Lux Radio Theatre - Edward My Son

Summary

Podcast Summary: Lux Radio Theatre – "Edward, My Son"

Podcast: Harold's Old Time Radio
Episode Date: July 20, 2026
Original Broadcast: Lux Radio Theatre adaptation of the MGM film "Edward, My Son", starring Walter Pidgeon

---

Episode Overview

This episode revisits a classic Lux Radio Theatre broadcast, dramatizing the story of "Edward, My Son". The play is a powerful and somber look at the consequences of a father's obsessive ambition to give his son everything that money can buy—even at great moral cost. The narrative chronicles the rise and fall of Arnold Bolt, whose drive for his only son Edward leads to business fraud, family estrangement, and ultimately tragedy for everyone involved. The play brings out timeless questions of parental love, the use and abuse of power, and the reckoning that comes with unchecked ambition.

---

Key Plot & Discussion Points

1. A Father’s Ambition Sets the Stage (00:40–03:00)

• Arnold Bolt (Walter Pidgeon) tells us: “I want you to answer a question. Trouble is, of course, that none of you knew Edward. Edward was my son. My only son. He was 23 when he was killed. A lovely boy with a charming smile.” (00:58)
• Scenes of domestic happiness as Arnold and Evelyn Bolt celebrate young Edward’s birthday, already promising him “nothing is going to be too good for him.” (05:00)
• Quote: “The world shall be your oyster. Yes. Yes.” - Arnold (05:41)

2. The First Moral Crossroads – Sacrifices and Bankruptcy (06:00–14:00)

• Edward falls ill, and while medicine offers a potentially miraculous but expensive Swiss operation, Arnold faces bankruptcy.
• Business partner Harry Simpkins is reintroduced—recently out of prison—raising tension about financial ethics.
• In desperate need, Arnold manipulates Harry into funding fire insurance, implying arson.
• Revelatory moment: Arnold admits he set the fire to save Edward: “I did it because I was pushed. And if it works out, I’ll never complain about my luck in the future... And I want Edward to walk properly through life without a limp. That’s all I ask. And nothing else matters? Not in the slightest.” (14:00)

3. The Rise of Sir Arnold Bolt – Success at a Price (17:00–22:00)

• Arnold’s fortune grows; he becomes "Sir Arnold".
• Edward faces difficulties at school—headmaster Hanway wishes to expel him, but Arnold exploits his financial leverage to force the school to retain Edward.
• Quote: “There are certain mortgages outstanding on this school… I now hold them.” – Arnold (19:52)
• “There’s nothing really mysterious about business success. In my case, I had a small business, and I wanted to enlarge it. So I set fire to it and collected the insurance.” - Arnold, chilling candor (21:54)
• This serves as one of Bolt’s “confessions” directly to the audience, breaking the fourth wall.

4. The Crumbling Family – Marriages, Affairs, and Disillusionment (23:00–33:00)

• Evelyn, Arnold’s wife, grows increasingly disturbed by her husband’s methods and the effect on Edward.
• Arnold embarks on an affair with his secretary, Eileen Perrin, while maintaining increasing control over Edward.
• Evelyn laments: “Loving Edward doesn’t mean substituting money... you can kill something inside a person unless you treat him as a human being.” – Evelyn (25:19)
• Tensions rise as Evelyn seeks divorce, motivated by concern for Edward and Arnold’s infidelity, which Arnold opposes out of pride and fear of scandal.
• Sharp exchange:
  • “All your actions nowadays, I find it very underhand.” – Evelyn (31:09)
  • “I’ve always fought for Edward and I always will. And if you think you can slander me, turn him against me, you’ve made the biggest mistake of your life. Edward is my son.” – Arnold (34:28)
• Evelyn: "Home? Where did he ever have a home? Something that wasn't a cross between a toy department and the Bank of England, presided over by a perpetual fairy godfather who granted his every wish before he even thought of it himself." (33:30)

