Carter Brown Mysteries 00 Felony in Fashion

Summary

Podcast Summary: Carter Brown Mysteries – “Felony in Fashion”

Podcast: Harold's Old Time Radio
Episode Date: January 13, 2026
Episode Theme:
A classic, witty murder mystery set in the glamorous yet treacherous world of 1940s fashion, where adman Todd Gaynor tries to save a struggling lingerie business and ends up entangled in a double murder plot.

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1. Main Theme & Setup

The episode is a full-cast dramatization of Carter Brown’s mystery, “Felony in Fashion.” Advertising executive Todd Gaynor is hired by Beulah Lamont to invigorate her failing lingerie business, but soon finds himself at the center of a glamorous fashion show—turned crime scene—where model Merrily Maytime is murdered on stage. As suspects multiply, Gaynor is forced into the role of reluctant detective amid rivalry, blackmail, and a second murder.

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2. Breakdown of Key Discussion Points and Plot

A. The Fashion Business Gamble

• [01:16–05:13]
  • Todd Gaynor arrives at Lamont Lingerie, pitching an ambitious publicity stunt to save Beulah Lamont’s ailing business.
  • Tension between Gaynor and Eugene Talcomb, the conservative general manager, centers on modern vs. traditional advertising.
  • Beulah, desperate for sales, decides to close her old agency and hire Gaynor directly as advertising manager, tightening the stakes:

    “At the end of the financial year, if we are not in the red, I shall confirm your appointment. If we are, I shall terminate your services abruptly.” (Beulah Lamont, 05:13)

B. The Lingerie Show and Murder

• [05:47–13:06]
  • Frenzied preparation leads to the glamorous fashion show, where personalities (including the volatile designer Paul and ex-boyfriend racketeer Duke Reinhardt) clash.
  • During Merrily’s debut walk, the lights go out, and as they return, she collapses—dead, with blood staining her lingerie.

    “That wasn’t scarlet lace, Paul. That was blood.” (Todd Gaynor, 12:51)

C. The Investigation Unfolds

• [15:02–19:06]
  • As police descend, Elise (the maid) reveals tension between Merrily and her agent, Schlinkel, including blackmail threats involving something called “Five Winds.”
  • The aftermath brings both crisis—no models for publicity photos—and opportunity, as Gaynor suggests Beulah herself becomes the new face of Lamont Lingerie.
  • Eugene objects, leading Beulah to fire him, only to discover he has a supposedly ironclad contract.

D. Complicating Figures and Clues

• [20:25–24:07]
  • Lieutenant O’Malley, sharp-tongued from Homicide, suspects Gaynor of withholding evidence, has a comical showdown:

    “You can get down on your knees or you can have the withholding evidence charge thrown at you, Mr. Gaynor. Take your pick.” (Lt. O’Malley, 22:57)

  • News breaks: Schlinkel, the agent, is murdered.

E. The Mystery Deepens: “Five Winds”

• [24:49–26:12]
  • “Five Winds” is revealed as the name of the Lamont country house, linking it directly to both the murder victims and Beulah’s family.
  • A blackmail photo surfaces showing the late Merrily and Henry Lamont (Beulah’s father).

F. Everyone’s a Suspect

• [27:00–29:47]
  • O’Malley outlines five potential suspects: Duke Reinhardt, Alfonso (his henchman), Beulah Lamont, designer Paul, and possibly Gaynor, requesting Todd to undercover further evidence.

G. Racket and Kidnap: The Secluded Country House

• [34:08–41:00]
  • Duke Reinhardt, believing himself wrongly accused, forcibly brings Gaynor, Beulah, Paul, and Eugene Talcomb to “Five Winds” for a dramatic showdown.
  • He locks everyone in, intent on uncovering the real killer (“one of the people in this car is the murderer”).

H. Final Confrontation and Revelation

• [41:11–47:01]
  • Each character is grilled to reveal their secrets and past connections to Merrily and Schlinkel.
  • Gaynor cleverly deduces that Eugene Talcomb is the real murderer:

    “How do you rate as an amateur shutterbug, Eugene?” (Todd Gaynor, 46:17)

  • Talcomb pulls a gun, tries to escape, but Gaynor has swapped his car keys, stranding Talcomb.
  • A dramatic trap is set, leading to Talcomb’s capture in a smoky, explosive finale.

I. Epilogue and Romantic Closure

• [49:30–50:10]
  • With the crimes solved and orders flooding in, Gaynor is called by Beulah:

    “I've always believed in close cooperation. Between a general manager and his boss...” (Beulah Lamont, 50:01)

  • Flirtation and gratitude suggest a budding romance, wrapping the story on a high note.

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3. Notable Quotes and Memorable Moments

• Sardonic Humor and Era Tone:
  “Looking back, I wish I'd had the brain to let the wave break and get out of the way.” (Todd Gaynor, 01:30)
• Glam Between Danger:
  “Lingerie is a glamorous product. And you've got to glamorize its sales angle.” (Todd Gaynor, 03:23)
• Dramatic Murder Reveal:
  “That wasn’t scarlet lace, Paul. That was blood.” (Todd Gaynor, 12:51)
• Cops vs. Wise Guy Banter:
  “You can get down on your knees or you can have the withholding evidence charge thrown at you, Mr. Gaynor. Take your pick.” (Lt. O’Malley, 22:57)
• Classic Noir Epilogue:
  “Just you stay right where you are. I'm coming to prove just how close that cooperation can be.” (Todd Gaynor, 50:10)

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4. Important Timestamps

• Ad pitch, business setup: 01:16–05:13
• Fashion show, murder: 05:47–13:06
• Interview with the maid & blackmail clues: 15:02–16:49
• The second murder revealed: 24:49–26:12
• O’Malley’s suspects laid out: 28:00–29:47
• Duke Reinhardt kidnaps all to ‘Five Winds’: 34:08–37:47
• Dramatic denouement & murderer revealed: 43:36–47:01
• Romantic/comedic wrap-up: 49:30–50:10

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5. Language and Tone

The language is breezy, fast, and wisecracking, evoking the classic hardboiled/noir detective genre (“one look at Alfonso and he nearly fainted”), packed with period slang and double-entendre. The tone shifts skillfully from flirtatious and comedic to tense and dangerous as the plot twists and the stakes heighten.

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Conclusion

“Felony in Fashion” is a zippy, atmospheric radio mystery brimming with glitz, danger, and wry humor. It delivers all the essential ingredients: a cynical hero, glamorous dames, shifty gangsters, and a twisty murder with an explosive reveal. Listeners are treated not just to whodunit intrigue, but a heady glimpse of the Golden Age of Radio’s style and spirit.

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Cast Highlights:

• Todd Gaynor (Leonard Teal): Wry, quick-witted adman thrown into detective work
• Beulah Lamont (Margaret Christensen): Glamorous, competent business owner
• Eugene Talcomb: Smarmy general manager and surprise culprit
• Lieutenant O’Malley: Hard-boiled cop with a sharp edge
• Paul: Excitable French designer
• Duke Reinhardt & Alfonso: The classic gangster duo

Transcript

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[Todd Gaynor]

Spinquest is a free to play social casino void where prohibited. Visit spinquest.com for more details. Carter Brown Mysteries. Adventures in excitement and suspense. Based on the best selling novels by the slick storytelling sensation Carter Brown. How do you do, ladies and gentlemen, this is Carter Brown introducing another of my books, Felony in Fashion.

[Duke Reinhardt]

The story of Todd Gaynor, an advertising.

[Todd Gaynor]

Man who sets out to promote business.

[Duke Reinhardt]

And winds up promoting Brother of the lethal variety.

[Todd Gaynor]

Of course, when a man's mixed up.

[Duke Reinhardt]

With fashion, he also finds himself mixed up with females of the lovely variety.

