Cases of Mr Ace xxxxxx Murder of Frederick Miller

Summary

Podcast Summary: "Harold's Old Time Radio"
Episode: "Cases of Mr. Ace xxxxxx Murder of Frederick Miller"
Release Date: February 13, 2025

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Introduction

"Harold's Old Time Radio" transports listeners back to the Golden Age of Radio, reviving classic radio dramas that families once gathered around before the advent of television. In the February 13, 2025 release, titled "Cases of Mr. Ace xxxxxx Murder of Frederick Miller," host Harold presents a gripping detective story featuring the seasoned private eye, Eddie Ace, portrayed by George Raft. This episode delves deep into the murky waters of criminal psychology, betrayal, and unexpected twists, all set against the backdrop of mid-20th century New York City.

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Main Plot Summary

The episode unfolds with Eddie Ace, a savvy private detective, being approached by Dr. Gale—a psychoanalyst seeking Ace's expertise for her upcoming book on criminal psychology. Dr. Gale's unconventional approach requires firsthand accounts from detectives like Eddie Ace to provide a fresh, unbiased perspective.

[00:44] The interaction between Eddie Ace and Dr. Gale sets the stage for the narrative. Dr. Gale requests Ace to recount his cases, emphasizing the unique insights only a seasoned detective can provide.

As Ace begins to recount the murder of Frederick Miller—a corporate lawyer found dead with three bullet wounds—he introduces us to Pierre Foray, a Frenchman who claims responsibility for the murder. Foray presents Ace with a peculiar proposition: hold onto a small brass key (numbered 427) and accept $500 for his assistance.

[04:07] Pierre Foray: "Oui, oui, oui. Now we come to it. Last night, monsieur, I performed a most impulsive act. I killed a man."

Ace's skepticism is evident as he delves deeper into Foray's confession, suspecting ulterior motives. The plot thickens when Timothy Hogan, a crafty Irish criminal lawyer, enters the narrative, challenging Ace's interpretation of events.

[06:50] Timothy Hogan: "And as sure as I'm sitting here in your office, Mr. Ace, I'm certain that Pierre Foray did not kill Miller."

Hogan's interrogation reveals that Foray's confession might be a cover-up for something more sinister. Ace's investigation leads him to confrontations, betrayals, and a web of deceit involving Mrs. Foray, Pierre, and Hogan himself.

The climax sees Ace entangled in a dangerous game of cat and mouse, culminating in a booby-trapped locker explosion orchestrated by Hogan to eliminate evidence and silence Ace. Despite multiple attempts on his life, Ace maneuvers through the chaos, uncovering the truth behind the murder and the intricate relationships between the characters.

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Character Insights

• Eddie Ace (George Raft): A resourceful and intuitive private detective whose skepticism drives the investigation forward. Ace balances professionalism with a gritty determination to uncover the truth.

  Notable Quote:

  Eddie Ace: "You don't have to bribe me. All you have to do is tell me what I'm to talk to you about your experiences. Why?"
  [01:18]

• Dr. Gale: A psychoanalyst with a keen interest in criminal psychology, seeking Ace's firsthand experiences to enrich her book. Her interactions with Ace reveal her manipulative yet professional demeanor.

  Notable Quote:

  Dr. Gale: "I want the material fresh and unbiased, so to speak. From the point of view of a private detective, of more specifically an Eddie."
  [01:25]

• Pierre Foray: The enigmatic Frenchman who confesses to Frederick Miller's murder. His motives and reliability are central to the plot's development.

  Notable Quote:

  Pierre Foray: "I killed him. And I do not feel the regret. I feel only pleasure when I look into his eyes and see him die again and again."
  [04:19]

• Timothy Hogan (Theodore Von Eltz): A cunning Irish lawyer with deep ties to the criminal underworld. Hogan's strategic maneuvers aim to manipulate the justice system to his advantage.

  Notable Quote:

  Timothy Hogan: "A confession from his wife. I could get her an acquittal with a twist of the wrist."
  [07:21]

• Mrs. Foray (Kathy Lewis): Pierre's wife, whose emotions and secrets play a pivotal role in unraveling the mystery. Her interactions with Ace hint at a deeper backstory involving love, betrayal, and regret.

