns on Grant:

"He clipped my chin with the power of a mule's kick... Hinderman had emptied the needle and filled it again so that we gave him an injection of Aqua Pura H2O water." (15:41)

As chaos ensues, a secondary plot reveals that James MacArthur, a heroic Deputy Inspector from Cleveland, is honored for his valor, juxtaposing the ongoing terror in Ashland.

10. The Unresolved Menace

Despite capturing Hinderman, the true identity and motive of the Unknown Strangler remain shrouded in mystery. The episode concludes on a somber note, highlighting the persistent fear and uncertainty gripping the community:

"There was no reviving Liz Porter. Four days, four murders, and the strangler was still ranging the town with his fingers curled like the talons of a buzzard." (19:22)

11. Notable Quotes with Timestamps

• Commissioner Bill Grant (00:55):

  "Between you and the evil outside the law stands the policeman of your community. He gives up his safety that you may be safe."

• Libby Tyler (04:35):

  "This is really the criminal psych department speaking, Bill. But you're dealing with just what the papers say you are. A homicidal murderer."

• Dr. Bernard Rayburn (09:07):

  "I can tell you that he's an obviously schizophrenic type. Meaning, among other things, that even he very probably doesn't know that he's the strangler."

• Commissioner Bill Grant (15:41):

  "He was sleeping peacefully, this man whose one love was murder... And then I saw it. A spot on the carpet... Nembutol."

• Libby Tyler (25:47):

  "Miss Porter, now try to calm down, please."

12. Conclusion

"The Case Of The Unknown Strangler" masterfully blends suspense with psychological intrigue, keeping listeners on the edge of their seats. Through sharp dialogue and unexpected plot twists, the episode explores themes of identity, mental illness, and the relentless pursuit of justice. As the story concludes with lingering questions and unresolved tensions, it leaves the audience eagerly anticipating the next installment in this riveting series.

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Note: This summary focuses solely on the content-rich sections of the episode, omitting advertisements, intros, outros, and non-essential segments to provide a coherent and comprehensive overview of the narrative.

Transcript

[Nicole Byer]

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[Libby Tyler]

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[Commissioner Bill Grant]

Attention homicide section. Frames for detail. Murder suspect in your zone. Close in according to instruction.

[Dr. Bernard Rayburn]

Between you and the evil outside the law stands the policeman of your community. He gives up his safety that you may be safe. And sometimes he gives up his life to protect yours.

[Rinso Commercial]

New Rinso, the soap that contains sodium, the scientific sunlight ingredient brings you Call the Police A new series of realistic radio dramas inspired by the courageous work of police departments all over America.

[Commissioner Bill Grant]

This is Commissioner Bill Grant. Putting the cuffs on a Jack the Ripper. Takes plenty of hard labor and all the breaks, as was demonstrated in number 3461 from the Ashland Files. Never to be forgotten is the case of the Unknown Strangler. The opening of this giant size comedy took place at 7:15 on the evening of July 2nd in a third floor flat. Ms. Francie Abbey, 47 year old spinster who earned a small living teaching singing, was making herself a bite of dinner in her modest two by four kitchenette.

[Libby Tyler]

Oh dear, there goes the doorbell. Probably somebody to inquire about lessons. Just a moment please. Just a moment. I hear you. I'm coming. Won't you step in? I am preparing a little food in the kitchen, so if you'll excuse me. Let me by. Will you let me by please? I'm going to scream for help. Do you hear me? I'm going to scream for help.

[Commissioner Bill Grant]

That was the curtain raiser. We found the dead woman two hours later and nothing, absolutely nothing to give us any insight into the motive behind the crime. 56 hours later, the curtain went up on the second chorus of the Dance of Death. On the night of July 6, an aging lawyer by the name of Joel Crocker creaked up the steps to his ancient office. What? I didn't know there was anyone waiting for me. I'm terribly sorry sir. If you'll just come along into the inner office.

[Dr. Bernard Rayburn]

Leave the door open if you please.

[Commissioner Bill Grant]

It's cooler that way. Now just have a seat. Now.

[Dr. Bernard Rayburn]

How dare you.

[Commissioner Bill Grant]

How dare you strike me in my. And now there were two. Two crimes is alike as a pair of peas in a fraud. Illogical death without reason or motive. The newspapers didn't catch on for 12 hours. Then suddenly they made the tie up between the Abbey and Crocker murders. And every sheet in town was off to the unknown strangler. Takes double toll. Police helpless to stop homicidal murderers. Where will the killer strike next?