5. Tragedy and Aftermath (37:25–48:41)

• Edward, struggling with the weight of his upbringing, gets involved in a failed marriage, flying with the RAF, and ultimately dies in a plane accident.
• Plotting to control every outcome, Arnold arranges for Edward’s marriage to be annulled by leveraging money and coercion.
• Evelyn descends into alcoholism, haunted by the loss of her son and the collapse of her marriage.
• Poignant exchange between Larry (family friend/doctor) and Evelyn:
  • “Edward would have got over it. He would have been all right.” – Larry (45:01)
  • “Other people spoil their children and they get over it. Why couldn’t Edward?” – Evelyn (44:58)
• Arnold, now Lord Bolt, obsesses over finding his grandchild as his empire crumbles, and his friends and society turn against him.
• Quote: "Well, ladies and gentlemen, something went wrong. Just a little wrong. They sent me to prison... But that's all behind me now and I can get on with the search for my grandson. He'd be 13 now... Well, that's the whole story. What I did and why I did it. What's your answer? If you had been me, what would you have done?" – Arnold, final monologue (54:03)

---

Memorable Quotes & Moments

• Arnold’s ruthless rationale:
  “Next time I’ll owe so much they won’t dare let me go under.” (09:27)
• Arnold, confessional:
  "In my case, I had a small business and I wanted to enlarge it. So I set fire to it and collected the insurance." (21:54)
• Evelyn’s heartbreak:
  “Other people spoil their children and they get over it. Why couldn’t Edward?” (44:58)
• Arnold’s ultimate question to the audience:
  “What’s your answer? If you had been me, what would you have done?” (54:03)

---

Key Timestamps

• 00:40 – Don Wilson introduces play and theme
• 03:00-05:00 – Arnold’s ambitions for Edward as a child
• 13:00-14:00 – Confession and arson for Edward’s operation
• 19:52 – Arnold strong-arms Edward's school headmaster
• 21:54 – Arnold admits arson to the audience
• 25:19-26:01 – Evelyn pleads for Edward’s humanity
• 31:09-34:00 – Marital showdown between Arnold and Evelyn
• 44:58-45:01 – Evelyn’s lament over Edward’s fate
• 54:03 – Arnold’s final direct address to the audience

---

Tone and Language

The episode maintains the melodramatic, intense style of classic radio drama. Characters speak in heightened, sometimes poetic language about ambition, love, and regret. The tone is somber, with moments of satire and self-awareness as Arnold addresses the audience directly, breaking the fourth wall to demand their judgment of his actions.

---

Summary for New Listeners

This episode of Harold's Old Time Radio brings a masterful, emotionally charged Lux Theatre production that explores the limits and dangers of parental ambition. Walter Pidgeon’s Arnold Bolt is both charismatic and tragic—a man who destroys what he most loves through pride and manipulation. The story serves as a cautionary tale from the golden age of radio, with drama, betrayal, and moral ambiguity at the heart of its enduring appeal. Whether you’re a fan of old-time radio, classic Hollywood, or searching dramas about family and hubris, this episode is a compelling listen.

Transcript

[A]

All new drinks are now at McDonald's with refreshers like the Strawberry Watermelon Refresher and the Mango Pineapple Refresher with Popping Boba. To crafted sodas like the Sprite Berry Blast with berry flavors and cold foam. Who knew ice cold drinks could be so fire six. All new drinks are here now at McDonald's. Refreshers contain caffeine. From Hollywood, the Hollywood Radio Theater. Ladies and gentlemen, this is Don Wilson. Tonight's play, Edward, My Son, is a forceful drama that relates the tragic results in a family when the father is determined his only child shall have everything his money can buy. Metro Golden Mayor brought this gripping drama to the screen and we shall present one of their outstanding stars in the leading role, Walter Pidgeon. And now, Walter Pidgeon, starring in the dramatic story of Edward, my son. My name is Bolt, Lord Bolt. Some of you may have heard the name before. I own the Shelton Motor Company, a great national newspaper and two or three biscuit companies. I don't tell you this to boast, merely to establish some sort of contact with you, because I want your opinion. I want you to answer a question. Trouble is, of course, that none of you knew Edward. Edward was my son. My only son. He was 23 when he was killed. A lovely boy with a charming smile. I can remember when Edward was a baby. We were plain Mr. And Mrs. Bolt then, living in a little place in Hammersmith.

[B]

Arnold. Oh, how wonderful, darling. It's just beautiful.

[A]

The best baby carriage they had in the store.

[B]

But of course. Oh, he'll love it, dear.

