
Cases of Mr. Ace 47-06-25 The Lost Package
Loading summary
Styles MacKenzie
We interrupt this program to bring you an important Wayfair message. Wayfair's got style tips for every home. This is Styles MacKenzie helping you make those rooms sing. Today's style tip. When it comes to making a statement, treat bold patterns like neutrals. Go wild like an untamed animal. Print area rug under a rustic farmhouse table. From wayfair.com this has been your Wayfair style tip to keep those interiors superior. Wayfair, every style, every home.
Dr. Gail
Oh, Mr. Ace. Come in. I've given you up for the night.
Edward Ace
You're not alone, Dr. Gail. There were a couple of minutes back there when I'd given myself up for good.
Dr. Gail
As close as that?
Edward Ace
Closer.
Dr. Gail
Welcome on into the kitchen. Coffee's perking. Can't you find a less dangerous way to make a living than being a private detective?
Edward Ace
Sure, but then who'd supply you with your material for your book on criminal psychology? Sugar, sweet and black.
Dr. Gail
Here you are.
Edward Ace
Thanks.
Dr. Gail
Incidentally, the book is coming very well. Thanks to the unorthodox point of view I get on the criminal mind through your eyes. Well, what happened to you tonight?
Edward Ace
What happened tonight seems to have started with a man named Judas.
Dr. Gail
Judas? You mean Judas Iscariot in the Bible.
Edward Ace
Of course. That's the guy. Dr. Gale. The world's most notorious stool pigeon. But it took 2000 years for it to catch up to me.
Dr. Gail
Well, I'm listening, Mr.
Edward Ace
Ace.
Dr. Gail
I'm listening.
Edward Ace
The Cases of Mr. Ace, starring George Rapp and produced and directed by Jason James. I hadn't been in my office over on 6th Avenue for more than 10 minutes when the hall door opened just wide enough to admit a man's eye. From where I sat, I could see it was steel blue. And when the door opened a little wider, I could see that I belonged to a very tall, very thin, very blond man. I waved him in.
Richard Doran
My name, sir, is Doran. Richard Doran of Doran and Stanton. Fifth Avenue. Importers, dealers in objects of art, curios and such.
Edward Ace
What can I do for you?
Richard Doran
I want you to deliver a package to a gentleman in Chicago.
Edward Ace
Go on.
Richard Doran
That's all there is to it.
Edward Ace
I see. My name is Ace. Edward Ace. Sole owner of ACE investigation, 6th Avenue, New York. Dealer in homicide, matricide and patricide and also in the gentler forms of crime. What you want is a worthy boy waking his way through reform school. Now I know just such a lad who would.
Richard Doran
This is no ordinary package, Mr. Ace. I'm willing to pay a fee of, say, $1,500 for its safe delivery.
Edward Ace
What you want is a man named Ace. Got the package under your arm? Yes. What's in it? An atom bomb?
Richard Doran
Not quite. But something perhaps equally as explosive.
Edward Ace
Go on.
Richard Doran
It contains the most priceless item ever to come into the possession of Doran and Stanton.
Edward Ace
You still haven't told me what it is.
Richard Doran
I didn't intend to.
Edward Ace
I don't like working in the dark. What's it worth? In dollars and cents, I mean.
Richard Doran
I have consented to sell it to a British gentleman named Colonel Amherst for $150,000.
Edward Ace
You could get a lot of explosion out of that kind of scratch. Is the dingus insured?
Richard Doran
Unfortunately, Mr. Ace, it is not possible to apply for insurance.
Edward Ace
I see what you mean.
Richard Doran
Yes, the dingus, as you call it, has had a most checkered and colorful career.
Edward Ace
Mostly blood red.
Richard Doran
I suppose you put things so obliquely, Mr.
Leonidas
Ace.
Richard Doran
But you're quite right. For many years, Duran and Stanton have kept it hidden away. Now Colonel Amherst may have the joy of possession and the fear. You will find him registered at the Ambassador east, deliver the package, collect the money and return to me here in New York.
Edward Ace
Why don't you take it to Chicago yourself? Or have the colonel come here?
Richard Doran
I will be frank, sir. Neither of us wishes to assume the risk. I would advise you to go armed. If you accept the assignment, shall I give you a check for your fee?
Edward Ace
How much cash do you have with you?
Richard Doran
$250.
Dr. Gail
Why?