[Libby Tyler]

Bill, stop pacing.

[Commissioner Bill Grant]

Bill, please take a gander at those papers. Libby. A banner day for the press. This photo layout looks like a remake of the Cat MC Canary.

[Libby Tyler]

May I say something?

[Commissioner Bill Grant]

Say what?

[Libby Tyler]

This is really the criminal psych department speaking, Bill. But you're dealing with just what the papers say you are. A homicidal murderer.

[Commissioner Bill Grant]

So why?

[Libby Tyler]

Murder is always on the verge of insanity. Or as we say, pre psychotic. But murder without motive. Pointless, disconnected, profitless killing is psychotic. Whoever the man is, Bill, he's insane.

[Commissioner Bill Grant]

Hold it a second, lady.

[Liz Porter]

Well, I'm sorry, but I had to come. I couldn't wait any longer. I had to come.

[Commissioner Bill Grant]

What is this? Who are you?

[Liz Porter]

My name is Liz Porter. You've got to help me. He's been missing for days.

[Libby Tyler]

Who has?

[Liz Porter]

Leonard. Leonard Walker, the boy I'm engaged to.

[Commissioner Bill Grant]

Look, Missing persons. You report at your local precinct?

[Liz Porter]

I did, but all they've got on their minds is this unknown strangler scare. Oh, please, please help me. I'm so worried.

[Libby Tyler]

How long has your fiance been missing, Ms. Porter?

[Liz Porter]

Since the evening of the 2nd of July.

[Commissioner Bill Grant]

Yeah, very interesting evening. Now, what's the last you saw of him?

[Liz Porter]

Well, we'd been on a date. He brought me home. He drove away in his car.

[Commissioner Bill Grant]

What kind of a car does he drive?

[Liz Porter]

A small sedan.

[Commissioner Bill Grant]

License plate?

[Liz Porter]

It's 201G. Oh, I don't know. I just don't know. My mind's in such a fog. I.

[Commissioner Bill Grant]

Have a chair, miss.

[Liz Porter]

Thank you.

[Commissioner Bill Grant]

Hello.

[Sergeant Maggio]

Well, now, don't blow your top.

[Commissioner Bill Grant]

Thanks for caring, but it's already blown. What's the news? Bad.

[Sergeant Maggio]

Another strangler victim.

[Commissioner Bill Grant]

Another? The strangler again, Libby.

[Libby Tyler]

Oh, Bill.

[Commissioner Bill Grant]

What address?

[Sergeant Maggio]

No address. This one was staged in a car on a side road off Highway 11. Young guy about 25, no identification.

[Commissioner Bill Grant]

Young guy killed in this car. What about the license plate?

[Sergeant Maggio]

21G48N.

[Commissioner Bill Grant]

Just a second. Ms. Porter.

[Liz Porter]

Yes?

[Commissioner Bill Grant]

Could your boyfriend's license have been 201G? 48N? Ms. Porter, she recognized the numbers when I said them and she was right to faint. It was Leonard Walker, all right. He been sitting up straight in his sedan for four days and Nights with the strangler's fingerprints around his throat.

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[Commissioner Bill Grant]

Number three for the unknown strangler was a young man named Leonard Walker. Three motiveless, clueless murders in as many days. I channeled every available man into the hunt for the strangling maniac but got nowhere until.

[Libby Tyler]

Bill.

[Commissioner Bill Grant]

Yes, Lavi?

[Libby Tyler]

Remember I told you yesterday I thought I knew the way out of this? Well, now I'm sure I do.

[Commissioner Bill Grant]

I'm all ears.

[Libby Tyler]

I want you to meet someone. Bill. He's outside now. His name is Dr. Bernard Rayburn. He's an expert on abnormal psychology.

[Commissioner Bill Grant]

What can I lose? Show him in.

[Libby Tyler]

Won't you come in, Dr. Rayburn?

[Dr. Bernard Rayburn]

Thank you.

[Libby Tyler]

Dr. Rayburn, this is Commissioner Grant.

[Commissioner Bill Grant]

How are you, doctor?

[Rinso Commercial]

How do you do?

[Commissioner Bill Grant]

Ms. Tyler seems to think you can give us a lead on this strangler, doc.

[Dr. Bernard Rayburn]

I can tell you that he's an obviously schizophrenic type. Meaning, among other things, that even he very probably doesn't know that he's the strangler.

[Commissioner Bill Grant]

How does that work, Doc?