  Notable Quote:

  Mrs. Foray: "Yes, I knew him. What is that at work on that rat? Pierre killed him. I hope he dies in the chair for it."
  [09:34]

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Key Scenes and Discussions

1. Initial Confrontation with Dr. Gale ([00:44] - [02:16])

   • Establishes the collaboration between Dr. Gale and Eddie Ace.
   • Highlights Ace's initial reluctance and curiosity about the psychoanalyst's intentions.

2. Pierre Foray's Confession ([03:54] - [06:21])

   • Pierre's admission to murdering Frederick Miller introduces the central mystery.
   • The offer of $500 and the brass key sets up the ensuing conflict.

3. Timothy Hogan's Skepticism ([06:50] - [08:48])

   • Hogan challenges the authenticity of Foray's confession.
   • Reveals the complexity of the case and introduces Hogan as a formidable antagonist.

4. Confrontation with Mrs. Foray ([09:01] - [10:20])

   • Ace interrogates Mrs. Foray, unearthing emotional turmoil and hidden truths.
   • Sets the stage for the revelation of deeper motives behind the murder.

5. Locker Booby Trap Incident ([10:35] - [12:20])

   • Action-packed sequence where Ace narrowly escapes an explosive trap.
   • Demonstrates Hogan's willingness to eliminate threats physically.

6. Interrogation of Jenny, the Bail Bond Operator ([12:55] - [18:09])

   • Ace gathers critical information about Timothy Hogan's background.
   • Provides insights into Hogan's criminal affiliations and legal maneuverings.

7. Final Showdown at Timothy Hogan's Apartment ([21:09] - [24:02])

   • The culmination of Ace's investigation leads to a tense confrontation.
   • Unveils the intricate web of lies, love, and betrayal among the characters.

8. Resolution and Reflection ([24:48] - [25:26])

   • Ace shares his findings with Dr. Gale, completing the narrative arc.
   • Sets up potential future cases, maintaining the episodic intrigue.

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Notable Quotes with Timestamps

1. Eddie Ace on Professionalism:

   "You don't have to bribe me. All you have to do is tell me what I'm to talk to you about your experiences. Why?"
   [01:18]

2. Pierre Foray's Justification:

   "I killed him. And I do not feel the regret. I feel only pleasure when I look into his eyes and see him die again and again."
   [04:19]

3. Timothy Hogan on Jury Manipulation:

   "A confession from his wife. I could get her an acquittal with a twist of the wrist."
   [07:21]

4. Mrs. Foray's Desperation:

   "When I love a man, I love him. I love him."
   [19:17]

5. Eddie Ace's Realization:

   "You convince him you'd get him an acquittal on the unwritten law. But before he agreed, he wanted full protection."
   [22:04]

6. Final Confrontation Reflection:

   "Gory? I thought I'd give you the mild ones first."
   [24:52]

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Themes and Insights

• Trust and Deception: The episode intricately weaves a tale where trust is a rare commodity. Characters frequently engage in deceit, masking their true intentions, which keeps listeners guessing until the very end.

• Psychological Manipulation: Dr. Gale's role highlights the intricate dance between psychology and detective work, emphasizing how understanding human behavior is crucial in solving crimes.

• Betrayal and Redemption: Pierre Foray's actions and eventual demise reflect themes of betrayal, both personal and professional, while Eddie Ace's relentless pursuit of the truth symbolizes a quest for redemption and justice.

• Moral Ambiguity: Characters like Timothy Hogan embody the shades of gray in morality, showcasing how appearances can be deceiving and intentions are not always pure.

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Conclusion

"Cases of Mr. Ace xxxxxx Murder of Frederick Miller" stands out as a quintessential episode of "Harold's Old Time Radio," masterfully blending suspense, character development, and intricate plotting. Through Eddie Ace's journey, listeners are treated to a nostalgic yet timeless narrative that underscores the essence of classic radio dramas. With memorable performances, especially by George Raft as Mr. Ace, and a compelling storyline filled with twists and emotional depth, this episode reaffirms the timeless appeal of old-time radio storytelling.

