Continental Celebrity Club 46-02-02 (09) Guest - Diana Lynn

Summary

Podcast Summary: Harold's Old Time Radio – "Continental Celebrity Club 46-02-02 (09) Guest - Diana Lynn"

Episode Overview In this engaging episode of Harold's Old Time Radio, hosted by John Daley, listeners are transported back to the Golden Age of Radio. The show features a delightful blend of musical performances, comedic sketches, and a captivating guest appearance by Hollywood star Diana Lynn. Sponsored by the Continental Can Company, the episode showcases talents like Margaret Whiting, Ray Block's orchestra, and the comedic talents of Jackie Kelp, bringing a nostalgic and entertaining experience to the audience.

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Introduction and Musical Performances

Opening Remarks John Daley warmly welcomes listeners to The Continental Celebrity Club, highlighting the episode's star-studded lineup. He introduces the young comedy sensation, Jackie Kelp, the melodic tunes of Margaret Whiting, the tunes of Ray Block's orchestra, and the special guest, Diana Lynn.

Margaret Whiting's Performance At [01:04], Bill Cullen introduces Margaret Whiting, who performs "Sleepy Time Gal," a charming song that sets a soothing and nostalgic tone for the evening.

Notable Quote:

• Margaret Whiting singing at [01:22]:
  "Sleepy time gal, you're turning night into day. Sleepy time gal while you dance the evening away."

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Comedic Sketch with Jackie Kelp

Character Introduction Bill Cullen transitions into a humorous segment featuring Jackie Kelp, a quirky and thin young man with an eccentric background. The character is crafted with a blend of odd relatives, unique fashion choices, and a penchant for getting into amusing predicaments.

Jackie Kelp's Antics Starting at [04:01], the sketch unfolds with Jackie Kelp discussing his father's unconventional inventions, such as radios in cow barns to boost milk production—a humorous take on rural innovation.

Key Interactions:

• Jackie describes his father's failed inventions, including selling sparrows dipped in peroxide as canaries.
• The dialogue reveals Jackie’s own misadventures, like getting fired from his job as a department store rapper for mismarketing dishes.

Notable Quote:

• Jackie Kelp at [05:30]:
  "He caught sparrows, dipped them in peroxide and sold them for canaries."

• Jackie Kelp at [06:21]:
  "He keeps it hidden all over his house. Behind the bookcase, under the rug..."

Humorous Exchanges: Bill Cullen and Jackie Kelp engage in witty banter about Ray Block’s wealth and character, adding layers of humor and charm to the sketch.

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Diana Lynn's Guest Appearance and Radio Play

Introduction of Diana Lynn At [11:47], Bill Cullen introduces the special guest, Diana Lynn. She is welcomed with enthusiasm and transitions into the main feature of the episode—a radio play titled "With All My Heart", written by Robert Sloan.

"With All My Heart" – A Captivating Radio Play The play, beginning at [12:18], centers around Patricia Corbett, a 19-year-old pianist preparing for her debut recital, and her fiancé, Ray Block, an orchestra leader. The narrative delves into their relationship struggles, balancing personal aspirations with professional commitments.

Key Plot Points:

• Patricia's Ambitions: Patricia is deeply committed to her music career, striving for greatness.
• Ray's Conflict: Ray desires Patricia's companionship but feels sidelined by her dedication to piano.
• Emotional Tension: The play highlights the emotional turmoil as Patricia contemplates prioritizing her career over her relationship.

Notable Quotes:

• Diana Lynn as Patricia at [15:03]:
  "I've been playing the piano. It's all I've ever wanted to do. And then you come along and ask me to give up something that other people devote their whole lives to."

• Ray Block at [16:39]:
  "Because you have learned everything I can teach you. You have learned to be a fine technician. That is not enough for greatness."

Emotional Climax: The play reaches its peak as Patricia confronts Ray about his expectations, leading to a heartfelt resolution where she reaffirms her passion for music while expressing her love for him.

Notable Quote:

• Diana Lynn as Patricia at [18:53]:
  "I gave a bad performance... I did it on purpose. Because I do have a heart, Bill. But what the critics don't know is I'm saving it all for you."