[Todd Gaynor]

So with that combination of dames and disaster, Todd Gaynor has more than enough on his hands. And I'll leave him to describe it to you. The whole thing began with a brainwave. And looking back, I wish I'd had the brain to let the wave break and get out of the way. But there you are. An advertising account executive will do anything to safeguard his account. Especially when it also means safeguarding his job. And that was why I'd rushed to the offices of Lamont Lingerie and an interview with Ms. Bueller Lamont herself. A brunette with wide spaced dark eyes, wearing a thin silk dress that clung to her like purple paint to a wall. Only a wall is a flat surface.

[Beulah Lamont]

Take a chair, Mr. Gaynor.

[Todd Gaynor]

No, thanks, Ms. Lamont. I do better standing up. If you're better this way, Mr. Gaynor.

[Beulah Lamont]

I understood this was to be a business interview.

[Todd Gaynor]

I'm sorry. It's just that sometimes my baser instincts get away with me.

[Beulah Lamont]

Well, they won't get away with anything else. So let's confine ourselves to business, shall we?

[Todd Gaynor]

Of course.

[Lieutenant O'Malley]

Now, come in.

[Beulah Lamont]

Ah, Eugene. I wondered what had happened to you.

[Eugene Talcomb]

My apologies, Ms. Lamont. I was delayed.

[Beulah Lamont]

Oh, it's all right. You're just in time. Eugene. Mr. Gaynor. I thought our general manager should be present at this discussion.

[Todd Gaynor]

Yeah, sure, But I'm afraid Mr. Talcomb and I don't agree on methods that.

[Eugene Talcomb]

Is hardly surprising, surely. As Ms. Lamont knows, I have always disapproved of the distasteful, modern methods of advertising. Lingerie.

[Todd Gaynor]

Yeah. So what do we get? No impact. Now listen, Ms. Lamont, how would you like to make one Hundred thousand dollars in increased sales.

[Beulah Lamont]

Naturally, I'd like it very much. But how?

[Todd Gaynor]

Your product is good, but your merchandising stinks.

[Eugene Talcomb]

Really, Mr. Gaynor.

[Beulah Lamont]

Please, Eugene.

[Todd Gaynor]

Lingerie is a glamorous product. And you've got to glamorize its sales angle.

[Eugene Talcomb]

But not vulgarize it, Mr. Gaynor.

[Todd Gaynor]

Depends upon how much you want to make money.

[Beulah Lamont]

You have a scheme in mind, Mr. Gaynor?

[Todd Gaynor]

Yep. Give each set of lingerie you produce in a different style, a different name. Have an opening show. You know, like the dress designers. And plug the show in your advertising. Let's take a look at this picture.

[Beulah Lamont]

Ms. Marilyn Maytime. She's very attractive for a blonde. Don't you think so, Eugene?

[Eugene Talcomb]

I'm afraid I consider her a common type.

[Todd Gaynor]

Well, nine men out of ten wish, but that type were more common. Merrilee Maytime is an up and coming starlet. Her first film's not too good, apparently, and she can use all the publicity she can get. So there shouldn't be much difficulty in getting her to act as a model for your showing.

[Beulah Lamont]

Mr. Gaynor, you really think this scheme will work?

[Todd Gaynor]

I'm sure of it.

[Beulah Lamont]

My father died 18 months ago and left me the business. I've learned a lot in that time, but there's still a lot to be learned. I've been inclined to take Mr. Talcombe's advice in most things. But on last year's figures, we made exactly $5,000 profit. This year. The way we're going will be in the red.

[Paul (Lamont's Designer)]

But, Ms. Lamont.

[Beulah Lamont]

How much is your agency paying you, Mr. Gaynor?

[Todd Gaynor]

10,000 a year.

[Beulah Lamont]

Very well. If you genuinely feel your scheme would work, I'm willing to try it.

[Todd Gaynor]

Ms. Lamont. You and my Elsa will never regret.

[Beulah Lamont]

It if it doesn't work. I won't be the only one to regret it. I'll make you a firm proposition, Mr. Gaynor. I shall close my account with your agency that was coming anyway. I simply can't afford them. But I am willing to try this plan of yours on one condition.

[Todd Gaynor]

Yes?

[Beulah Lamont]

That you take the position of advertising manager of Lamont Lingerie. I'll offer you 12,000 a year plus a reasonable expense account.

[Todd Gaynor]

Well, that's very.

[Beulah Lamont]

It's not nice of me at all. I want to make sure you do your best to see this thing work successfully. At the end of the financial year, if we are not in the red, I shall confirm your appointment. If we are, I shall terminate your services abruptly.

[Todd Gaynor]

If I take the job, what is my relationship to Mr. Talcomb?

[Beulah Lamont]

You will answer to me and only me, Mr. Gaynor.

[Eugene Talcomb]

But Ms. Lamont, you can't do that.

[Beulah Lamont]

I've made up my mind, Eugene.

[Todd Gaynor]

Well, Mr. Gaynor, I'm ready to start. Boss. Everything worked like clockwork. Merrily Maytime agreed. The invitations went out, the press was organized. And when the night of the showing arrived, I was feeling pretty pleased with myself. An hour before the show was due to start, I was down at the Carlton hall checking the arrangements. Lamont's designer, Paul, an excitable Frenchman with an excruciating accent, was there too.

[Paul (Lamont's Designer)]

Todd, all is prepared. We start with the negligee.

[Todd Gaynor]

Yes, by all means.

[Paul (Lamont's Designer)]

Then the night comes and the sets, the slips and the panties. I have the most wonderful sets. I give them the most wonderful names. I try one on you.

[Todd Gaynor]

You think I'd look cute in a slipping panties?

[Paul (Lamont's Designer)]

I'm Basil. I tried a name on you. Midnight in Paris. How do you like it?

[Todd Gaynor]

Not bad.

[Paul (Lamont's Designer)]

Ah, it is magnifique. It is in black satin with a scarlet lace trimming. Pablo, I have it. We will not start with a negligee. First we give them Mademoiselle Merrily in the Midnight in Paris. It will be more dramatique.

[Todd Gaynor]

Whatever you say, Paul.

[Paul (Lamont's Designer)]

I go to make the arrangements. It will knock them for the loop.

[Todd Gaynor]

Now, let's see. Chairs all set up.

[Eugene Talcomb]

The bar all ready for your big night.

[Lieutenant O'Malley]

Gaynor.

[Todd Gaynor]

Talcum. Why don't you take a powder?

[Eugene Talcomb]

I just thought I'd take a look around. If there is anything undesirable about this show, I shall consider it my duty to report it to Ms. Lamont.

[Todd Gaynor]

Why worry? She'll be here.

[Eugene Talcomb]

Did you know, Gaynor, that Ms. Maytime has a very dubious pass?

[Todd Gaynor]

And just what do you mean by that?

[Eugene Talcomb]

I made it my business to inquire. I thought it my duty to make sure that there was no danger to Lamont's in associating their name with Ms. Maytime.

[Todd Gaynor]

And you found some dirt?

[Eugene Talcomb]

Plenty. I suppose everyone has a skeleton in their closet. It would be a pity if Ms. Maytime's were revealed tonight.

[Todd Gaynor]

We intend to reveal a lot of Ms. Maytime. But we haven't gone as far as the skeleton. Still, that's an idea.

[Eugene Talcomb]

I hope for your sake that everything runs smoothly.

[Duke Reinhardt]

Come on, Alfonso, ask someone. Hey, you guys. Anything to do with this show tonight?

[Todd Gaynor]

I am. I'm Lamont's advertising manager. Can I help you?

[Duke Reinhardt]

I guess so. You can get me two seats in the front row.

[Todd Gaynor]

Now.

[Duke Reinhardt]

That's impossible, Alfonso.

[Paul (Lamont's Designer)]

Sure, Bush.

[Todd Gaynor]

Now listen, you know. Hey, put me down. What do you think you're doing?

[Duke Reinhardt]

Alfonso's a strong boy. As you can see, he only needs one hand to lift you off the floor.