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End of Summary

Transcript

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[Narrator]

The cases of Mr. Ace starring George Rapp.

[Dr. Gale]

Yes?

[Eddie Ace]

My name is Eddie Ace.

[Dr. Gale]

Oh, yes. You're the private detective.

[Eddie Ace]

Yes. There was a message at my office from a Dr. Gale. Asked me to come right over here. Is he in?

[Dr. Gale]

I am Dr. Gale. Come in, please.

[Eddie Ace]

So you're Dr. Gail.

[Dr. Gale]

Shouldn't I be?

[Eddie Ace]

I didn't expect you to be a woman. Now, what can I do for you?

[Dr. Gale]

I want to retain you. To talk to me?

[Eddie Ace]

To. To talk to you.

[Dr. Gale]

You'll be amply repaid for your time.

[Eddie Ace]

You don't have to bribe me. All you have to do is tell me what I'm to talk to you about your experiences. Why?

[Dr. Gale]

You see, I'm a psychoanalyst, Mr. Ace. I'm planning a book dealing with criminal psychology and I intend to do something different. And there I need your help. I want the material fresh and unbiased, so to speak. From the point of view of a private detective, of more specifically an Eddie.

[Eddie Ace]

Ace, you make me feel very important. Is that a trick of a psychoanalyst?

[Dr. Gale]

No. That's a trick of a woman. What do you say, Mr. A?

[Eddie Ace]

All you want me to do is to come here whenever I'm finished a case and tell you about it.

[Dr. Gale]

The strange people you meet, what they said, how they reacted, what they were after.

[Eddie Ace]

Guess you know what you're after, Dr. Gale. All right. When do we begin?

[Dr. Gale]

I'm listening, Mr. Ace. I'm listening.

[Narrator]

The cases of Mr. Ace starring George Raft and produced and directed by Jason James.

[Dr. Gale]

You're sure my typewriter won't disturb you, Mr. Race?

[Eddie Ace]

I don't think the typewriter will bother me, but I'm not so sure about the typist.

[Dr. Gale]

When you arrived, you said you didn't expect me to be a woman. You were right. I'm a psychoanalyst. Shall we begin, Mr. H?

[Eddie Ace]

I see what you mean. Yeah. Well, it. It all started with a killing that was no business of mine. The murder of Frederick Miller. You know the corporation lawyer. His body had been found in his apartment. Three bullets in it. As I say, it was no business of mine until I arrived at my office over on 6th Avenue the morning after the killing. A man was waiting to see me. He was very small, very dark, very smooth. He smiled and showed me all his teeth. He had a lot of them. I opened my door and he followed me in.

[Pierre Foray]

Ah, merci, monsieur.

[Eddie Ace]

Sit down. You're French.

[Pierre Foray]

You are very observant, monsieur.

[Eddie Ace]

What can I do for you?

[Pierre Foray]

My name is Joy is Foray. Pierre Foray. I have selected you to perform for me a very important service we as serves.

[Eddie Ace]

Such as?

[Pierre Foray]

Oui, oui, oui. Now we come to it. Last night, monsieur, I performed a most impulsive act. I killed a man.

[Eddie Ace]

I see. You're a big boy now. You must learn to control yourself.

[Pierre Foray]

Ah, you are right. But that is how I am. I killed him. And I do not feel the regret. I feel only pleasure when I look into my eyes and see him die again and again.

[Eddie Ace]

That's better than a double feature.

[Pierre Foray]

I had warned this man, monsieur. Twice I had warned him to stay away from Sadie, my wife. He would not. So I killed him. It is simple.

[Eddie Ace]

You make it sound reasonable. Who is the lucky lover?

[Pierre Foray]

A pig named Miller. It is in all the papers.

[Eddie Ace]

Oh, such a fuss.

[Pierre Foray]

All for one pig named Miller.

[Eddie Ace]

Frederick Miller, eh?

[Pierre Foray]

A wee cochon.

[Eddie Ace]

What are your plans?

[Pierre Foray]

That is why I've come to you, monsieur. I am now on my way to the city hall of justice.

[Eddie Ace]

Giving yourself up?

[Pierre Foray]

Oui, but it is not serious. When I explain to the man in charge of the justice why I killed this Miller, he will let me go.