Edward Ace
I'll take that. The balance, when I return from Chicago with your money.
Richard Doran
Excellent. Here is your retainer. And here is the package. I also have your transportation you leave on the Commodore Vanderbilt tonight. Car 57, compartment E. Good luck, Mr. Ace.
Edward Ace
Just one more thing, Mr. Durand. How do you know you can trust me?
Richard Doran
If you are wise, Mr. Ace, you'll give me no reason to regret my trust.
Edward Ace
The package left in my care was no larger than a pound box of candy. That evening box under my arm, arm pressed close to the gun in my shoulder holster, I boarded the Commodore Vanderbilt. I just relaxed in my bunk when the door to my compartment opened. I looked up from my berth into the face of a small, fragile, bald man. His hair was glossy and deep black. His eyes were glossy and deep black. But it wasn't his bones or his hair or his eyes that really interested me. It was his right hand. In it, there was a gun. From where I lay, it looked mighty big.
Leonidas
You will please clasp your hands together at the back of your neck.
Edward Ace
Now, wait a minute. I never even met your sister.
Leonidas
I intend to take the package. If you make one move, I'll be forced to shoot you.
Edward Ace
That makes a problem. You can't get the package unless I do move. It's under my mattress.
Leonidas
Oh, how clumsy. This place is so small. I. Forgive me. I am reluctant to permit you to rise. Of course, I could shoot you and kill you now and then roll you over and take the package.
Edward Ace
But you won't because you're not sure it is under the mattress. And if you don't find it there, I won't be alive to tell you where it is.
Leonidas
Yes, I. I suppose you are right. I. I can never think these things through clearly. Very well. I have no alternative. You will follow my instructions very closely, sir. Now you put your right leg on the floor, Mr. Ace. Slowly. Slowly. That's it. Now, sir, roll over very gently on the floor with your side so slowly. Keep your hands on that.
Edward Ace
All right, get up. I won't shoot.
Leonidas
Oh, what an idiot I am. A stupid, imbecile bungler. I knew it. I knew it. I had the premonition you would grab at my leg. And there I stand to permit you to do it. This stupid, idiotic bungler.
Edward Ace
Don't break me up. Get going. Outside.
Leonidas
Where are you taking me?
Edward Ace
For a little fresh air.
Leonidas
You do not. You will not. Please do not be angry with me, Mr. Ace.
Edward Ace
Get out on the platform.
Leonidas
I beg you, Mr. Ace. I am harmless, impotent, incompetent. Yes, that's what I am, all right.
Edward Ace
Who sent you?
Leonidas
No one, Mr. A.
Edward Ace
Who sent you?
Leonidas
Please do not hit me again.
Edward Ace
Who sent you?
Leonidas
I cannot bear it. I'm alone. All alone. I'm a coward. A coward. Ms. Dayes, I. I have no one. No one.
Edward Ace
Okay, over you go.
Leonidas
No, no, no. Put me down.
Dr. Gail
Please.
Edward Ace
Who sent you?
Leonidas
I swear it. No one. No one.
Edward Ace
Okay. Flat tap. Relax.
Dr. Gail
Oh, thank you, sir.
Leonidas
Thank you.
Edward Ace
Stay out of my way. Next time we meet, I'll toss you overboard.
Leonidas
Yes, yes, Quite right. Excellent. Thank you, sir. Thank you very much.
Edward Ace
I left the little man shivering out on the platform and went back to my compartment. And just as I walked into the room, that's when I really got it. I don't know how long I was out. When I opened my eyes, the small room looked as though it had been searched. It had. And the package was gone. The train was just pulling into some jerk water stop. I got off, had my skull patched up by the local druggist. And hired a hack to drive me back all the way to New York. Two hours later, I got out in Front of the Duran Stanton shop on fifth Avenue. There was a small light burning inside. I opened the door and went in. There was quite a crowd in there. All of them were cops. Detective Lieutenant Walsh of homicide came forward. He had been talking to the sultriest looking doll I had seen since Minsky closed his door.
Detective Lieutenant Walsh
Well, well.
Edward Ace
Hello, Ace.
Detective Lieutenant Walsh
Are we in for imported art now?
Edward Ace
I want to talk to Duran.
Detective Lieutenant Walsh
Yeah, you can talk to Duran if you like, but he won't answer you. He's dead.