[Paul (Lamont's Designer)]

There ain't nothing impossible when the boss wants it done, buster.

[Duke Reinhardt]

Just let him drop Alfonso.

[Todd Gaynor]

Okay? What are you trying to do, jar every bone in my body out of place?

[Duke Reinhardt]

I got a personal interest in Marilee. I want to see the show tonight. You wouldn't want any trouble, would you? I let Alfonso get annoyed and before you know what's happened, he'll take the place of pride.

[Todd Gaynor]

Two seats in the front row, you.

[Duke Reinhardt]

Said, in the center.

[Todd Gaynor]

In the center. And what names?

[Duke Reinhardt]

Duke Reinhardt and friend, you just got.

[Todd Gaynor]

Yourself two seats in the center of the front row.

[Duke Reinhardt]

Mr. Reinhardt, you're a sensible guy. What's your name?

[Todd Gaynor]

Todd Gaynor.

[Duke Reinhardt]

I remember you. Let's go, Alfonso.

[Eugene Talcomb]

That was rather unfortunate, Gaynor.

[Todd Gaynor]

Yeah, but I bet you enjoyed it, seeing me manhandled by that oversized gorilla.

[Eugene Talcomb]

You shouldn't have let him have those seats.

[Todd Gaynor]

Shouldn't have let him when I was being waved about in mid air like an indian clown.

[Eugene Talcomb]

Nevertheless, you made a great mistake allowing Reinhardt to be present tonight.

[Todd Gaynor]

Why?

[Eugene Talcomb]

Because Duke Reinhardt is a dangerous d racketeer. He is also merrily Maytime's ex boyfriend. Except that he does not consider himself ex.

[Todd Gaynor]

By around 7:30 the band had put in an appearance, and shortly after that, Merrilee Maytime arrived, complete with a short fat character who I guessed was her agent and her maid. A delicious dish with half closed eyes. I figured a guy could have fun opening them. The maid, her name was Elise. And I registered that, went off to the dressing room and the blonde starlet turned to me.

[Beulah Lamont]

You're Mr. Gaynor? How are you, honey?

[Lieutenant O'Malley]

Hmm?

[Beulah Lamont]

I said hello.

[Todd Gaynor]

Hello.

[Beulah Lamont]

This is my agent, Abe Schlinkel.

[Todd Gaynor]

Hi.

[Beulah Lamont]

Are you sick or something?

[Todd Gaynor]

Or something. I don't think my blood pressure's going to be able to stand a combination of you and midnight in parry.

[Beulah Lamont]

Is that some sort of crack?

[Todd Gaynor]

I know it's some sort of satin with lace edging.

[Paul (Lamont's Designer)]

Listen, you can talk to Mr. Gaynor after the show. Baby, you better go get ready. Never keep the paid customers waiting.

[Beulah Lamont]

Oh, you might have to wait for your 15%. Is that what you mean?

[Paul (Lamont's Designer)]

Aiden, I never wait for my percentage. I take my cut and you get arrested.

[Lieutenant O'Malley]

You know that, baby.

[Beulah Lamont]

I know it and I'm getting tired of it.

[Paul (Lamont's Designer)]

Aiden, what the heck? You got to have an agent, so.

[Todd Gaynor]

Why not stick with a good one?

[Beulah Lamont]

I intend to. That's why I'm gonna Ditch you. I'm going get ready. See you after the show, Mr. Gaynor.

[Todd Gaynor]

I'm looking forward to seeing plenty of you during it, Ms. Maytime, if you.

[Lieutenant O'Malley]

Don'T want to take notice of the.

[Todd Gaynor]

Way her merrily talks. Mr. Gayner. Mr. Slinkle. When she's in front of me, I'm too busy looking even to hear the words.

[Paul (Lamont's Designer)]

I know what you mean. I better go see everything's all right with her.

[Todd Gaynor]

Yeah, you do that.

[Beulah Lamont]

Don't there's anything wrong. You look as though something's hit you.

[Todd Gaynor]

Yeah. A blonde with twin fenders.

[Beulah Lamont]

That I presume means that Ms. Maytime has arrived.

[Todd Gaynor]

She has. And the band's there. Everything's organized. How about you, boss?

[Beulah Lamont]

Well, I'm not very happy with this idea of my having to introduce the show.

[Todd Gaynor]

Look, what's wrong with having two gorgeous girls on the program with you out there fronting? We'll get that much extra publicity, especially from the male reporters.

[Beulah Lamont]

I suppose that's a compliment, but I only hope nothing goes wrong. I wouldn't like to see you unemployed.

[Todd Gaynor]

You have the gift of the subtle hint, I see.

[Paul (Lamont's Designer)]

Hey, it is a good crowd, Tod, no?

[Todd Gaynor]

Yeah, Paul, not bad at all. How are things in the dressing room?

[Paul (Lamont's Designer)]

Oh, that Mademoiselle Melli.

[Todd Gaynor]

She has the chic and a couple of other things besides.

[Paul (Lamont's Designer)]

She's ready for the first number. When you were told.

[Todd Gaynor]

Okay, now go tell Ms. Lamont.

[Paul (Lamont's Designer)]

The lights. They have gone out.

[Todd Gaynor]

The fuse must have gone. Ladies and gentlemen, please keep your seats.

[Paul (Lamont's Designer)]

The electrician. We must find the electrician.

[Todd Gaynor]

Are you trying to move in this darkness? Please keep calm, everybody. The light should come on again any minute. Ah, there we are.

[Paul (Lamont's Designer)]

Signal the band quickly.

[Beulah Lamont]

Ladies and gentlemen, I must apologize for the unfortunate accident with the lighting, but we are now ready to start the show. And without more ado, let me present the celebrated Miss Merrily Maytime to display the first of the month's latest creations. Midnight in Paris.

[Paul (Lamont's Designer)]

When you see her idy start, you will acclaim it as superb.

[Todd Gaynor]

Here she comes.

[Paul (Lamont's Designer)]

Something is wrong. The slip. It should not have scarlet lace on the bodies.

[Todd Gaynor]

She's not working properly.

[Lieutenant O'Malley]

She.

[Paul (Lamont's Designer)]

She has fallen.

[Todd Gaynor]

That wasn't scarlet lace, Paul. That was Blood.

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[Todd Gaynor]

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[Todd Gaynor]

Manufacturing plant, you know having a trusted partner makes all the difference. That's why, hands down, you count on Grainger for autom reordering with on time restocks. Your team will have the cut resistant gloves they need at the start of their shift and you can end your day knowing they've got safety well in hand. Call 1-800-GRAINGER click granger.com or just stop by Grainger for the ones who get it done. Todd Gaynor, Advertising manager of Lamont Lingerie Only an hour before I'd been rolling that title tenderly on my tongue. Now I was wishing I'd never heard of Lamont Lingerie, never had thought up that brilliant publicity scheme of a showing for Lamont's New Styles. Because the showing had been stopped by murder. I went through the rest of the evening in a stunned stupor from the time that Merrily Maytime sank to the floor with blood tinging her shapely bodice to the interview with the lean, lynx eyed lieutenant named o' Malley who turned up from Homicide. After the questioning and the statements were over, we were allowed to go. With my head still reeling from the shock and unexpectedness, I made my way to my car.

[Beulah Lamont]

Oh, Mr. Gaynor, thank goodness you've come.

[Todd Gaynor]

Italy is. What are you doing here?

[Beulah Lamont]

Well, I've been waiting for you. I just got to talk to someone, Mr. Gaynor.

[Todd Gaynor]

What about?

[Beulah Lamont]

Ms. Maytime.

[Lieutenant O'Malley]

Oh, okay.

[Todd Gaynor]

Slide over while I get in. I guess it's pretty tough on you, Elise. Your mistress being murdered puts you out of a job.

[Beulah Lamont]

That's not what I'm worried about.

[Eugene Talcomb]

Oh?

[Todd Gaynor]

Then what's your problem?