[Eddie Ace]

Yes, sure. He's cute that way. Well, why did you come to see.

[Pierre Foray]

Me do all for me? Two things, monsieur. One, five hundred dollars. And two, this little key.

[Eddie Ace]

This key here?

[Pierre Foray]

Oui. You will hold it for me until after the man in charge of the justice has heard my case. When I return, you will give it to me.

[Eddie Ace]

Suppose you don't return?

[Pierre Foray]

If it is certain? How do I know? Because I am a Frenchman.

[Eddie Ace]

But.

[Pierre Foray]

But I say, if by some silly mistake I am detained, then you will give it to my lawyer. But only if I am detained by what you call a conviction of guilty.

[Eddie Ace]

Why not give it to your lawyer now yourself?

[Pierre Foray]

He still remains to be selected. And I do not wish to surrender myself to the justice dispenser with the key and my person.

[Eddie Ace]

I see. And this 500. What do I do with it?

[Pierre Foray]

That you keep it, monsieur, for your trouble.

[Eddie Ace]

Left. And I sat figuring the 500. And the key? It was a small brass key, the kind you use on your trunk. No marks on it except the number 427. I had foray doped as a nut. Anyway, Foray confessed to the killing of Miller. And the final editions told how Timothy Hogan, the wild Irish criminal lawyer, came forward with an offer to defend the prisoner. The next morning Hogan came into my office. I had a hunch he would.

[Timothy Hogan]

And as sure as I'm sitting here in your office, Mr. Ace, I'm certain that Pierre Ferret did not kill Miller.

[Eddie Ace]

He confessed.

[Timothy Hogan]

Confessed? Ha. There you have a darling confession. A Frenchman. A crime of passion and he gives himself up. No, no, not Foray. It's not. After talking to the man.

[Eddie Ace]

And what's your best guess?

[Timothy Hogan]

Think, man, think. Can't you see it?

[Eddie Ace]

Maybe I'm looking in the wrong direction.

[Timothy Hogan]

And that you are. Foray is covering up for someone.

[Eddie Ace]

Someone he loves his wife.

[Timothy Hogan]

Aha. That's the thought, Mr. Ace. That's precisely the thought. And that's why the case attracted me. There's no money in it, but it's sentimental and violent. And I'm Irish.

[Eddie Ace]

Could be. But if he's covering up for his wife, how are you going to get him to sing?

[Timothy Hogan]

I must. If I can get him to the cant. A confession from his wife. I could get her an acquittal with a twist of the wrist. Good heavens, man, look at the elements. Self sacrificing husband, outraged and betrayed wife. He comes forth at the last minute. Why, it's better than Mother McCree. I'll have the jury swimming in their own tears.

[Eddie Ace]

I like your script. How are you going to get it on the stage?

[Timothy Hogan]

Aha, that sir, that is the problem. And there I need your help. I know this much. Yesterday, before he gave himself up, Foray came to you. What did he tell you?

[Eddie Ace]

Nothing.

[Timothy Hogan]

He gave you something.

[Eddie Ace]

Nothing.

[Timothy Hogan]

Oh, I don't think you're telling me the gospel truth, mister.

[Eddie Ace]

I'm not.

[Timothy Hogan]

I see. Very well. I tried to persuade Foray to give his permission to talk to me.

[Eddie Ace]

That's better.

[Timothy Hogan]

But in the meantime, Mr. In the meantime, you might try to sound out the way for me. Very, very discreetly. Understand? But sound her out.

[Eddie Ace]

You hiring me?

[Timothy Hogan]

Yes. When you see what you can do.

[Eddie Ace]

I'm practically there now. Yes, Mrs. Ferray.

[Dr. Gale]

Go away.

[Mrs. Foray]

All day you reporters have been.

[Eddie Ace]

I'm a detective.

[Mrs. Foray]

What do you want?

[Eddie Ace]

Sit down.

[Mrs. Foray]

Say what you want and get out.

[Eddie Ace]

Do as I say or I'll take you Downtown.

[Mrs. Foray]

You don't frighten me a bit. I'm ready.