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Post-Play Interactions and Comedy

Introducing Jackie Kelp Again Following the play, at [19:17], Bill Cullen reintroduces Jackie Kelp, who humorously attempts to set Diana Lynn up on a date with Ray Block, blending comedy with the show's ongoing narrative.

Comedic Dialogue:

• Jackie Kelp's exaggerated descriptions and playful teasing add levity to the show.
• Diana Lynn engages with Jackie, showcasing her quick wit and charm.

Notable Quote:

• Jackie Kelp at [20:19]:
  "Wait till he turns around. That high forehead runs all the way to his back collar button."

• Diana Lynn at [20:37]:
  "I prefer Stravinsky, Shostakovich, and Tchaikovsky."

Humorous Banter: The interaction continues with Jackie Kelp's humorous attempts to meddle in Diana Lynn's romantic life, providing laughter and entertainment for the listeners.

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Additional Segments and Musical Encore

Educational Monologue on Canned Milk At [22:04], John Daley delivers an informative segment about the history and preservation of milk in Continental cans, emphasizing the company's commitment to quality and safety.

Encore Performance The episode culminates with Margaret Whiting returning for an encore performance at [23:30]. She sings the heartfelt ballad "I Can't Begin to Tell You," bringing the episode to a touching close.

Notable Quote:

• Margaret Whiting singing at [24:16]:
  "I can't begin to tell you how happy I would be if I could speak my mind like others do."

Closing Remarks Bill Cullen teases next week's guest, John Payne, maintaining listener interest and anticipation for future episodes. The show concludes with a final musical note from Margaret Whiting and a brief sign-off from John Daley.

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Conclusion

This episode of Harold's Old Time Radio expertly weaves together music, comedy, and drama to create a rich and engaging listening experience. From Margaret Whiting's soothing melodies to Jackie Kelp's comedic antics and Diana Lynn's compelling radio play, the show offers a nostalgic journey filled with laughter, emotion, and timeless entertainment. Listeners are treated to a seamless blend of performances that honor the essence of classic radio programming.

Transcript

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[John Daley]

The Continental Celebrity Club the Continental Can Company presents the Continental Celebrity Club with our own young comedy star, Jackie Kelp. The songs of Margaret Whiting, the music of Ray Block's orchestra, and as our special guest this week, the Hollywood star Diana Lynn. And here is your host, John Dal.

[Bill Cullen]

Thank you Bill Cullen and good evening everyone. Margaret Whiting's father was one of the great popular songwriters of the 1920s, and our Margaret lifts the curtain tonight with one of his very best Sleepy town gal.

[Margaret Whiting]

Sleepy time gal, you're turning night into day. Sleepy time gal while you dance the evening away. Before each silvery star fades out of sight. Please give me one little kiss and let us whisper good night.

[Jackie Kelp]

It's getting late and dear, your pillow's waiting.

[Margaret Whiting]

Sleepy time gal, when all your dancing is through. Sleepy time gal, I'll find a cottage for you. You'll learn to cook and to what's more, you love that I know when you're a Stay at home, play at home. 8 o' clock, sleepy time. Gas your pillows waiting. Sleepy time gal, when all your dancing is through. Sleepy time girl, I'll find a cottage for you. You learn to cook and to sew. What's more, you love that I know when you're asleep. Stay at home, play at home. Stay at home, play at home. Eight o' clock, sleepy time.

[John Daley]

Friends, you're listening to the Continental Celebrity Club brought to you by the Continental Can Company, makers of unbreakable tamper proof metal cans, of paper and fiber containers of bottle caps and of plastics. The containers made by Continental Can Company bring you many products you use every day. Lots of your favorite food products are packed in containers made by Continental Can. So are many nationally famous drugs, motor oils, paints and thousands of other things for Continental containers serve behind the scenes, behind the labels of America's finest products.

[Bill Cullen]

This is not handy hints to the housewife department at the Continental Celebrity Club, but here's our favorite recipe for laughs. Take one very thin young man. Mix him well with a weird set of relatives and girlfriends. Add a Nasal voice, a pair of baggy pants, a loud sports jacket, and a quart of plasma every other day or so. And you have Jackie Kel.