Edward Ace
What did he die of?
Detective Lieutenant Walsh
A hole in the head. Two bullets went through it.
Edward Ace
Got a smear on it yet?
Detective Lieutenant Walsh
Ah, dull case of burglary. They jimmied the back door. Duran was upstairs with his wife here. They heard the noise, he came down to investigate. Bang. Bang. A very dead Mr. Duran.
Edward Ace
Well, I'm sorry to hear that, Mrs. Duran.
Dr. Gail
Thank you, Mr.
Edward Ace
Ace. Eddie. Ace.
Dr. Gail
You said you wanted to see my.
Edward Ace
Nothing important, Mrs. Duran. I won't bother you now. You suffered a bad shock.
Dr. Gail
You're very understanding Stray. I tried to stop my husband from going down. He wouldn't listen. But is there something I can do for you, Mr. Ray?
Edward Ace
Well, not right now. I. I mean, Mr. Duran was just going to show me a Chinese ring. May I come to see you in a few days, Mrs. Duran?
Dr. Gail
Please do.
Edward Ace
Oh, by the way, have you heard from Colonel Amherst?
Dr. Gail
Colonel Amherst? I don't know the gentleman.
Detective Lieutenant Walsh
All right, watch it, Eddie. Mrs. Duran, I think you'd better go upstairs. The boys are going to bring the stick. I mean, we have to take.
Dr. Gail
Yes, I understand. Thank you for your thoughtfulness. Goodbye, Mr. Ace. Please call again. And if I should hear from a Colonel Amherst, I'll tell him to call you.
Edward Ace
Mrs. Duran left the shop. She hesitated briefly at the door, glanced over shoulder at me once and then was gone. Walsh's boys brought the stiff out of the back room. I took a quick gander at it, then a longer one. It was a very, very dead Mr. Duran, all right. But it wasn't the man who had come to my office that morning. I guess I'll hit the road. Walsh.
Detective Lieutenant Walsh
Stick around, take your hat off and restore. I'd like to see the rest of that adhesive patch.
Edward Ace
Don't be morbid.
Detective Lieutenant Walsh
Yeah, maybe ask you a few questions. Like what you really came here for at this hour, where you were an hour ago.
Edward Ace
Look, Walt, just between us, an hour ago I cracked the back door of the shop and threw a couple of slugs into Doran when he got in my way. I came back to see if I dropped any clues that might lead to me. If you find any, I'll be at my office. Bring them up and we'll split them.
Leonidas
50. 50.
Edward Ace
Well, the little man with the big gun. I thought I took that away from you on the train.
Leonidas
I have many of them. Mr. Rice. First I must ask you to forgive the liberty I took in entering your office to wait for where else to find you. I did not know. Eventually, you must return here.
Edward Ace
All right. Eventually I did. What's your problem, Mr. A?
Leonidas
I have a grievance. On the train, you caused me a great humiliation. Yes, yes, you did. You slapped my face. You did not even have the decency to punch me, man, like.
Edward Ace
Next time, I promise to punch you hard.
Leonidas
There will be no next time, Mr. Ace. For you. I have the greatest resentment. Yes. Yes, I have. If you give me the slightest provocation, I. I promise to shoot you.
Dr. Gail
Really?
Leonidas
Really, I will.
Edward Ace
All right. Once your cue. Twice. You're a nuisance.
Leonidas
You won't come with me, Mr. A.
Edward Ace
Where are we going?
Leonidas
He's waiting to speak to you.
Edward Ace
Who?
Leonidas
Colonel Gregory Amherst.
Colonel Gregory Amherst
Ah, come in, Mistakes. Come in. Come in, sir. Well done this time. Well done, Leonidas.
Leonidas
Oh, thank you. Thank you. It was simple.
Colonel Gregory Amherst
Well, sit down, sir. Sit down.
Edward Ace
Thanks. Nice layout you got here.
Colonel Gregory Amherst
You like it? You really like it, sir? It's so difficult to get proper accommodations these days. To the point, where is the coin?
Edward Ace
The coin?
Colonel Gregory Amherst
Precisely.
Edward Ace
You mean the coin that was in the package?
Colonel Gregory Amherst
Oh, please, sir, I beg of you. Do not blame me for the simpletons.
Leonidas
You no fool plan on flying. In order to board domestic flights, your driver's license or state issued ID must be a real ID learn how to get your real ID today@tsa.gov realID or visit your local DMV.