[Eddie Ace]

I see what you mean. Okay, I'll level with you, Mrs. Ferray. I'm not from McLees. I'm a private detective. I'm working for your husband's lawyer on the Miller killing. You knew Miller?

[Mrs. Foray]

Yes. Yes, I knew him. What is that at work on that rat? Pierre killed him. I hope he dies in the chair for it.

[Eddie Ace]

Yes, as you were seeing Miller, that might save him from the chair.

[Mrs. Foray]

Let him prove that. Just let him prove I ever saw Fred Miller outside of his office on business.

[Eddie Ace]

When did you see Miller last?

[Mrs. Foray]

None of your business. Get out.

[Eddie Ace]

Sure. Keep this in mind, Mrs. Ferray. Your husband confessed to the murder. Maybe you'll be able to give the jury the impression that he's covering up for someone else. Someone may be like his ever loving wife.

[Mrs. Foray]

I said go on, get out.

[Eddie Ace]

Oh, by the way, did you ever see this key before?

[Mrs. Foray]

No. Now get out of here. And tell that rat Pierre I'll do my best to get a ringside seat for his execution.

[Eddie Ace]

I went back to my office, opened my door and then I saw him. A man was sitting behind my desk. He got to his feet. He didn't introduce himself, but I could tell by the bulge in his right pocket that he had a very good reference.

[Timothy Hogan]

You are Mr.

[Pierre Foray]

Ace.

[Eddie Ace]

What do you want?

[Timothy Hogan]

The key, Mr.

[Eddie Ace]

Ace. What key? Please, Mr.

[Timothy Hogan]

Ace, do not act childish. Give me the key.

[Eddie Ace]

I'm bigger than you are.

[Timothy Hogan]

But if you force me to use this gun, I shall be liver than you are. The key, please.

[Eddie Ace]

He pointed a stubby little revolver at my head. I gave him the key. He thanked me politely enough and left. I counted 10, then raced down the hall to the fire exit, slammed down the iron stairs and picked up behind him as he was leaving the building. He went straight to the Times Square station. I went right behind him. He went directly to the lockers. I was right behind him. He inserted a key in the locker number 427. Through the latch, pull the little door open and then it must have been hours later when I opened my eyes, I was still in the station. Near me and around me were maybe a dozen more cops and interns milled around. But bending over me was Detective Lieutenant Walsh.

[Pierre Foray]

Feeling better, Ace?

[Eddie Ace]

Yeah, I. Oh, my head. What happened?

[Pierre Foray]

Bomb exploded in a locker.

[Eddie Ace]

Anybody killed?

[Pierre Foray]

Yeah, the man who opened the booby trap. Blown to bits and three bystanders. You were lucky.

[Eddie Ace]

You can say that again.

[Pierre Foray]

All right, I will. You were lucky. And I mean lucky. That you didn't open it yourself.

[Eddie Ace]

I? How could I open it?

[Pierre Foray]

With a little key you showed Sally for a.

[Eddie Ace]

You certainly get around.

[Pierre Foray]

Where'd you get that key?

[Eddie Ace]

From Pierre Fore.

[Pierre Foray]

Oh, Pierre Foret, eh?

[Eddie Ace]

That's the name. He came to my office, gave it me to hold. You can ask him.

[Pierre Foray]

Well, suppose you ask him, Ace. But you better get yourself a good spiritualist. Pierre Ferre hanged himself in his cell two hours ago.

[Eddie Ace]

Walsh took me down to police headquarters. He talked to me for two hours. He didn't learn a thing. But I did. Pierre was visiting sell by Hogan and Mrs. Foray just before he strung himself up. It was Hogan who found his body. When he went back to talk to him again, I asked Walsh what he knew about Hogan, and he didn't know much. I left police headquarters and went around the corner to Jenny, the bail bond. Jenny had been around New York longer than the city charter and runs the biggest bay.

[Narrator]

Buy five quarts of Castrol Edge, full synthetic motor oil and get a $15 gift card after rebate plus two times points at O'Reilly Auto Parts.