[Margaret Whiting]

Hello.

[Jackie Kelp]

I can't stay very long tonight, Mr. Daley. I drove down here in my father's car, and right outside the studio, it turned over. If I don't get it straightened out pretty soon, he'll be furious.

[Bill Cullen]

Where is your father, Jackie?

[Jackie Kelp]

Under the car. That car has given me more trouble lately. Last night I took a girl for a ride and we decided to park for a while and the cop gave me a ticket.

[Bill Cullen]

Well, they can't give you a ticket for parking with a girl in the Holland Tunnel.

[Jackie Kelp]

You know, my father's an expert on cars. During the war, the automobile industry called him in as a dollar a year man. The very first day he made a speech.

[Bill Cullen]

And what happened?

[Jackie Kelp]

They cut his salary.

[Bill Cullen]

Well, Jackie, what's your father doing now? Is he working?

[Jackie Kelp]

Well, he has no regular job, Mr. Daly, but that doesn't mean he's lazy. Every day he's up at the crack of dawn, and then he stuffs up the crack and goes back to sleep. You see, he's a sort of an inventor. Last year, he got $1,000 from a big dairy company. It was his idea to put radios in the cow barns to increase milk production.

[Bill Cullen]

Radios to increase milk production? Well, what program would the cows listen to?

[Jackie Kelp]

Double or nothing. The year before that, he had a swell idea, but it got him arrested.

[Bill Cullen]

What was that?

[Jackie Kelp]

Well, he caught sparrows, dipped them in peroxide and sold them for canaries.

[Bill Cullen]

But, Jackie, doesn't anyone in your family hold down a regular job?

[Jackie Kelp]

Oh, I've been working as a rapper in a department store, but I got fired Last Christmas. A woman bought a set of dishes. After I wrapped it, I made sure to market China.

[Bill Cullen]

Well, why were you fired?

[Jackie Kelp]

This morning the dishes arrived in Shanghai. My sister works, too. She works in a factory that makes women's wear. Boy, you ought to see the ladies silk petticoats they're making out of old parachutes.

[Bill Cullen]

What about them?

[Jackie Kelp]

On the bottom of each one, it says, Count 10 before taking off. You know, it must be awful nice not to have to work and be rich like Ray Block.

[Bill Cullen]

Why? Has Ray really got a lot of cash?

[Jackie Kelp]

Oh, sure. And he keeps it hidden all over his house. Behind the bookcase, under the rug, in his closet, and right here in his dressing room, he has a cold cream jar full of five dollar bills.

[Bill Cullen]

A cold cream jar?

[Ray Block]

Mm.

[Jackie Kelp]

He has the only five dollar bills in the world on which Lincoln has the skin you love to touch.

[Ray Block]

Now, Jackie, I'll admit I have a few dollars tucked away. What good is it all? You know my secret sorrow.

[Jackie Kelp]

I know, Mr. Block. You'd gladly exchange your fortune and even your lavish home for a few strands of glossy hair upon your shiny dome.

[Ray Block]

How true, my boy, how true. Girls won't go out with me since I lost my hair. Every night I go home and fling myself on my bed and cry.

[Jackie Kelp]

Mr. Blackie, you shouldn't do that. Why not? You'll get the money under your mattress all soggy. How about that girl I introduced you to? Lana Schmerbacher?

[Ray Block]

Lana Schmeerbacher.

Lana Schmeerbacher. Don't you mention that name to me. I made a date to meet her.

In front of the drugstore last Saturday night.

I waited for three hours in the rain. There was no sign of her. Nobody makes a fool out of me, though.

[Jackie Kelp]

What'd you do?

[Ray Block]

I stood her up.

Goodbye now.

[Jackie Kelp]

Oh, poor Mr. Block. You know, with all his money he acts so old fashioned with women. He says to them, marry me and I'll put your name in lights.

[Bill Cullen]

Well, if you had his money, how would you propose?