[Beulah Lamont]

Well, it's like this, Mr. Gaynor. This morning Mr. Schlingle called and he and Ms. Maytam had a furious row. I couldn't help overhearing. She was saying he was robbing her and she'd get another agent and he said she wouldn't dare. That he she ever tried it. He'd tell the world what he knew about her and let it finish her in films. Then she said if she told everything she knew about him, he'd spend the rest of his life in Alcatraz. He just laughed and and said something about five winds. Then she threw something at him and he left.

[Todd Gaynor]

Well, then what?

[Beulah Lamont]

That's all.

[Todd Gaynor]

So what's your worry?

[Beulah Lamont]

Well, I don't know what to do. I didn't tell the lieutenant about it. Because Mr. Slinkle had always been very nice to me. And I didn't know whether the argument had anything to do with the murder.

[Todd Gaynor]

Do you have any idea what Schlenko meant about five winds?

[Beulah Lamont]

No idea at all.

[Todd Gaynor]

It doesn't add up to much, does it? Well, my advice is to say nothing for the present to anyone.

[Beulah Lamont]

Why? Do you know something? What it means?

[Todd Gaynor]

No. No, at least. But if you didn't mention it in your statement, well, it look strange if you came out with it now.

[Beulah Lamont]

Yeah, that's what I thought. But I wanted to ask someone and. And you seem the best person to ask. Thanks, Mr. Gaynor. Thanks a lot.

[Todd Gaynor]

It's a pleasure. Well, it's. It's getting late. I'd better run you home.

[Beulah Lamont]

Oh. Oh, no. I couldn't go back to Ms. Maytime's apartment tonight, Mr. Gaynor. I just couldn't. I'd go crazy.

[Todd Gaynor]

Well, what are you going to do?

[Beulah Lamont]

Well, you're so kind, I. I thought maybe you'd let me stay at your apartment.

[Todd Gaynor]

My apartment? Wait a minute.

[Beulah Lamont]

I could curl up on the sofa or something. I wouldn't be any trouble.

[Todd Gaynor]

Well, that isn't exactly what I was worried about. When I got into the office next morning, the atmosphere was rather subdued. Nobody talked much about the murder, but it was easy to tell. Everybody was thinking about it. Answer to a summons from the bus. The beautiful Ms. Beulah Lamont. I went into her office for a conference. Eugene Talcum was there too, and he wasted no time saying his say.

[Eugene Talcomb]

I told Ms. Lamont, and you too, Gaynor, that I was against this whole idea from the beginning. Now, look. Rich got us mixed up in a murder. Highly undesirable for the dead girl, sure.

[Todd Gaynor]

But callous as it may sound, not so undesirable for Lamont Lingerie.

[Eugene Talcomb]

In what way?

[Todd Gaynor]

I figure it's made us about a million dollars worth of publicity.

[Paul (Lamont's Designer)]

Publicity?

[Beulah Lamont]

Just a minute, Eugene. Todd's right. It may be horrible to say, but it's true.

[Todd Gaynor]

All we have to do is to make sure that we get our ads for the new styles in the papers. And you'd better stop the factory working double time.

[Beulah Lamont]

There's only one thing wrong with that.

[Todd Gaynor]

What's that, boss?

[Beulah Lamont]

Ms. Maytime was murdered a little too quickly. She didn't have time to model more than one set. That means we haven't any pictures of the new styles. And at such short notice we can't get them. We'd need a model.

[Todd Gaynor]

That's where you're wrong. We've got A model? Who?

[Eugene Talcomb]

You, Ms. Lamar?

[Todd Gaynor]

Modeling those?

[Eugene Talcomb]

You're out of your mind, Gamer.

[Beulah Lamont]

Eugene's right, Todd. I couldn't do that.

[Todd Gaynor]

It's the only answer if you want those pictures in time.

[Beulah Lamont]

But it's absurd.

[Todd Gaynor]

What are your vital statistics?

[Beulah Lamont]

37, 26, 37.

[Todd Gaynor]

If you call that absurd, you don't look in your mirror.

[Eugene Talcomb]

I won't hear of it. The owner of Lamont Lingerie descending to modeling the garments manufactured in her own mills. It's sordid and disgusting.

[Beulah Lamont]

If we have to close the mills down because we can't sell our product, it would be even more sordid and disgusting.

[Eugene Talcomb]

In your father's time, Ms. Lamont, the business always prided itself on being a conservative concern. Thinking only of the good quality of its products and its prestige in the business world. Already, in less than 24 hours, you have turned it into a dime store novelty with business methods straight out of a comic strip.

[Beulah Lamont]

I am to take it then, Eugene, that all you can do and intend to do is offer criticism of the way I run my business whilst everyone else is left to do the work.

[Eugene Talcomb]

I will not associate with these. These cheap jack. Methods of merchandise.

[Beulah Lamont]

Then your usefulness as general manager seems to have terminated.

[Eugene Talcomb]

I'm afraid, Ms. Lamont, that isn't quite as easy as all that. Your father had different ideas of my value to the organization. I might remind you that I have a contract with Lamont Laundry. A watertight contract. That was how Mr. Lamont wanted it. You never know, Eugene, he said. You never know what may happen if I should die. An inexperienced girl will take my place. She will need the support and advice of a capable executive who understands the business. Unfortunately, you have consistently ignored my advice, Ms. Lamont. Should you change your mind, I am, of course, at your disposal. Good morning.

[Lieutenant O'Malley]

Good morning.

[Eugene Talcomb]

Oh, It's. That's you, Lieutenant. Excuse me.

[Beulah Lamont]

Did you want to see me, Lieutenant O'? Malley?

[Lieutenant O'Malley]

No, Ms. Lamont. I wanted a word with Gaynor. They told me he was in with you. I called on him at his apartment this morning, but does he answer the door?

[Eugene Talcomb]

No.

[Lieutenant O'Malley]

A babe answers the door. And what a babe.

[Todd Gaynor]

Really?

[Lieutenant O'Malley]

Is there somewhere I can talk with him in private, Ms. Lamont?

[Beulah Lamont]

You can have this office, Lieutenant. I have to go and make arrangements about some photographs. Anyway, I leave word that you're not to be disturbed.

[Lieutenant O'Malley]

Thank you. You know, Gaynor, you could call me surprised when that may Delise opened the door of your apartment.

[Todd Gaynor]

Yes, Lieutenant.

[Lieutenant O'Malley]

So surprised that I had a talk to her. Quite a talk. She told me a Few things I didn't get around to hearing last night.

[Todd Gaynor]

Yes, Lieutenant.

[Lieutenant O'Malley]

All about the good advice you gave her about not telling me about the row between the Maytime dame and her agent Schlinkle.

[Todd Gaynor]

Yes, Lieutenant.

[Lieutenant O'Malley]

So after I left her, I went around to see Schlingle. I thought we should have a heart to heart talk. But we didn't. No?

[Paul (Lamont's Designer)]

No.

[Lieutenant O'Malley]

He found it hard to talk with his throat cut.

[Todd Gaynor]

What?

[Lieutenant O'Malley]

That's right. Somebody had walked in on him and lacerated his larynx. Schlinkhole. Yeah. So you can understand why I was so anxious to talk to you, you.

[Paul (Lamont's Designer)]

Second cousin to a cretin. If it wasn't for the fact that.

[Lieutenant O'Malley]

The doctor established the time of Death is around 5 this morning when you were in your bedroom with the maid on the sofa outside, I'd book you on a double murder charge.

[Todd Gaynor]

I have an alibi. Yeah, and that lets me out. Yeah, well, in that case, kindly don't raise your voice to me, Sergeant. As a taxpayer who contributes to your salary, I don't like it. I might remind you, Patrolman, that you owe your job to people like me or a very decent tax paying citizen who.

[Paul (Lamont's Designer)]

Finished.