[A]

And that isn't all I've been buying.

[B]

Look, champagne. Oh, Arnold, what a birthday. Look. Look what I've made for him.

[A]

Oh, it's magnificent. I've never seen such a birthday cake.

[B]

I wrote that myself on the iPhone. Really?

[A]

Happy birthday, Edward. Well, that seems to cover it.

[B]

But don't you think Happy birthday, too. Edward would have been better.

[A]

No, no, no. This is perfect. And this is Happy birthday to Mother. Fun, Edward.

[B]

Oh, and real imitation pearls. How did you ever manage it?

[A]

Someday you are going to have real. Real pearls. Big ones.

[B]

I.

[A]

You believe in me, don't you?

[B]

Why, yes, of course. Why do you ask?

[A]

Because I've just gone into a new business, Arnold, and I thought I'd like to do it on Edward's birthday. Might be lucky. Well, I've got to wash up.

[B]

But, Arnold, what business?

[A]

Americans call it installment buying. Instead of saving up to buy something, you buy it right away and pay for it gradually.

[B]

Not so loud, dear. You'll wake Edward? Pay for what?

[A]

Well, furniture, chiefly. Stoves, too, I think. Maybe ice boxes.

[B]

Well, it must be a very nice kind of business. You'll make people happy.

[A]

Oh, well, that isn't quite why I'm going into it now. Suppose we open the Champagne.

[B]

Oh, but Dr. Woodhope will be here any minute. I think he's here now.

[A]

It might be Harry.

[B]

Harry?

[A]

Harry Simkins?

[B]

Oh, darling, don't be silly.

[A]

He's my partner in any business.

[B]

But he's been to prison.

[A]

Well, he's out now. Harry was unlucky, that's all.

[B]

I don't understand, Donald.

[A]

He's got some capital and a good business brain. It's the chance of a lifetime for me.

[B]

He might trick you into something.

[A]

Don't you worry about that.

[B]

I just don't want anything to be different, that's all. I'm so happy with things as they are. And Arnold? He's still waiting.

[A]

Well, let him in.

[B]

But what can I say to him?

[A]

Ask him how he likes being in prison. Dear.

[B]

Coming. Just a minute, please.

[A]

Oh, it wasn't I expected.

[B]

Oh, yes, of course. Dr. Widdop. Well, I just thought he was. Oh, dear. Please come in, Doctor.

[A]

Thank you. Oh, this is for Edward. It's a teddy bear.

[B]

Oh, you are kind. He'll just adore it. Darling, don't look up. Dustin, Dr. Woodhull brought. Oh, wonderful, wonderful.

[A]

It's got Edward's ears, too, hasn't it? And look what I've got for you, Doctor. Champagne. Well, dear, Dear, he can mix it with his milk, can't he? That's a very interesting experiment, Mr. Bo. Unfortunately, the young man's still sleeping.

[B]

Well, don't be so sure, dear. Perhaps I'd better run in there and see. Excuse me, doctor.

[A]

Mrs. Bo tells me Edward's doing very nicely. Oh, he's fine, fine. Do you think his eyes should be examined? Why? Is he finding it difficult to read? No, no, but seriously, I just thought you might. You might want to check on him. Oh, you have a fine, healthy boy, Mr. Burt. Don't you worry about him. It is a shame that he can't come down and see his presence, sir, or hear the speech I'm about to make.

[B]

Oh, dear, a long one.

[A]

Well, don't worry, Mrs. Bilt. There's a doctor present. Will you drink to Edward? Edward, my boy, you're sound asleep. I hope you've kicked your covers off.

[B]

I'm sure I just tucked them back.

[A]

This is just to let you know that down here we have the matter of your future. Well, in Hand. Sleep safe, Edward. The world shall be your oyster. Yes. Yes.

[B]

What does that mean, Arnold? The world his oyster?