[Jackie Kelp]

Marry me and I'll put your teeth in steak. But you know, I'm going to try and do something for Mr. Block, Mr. Daly. I'm going to try and get him a date with our guest tonight, Diana Lynn.

[Bill Cullen]

Oh, you mean you'll be John Alden speaking for Miles Standish?

[Jackie Kelp]

You could say that. I'll say, Diana, I've got a friend who's crazy about you. He's a wonderful guy, the finest man alive. And I'll drive you over to his house to meet him.

[Bill Cullen]

And I'll bet a dollar that while you're driving you'll forget all about Ray Block. You go down a dark street, find something wrong with a motor, and while Ms. Lynn isn't looking, you'll try to kiss her.

[Jackie Kelp]

Here's your dollar, Mr. Daly.

[Bill Cullen]

Oh, did I guess right?

[Jackie Kelp]

No. But boy, that idea is worth a dol.

[Bill Cullen]

Ray Block, who has been playing games with shops and flats again, comes up now with his very different arrangement of turkey and the straw.

[Margaret Whiting]

SAM SA.

[Jackie Kelp]

Circle 4 in the middle of the floor.

[Margaret Whiting]

Dosie, Doe and Gentuno.

[John Daley]

Walk right around and heel and toe.

[Bill Cullen]

One more change and right you go.

[John Daley]

Did you ever realize that when you buy a can of food, you're also buying the pressure cooker that that food was cooked in? That's right. Each individual can is really a miniature pressure cooker. Because the foods actually are cooked after they're hermetically sealed right in the can. Preparing tasty, nutritious foods in this manner is important to you because you can be sure that food in continental cans is getting the finest protection known to modern science. No outside food destroying bacteria can get into that food. None of the tasty, nutritious food values can escape. And most importantly, when you open a can of food, you can be sure it has never been opened before.

[Bill Cullen]

And now meet our very special guest, Ms. Diana Lynn.

[Diana Lynn]

Thank you and hello everybody.

[Bill Cullen]

Take over, Diana.

[Diana Lynn]

Robert Sloan has written me an original radio play entitled With All My Heart. And now, John, if you'll set the scene, we'll do it for you.

[Bill Cullen]

The doors of the auditorium haven't opened yet, but the stage is set for a piano recital tonight. Young 19 year old Patricia Corbett is making her debut as a pianist. And as she waits in her dressing room for the next long hour to pass, the boy she plans to marry tenders her a box of flowers.

[Diana Lynn]

Oh, Bill, they're beautiful.

[Ray Block]

Well, they ought to be, darling. Pretty nearly drove that forest crazy.

[Diana Lynn]

Well, I'm glad you did. Nobody but you would have thought of white lilac.

[Ray Block]

Remember what they mean, Bill?

[Diana Lynn]

Of course. That was the day you told me I was going to marry you.

[Ray Block]

Oh, yeah, but remember what you told me?

[Diana Lynn]

I said you needed a haircut.

[Ray Block]

No, that wasn't all you said.

[Diana Lynn]

What was the rest of it?

[Ray Block]

Well, it'd sound funny if you're not in my arms.

[Diana Lynn]

Oh, yes, I remember now.

[Ray Block]

Want to say it again?

[Diana Lynn]

No, Bill, please. You'll wrinkle my dress.

[Ray Block]

Oh, sorry.

[Diana Lynn]

Thanks ever so much for the lilacs, darling. It was sweet of you to think of that day.

[Ray Block]

Well, won't be lilacs anymore, Pat. From now on it's going to be roses and orchids for you.

[Diana Lynn]

You say that as if everything were going to be different after tonight.

[Ray Block]

Well, won't it be?

[Diana Lynn]

Well, not for us. This is just the beginning.

[Ray Block]

Of what? The end?

[Diana Lynn]

Of course not. Of my career. Our career.

[Ray Block]

Oh, you mean you're really going to marry this little old boy from back home?

[Diana Lynn]

Of course I am. I have wonderful plans for us. Darling, if the recital goes well tonight, Mr. Nordoff wants me to do another concert in New York next month. And after that we can get married.