[Lieutenant O'Malley]

Mr. Gaynor, I wouldn't dream of booking you on a double murder charge in view of your alibi. But there are plenty of other things. Like withholding vital evidence, for instance. That's a low, low. Worth about seven years in the pain.

[Todd Gaynor]

Captain, I spoke hastily. Please forget every word I said.

[Lieutenant O'Malley]

Sure, Mr. Gaynor. On one condition.

[Todd Gaynor]

You just name it.

[Lieutenant O'Malley]

All you have to do is get down on your knees in front of me and say, Lieutenant o', Malley, I'm very sorry for all the trouble I've caused you and I promise it won't happen again.

[Duke Reinhardt]

What?

[Lieutenant O'Malley]

After that you say, As a tax paying idiot of a citizen, I am not really worthy to lick your boots, Lieutenant.

[Todd Gaynor]

No, I won't do it.

[Lieutenant O'Malley]

You can get down on your knees or you can have the withholding evidence charge thrown at you. Mr. Gaynor. Take your pick.

[Todd Gaynor]

Do you mind if I wipe the floor first? This is a new suit. After the ceremony was over, o' Malley left with a pleased smile on his face. My face was red and my thoughts were a riot. Schwinkle murdered? Well, while I was trying to make sense out of it, the door opened and the boss walked in.

[Beulah Lamont]

The Lieutenant finished with you, Todd?

[Todd Gaynor]

Yeah, Boss.

[Beulah Lamont]

What did he want?

[Todd Gaynor]

Oh, just a few more questions. How did you make out with the arrangements for the picture?

[Beulah Lamont]

Well, everything's fixed. I feel a little apprehensive about it.

[Todd Gaynor]

Oh, you'll be terrific. But look, what are you going to do about Talcum? Has he really got that contract he was talking about?

[Beulah Lamont]

I'm afraid so. I was overseas when my father died. He must have arranged that contract as a sort of safeguard for me.

[Todd Gaynor]

Well, in a sort of a way I can see how Talcomb feels. When he's probably been general managing the business since before you were born.

[Beulah Lamont]

No, he was only made general manager six months before father died. He'd only been with the firm about three years.

[Todd Gaynor]

Well, your father must have thought a lot of him.

[Beulah Lamont]

I guess so. But I'm more interested in seeing that we make a profit than in what my father thought. That's why I'm making you assistant general manager and acting general manager until Eugene regains his senses.

[Todd Gaynor]

Hey, why? I just don't know what to say.

[Beulah Lamont]

Don't say anything, Todd. Just live up to my confidence in you.

[Todd Gaynor]

I'll do my best.

[Beulah Lamont]

Did Lieutenant o' Malley have anything interesting to say about the murder?

[Todd Gaynor]

Only that there's been another one.

[Paul (Lamont's Designer)]

Another one?

[Todd Gaynor]

Yep. Abe Schlinkel, the Maytime girl's agent. He was murdered in his apartment. But.

[Beulah Lamont]

But why?

[Todd Gaynor]

Search me. It may have something to do with what Elise the maid told me.

[Beulah Lamont]

What was that?

[Todd Gaynor]

She overheard an argument between Merrilee and Schlinkel. Apparently Merrilee had something on Schlinkel and vice versa. She was threatening to expose him or ditch him as an agent. And he was telling her that she wouldn't dare because of something to do with Five Winds. Have you ever heard of anything called five wins?

[Beulah Lamont]

What?

[Todd Gaynor]

Five wins? Does that mean anything to you?

[Beulah Lamont]

Why, it's perfectly ridiculous. Of course. One of those crazy coincidences that you don't believe in until they happen to you.

[Todd Gaynor]

What are you talking about?

[Beulah Lamont]

It so happens the Lamont country house is called Five Winds. Father died there.

[Todd Gaynor]

It had been quite a day as far as I was concerned. Its only bright spot was the knowledge that Mrs. Gaynor's little boy Todd had an alibi for the two murders in which Lamont Lingerie was involved. But what with my humiliation at the hands of Homicide's Hawk faced Lieutenant o' Malley and the mystery of the Lamont mansion, Five Winds. I was all set to bestow a blistering bawling out on the maid Elise, who'd opened her mouth to o' Malley when I unlocked my apartment door, the gainer gaze was grim. Hey, Lise. I'm back.

[Lieutenant O'Malley]

That's nice, baby.

[Todd Gaynor]

What? O', Malley, what are you doing? Here, Lieutenant.

[Lieutenant O'Malley]

Waiting for you to come home. Gaynor.

[Todd Gaynor]

How did you get in?

[Lieutenant O'Malley]

You'd be surprised how a janitor reacts to a police badge.

[Todd Gaynor]

Where's Elise? What have you done with her?

[Lieutenant O'Malley]

Nothing. The joint was bare when I got in.

[Todd Gaynor]

She'd gone.

[Lieutenant O'Malley]

That's my deduction. Maybe she felt bad about spilling the beans to me about that five wins business.

[Todd Gaynor]

Yeah, could be. What do you want, Lieutenant? Have you got any ideas about making me crawl around the floor on my knees some more?

[Lieutenant O'Malley]

No. I want your help.

[Todd Gaynor]

Are you kidding?

[Lieutenant O'Malley]

If it'll make you feel happy again, you're off my list of suspects.

[Eugene Talcomb]

Thanks.

[Lieutenant O'Malley]

And I figure you can help me.

[Todd Gaynor]

How?

[Lieutenant O'Malley]

Well, I checked up on that business about the lights going out during that showing. You organized?

[Todd Gaynor]

And?

[Lieutenant O'Malley]

And the way it stacks up, this was a premeditated killing. The murderer must have had an accomplice. Someone to take care of the lights while he did the knife work.

[Todd Gaynor]

That makes sense.

[Lieutenant O'Malley]

Now, the two murders, the Maytime girl and Schlinkel must be connected.

[Todd Gaynor]

Yeah, I had got that far myself.

[Lieutenant O'Malley]

That means I've got five suspects. Leaving you out of it.

[Todd Gaynor]

How do you figure that, Lieutenant?

[Lieutenant O'Malley]

Because Schlinkel's killing narrows it down to the people who are connected with him on the May Time Den ticking him off. That means Duke Reinhardt. Because he'd been involved with Merrilee and probably knew Schlenkel. Alfonso comes in automatically because he's one of the Duke's hatchet men. He could have either pulled the lights or done the stabbing. Neither chore would bother alfonso. Then there's Ms. Lamont.

[Todd Gaynor]

How do you include her?

[Lieutenant O'Malley]

Because indirectly, she hired the Maytime girl through Schlingle.

[Todd Gaynor]

Hey, wait a minute. I did all that.

[Lieutenant O'Malley]

Not Ms. Lamont, maybe, but she know all about it. And for the fifth suspect, we have that French designer, Paul.

[Todd Gaynor]

Paul? Where does he come in?

[Lieutenant O'Malley]

Don't you know?

[Todd Gaynor]

Know what?

[Lieutenant O'Malley]

He was the guy that Merrily tossed the Duke for. He also had a fight with Swinkle in her apartment about a couple of weeks back. Brushed a couple of Abe's teeth for him.

[Todd Gaynor]

Well, how do you like that? I never thought he had it in him. Say, that makes the Duke your best bet, doesn't it?

[Paul (Lamont's Designer)]

Could be.

[Lieutenant O'Malley]

I'm putting out a general alarm to pick up Reinhardt and his pal.

[Todd Gaynor]

Well, then what do you want me for?

[Lieutenant O'Malley]

Because I could be wrong about Reinhardt. And you work at Lamont's. I want you to dig around and see if you can find out anything there. If I start asking any more questions, they'll clam up. But you could doze around and no one would figure it was anything more than curiosity.

[Todd Gaynor]

You've got a nerve. After what you did to me today, you go and do your own snooping.

[Lieutenant O'Malley]

You know, when I mentioned the Lamont dame, I thought it kind of upset you, thinking that she might be a suspect.