[Eddie Ace]

Oh, oh, oh. O'Reilly Auto Parts. Upon mill in town, I asked her what she knew about Timothy Hogan. She didn't know much offhand, but promised me a rundown by morning. I said I'd call her and left it at that. Outside, the rain was just beginning to wash the town. A hack pulled up. I opened the door, bent to get in, when the butt of the gun came down across my skull. And that was that. It was the cold water that brought me out of it. I opened my eyes. A ceiling and a chandelier spun around. I closed them again.

[Timothy Hogan]

Leo, douche him again. Ace. Ace, you hear me? Get up.

[Eddie Ace]

The man said. Get up. And the man lent it. The man was big, big enough to lift me to my feet with one hand. I tried to open my eyes. There were battleships tied to the lashes, but I made it. Two other mugs flanked me with Mike in front of me. The rug was wet with blood and water. The water and the rug were theirs. The blood was mine. Somebody must have taken a bad working over. I began to figure it must have been me, but I couldn't remember. In fact, I didn't even know who Ace was when Mike barked the name.

[Timothy Hogan]

You hear me, Ace?

[Eddie Ace]

Give me. Give me a drink of water.

[Timothy Hogan]

Leo, give him a drink.

[Eddie Ace]

Better.

[Timothy Hogan]

You're making a lot of trouble for us, Ace. It ain't necessary.

[Pierre Foray]

Now look what you look like.

[Timothy Hogan]

Busted nose, busted lips, busted eyes. You think we like to do Things like this. And just look at me. Old lady's rug.

[Eddie Ace]

Don't. Don't let it break you up.

[Timothy Hogan]

Just look at yourself. And for what?

[Eddie Ace]

Tell me, for what?

[Timothy Hogan]

Because you get stubborn.

[Eddie Ace]

You mustn't be impatient. I'm not very bright. What am I stubborn about? All we want to know is where.

[Timothy Hogan]

Is the envelope Poiret gave you?

[Mrs. Foray]

Michael, how much longer will you be?

[Timothy Hogan]

Just a few more minutes, Ma.

[Eddie Ace]

Oh, just look at that rub. I'll have it cleaned. Well, hurry up.

[Mrs. Foray]

The hot kitchen's getting all burned.

[Eddie Ace]

All right, Ace, I'm through talking nice. Where's the envelope? Hurry. Didn't give me any. Leo, take it.

[Pierre Foray]

Oh.

[Eddie Ace]

And the last I remember, there was the old hack screaming about her furniture. I know. I smashed a chair when I went down, and that made me feel pretty good. I felt the water hitting my face again. I got my right eye unstuck. I was on my back in a field up in the Bronx. The rain washed over my bruised face, and that felt fine. But I couldn't stay to enjoy it. I remembered there was a phone call I had to make. And by the time I let myself into my apartment over on 3rd Avenue, the Sun was up. I looked into a mirror. I never saw the guy before in my life. But even if he was a stranger, I had to do something for him. I wrapped some ice in a towel, held it over my face, and then I picked up the phone.

[Mrs. Foray]

Jenny's bail bombs.

[Eddie Ace]

You sleep in that ratty office of yours, Jenny?

[Mrs. Foray]

Well, there are citizens being arrested, you know, day and night. Ace, I got that schmear on holding for you.

[Eddie Ace]

How does he shape?

[Mrs. Foray]

Well, he was a mouthpiece for the old Ringo mob back in Prohibition, you know. Ringo got pushed over, rest his soul. Hogan fronted for the policy boys in Harlem, and finally he broke away from the heist guys, went into straight criminal law. Only the very highest types. Criminals.

[Eddie Ace]

Where does he hail from?

[Mrs. Foray]

Why, he's from here. It says, Tim P. Hogan, Washington University, class of 28.

[Eddie Ace]

X. X? What's that mean? X?

[Mrs. Foray]

It says here. It says. I see you didn't finish at Washington. No record, any old school.

[Eddie Ace]

I see.

[Pierre Foray]

All right.

[Eddie Ace]

Thanks, Jenny. Yeah.

[Mrs. Foray]

Anything else I can do for you?

[Eddie Ace]

Yeah, keep a nice fat bail barn warm. I may need it.

[Mrs. Foray]

Who is in?

[Eddie Ace]

What? Oh, don't let the face frighten you, Mrs. Foray. I'm just breaking it in for Boris Carloff.