[Ray Block]

Oh, and after that I suppose you'll do another concert in Buffalo or Chicago or even Vienna.

[Diana Lynn]

But you'll come along.

[Ray Block]

And do what?

[Diana Lynn]

He'll help me manage things.

[Bill Cullen]

How?

[Ray Block]

By hanging around and watching you practice? By standing in the wings At a recital and smiling, figuring out your income tax.

[Diana Lynn]

Oh, Bill, it won't be like that.

[Ray Block]

Oh, it's been like that for almost a year. Pat, I've hardly ever seen you.

[Diana Lynn]

But, Bill, I do have to practice. And when Mr. Nordoff wants to work with me, I can't turn him down. It's so important to work with the right people and keep at it all the time.

[Ray Block]

Yes, I understand.

Just isn't any time for me.

[Diana Lynn]

Bill, you act as if it's all been fun for me.

[Ray Block]

Well, then why do you do it?

[Diana Lynn]

Because a pianist has to be great. It isn't enough to be just good.

[Ray Block]

And being great is pretty important to you, isn't it?

[Diana Lynn]

Well, what's wrong with that?

[Ray Block]

Oh, nothing, I suppose. Honey, it's hard for a guy who loves you to play a second fiddle all the time. Especially to a piano that doesn't care a hang about.

[Diana Lynn]

That isn't the idea, Bill.

[Ray Block]

Well, then what is? Sooner or later, Pat, you have to make up your mind which one you want.

[Diana Lynn]

Oh, darling, you're not being fair. Don't ask me to choose between you and the other half of my life.

[Ray Block]

I have to ask you, Pat. What's your answer?

[Diana Lynn]

Well, I can't give you one. Ever since I can remember, I've been playing the piano. It's all I've ever wanted to do. And then you come along and ask me to give up something that other people devote their whole lives to to. Don't you understand, Bill? I've put all my heart into it.

[Ray Block]

And I guess that's my answer. If you put all your heart into it, what's left for me?

Patricia, why did you run away? You should have taken another encore.

[Diana Lynn]

Oh, well, I. I couldn't, Mr. Nordoff. I. I thought Bill might be waiting for me here, but I guess he meant what he said.

[Ray Block]

Oh, you have quarreled with him.

[Diana Lynn]

It wasn't a quarrel. He just walked right out of my life.

[Bill Cullen]

Why?

[Diana Lynn]

Because he doesn't want me to be a great pianist. He wants me to be his wife.

[Ray Block]

You love this boy so much, Mr. Nord, then I would advise you to run after him as fast as you can.

[Diana Lynn]

And give up my music?

[Ray Block]

If it has to be yes, Mr. Noroff.

[Diana Lynn]

What do you mean?

[Ray Block]

Patricia, I must be honest with you. Tonight I discovered something about your music that I never knew before.

[Diana Lynn]

Oh, you think I played badly?

[Ray Block]

Oh, how could you play badly? You're one of the finest pupils I ever had.

[Diana Lynn]

Then why are you disappointed?

[Ray Block]

Because you have learned everything I can teach you. You have Learned to be a fine technician.

[Bill Cullen]

But.

[Ray Block]

Well, that is not enough, Patricia. Not enough for greatness.

[Diana Lynn]

Then it wasn't a success tonight?

[Ray Block]

Not for me.

[Diana Lynn]

But the applause, Mr. Nordoff, it seems so genuine.

[Ray Block]

Oh, it was genuine, my dear. But for a pianist making her debut, applause means nothing. Unless it comes from the five or six people out there who really know.

[Diana Lynn]

And they didn't like me.

[Ray Block]

Or they admired your technique. They would say that you are a competent player, but.

[Diana Lynn]

But what? What is wrong with my playing something.

[Ray Block]

You can never overcome, Patricia? There's no heart in it.

Bill. Well, punt. I. I hoped you'd be home.

[Diana Lynn]

Well, come in, Bill, please.

[Jackie Kelp]

Sure.

[Ray Block]

Oh, here. I. I thought you might like some more lilacs.

[Diana Lynn]

Why, I love them. Did you read the notices?