Edward Ace
You see?
Leonidas
You see? I told you he was uncooperative. I told you.
Colonel Gregory Amherst
Gently, gently, Leonidas. We must discuss this calmly.
Leonidas
But don't you see? He's a terrible person. A liar, a thug.
Edward Ace
If you don't take this monkey away, Colonel, I'll break his leg.
Colonel Gregory Amherst
Now, do be quiet, Leonidas, or I should let him break your leg. A bizarre fool, indeed. Now, sir, I shall put it bluntly. Concisely and simply. I believe you have the coin. I believe that you and Stanton Doran's partner are working together and you both mean to hoodwig Doran, simulate a theft on the train, and then dispose of the coin, sharing the proceeds between you and Stanton.
Edward Ace
So you got a phony coin when you slugged me on the train.
Colonel Gregory Amherst
You know full well I Did, sir.
Leonidas
You see? You see how he twits, sir?
Colonel Gregory Amherst
Be quiet, Leonidas.
Edward Ace
I thought you were supposed to be in Chicago waiting for the coin.
Colonel Gregory Amherst
That was the business arrangement. But you. You cannot blame me for coming here before the coin was delivered in an effort to save a little money.
Edward Ace
And you even knew which train and compartment I'd be occupying.
Colonel Gregory Amherst
In my business, sir, I must do many things. I even know when I'm beaten and forced to pay. And that time has come. I shall pay.
Edward Ace
How much?
Colonel Gregory Amherst
$50,000.
Edward Ace
The price was a hundred and fifty. Ah.
Colonel Gregory Amherst
That was when I planned on taking it by storm. Now, I am willing to tender wealth of the realm a quantitative and relative difference.
Edward Ace
If you can say that again, you've got a deal. On one condition.
Colonel Gregory Amherst
Yes.
Edward Ace
At first, you tell me what this coin is all about.
Colonel Gregory Amherst
Tell you what? You mean you don't that Stanton hasn't told you what trick?
Leonidas
He's slippery. He's lying.
Colonel Gregory Amherst
Oh, my soul. This is priceless. Priceless. Here I sit and bargain with you. For you. Oh, this is indeed priceless.
Edward Ace
Go ahead, have your fun. You know what the coin is? I don't. But I know where it is. You don't? I'm still in the driver's seat.
Colonel Gregory Amherst
Indeed you are, sir. Forgive me, I must dry my eyes. Very well, sir. I shall show my good face.
Leonidas
Please, please, Colonel, I beg you. Be careful what you say. He's the thug and liar of a scoundrel in every. He struck me again. He struck me again.
Colonel Gregory Amherst
Yes, and it served you well. Now to be quiet.
Leonidas
I hate him.
Edward Ace
You were saying, Colonel?
Colonel Gregory Amherst
The coin. Yes, Tell me, sir, what do you think it is?
Edward Ace
Come to the point.
Colonel Gregory Amherst
To the point? Dear me, sir, how much do you know of your Bible?
Edward Ace
I told you, I'm a no mood.
Colonel Gregory Amherst
I do not ask idly, sir. It is very much to the point. You know, of course, of one Judas Iscariot, the great betrayer. Yeah?
Edward Ace
Yes.
Colonel Gregory Amherst
And for his betrayal, he received from the Roman authorities his promised wage. 30 pieces of silver. Now then, that was 2,000 years ago. Mark well what I am about to say, sir. There are in the collections of numismatists certain coins of antiquity dating back to the days of the Pharaohs. 2000 years before the day of the great betrayal. Now, sir, you begin to comprehend.
Edward Ace
I'm still listening. Very well.
Colonel Gregory Amherst
To the point. Of all the 30 pieces of silver paid to Judas Hascariot, only one. Only one, I say, has been unearthed. The rest, for all we know, gone into the dust of the bones of the Judas. But that One coin, sir. With the imperial head and arms of Caesar stamped upon it. Has been sought for, fought for, killed for and died for through bloody century after century. What do you say to that, sir?
Edward Ace
I say you're nuts.
Colonel Gregory Amherst
Ah, but my $50,000 says otherwise, Mr. Hayes. And now, sir, the coin, if you please.
Edward Ace
I'll have to see Stanton first.
Leonidas
You see. You see, he cannot be true.