[Dr. Gale]

What?

[Mrs. Foray]

What happened to you?

[Eddie Ace]

What happened to me shouldn't happen to a private detective. But it did. Sit down. We're gonna make with a little talk.

[Dr. Gale]

Look, I'm.

[Mrs. Foray]

I'm in an awful hurry, Mr.

[Dr. Gale]

Ace.

[Mrs. Foray]

I was just going out.

[Eddie Ace]

What did you and Hogan tell Pierre in his cell yesterday?

[Mrs. Foray]

Well, I didn't want to go. That lawyer Hogany insisted. Well, I. I guess I blew my top. I. I told Pierre I was going.

[Dr. Gale]

To tell the jury the truth.

[Mrs. Foray]

That Freddie. Freddie Miller begged Pierre to give me a divorce. He wouldn't. Instead, he took money from Fred to keep his mouth shut and not make a scandal.

[Eddie Ace]

And you figure that's why Pierre strung himself up, so there was no chance for him.

[Mrs. Foray]

That's the one thing I regret.

[Dr. Gale]

He didn't go to the chair.

[Eddie Ace]

You must have had quite a burn for this guy Miller.

[Mrs. Foray]

When. When I love a man, I love him. I love him.

[Eddie Ace]

I feel kind of lost now, eh?

[Mrs. Foray]

I loved him, Eddie. It's going to be awful tough. Freddy was.

[Dr. Gale]

Freddy.

[Mrs. Foray]

Oh, what's the use? I. I wind up with memories in four walls. Kind of memories you can't forget. Kind of cut your heart out every time you breathe.

[Eddie Ace]

Come here.

[Mrs. Foray]

What am I gonna do, Eddie? How can I forget it?

[Eddie Ace]

Easy. You call me Eddie. Just try calling me Freddie.

[Dr. Gale]

All right, I'll try it. I'll.

[Eddie Ace]

A little later, I remembered that Sally was just on her way out when I arrived. I asked where she was headed for. She heads a little. But then I saw the court orders on the desk. She was going down to the First national bank to open Pierre Foray's safety deposit box. I went with her. A small vault contained some jewels, an insurance policy and a bulky package wrapped in brown paper.

[Mrs. Foray]

The jewels are mine. I'll take them with me.

[Eddie Ace]

Maybe we better see what's in this package.

[Mrs. Foray]

I can't imagine what it could be.

[Eddie Ace]

Money. Thousand dollar bills. Must be 50 of them.

[Mrs. Foray]

$50,000. Where did he get all that?

[Eddie Ace]

Not in my private eye business. In this envelope. I think we better open it in the presence of a lawyer. Look, I'm going upstairs to see if anybody's around that looks familiar. Here, take this nickel.

[Mrs. Foray]

Yeah.

[Eddie Ace]

Call police headquarters, Lieutenant Walsh. Tell them to meet me right now at Timothy Hogan's apartment. This is important for both of us, angel, so don't trip. I'll wait for you outside. I waited. Four minutes later she joined me. Told me Walsh was starting out. We got to Hogan's apartment first.

[Timothy Hogan]

Well, Mr. Race, Mrs. Forgotten. What happened to your face, Mr. S?

[Eddie Ace]

I ran into an open gun cell in the dark.

[Timothy Hogan]

Oh, really?

[Eddie Ace]

Now?

[Timothy Hogan]

Where?

[Eddie Ace]

I didn't get the address, but it was the home of that mug named Mike you keep on your payroll, I see.

[Timothy Hogan]

What else do you know?

[Eddie Ace]

Put that heater away, Hogan. Walsh is on his way up. I'll give it to you fast. Frederick Miller, a lawyer, Eastern Nealand court. Dug into your background, found out you weren't a member of the bar. Never finished law school. Why, you aren't even a shyster.

[Timothy Hogan]

That's why I killed him.

[Eddie Ace]

Right.

[Timothy Hogan]

But Foray confessed.

[Eddie Ace]

That was the deal you made with him. 50 GS if he confessed to the murder of Miller.

[Timothy Hogan]

You think a man would confess to a murder for any amount of money?