[Ray Block]

Oh, what do they mean? A lot of guys who are too bored to know a good thing when they hear it.

[Diana Lynn]

No, it wasn't a good thing. You'd know if you'd stayed and heard me.

[Ray Block]

I. I did stay. I was in back of the house.

[Diana Lynn]

Then why are you trying to fool me, Bill? You know when I play.

[Ray Block]

Well, look, Pat, you. You were nervous, that's all. Now, now, next time it'll be different.

[Diana Lynn]

There won't be a next time. That was my last recital.

[Ray Block]

But, honey, you just weren't yourself last night. Well, gosh, when you play for me, it's always so warm and full. It makes you feel wonderful inside.

[Diana Lynn]

And last night you didn't feel that one.

[Ray Block]

Well.

[Diana Lynn]

Well, I know you didn't, Bill. Last night I did what a really great artist would never have done. I gave a bad performance. A performance that didn't have any heart in it. And the worst part of it is I did it on purpose.

[Ray Block]

Oh, Pat, darling, why?

[Diana Lynn]

Because I do have a heart, Bill. But what the critics don't know is I'm saving it all for you.

[Bill Cullen]

Ms. Lynn. Thank you for a fine performance. And now, on the bare possibility that you have just one evening open for a date while you're in New York, I'd like you to meet Jackie Kelp. Here he is.

[Diana Lynn]

What do you think of him, Mr. Daly? I know a handsome man when I see Wootman.

[Jackie Kelp]

Oh, thanks, Ms. Lynn, but I don't see one. Oh, Professor Nordhoff was right. No heart. Don't you remember me, Ms. Lynn? We met last Wednesday at the White House at the March of Dimes luncheon.

[Diana Lynn]

Oh, yes, of course.

[Jackie Kelp]

I knew you'd remember.

[Diana Lynn]

Certainly. You were one of the nicest waiters I ever had.

[Jackie Kelp]

But I wasn't a waiter. I was a guest at the luncheon, just like you. And after everybody else left, I stayed on entertain President Truman. It was a command performance.

[Diana Lynn]

Oh, stop.

[Jackie Kelp]

That was the command. Anyway, now we meet again, Ms. Lynn. And I want to ask you if you'd like to go out sometime with Ray Block.

[Diana Lynn]

Ray Block? You mean that distinguished looking gentleman with the high forehead?

[Jackie Kelp]

Wait till he turns around. Ms. Lynn. That high forehead runs all the way to his back collar button. But you like going on a date with him. After all, he's an orchestra leader and you play the piano.

[Diana Lynn]

Oh, but Mr. Block plays popular music. I prefer Stravinsky, Shostakovich and Tchaikovsky.

[Jackie Kelp]

Well, bring them along. I'll get girls for them, too.

[Diana Lynn]

Jackie, a small kitchen is a kitchenette. A small dining room is a dinette. So you have a brainette. Really?

[Jackie Kelp]

Really.

[Diana Lynn]

I have no respect for a man who doesn't know good music.

[Jackie Kelp]

Oh, is that so, Patricia Corbett? Then why didn't you marry Professor Nordhoff?

[Diana Lynn]

What are you talking about?

[Jackie Kelp]

That was a fine way to treat Professor Nordhoff. He was an old man, even older than Ray Block. A genius who could play piano with both hands and turn the pages with his nose. He could have made you famous. Carnegie hall performances before royalty. Maybe even a job with Phil Spitalny. But no, you broke his heart. Poor old Professor Nordhoff. And where is he now? Back at his old job? Fat boy for the Yankees.

[Diana Lynn]

Oh, I was a fool, Jackie. If only I'd met you years ago so you could advise me how to lead my life.

[Jackie Kelp]

Well, it's still not too late, my dear. Just remember that this is a man's world. Men make the best doctors, the best scientists, the best writers, the best lawyers. Men make the best everything.

[Diana Lynn]

Jackie.

[Jackie Kelp]

Yes?

[Diana Lynn]

When you get to Mother's, be careful, will you? Good night.

[Jackie Kelp]

Good night to him.