Colonel Gregory Amherst
Is Leonidas correct in his analysis of your character, sir?
Edward Ace
Sure. But I still have to see Stanton first.
Colonel Gregory Amherst
Very well. There's nothing for it, I suppose. As added inducement, sir, a bonus of $10,000 for yourself. We needn't advise Mr. Stanton of it. If you deliver the coin to me here before dawn. I sail with the tide for Montevideo.
Edward Ace
I'll try to earn the 10G. Amherst didn't have the coin. Stanton was on the loose. He might or might not have it. If it existed at all. It had to be someplace. I hustle on back to the shop of Duran and Stanton. I never got a good look at the little man who was tailing me. Every time I glanced back, he had his face draped in a foreign language newspaper. I made sure he was still pounding along behind me. When I turned in at the door of Duran and Stanton. I didn't expect it to be opened. I was wrong. I didn't expect to find anyone there. I was wrong again.
Dr. Gail
What do you want?
Edward Ace
I walked slowly to the kid at the far end of the shop. She was no more than 16 or 17. Her face was white, her eyes loaded with fear. She stood in front of the safe under a small yellowish light. I look carefully for a gun in her right hand. It's always these frightened white faced kids who really let you have it. She was unarmed. I let my breath out and close in on her.
Dr. Gail
I'm calling police.
Edward Ace
I'm the police. Who are you? What are you doing here?
Dr. Gail
Oh, I'm Elfie duran.
Edward Ace
You mean Mrs. Duran is your mother?
Dr. Gail
My stepmother. I was up at school when I heard that. That my father had been. I came here at once.
Edward Ace
What were you looking for in the safe?
Dr. Gail
The safe?
Edward Ace
Or were you putting something in it?
Dr. Gail
Like what?
Edward Ace
Look, infant. No time for guessing games now. Give me a small package. That'll do it. You stay here. Pull out that light. Now don't leave till I get back. Keep the door locked.
Dr. Gail
But why? I don't understand.
Edward Ace
Take this gun. If anybody breaks in, use it. And tuck that gold chain you're wearing around your neck inside of your dress. It might tangle your gun arm when you need it.
Dr. Gail
But I've never fired a gun before, baby.
Edward Ace
You'll be surprised how naturally it will come to you if you have to. I left the kid in the shop. Strolled down 5th, across 34th to my office on 6th. The little man on my tail had dusted. I took my time. I figured there'd be somebody waiting for me at my office. There was. I figured he'd be holding a gun on the door. He was. I figured it would be the little man. It wasn't.
Richard Doran
All right, Mr. Ace, I'll take that package.
Edward Ace
What name are you wearing now? Stanton.
Richard Doran
Give me that package.
Edward Ace
You're sure you want it? Your life is a mighty high price to pay for it.
Richard Doran
You forget I'm holding the gun.
Edward Ace
Okay, be headstrong. Here's the package.
Richard Doran
That's better, Mr. Ace.
Edward Ace
All the time I was talking to Stanton, I watched the little man across the street. The foreign language paper still covering his face. After Stanton left my office, I watched for him through the wind. He came out of my building. I didn't hear the shot, but I saw the gun flash as it fired. Stanton slumped to the pavement. By the time I made it downstairs, the little man was far away. And so with Stanton. His body was still lying where it had fallen. The street was deserted. His wallet had been frisked to make it look like a clumsy holdup. The package, of course, was gone. I picked up the wallet case, the contents. Among the usual stuff, there was a small clipping on glossy paper. It was a crude picture of a coin. The caption under it read, coin of Judas. I didn't have to rack my brain to figure out where I'd seen it before.
Richard Doran
Who is it, Ace?
Edward Ace
Open up and don't shoot.
Leonidas
Oh, Mr.
Dr. Gail
Ace, I've been so frightened.
Edward Ace
Give me that gold chain from your neck.
Dr. Gail
My change.
Edward Ace
Stop playing simple. You can keep the chain after I've taken the coin from the end of it.
Dr. Gail
So you know I have it.
Edward Ace
I must have been blind not to knowing it before. Did your father give you the coin?
Dr. Gail
Yes. He told me to keep it at school. It was the safest place. But after I'd heard he'd been killed, I. Mr. Ace, look out.
Colonel Gregory Amherst
No need for alarm, my dear.
Leonidas
You see? You see, Colonel, I told you.