[Dr. Bernard Rayburn]

On a principle of phasal changes. One minute the man may appear quite rational, whereas at the next, he can become a monstrous personality and remember nothing at all of his actions. When he shifts back again to the rational phase, I get the picture, and.

[Commissioner Bill Grant]

It'S a tough one to deal with.

[Dr. Bernard Rayburn]

Yes, I agree, Commissioner. But I think by an analysis of his crimes one might arrive at something very like an identification.

[Commissioner Bill Grant]

And you, could you make that Analysis.

[Dr. Bernard Rayburn]

I can't promise you anything, but if you give me your records and notes covering the murders, I'll try to assemble some facts. They may even include a fairly dependable sketch of the killer's physical appearance.

[Commissioner Bill Grant]

By now I like the man. And I know also that he'd deliver. So I gathered together our meager records and packed them off to do his work. An hour and a half later, the tireless Sergeant Maggio walked into the office.

[Sergeant Maggio]

Here's a little jigger to add to your collection.

[Commissioner Bill Grant]

What's that?

[Sergeant Maggio]

I took a last look at Leonard Walker's car and found it stuck under the front seat cover. It's a cap of one of those new fangled drypoint pens.

[Commissioner Bill Grant]

Maybe it belonged to Walker.

[Sergeant Maggio]

I'm gonna check on that. I called Ms. Porter and she's coming over after work to see if she recognizes it. They. They tell me you had an interview with a nut doctor.

[Commissioner Bill Grant]

I talked things over with Dr. Rayburn.

[Sergeant Maggio]

Where is he now? Laundering his straight jackets.

[Commissioner Bill Grant]

Getting his work done. Which isn't a bad idea for everybody on this case. The next day was the 8th of July, and a very eventful day it was. Because at a little after seven that evening, a schoolteacher named Ms. Rosie McMahon was hurrying across the lonelier stretches of Burgoyne park to beat an honor oncoming storm. Who. Who are you?

[Libby Tyler]

What do you want? No.

[Commissioner Bill Grant]

No. Come here.

[Libby Tyler]

Go away.

[Commissioner Bill Grant]

Come here. Let me alone.

[Libby Tyler]

Let me alone.

[Commissioner Bill Grant]

Okay boys, let him grip you make a mistake. Let me loose. Let me loose. Sorry, but you tried it once too often.

[Sergeant Maggio]

Strangler.

[Commissioner Bill Grant]

When they brought him in, I took a look at him and I was amazed. A little thin faced man with steel rimmed glasses and tobacco stained mustache. No, no, you are wrong. I know to something. Only stop nice lady to ask for a cigarette. Hinderman do no harm. No.

[Sergeant Maggio]

Too bad about Hinderman. Sugar wouldn't melt in Hinderman's mouth. But take a look at what we found when we went over him.

[Commissioner Bill Grant]

What's that? Key ring man can carry. Key ring man can also explain why.

[Sergeant Maggio]

His ring features this particular key. Look at the tag on it, chief.

[Commissioner Bill Grant]

Huh.

[Sergeant Maggio]

Key to the basement of 894 Tyson St. 894 Tyson.

[Commissioner Bill Grant]

That's the address of the ably woman.

[Sergeant Maggio]

Strangler victim number one. And maybe you also remember the address of Lawyer Crocker number two.

[Libby Tyler]

Sure.

[Sergeant Maggio]

54 Fulham street exhibit be from the same key ring.

[Commissioner Bill Grant]

Hinderman make no harm for somebody. Hinderman, what are you doing with these keys? Make a living. Only make a living.

[Sergeant Maggio]

He says he works As a part time janitor in both buildings. Kind of coincidence, huh, Commissioner?

[Commissioner Bill Grant]

Wait a minute. 894 Tyson. 54 Fulham. Where does Leonard Walker's girlfriend live? That, that, Ms. Porter.

[Sergeant Maggio]

Dale Avenue, the Horton Apartments.

[Commissioner Bill Grant]

And this last chivalry takes place in Burgoyne Park. So, baby, give me a map of Ashland.

[Libby Tyler]

There's one here on the wall.

[Commissioner Bill Grant]

That'll do. Thanks.

[Sergeant Maggio]

Well, what are you doing, chief? Plotting a new civic project?

[Commissioner Bill Grant]

I'm drawing.

[Libby Tyler]

What?

[Commissioner Bill Grant]

The area of the Strangler's activities bounded on the north by Fulham street, on the south by Tyson street, on the east by Dale Avenue, and the center of the territory is Burgoyne Park.