[John Daley]

Of all the sounds you associate with an ocean going passenger ship, here's the least one you'd expect to hear.

[Diana Lynn]

Why, that's a cow. Whoever heard of a cow on a modern ocean liner?

[John Daley]

On a modern liner, no. But in the old days, yes. You see, the only way then to provide milk for a voyage was to carry cows on the ship. But even so, there was no ice to keep the milk from souring and no means of protecting it against contamination.

[Diana Lynn]

That must have been pretty difficult for.

[Jackie Kelp]

The babies and children aboard.

[John Daley]

You're right. Because of the lack of fresh milk, babies making those early crossings had a hard time of it. The loss of infant lives is what actually inspired the idea of preserving milk. Since then, milk has been taken out of the perishable class. Through evaporation and canning, milk is preserved pure and wholesome for year round use. And today children and older folks alike have benefited by that original inspiration.

[Diana Lynn]

I'll say we have. Now it's simple to travel with babies on trains, ships or even airplanes.

[John Daley]

Yes, for baby's diet or hundreds of other uses, the best canned milk brands come in Continental cans. The unbreakable tamper proof metal containers that protect the milk from light and air and keep that milk pure and wholesome. For hermetically sealed cans made by Continental are your assurance that the milk inside is getting the finest protection known to modern science. So just remember, the best canned milk brands come in Continental cans.

[Bill Cullen]

Now our Continental Celebrity club stage is set for an encore from Margaret Whiting. A ballad, Margaret.

[Jackie Kelp]

A ballad, John?

[Diana Lynn]

It's called I Can't Begin to tell you.

[Jackie Kelp]

Say, Margaret, is music your career or would you give it up for a man like me? I'd give it up for a man.

[Diana Lynn]

Like you, Jackie, if he wasn't too much like you.

[Jackie Kelp]

That's all. Margaret, are you mad at me because I spoke to Diana Lynn? After all, she was our guest on the show. Margaret, speak to me.

[Bill Cullen]

She's jealous, Jackie.

[Jackie Kelp]

Oh, it's no use, Mr. Daly. I get blamed for everything. It's always been that way with me. Even when I was a baby, they were pinning things on me. Go ahead and sing, Curly Top.

[Margaret Whiting]

I can't begin to tell you.

[Jackie Kelp]

How.

[Margaret Whiting]

Much you mean to me My world would end if ever we were through I can't begin to tell you how happy I would be if I could speak my mind like others do.

[Jackie Kelp]

I.

[Margaret Whiting]

Make such pretty speeches whenever we're apart but when you're near the words I choose Refuse to leave my heart so take the sweetest phrases the world has ever known and I'd believe I said them all to you My world would end if ever we we were through I make such pretty speeches Whenever we're apart but when you're never words at choose refuse to leave my heart so take the sweetest praises the world has ever known and made believe I said them all to you.

[Bill Cullen]

Well, Jackie, next week you're going to have a chance to compare notes with another guest from Hollywood, John Payne.

[Jackie Kelp]

John Payne. Oh, I saw him in that picture, the Dolly Sisters with Betty Grable. Boy, what a scene that was where Betty Grable says goodbye to him. She wore a short dancing dress cut way down here and her blonde hair was in curls and she had on long red silk stockings.

[Bill Cullen]

And what did Mr. Payne do?

[Jackie Kelp]

How should I know? I couldn't watch everything. Good night, Mr. Daley.

[John Daley]

The continental Celebrity Club is produced and directed by Mark Slobe. Diana Lynn appeared through the courtesy of Paramount Pictures and will soon be seen in our hearts. We're growing up and easy, calm, easy go. Next week we'll have an addition to Jackie Kelp, Margaret Whiting, Ray Blocks Music and John Daly. That star of stage and screen, John Payne. Be sure to join us then. The Continental Celebrity Club is brought to you by the 25, 000 men and women of the Continental can family producing for the health, welfare and happiness of the nation. For the biggest show in town, be sure to listen Saturday night to CBS beginning with the Helen Hayes show at 7:00pm Eastern Standard Time. This is CBS, the Columbia Broadcasting System.

[Margaret Whiting]

It.