[Todd Gaynor]

What if it did?

[Lieutenant O'Malley]

Well, here's your chance to help prove she's in the clear. And a good looking doll like that might be grateful, too.

[Todd Gaynor]

Lieutenant, you have a point there. But definitely. Okay, you got yourself a hound dog.

[Lieutenant O'Malley]

I didn't realize you knew yourself so well. That is a perfect description.

[Todd Gaynor]

The lieutenant left me with a lot to think about.

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[Todd Gaynor]

To play social casino void where prohibited. Visit spinquest.com for more details. I was sitting with a cigarette and a short drink, trying to make sense out of the setup. O' Malley had hit on a sore spot when he'd mentioned the lovely Ms. Lamont. I shied away from the thought that she was really involved with the murders. Then my phone shrilled. Hello? Yeah, who's that?

[Duke Reinhardt]

This is Paul.

[Todd Gaynor]

Oh, what's the matter, Paul? Having trouble with your slips and patties?

[Paul (Lamont's Designer)]

No, no, no. I'm having trouble with my conscience.

[Todd Gaynor]

Well, what have you done? Snipped the wrong slice out of your satin?

[Paul (Lamont's Designer)]

Todd, I must see you. It is important.

[Todd Gaynor]

You mean now?

[Paul (Lamont's Designer)]

Please, Todd.

[Todd Gaynor]

Okay, where are you? Do you know the Blue Cage, the downtown spot? Yeah, sure.

[Paul (Lamont's Designer)]

Can you come at once?

[Todd Gaynor]

Okay, I'll bring my wallet. You get into that cage with that one and you find out what. Sure have a cute gimmick in this joint. Blue lights, blue music. Makes you feel as happy as a guy who's got six months to live.

[Paul (Lamont's Designer)]

Thank you for coming so quickly.

[Todd Gaynor]

Well, you said it was important.

[Paul (Lamont's Designer)]

It is. I have something to show you. A picture.

[Todd Gaynor]

A picture? You didn't drag me down here just to show me the publicity shots they took today. No, no, no.

[Paul (Lamont's Designer)]

But those were magnificent, Todd. It was an inspiration to use Mademoiselle Lamont as the model. Never before do I realize she has the shape so super.

[Todd Gaynor]

Why, you're too busy designing curves to look at them.

[Paul (Lamont's Designer)]

Please, please. We are off the Track.

[Todd Gaynor]

Okay, let's get back on it. What's this picture you're talking about? Here.

[Lieutenant O'Malley]

See for itself.

[Todd Gaynor]

He slid a small, glassy square across the table until it lay in the center of the pool of blue light thrown by the lamp. It was the photograph of a man and a woman. The sort of picture that makes perfect blackmail material.

[Paul (Lamont's Designer)]

You see, Todd?

[Todd Gaynor]

Yeah, but I prefer not to.

[Paul (Lamont's Designer)]

You recognize the girl, of course? Sure.

[Todd Gaynor]

The late Merrily Meitam. Taken quite a while ago, I'd say.

[Paul (Lamont's Designer)]

And the man?

[Todd Gaynor]

Well, there's something familiar about his face, but I don't know him.

[Paul (Lamont's Designer)]

You will not have the chance now. He's dead.

[Todd Gaynor]

Who was he?

[Paul (Lamont's Designer)]

His name was Lamont. Henry Lamont.

[Lieutenant O'Malley]

What?

[Todd Gaynor]

Oui.

[Paul (Lamont's Designer)]

The father of Mademoiselle Lamont, who is our employer.

[Todd Gaynor]

So that's why Merrily ditched Duke Reinhardt for you. You were holding this over.

[Paul (Lamont's Designer)]

You think that.

[Todd Gaynor]

What else?

[Paul (Lamont's Designer)]

I think I could kill you for that.

[Todd Gaynor]

Now, wait a minute. Wait a minute. Take it easy. If I'm wrong, I apologize. But it seemed the obvious thing to think. Well, how did you get this picture?

[Paul (Lamont's Designer)]

I find it this afternoon among the things brought back from the Carlton hall last night. It was under one of the sets. I thought it must have fallen or been dropped among the lingerie. And then, in the haste of gathering it up, no one noticed it.

[Todd Gaynor]

Yeah, that could happen, I guess. Well, that means either the girl herself lost it. Or Schlinkel or the maid, or you. That's everybody who was ever in that.

[Paul (Lamont's Designer)]

Dressing room except for one other person. The murderer. Yeah.

[Lieutenant O'Malley]

Excuse me, sir.

[Todd Gaynor]

Yes, what is it, waiter?

[Lieutenant O'Malley]

Are you Mr. Gaynor?

[Todd Gaynor]

That's right.

[Lieutenant O'Malley]

Would you and your friend please come with me? The proprietor would like a word with you.

[Todd Gaynor]

What about?

[Lieutenant O'Malley]

I don't know, sir. I was asked to fetch you.

[Duke Reinhardt]

Okay.

[Todd Gaynor]

Come on, Paul. Let's go see what the proprietor wants, whoever he is.

[Lieutenant O'Malley]

That's the door there, Mr. Gaynor.

[Todd Gaynor]

Thanks. Claire, look.

[Eugene Talcomb]

What?

[Todd Gaynor]

Oh, no.

[Duke Reinhardt]

Oh, yes.

[Todd Gaynor]

Duke Reinhardt.

[Duke Reinhardt]

Nice of you to drop in tonight. I was just arranging to pick you up. And that French guy too. But I was lucky you came to me, huh?

[Todd Gaynor]

You're the proprietor.

[Duke Reinhardt]

Yeah, but it's kept pretty quiet.

[Paul (Lamont's Designer)]

What? What do you want with us?

[Duke Reinhardt]

Alfonso's waiting outside in the car. We're gonna take a little ride.

[Todd Gaynor]

Look. What's the idea, Reinhardt? Where are we going?

[Duke Reinhardt]

Button your lip, Gaynor. I'll have Alfonso do it for for you. He'd enjoy it.

[Todd Gaynor]

You won't get away with this, you know.

[Paul (Lamont's Designer)]

Tod to please do not anger Him.

[Todd Gaynor]

The cops will be right on your tail, Duke.

[Duke Reinhardt]

They're on it now. That dumb o' Malley put a. Put out a general alarm to pick me up.

[Todd Gaynor]

Then you're only making things worse for yourself.

[Duke Reinhardt]

No, pal. This way. I'm making them better. This is the place, Alfonso. Pull up here. We're getting out of here, Gainer.

[Todd Gaynor]

What for?

[Duke Reinhardt]

You'll find out. Come on. Yeah, I figured I didn't have to tell that French character to sit still. One look at Alfonso and he nearly fainted.

[Todd Gaynor]

Well, you tell me what this is all about. Where are you taking me?

[Duke Reinhardt]

Don't you know this house? It's where your boss lives. The Lamont dame.

[Todd Gaynor]

What do you want with her?

[Duke Reinhardt]

The pleasure of her company. All right, ring the bell. And don't try any funny stuff. There are half a dozen guys who could tell you I'm a good shot. If they could talk, that is.

[Beulah Lamont]

Yes, Todd? Well, this is a surprise visit.

[Todd Gaynor]

No more for you than for me. This isn't my idea. It's his.

[Beulah Lamont]

And who are you, may I ask?

[Duke Reinhardt]

A guy with a gun, lady, who wants you to take a little trip.

[Beulah Lamont]

I don't understand.

[Todd Gaynor]

You will when I tell you. His Name's Duke Reinhardt, Ms. Lamont, is anything wrong?

[Beulah Lamont]

My general manager. He and I were having a business discussion.

[Duke Reinhardt]

Well, your business is gonna have to wait for mine. Hey, you in there.

[Eugene Talcomb]

Ms. Lamont. What's going on, Gaynor?

[Todd Gaynor]

Welcome, Telcom. Come and join the party.