[Sergeant Maggio]

You got something?

[Commissioner Bill Grant]

I got at least geography. The Strangler is operated in this penciled section. Every murder has either occurred in this area of these three blocks or has been tied up with it one way or the other. Hinderman. Yeah. Mr. Yeah. You're under arrest for the murders of Frances Abley, Joel Crocker and Leonard Walker. No, no. I know there's something. I know there's something you can't tell me. I don't. We lifted the hysterical Hinderman into my office and Libby pointed out that we get nowhere with him until he had recovered a little. According to her, an injection of liquid Nembutol would tide him over his panic. And this she brought from the lab. I don't care. You can't do it.

[Libby Tyler]

All right, Bill, help him onto the sofa.

[Commissioner Bill Grant]

Okay.

[Libby Tyler]

That's right.

[Commissioner Bill Grant]

Get the needle ready. He's in bad shape.

[Liz Porter]

I will, Commissioner.

[Commissioner Bill Grant]

Ms. Porter. Oh, just a minute, Libby. It was about this fountain pen cap found in Walker's car. Was it his?

[Liz Porter]

No, no, that wasn't Leonard.

[Commissioner Bill Grant]

Okay, thanks. Obviously it belonged to the Strangler. Here. Now, if you just wait outside and.

[Liz Porter]

Strangler Hinderman.

[Commissioner Bill Grant]

You know him?

[Libby Tyler]

Know him?

[Liz Porter]

Why, yes, of course I know him. He insulted me once outside my apartment house.

[Libby Tyler]

He killed and he. He did it.

[Commissioner Bill Grant]

He did it.

[Liz Porter]

He did it, I tell you.

[Commissioner Bill Grant]

Get out of here, Libby.

[Liz Porter]

Come on.

[Libby Tyler]

Miss Porter, now try to calm down, please.

[Commissioner Bill Grant]

Maggie, help Ms. Porter downstairs and put her in my car. I'll drive her home myself as soon as we finish inside.

[Sergeant Maggio]

Okay, come on now, Ms. Porter, everything's gonna be all right.

[Commissioner Bill Grant]

Let's get back to Hindeman.

[Libby Tyler]

All right, where were we?

[Commissioner Bill Grant]

Bill about to give him a shot.

[Libby Tyler]

Now, here's a needle. Hold his wrist.

[Commissioner Bill Grant]

I don't want you to. Okay.

[Libby Tyler]

There we are. There we are.

[Commissioner Bill Grant]

All done.

[Libby Tyler]

All done. I'm going to get the desk at City Hospital and have him taken to the Wardville. He'll be better off there until he's well enough to answer questions.

[Commissioner Bill Grant]

He was sleeping peacefully, this man whose one love was murder. I looked down at him, fascinated by the sheer evil of his face. And then I me, I do I. I leaned forward, hovering over him to catch an unconscious confession when suddenly his head came up under my chin, the bony skull catching me square on the button with the power of a mule's kick. My eyes bugged as the room started to do a swirling tarantella. And then down I went, swaying off into never without a care in a world. When I came to, the couch was empty. Hindeman had been on his way for who knows how long. And then I saw it. A spot on the carpet not three feet from my nose. I smelt it. Nembutol. In those few minutes while we were lugging Liz Porter outside, Hindeman had emptied the needle and filled it again so that we gave him an injection of Aqua Pura H2O water. When the full impact of what had happened hit my muddled brain I grabbed the phone and began to shout, turning every able bodied gun toting man in the force into the chase and hemstitching the borders of Ashland with a ring of squad cars. After that Libby and I staggered out for something to revive us. She was trying to cheer me up. I remember telling me not to despair when suddenly, just as we neared the car.

[Libby Tyler]

Bill, look. Look, look.

[Commissioner Bill Grant]

I looked through the window of my car. I saw Liz Porter smiling out at us. On second glance I saw that the smile was really the toothy grimace of her last attempt for that final gasp of air that hadn't come. Elizabeth Porter had met the strangler face to face.

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[Commissioner Bill Grant]

There was no reviving Liz Porter. Four days, four murders, and the strangler was still ranging the town with his fingers curled like the talons of a buzzard.

[Libby Tyler]

What are we going to do, Bill?

[Commissioner Bill Grant]

Call the governor. I'm putting this in his lap. It takes a thousand more men to cover this city. I need the militia. Bill me. No bills. Death has come to stay, baby. Hello, State Capitol?