[Eddie Ace]

You convinced him you'd get him an acquittal on the unwritten law. But before he agreed, he wanted full protection. This little envelope we got out of his safety deposit box.

[Timothy Hogan]

That's true, Mr. Ace. That's true. I had to give him my signed confession just in case anything went wrong.

[Eddie Ace]

And plenty went wrong. He didn't trust you. You tried to get that confession back. But you'd watch every move he made before he confessed to the police. That's why he came to me. Gave me a key to a booby trap. He figured you'd try to get that key from me, open the booby trap and get your head blown off. But you sent one of your mugs instead.

[Timothy Hogan]

You leave nothing for me to say. Yes. Is there anything else you'd like to know before I kill you?

[Eddie Ace]

Yeah. How did you manage to kill Foray in his cell?

[Timothy Hogan]

That, my friend. That is the trade secret which I cannot divulge.

[Eddie Ace]

Too bad, Hogan, right? Guy like you, I know that Walsh will feel the same way about it, but he's a city cop.

[Timothy Hogan]

Mr. Ace, you are priceless. But you made just one little mistake. You see, Sally here wasn't in love with Miller. You didn't even know him. Sally was and always has been in love with me.

[Eddie Ace]

That true, Sally?

[Mrs. Foray]

Here's your nickel, Eddie. I didn't make that call to police headquarters.

[Eddie Ace]

So little Sally wasn't three timing, she was four timing.

[Timothy Hogan]

You know, Ace, it's remarkable you've stayed alive as long as you have. Can you give me one good reason why I shouldn't kill you?

[Eddie Ace]

Can I skip that question and take the $32?

[Timothy Hogan]

Go home, Sally.

[Mrs. Foray]

Yeah, yeah. I'm sorry, Eddie. Believe me, I am.

[Eddie Ace]

Gone home and stop in your stiletto.

[Pierre Foray]

Going somewhere, Mrs. Foray?

[Eddie Ace]

Look out, Walsh. He'll shoot.

[Timothy Hogan]

That's a darling wreck, Tim. Sally, did you double no get your car?

[Mrs. Foray]

No, no, I didn't, Tim. Honest, I didn't.

[Timothy Hogan]

The dying.

[Eddie Ace]

Stop Wailing Sally, he can't hear you. He's dead.

[Mrs. Foray]

And I wish he'd killed you. A brilliant man like him, shot down.

[Dr. Gale]

Like a dog, and you stand there.

[Eddie Ace]

Okay, Walsh. From here on out at your party, the confessions in the envelope will give you the score. Sally is right. He was a brilliant man. And that's how Timothy Hogan died. Yeah. I called Walsh when I left Sally for a minute at the bank. She could have been held as an accessory to the murder of her husband in the cell. But Walsh never got her down to headquarters. She took the header out of the window. I guess it was better for her like that.

[Dr. Gale]

Well, that was a gory business, wasn't it?

[Eddie Ace]

Gory? I thought I'd give you the mild ones first.

[Dr. Gale]

Mild? Good heavens. Do you mean that this sort of thing goes on with you all the time?

[Eddie Ace]

Only when business is good.

[Dr. Gale]

Well, for my sake, then, I hope business improves. Good night, Mr. Ace.

[Eddie Ace]

There's. There's something I like to say, Dr. Gale.

[Dr. Gale]

Yes?

[Eddie Ace]

Well, it's. Never mind. Maybe next time.

[Dr. Gale]

Or maybe the time after that.

[Eddie Ace]

You're reading my thoughts, Mark. Private. Good night, Dr. Beale.

[Narrator]

George Raft as Mr. Ace will be back in a moment with news of next week's case. But now a word from our sponsor.

[Eddie Ace]

Thank you. Next week I have another appointment with Dr. Gale. I'm going to tell her about a murder that shouldn't have happened, not even to a corpse.

[Narrator]

And George will all be waiting to hear that. In the assisting cast tonight, you heard Jeanette Nolan, Kathy Lewis, Theodore Von Eltz, Leo Cleary and Stanley Farrar. The music was composed and conducted by Sandy Courage. This is Carlton Caddell speaking and inviting you to listen again to George Raft in the cases of Mr.