[Eugene Talcomb]

What's the meaning of this?

[Todd Gaynor]

Who.

[Eugene Talcomb]

Who's that man?

[Todd Gaynor]

And.

[Eugene Talcomb]

And what's he doing with a gun?

[Duke Reinhardt]

It's in the. Use it, buster. Yeah, you better come with us.

[Beulah Lamont]

But.

[Duke Reinhardt]

Don't argue, lady. I'm running out of patience. The car's waiting. Let's get moving.

[Eugene Talcomb]

But this is outrageous. I refuse to go anywhere. This. Why, this is tantamount to kidnap.

[Duke Reinhardt]

Right now the cops are looking for me about a little matter of a double murder charge. You think I should worry about adding kidnapping to the list?

[Paul (Lamont's Designer)]

I.

[Todd Gaynor]

After you, Mr. Talcomb. We piled into the Duke's Cadillac and Alfonso headed its nose out of town. It was quite a crush in the back with Beulah, Paul Talcombe and me. But this was one time when there didn't seem to be any point in protesting. After about an hour's driving, with a speedometer never Falling below the 70 mark, the car turned into a driveway of a large house. As the headlights hit the building, Beulah Lamont clutched my arm.

[Beulah Lamont]

Todd, do you know where we are?

[Todd Gaynor]

Search me.

[Beulah Lamont]

This is five winds What?

[Duke Reinhardt]

That's right, lady. Your country house.

[Beulah Lamont]

What do you want with it? Why have you brought us here?

[Duke Reinhardt]

Well, I'll tell you. The joint's empty, isn't it? Yes, that's what I figured. We'll be safe from any interruptions.

[Lieutenant O'Malley]

You.

[Eugene Talcomb]

You're keeping us prisoner?

[Duke Reinhardt]

Yeah, you can't call it that.

[Paul (Lamont's Designer)]

But why? For what reason?

[Duke Reinhardt]

Merrily Maytime was my girl once. Now I'm being tagged with her killing and that jerk Slinkles. So I decided to handle things my own way.

[Todd Gaynor]

But why bring us into it?

[Duke Reinhardt]

Because one of the people in this car is the murderer.

[Todd Gaynor]

Dirk Reinhardt wasn't the kind of a guy to waste words or effort. When he found the front door of Five Winds locked, he signaled Alfonso, the huge human bulldozer. There was no door built that could stand up against him. And we were hustled into the living room. A vast expanse of space filled with shrouded furniture. I felt like any minute one of the shrouds was going to be taken off a chair and used on me. And I could see that the others, Paul Bueller Lamont and Eugene Talcomb, felt pretty much the same.

[Duke Reinhardt]

Okay, now, just so we get it clear, we're all staying in this house until I find out who did the two murders the cops are trying to pin on me.

[Todd Gaynor]

Well, that's new. A racketeer turned detective.

[Duke Reinhardt]

Don't get smart, Gaynor. Ms. Lamont, is there any liquor in the joint?

[Beulah Lamont]

In the cellar. That's probably locked, too.

[Eugene Talcomb]

Now, look here, Reinhardt, this is absurd.

[Duke Reinhardt]

I don't want to hear from anybody.

[Paul (Lamont's Designer)]

Till I say, pal, so button up. But just how do you propose to discover who is the murderer?

[Duke Reinhardt]

Well, first off, we're gonna play a little game called secrets. Everybody's gonna tell their secrets what they know or know about Merrily and Slinkle, and I'll start off. I first met Merrily about two years ago, toting a cigarette tray in a dump in the east side. She was the first dame I ever met who said no to the mink and a cozy apartment routine. She wanted a career. So I introduced her to Schlinkle. And soon as she started getting into dough, she told me she was all washed up with me. Said I wouldn't do her career any good to be associated with a non record throw.

[Beulah Lamont]

And you accepted that, Mr. Reinhardt?

[Duke Reinhardt]

I didn't want to, but, well, what choice did I have? When I heard she was doing that modeling job for you, Miss Lamont, I thought it might be a chance to see her that's why I came.

[Paul (Lamont's Designer)]

Perhaps it is my turn now. I have not much of a story. I met Mary Lee maybe nine months ago. She's modeling.

[Todd Gaynor]

We go out.

[Paul (Lamont's Designer)]

We like each other. C' est la Moor. But she tells me we must not be seen together. She has the jealous ex lover, a gangster. He would kill me. So we are very careful. Then the Hollywood chance comes for her. After that, she is so careful that I do not see her at all. Then I realized that the gangster and I, we are friends. We have both received the brush off.

[Duke Reinhardt]

And so when she comes to do the muddling job, you lose your temper and kill her. Is that it? Friendship?

[Paul (Lamont's Designer)]

No, no, no. I am with Todd. How can I kill her?

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[Todd Gaynor]

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[Eugene Talcomb]

Since I only came along for the ride, as it were, perhaps I might make a suggestion.

[Duke Reinhardt]

I'll listen, Talcomb.

[Eugene Talcomb]

I have only one piece of personal experience connected with the murder of the unfortunate Ms. Maytime. And it is this Todd Gayness suddenly came rushing to Miss Lamont with his idea. It was he who organized the showing and persuaded Ms. Lamont to engage Ms. Maytime. I should like to ask Gaynor just what. Why he had the idea and just why he was so insistent that Ms. Maytime should be the model.

[Duke Reinhardt]

Yeah, how about that, Gaynor?

[Todd Gaynor]

That's ridiculous. I never met Merrily until the night of the showing.

[Duke Reinhardt]

Maybe someone paid you to organize the thing and to do the killing even, huh?

[Todd Gaynor]

Look, I was reading a magazine which had a picture in it. It struck me it'd be a good idea to get her as the model. That's all.

[Duke Reinhardt]

I don't think I believe you. Have fun. So, yeah, Duke, I think you better take Gaynor outside someplace and persuade him a little. When he's all persuaded, you can bring him back in here.

[Paul (Lamont's Designer)]

Boss, it'll be a pleasure. And I know just the place.

[Todd Gaynor]

The cellar. Nice place for a little exercise, huh?

[Paul (Lamont's Designer)]

Busted.

[Todd Gaynor]

It's big enough, all right. All these bottles. The guy who owned the place did himself proud.

[Paul (Lamont's Designer)]

Well, I guess we better not waste time. The boss says persuade you. That's Just what I'm gonna do. Only do me a favor, pal. Be obstinate.

[Todd Gaynor]

Okay, I will. With this bottle. You're a scream, pal.

[Paul (Lamont's Designer)]

You think a bottle's gonna stop me?

[Todd Gaynor]

I ain't even gonna use my gun on you.

[Paul (Lamont's Designer)]

I'm gonna take care of you with my bare hands. Yeah.

[Todd Gaynor]

Guess you're just a one bottle man, Alfonso. No, I didn't shoot him. I just figured a shot in the cellar might worry some of the people upstairs. Then I started for the living room, moving as quietly as I could. The living room door was half open and I could hear the conversation.

[Beulah Lamont]

That was a shot, I tell you. That ape might have killed him.

[Duke Reinhardt]

Now, relax. Alfonso wouldn't kill him. That shot was probably only to frighten him.

[Todd Gaynor]

Well, it didn't.

[Lieutenant O'Malley]

What?

[Todd Gaynor]

Drop the gun, Reinhardt. You heard me get rid of Alfonso, didn't you? You want to go to drop it. Thank you.

[Eugene Talcomb]

Good work, Gaynor.

[Todd Gaynor]

Now we pipe down. And that means everybody. Duke, I'm gonna short circuit your search for the murderer.

[Duke Reinhardt]

Yeah, yeah.

[Todd Gaynor]

I've got a few ideas of my own. Like the accomplice, the guy who turned the lights off for Merrily's murderer. No one seems to have thought of Schlinkle, you mean. Sure, why else would he be murdered except to keep his mouth shut?

[Paul (Lamont's Designer)]

But why would he be an accomplice? Why would he hope to kill Mary Lee?