[Dr. Bernard Rayburn]

No, Commissioner, this is Dr. Rayburn.

[Commissioner Bill Grant]

Oh, hello. How you doing, Doc? Fine.

[Dr. Bernard Rayburn]

I've got some material for you, as.

[Commissioner Bill Grant]

I promise I'm a strangler. Yes, we know who he is, Doc.

[Dr. Bernard Rayburn]

Congratulations.

[Commissioner Bill Grant]

But he slipped us.

[Dr. Bernard Rayburn]

Now, this may help you pick him up again. Come on over.

[Commissioner Bill Grant]

Rayburn lived in a comfortable brownstone on Chestnut Street. We sat over his dining room table, drinking cold beer and examining what amounted to the work of genius.

[Dr. Bernard Rayburn]

Now, take a look at this sketch, Commissioner.

[Commissioner Bill Grant]

Yeah. Who is this, Doc?

[Dr. Bernard Rayburn]

It's a picture of the strangler.

[Commissioner Bill Grant]

Huh?

[Dr. Bernard Rayburn]

It's not exactly a camera portrait, Grant, but it's been discovered recently that all mental illnesses have similar physical correlatives. In other words, this is what the strangler must look like based upon his symptoms.

[Commissioner Bill Grant]

I get it. You're okay, Doc. You're okay.

[Dr. Bernard Rayburn]

You can study it for a moment while I get my other notes.

[Commissioner Bill Grant]

I did study the sketch. And the longer I looked at it, the more I realized that it looked nothing like Hindeman. But I had the strange feeling that it looked like somebody I knew.

[Dr. Bernard Rayburn]

Now, here are the balance of the notes. I want to jot in a couple of remarks, then you can have them.

[Commissioner Bill Grant]

He took out his fountain pen and began to make additions in the margins. And as I stared at him, the short hairs on the tender part of my nape stood up as sharp as quills. That's a nice suit, Doc.

[Dr. Bernard Rayburn]

This one?

[Commissioner Bill Grant]

Yeah. You could damage it, you know, carrying that pen in your pocket without a cap.

[Dr. Bernard Rayburn]

I know. I'm a careless man at best. I lost the cap the other day.

[Commissioner Bill Grant]

Where?

[Dr. Bernard Rayburn]

Why? I don't know.

[Commissioner Bill Grant]

I think I do.

[Dr. Bernard Rayburn]

You think you do?

[Commissioner Bill Grant]

Yeah. You lost a Doc? Where? It was found in Leonard Walker's car.

[Dr. Bernard Rayburn]

Leonard Walker? He was one of the victims, wasn't he?

[Commissioner Bill Grant]

Number three, to be exact.

[Dr. Bernard Rayburn]

How could I have lost it in his car? I never laid eyes on Him.

[Commissioner Bill Grant]

Here's the cap. Maggio found it yesterday. I'm afraid you laid more than eyes on him, doc. I'm afraid you laid hands on him.

[Dr. Bernard Rayburn]

Let me see that thing. Thanks. Is mine. There's a crack down the middle. I dropped it and stepped on it the day before it disappeared. Grant.

[Commissioner Bill Grant]

I know, Dr. Rayburn.

[Dr. Bernard Rayburn]

Me, me.

[Commissioner Bill Grant]

This street, Chestnut street, comprises the fourth side of the square in which the strangler is operated. Also, take a look at the picture you drew.

[Dr. Bernard Rayburn]

Yes. Yes, it does. It looked like me. How could I have missed it so?

[Commissioner Bill Grant]

Diagnose for me, Doc.

[Dr. Bernard Rayburn]

My diagnosis stands. Advanced schizophrenia.

[Commissioner Bill Grant]

And who's my strangler?

[Dr. Bernard Rayburn]

I can hardly, hardly believe it.

[Commissioner Bill Grant]

I am prescription, doc.

[Dr. Bernard Rayburn]

Get me the headquarters, quick.

[Commissioner Bill Grant]

We said nothing on the way downtown. We said nothing as we started up in the elevator. I looked at him, feeling sorry for a nice guy who was very, very sick. And what I saw as I looked meant nothing to. I'd never seen a phasal change occur and it's difficult for anyone to see. So I wasn't prepared when the elevator stopped. After you, Doc. Turn loose. Turn loose. I went down falling across the elevator entrance. And I didn't know that Libby was in my office and she didn't know Rayburn. Anything but a nice guy.