Richard Doran
He is.
Colonel Gregory Amherst
Gently, Leonidas. Well, Mr. Ace, I must say I am disappointed in you. I did consider you a man of some peculiar honor.
Edward Ace
That was your idea.
Colonel Gregory Amherst
I sent Leonidas with $50,000. Coin of the realm, sir. To purchase from you, open and above board. The coin. And what am I given for this? Honorable gesture.
Richard Doran
This.
Colonel Gregory Amherst
This, sir? Two porter shell combs.
Edward Ace
They'll look cute on Leonidas.
Colonel Gregory Amherst
This time, sir, I mean business. This gun will underscore my intention. Now, the coin, Mr.
Edward Ace
Ace.
Colonel Gregory Amherst
And my $50,000.
Edward Ace
You're not even abusing, you fat clown. Leonidas never gave me 50 cents he knocked off Stanton for those combs.
Colonel Gregory Amherst
Leonidas. Why, that was most headstrong of you.
Edward Ace
Most headstrong.
Colonel Gregory Amherst
Coming to me with his baggage and telling me it was all an error.
Leonidas
My dear Colonel, I intended to return the money to you. But in my distress over learning that I had failed in my mission, it just slipped my mind.
Edward Ace
A mind like a ski run.
Colonel Gregory Amherst
Then before it slipped your mind again, my dear fellow, I suggest.
Leonidas
Here it is, Colonel.
Colonel Gregory Amherst
I shall deal with you later, Leonidas. Well, Mrs.
Edward Ace
I've got the coin.
Colonel Gregory Amherst
Excellent, excellent.
Edward Ace
But I can't sell it to you. You'll have to deal with Mrs. Duran and her stepdaughter. It belongs to them.
Colonel Gregory Amherst
Oh, my dear Ace, you are indeed the soul of honor. But the fact of the matter is that Marlene Duran called me after you talked with her. Oh, come in, Marlene.
Dr. Gail
I was just telling which one of you killed Stanton.
Colonel Gregory Amherst
Marlene, put that ridiculous pistol away.
Dr. Gail
Which one of you?
Leonidas
It was quite unintentional, Mrs. Durant. A regrettable and melancholy accident. I assure you, I never meant to.
Colonel Gregory Amherst
Here, now. I save our.
Dr. Gail
And you sent him to do it.
Colonel Gregory Amherst
No, no, no, no.
Edward Ace
I, I.
Dr. Gail
You did. I'm going to kill you too.
Colonel Gregory Amherst
Hey, for heaven's sake. She's mad. Oh, how stupid. How incredibly stupid. Shot down by.
Dr. Gail
You see, I killed him. I loved Stanton, so I killed his killers.
Edward Ace
Yeah, just like you and Stanton killed your husband. He got wise of the fact that you and Stanton were going to run out on him. So he sent Stanton to deliver the phony package. He knew that Amherst was in New York. He tipped Amherst off, thinking that Leonidas would be sent to kill Stanton for the package. But Stanton was wise to it. He sent me instead. When he saw that I was attacked, he came back here and killed your husband.
Dr. Gail
Yes, my husband. And he deserved it.
Edward Ace
All right, Marlene, come along with me.
Dr. Gail
I'm not going with you, Mr. Ace, because you and Elsie are going to the morgue.
Edward Ace
And so Elsie used my gun to send two bullets into Marlene. How do you like that? I forgotten the kid was holding it.
Dr. Gail
But what about Elsie? Won't she have to stand trial?
Edward Ace
No, it's been settled down at headquarters. After all, Marlene did kill two men and then threaten Elsie and me with a gun. So Elsie will be okay.
Dr. Gail
And. And what about the coin? Does Elsie keep?
Edward Ace
Yeah, but she's having it melted down.
Dr. Gail
Into what?
Edward Ace
A small silver crucifix.
Dr. Gail
I see. I like that. Good night, Mr. Ace.
Edward Ace
Good night, Dr. Gill. In a moment, George Raft will be back as Mr. A's to tell you about next week's case. But first, a brief word from our sponsor. Thank you. Next week, I'll be telling Dr. Gale about the man who was forced to help his wife's murderer. Thank you, George.
Detective Lieutenant Walsh
We'll be listening.