[Todd Gaynor]

Well, I've been doing a lot of thinking about that, and here's how it seems to me. Elise, the maid, told me about the quarrel between Merrilee and Schwinkel, where they mentioned Five Winds.

[Duke Reinhardt]

That's the name of this house.

[Todd Gaynor]

That's right, Duke. And I think I know what Five Winds meant to the girl and her agent.

[Beulah Lamont]

What? Todd?

[Todd Gaynor]

A photograph. The type of picture that's usually touted around the waterfront dives. A man and a woman. The woman was Merrily Meitai.

[Paul (Lamont's Designer)]

Yeah.

[Duke Reinhardt]

You're lying. She wouldn't do a thing like that.

[Todd Gaynor]

I saw the picture. I figure the murderer was showing it to Merrilee just before she was killed and must have dropped it in his hurry to get out. Paul found it later.

[Beulah Lamont]

What's that got to do with Five Winds? This house.

[Todd Gaynor]

Well, I'm sorry about this, Beulah, but the man in the picture was your father. No.

[Beulah Lamont]

No, Todd, you must have made a mistake. It can't be true.

[Todd Gaynor]

I wish it wasn't, but the whole story's in that picture. Somebody wanted that picture to blackmail Henry Lamont, so he went to Schwinkel to find the Right girl. Schwinkel produced Merrily. I figure the client was probably a good amateur photographer and took the pictures himself.

[Beulah Lamont]

But why, Todd? Why?

[Todd Gaynor]

I'm coming to that. Well, Merrily gets a Hollywood break, decides to get rid of Schwingle. He threatens her with the exposure of her part. In the blackmail comes the Lamont showing. And I think Merrily's got a bright idea. She wanted to get rid of Schlinkel. So she told him that unless he gave her a signed release that he was no longer her agent. She'd tell the press exactly what she'd done to Henry Lamont.

[Duke Reinhardt]

But you don't know that for sure.

[Todd Gaynor]

It's the only way it adds up. So Schwenkle rushes to his old client, the guy who wanted the pictures in the first place. Because the client would see that if Merrily blew the works, he'd be in strife too. And that was when the murder plot was cooked up. And when Schlinkel signed his own death warrant. Because he not only knew about the pictures, he also had the murder to hold over the client's head. So Schwenkel went the way of all flesh.

[Duke Reinhardt]

Yeah, it figures. Only, why was this stunt worked on the Lamont guy at all?

[Todd Gaynor]

Ms. Lamont, didn't you tell me your father died while you were abroad?

[Beulah Lamont]

Yes.

[Todd Gaynor]

And when you came back, you found that someone who had been quite a small fish in the firm was a senior executive with a watertight contract.

[Beulah Lamont]

Yes.

[Todd Gaynor]

How do you rate? As an amateur shutterbug? Eugene, if you are inferring that I.

[Eugene Talcomb]

Am the murderer, Gaynor, you must be even more of a maniac than I thought. Which you're saying a great deal. Now drop your gun, Gainer.

[Duke Reinhardt]

Hey, that's my gun.

[Eugene Talcomb]

Mr. Reinhardt. Yes. Nice of you to let it lie on the floor, Gainer. Now drop yours.

[Todd Gaynor]

That's better.

[Eugene Talcomb]

One last thing. The keys to your car, Reinhardt.

[Todd Gaynor]

I've got them.

[Paul (Lamont's Designer)]

You?

[Duke Reinhardt]

How did you get them?

[Todd Gaynor]

I went through Alphonso's pockets in the cellar. He was driving, remember? I took his gun and the car keys.

[Eugene Talcomb]

That was very thoughtful of you. Throw them to. That's being sensible. Now I'll say goodbye. Too bad your game of secrets didn't work out quite as you planned.

[Paul (Lamont's Designer)]

Reinhardt, Todt. We must do something. He will be a hundred miles away before we can get the police.

[Todd Gaynor]

Relax, Paul. He won't get any further than the front drive.

[Lieutenant O'Malley]

What?

[Duke Reinhardt]

I was wondering what you were pulling.

[Todd Gaynor]

You've got the keys to your Cadillac?

[Eugene Talcomb]

Yeah.

[Todd Gaynor]

I threw him the Keys to my Jaguar. If those keys fit the Caddy, the two manufacturers are going to feel insolid.

[Duke Reinhardt]

Let's go get him. I owe him something for merrily.

[Todd Gaynor]

Hold your horses, Duke. By now he'll have found the keys don't fit. What do you think he'll be doing?

[Paul (Lamont's Designer)]

He will come back here, perhaps.

[Todd Gaynor]

No. He'll realize the only way out is the car. If he can't use it, he'll make sure we don't. He'll be sitting in that car with the headlights on to prevent us getting to him.

[Beulah Lamont]

You're right, Todd. But what can we do?

[Todd Gaynor]

Only one thing. Go look for a rope. It took a few minutes to explain my idea. The house had two stories. With a rope, I figured I could let myself down from one of the front windows under the top of the car. With Paul making sure the rope held. I slid down it and landed on the roof of the Caddy with a thump. Then I took my courage in both hands, rung up dry and slid down the back of the car, wishing they'd never thought of widening the back windows. There seemed an awful lot of glass to slide over. I hit the gravel with a scrape, reached for the extra piece of rope in my pocket and undid the cap of the petrol tank. Fed the rope into the tank, gave it a few minutes to let the petrol soak in and then lit the end. As soon as the rope flared, I started running. I made about 12ft and hit the gravel, hugging it like a blonde who felt lonely. The tank exploded and as the flames bit around the back of the car, the door opened and Talcum came plunging out. At the same time, a figure came diving down the porch. Duke Reinhardt with a gun in his hand. The gun I'd taken from Alfonso.

[Paul (Lamont's Designer)]

You're not getting away with it, Falcono.

[Todd Gaynor]

Duke, you okay?

[Duke Reinhardt]

Yeah. I got him. I got him for Maryland.

[Todd Gaynor]

All right. What did he do for you?

[Duke Reinhardt]

He couldn't hurt Duke Reinhardts. Him an amateur. Why he only.

[Todd Gaynor]

The tough part is, Duke, that even an amateur can get lucky.

[Lieutenant O'Malley]

Hello.

[Beulah Lamont]

Well, fine. General manager. You are not even coming to the office? You should see the orders pouring in.

[Todd Gaynor]

Yes, boss.

[Beulah Lamont]

The newspapers want an interview. I thought I better say yes. So they're coming to the house at 7 tonight. Would you come and protect me?

[Todd Gaynor]

Protect you? What, from the.

[Beulah Lamont]

The newspaper man.

[Todd Gaynor]

I thought you meant me. And I was going to say I couldn't guarantee anything.

[Beulah Lamont]

I'm not asking for any guarantees, am I?

[Todd Gaynor]

Now wait a minute.

[Beulah Lamont]

I've always believed in close cooperation. Between a general manager and his boss, you have.

[Todd Gaynor]

Well, just you stay right where you are. I'm coming to prove just how close that cooperation can be.

[Duke Reinhardt]

So with Mr. Gaynor getting his girl, I think we might say finished. To Felony and Fashion. I'll be back again to bring you.

[Todd Gaynor]

Another of my stories.

[Duke Reinhardt]

The next one's called the Widow Is Willing and She's some widow, as Mark Hunt, an insurance investigator, finds out. So this is Carter Brown saying so long for now, be seeing you.

[Todd Gaynor]

In Felony in Fashion.

[Lieutenant O'Malley]

You heard Margaret Christensen as Beulah Lamont, while as Todd Gaynor, you heard our star, Leonard Teal.

[Duke Reinhardt]

The Carter Brown Mystery Theatre, based on the best selling novels by Carter Brown is dramatized and directed by Morris Travers.

[Lieutenant O'Malley]

For Grace Gibson Radio Productions.

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[Todd Gaynor]

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