[Libby Tyler]

Oh, hello, doctor. Where's Bill?

[Rinso Commercial]

Bill?

[Libby Tyler]

Bill Grant, Commissioner Grant. He was with you, wasn't he?

[Dr. Bernard Rayburn]

Yes, he was.

[Libby Tyler]

Oh, well, I hope he hurries. I've got news for him. Maggio just called. They've picked up Hinderman.

[Dr. Bernard Rayburn]

Hinderman?

[Libby Tyler]

Yes, Hinderman, the janitor, the strangler. They found him hiding in the basement of an old house. Well, don't you realize what that means, Dr. Raper, everything you and Bill have been through, it's all over, finished, finished. No more murders, no more terror, no more innocent victims. They've got the Strangler. What are you laughing at? Are you trying to make fun of me? Dr. Rayburn, what's the matter?

[Commissioner Bill Grant]

What's the matter?

[Libby Tyler]

Doctor? Doctor. Doctor.

[Commissioner Bill Grant]

What brought me to the surface was. And that same force dragged me out of the elevator and down the hall. I saw the glass door with my name on it. William Grant, Police Commissioner Ashland. Not strong enough to open it. I lunged forward and fell. He swung around. And in that moment, as he tottered back, a change occurred. Dr. Rayburn snapped back himself again. And there was more surprise than accusation in his eyes as he said, why.

[Dr. Bernard Rayburn]

Did you do that, Trent?

[Commissioner Bill Grant]

Why? And the terror was over. And Libby and I, we tried to forget.

[Libby Tyler]

So Hinderman was all coincidence. Sick Enough. But definitely not the killer.

[Commissioner Bill Grant]

That's about it. Now, let's not talk about it, huh?

[Libby Tyler]

This thing, it can happen to anybody and you never know a thing about it.

[Commissioner Bill Grant]

It doesn't happen unless you're the type, sweetheart. And you get warnings, don't worry.

[Libby Tyler]

Such as?

[Commissioner Bill Grant]

Well, you take me, the last year or so, I felt a peculiar sort of thing. Tightening of the pulses, heightening of the blood pressure quivering around the heart.

[Libby Tyler]

Really, Bill?

[Commissioner Bill Grant]

Yeah. It comes on at certain times.

[Libby Tyler]

What times?

[Commissioner Bill Grant]

Times when I look at you, baby. Bill.

[Libby Tyler]

Oh, Bill. Gr.

[Rinso Commercial]

In just a moment, Commissioner Grant will return with the call. The police plaque of valor this week presented to a police officer who single handed captured a group of armed bandits. But now, you know, millions of women say that there's nothing like Rentzo's safe, soapy, rich suds. So safe for clothes. So easy on your hands. Next time you go to the store, be sure that Rinso heads your shopping list. Remember, the Rinso you get today is new Rinso. The only soap that contains the scientific sunlight ingredient sodium Rinso with sodium. Put sunshine in your wash and mark this Rinso is used by more women than any other wash day soap in the world.

[Commissioner Bill Grant]

This is Bill Grant. It's with considerable pride that I present this week's call the police plaque of valor and cash award to an heroic Deputy Inspector of Police James MacArthur of Cleveland, Ohio. MacArthur's Deed of Valor was reported by San Giamo, chief police reporter of the Cleveland Press. Shortly after midnight, a police broadcast announced that a robbery was in progress in a coffee shop in downtown Cleveland. MacArthur, who was cruising in the District, sped to the scene of the hold up. Without thought to his personal safety, he ripped open the door and confronted a group of armed bandits. As MacArthur stepped into the room, three bullets whizzed past his head. He drew his revolver and fired. One of the gunmen went down, wounded. The other three tried to escape, but MacArthur blocked their exit at gunpoint. The four bandits were sentenced to 10 to 25 years in Ohio State Penitentiary. His swift action, his cool courage and gallant devotion to duty are in keeping with the highest traditions of the police forces of America. Congratulations to Deputy Inspector James MacArthur, Chief George J. Matowitz and the entire police department of Cleveland, Ohio.

[Rinso Commercial]

George Petrie was starred in the role of Bill Grant. Music was arranged and conducted by Ben Ludlow. This is Hugh James reminding you to be with us again next week when Lever Brothers Company, makers of new Renso with Solium, bring you another exciting police case. Listen next week to the case of.

[Commissioner Bill Grant]

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[Rinso Commercial]

Be sure to listen next week to call the police. This is NBC, the National Broadcasting Company.