Edward Ace
Tonight's supporting cast included Francis Heflin, Joseph Kearns, Ted Von Eltz, Charlie Lung, Elliot Reed, Mary Jane Croft and Lorraine Beaumont. The music was composed and conducted by Del Castillo. This is Carlton Cadell speaking and inviting you to listen again next week to George Raft. In the cases of Mr. Race.
Podcast Summary: "Harold's Old Time Radio"
Episode: "Cases of Mr. Ace 47-06-25 The Lost Package"
Release Date: May 2, 2025
In this thrilling episode of Harold's Old Time Radio, listeners are transported back to the Golden Age of Radio, immersing themselves in the noir-inspired detective saga of Edward Ace. Hosted by Harold's Old Time Radio, the episode titled "The Lost Package" unravels a complex web of deceit, betrayal, and ancient mysteries surrounding a priceless coin associated with Judas Iscariot.
The episode kicks off with Edward Ace, a sharp-witted private detective, engaging in conversation with Dr. Gail, a criminal psychologist who relies on Ace's insights for her work.
Dr. Gail (00:39): "Oh, Mr. Ace. Come in. I've given you up for the night."
Edward Ace (00:44): "You're not alone, Dr. Gail. There were a couple of minutes back there when I'd given myself up for good."
Ace's typical day takes an unexpected turn when Richard Doran, a representative from Doran and Stanton—a firm dealing in art and curios—approaches him with a high-stakes proposition.
Doran hints at the package's explosive importance without revealing its contents, prompting Ace to accept the dangerous assignment.
Ace boards the Commodore Vanderbilt destined for Chicago, package in hand. The tension escalates when a menacing figure, Leonidas, attempts to seize the package.
A battle of wits ensues, showcasing Ace's cleverness as he manages to outmaneuver Leonidas, leading to the assailant's retreat. However, the package mysteriously disappears, leaving Ace to grapple with unanswered questions.
Upon returning to New York, Ace finds Doran dead—victim of a seemingly straightforward burglary turned fatal.
Ace's suspicions deepen as he interacts with Mrs. Doran and uncovers the intricacies of the case, leading him to realize the package's significance is far more profound than initially perceived.
As the plot thickens, Colonel Gregory Amherst emerges as a pivotal antagonist, revealing his obsession with a legendary coin linked to Judas Iscariot's betrayal.
The Colonel divulges the coin's historical value and its connection to the biblical betrayal, setting the stage for a high-stakes negotiation. Ace's relentless pursuit leads him back to Doran and Stanton's shop, where he encounters Elfie Duran, Doran's stepdaughter, unveiling family secrets and motives.
The climax unfolds with dramatic confrontations, gunfire, and the ultimate revelation of who orchestrated the betrayal, tying back to the ancient coin's curse.
In the aftermath, Ace ensures that justice is served, resolving conflicts and securing the coin's fate. The episode wraps up with Ace reflecting on the case's complexities and hinting at future adventures.
Betrayal and Trust: The narrative intricately weaves themes of betrayal, both ancient and modern, highlighting the fragile nature of trust in Ace's world.
Historical Mysteries: The quest for the coin of Judas adds a layer of historical intrigue, blending religious lore with detective fiction.
Moral Ambiguity: Characters like Leonidas and Colonel Amherst embody moral complexities, challenging Ace's notions of right and wrong.
Edward Ace (03:32): "I see what you mean."
Discussing the dangerous nature of his assignment with Richard Doran.
Leonidas (07:10): "All right, get up. I won't shoot."
During his tense interaction with Ace on the train.
Colonel Gregory Amherst (17:05): "There are in the collections of numismatists certain coins of antiquity..."
Revealing the significance of the coin.
Dr. Gail (25:08): "You see, I killed him. I loved Stanton, so I killed his killers."
Unveiling her role in the murder of Stanton.
The episode features a stellar supporting cast, including Francis Heflin, Joseph Kearns, Ted Von Eltz, Charlie Lung, Elliot Reed, Mary Jane Croft, and Lorraine Beaumont. The atmospheric score, composed and conducted by Del Castillo, complements the narrative's suspenseful and dramatic turns.
Listeners are teased with the promise of future episodes, where Edward Ace will delve deeper into personal and perilous cases, maintaining the gripping allure of classic radio detective stories.
Tune in next week as George Raft returns to narrate another captivating case in the Cases of Mr. Ace series, continuing the legacy of intrigue and suspense that defines Harold's Old Time Radio.