[A]

It means that nothing is going to be too good for him. Ever. Yes. That was in 1919. Five years later, Evelyn and I were in the waiting doctor's office. Some specialist Woodhope had sent us to. Edward was ill, seriously ill. And while we waited there in agony, Woodhope and the specialist were deciding the fate of our little boy. The boy is 6, you say? Only child, Woodhope? Yes, Dr. Cadnab. I attended Mrs. Bolt when he was born. I don't believe she can have another. It's too bad. Your father. What are his circumstances? He has a furniture store. Haven't been doing so well lately. Why? I was thinking of Schmidt in Switzerland. He does an operation for this condition, but quite expensive. And no guarantee. No, no, you better not mention it. Well, then, immobilize the leg imposter of Paris for a year. After that, we'll see. Could I make it sound as hopeful as possible, Doctor? Course, of course. Now, suppose you have them come in here. I don't mean to be rude, Dr. Keller, but if you could just come to the point and tell me. Tell us, Mr. Bolt. Your son is suffering from what we call an atrophy of the nerves in the hip.

[B]

Her mom.

[A]

No, no, not necessarily at all. In a year, I'm sure we'll have him up and about again.

[B]

He's to stay in bed for the present.

[A]

Yes, we'll put him in a plaster cast, but. But after the year, he. He won't have a limp or. I have known of several most amazing recoveries, Mr. Bolt.

[B]

Then. Then he will.

[A]

Oh, now, you mustn't fret, Mrs. Bolt. That would be bad for the boy. Isn't there something we could do? Isn't there an operation or electric treatments or something? There's nothing I can recommend, Mr. Bolt.

[B]

We're very grateful, Dr. Kebner. I know that Edward's in the very best hands.

[A]

Yes, but if he needs anything, I mean anything at all, we want him to have the best. Of course you do. But we must be patient.

[B]

Yes. Goodbye, Doctor.

[A]

Thank you. Not at all. Not at all. Good day to you, Mr. And Mrs. Bolt. Well, I suppose Kedney knows what he's talking about. He is the best in London.

[B]

Arnold, can you come home with me?

[A]

No, I can't, darling. Harry's waiting for me at the shop. You take a taxi. There's one now across the street. I'll get it for you, Larry.

[B]

Edward won't get any worse, will he won't. Promise to tell her if he does.

[A]

No, Evelyn, he won't get worse.

[B]

But is there any reason for this? Anything I should have done? Anything I've done wrong?

[A]

No, of course not. It could have happened to any child.

[B]

But to Edward, my son, my only son. I can't just look at him and pretend I can't.

[A]

Yes, you can.

[B]

I can't. I can't even.

[A]

Please. Oh, I'll be all right. Yes, of course you'll be all right. The taxi's coming, dear. Why don't you go with her, Larry? Well, would you mind if I went on the bus with you, Arnold? I got a few things.

[B]

I'll be all right. Just try to come home soon, darling. Thank you, Larry.

[A]

Why didn't you go with her? Because I didn't want to mention this in front of her. Arnold, how much money could you raise? Why, I couldn't. Why do you ask? Is there something you could do? It isn't over successful, but there's a surgeon in Switzerland. Now, can you get hold of a thousand pounds? You mean Edward?

[B]

You mean.

[A]

You mean. Well, all I can say is that if Edward were my boy, that's what I'd do if I could. That is, if it were possible. Yes. I'm sorry, Arnold. I shouldn't have mentioned it. Now, look, don't. Don't say anything to even till it's all been arranged. Just go back in there and tell that doctor my son is going to have whatever is best for him. Go on, go in and tell him that. Tell him he's going to have what's best for him. Then I came straight here to the shop. Harry, I've got bad news for you. I've got to get out of the firm. Yes. I'll swing whatever interest I have for what I put in five years ago. That's very nice of you, old man. I wouldn't do it if it weren't for Edward. He needs that operation. And I need £1,500. Well, I'm sorry to hear that, Arnold, but I've got bad news for you. Huh? While you were gone, Baker paid us a visit. Baker? From the bank. They give us four weeks. I put all my money into this. Everything I had. It wasn't enough. I'm so sorry. It wasn't your fault, Harold. But I've learned something now about bankruptcy. People who owe just a little go bankrupt. The little people. Next time I'll owe so much they won't dare let me go under. How do you know there'll Be a next time. There'll always be next time for me. Look, couldn't we sell out to some other firm? We could, except our stock has never been paid for. I've got a sort of prejudice about going to prison again. But supposing Edward were your son? Oh, listen, Arnold, I do anything within reason and anything but. The sad truth is we're broke. How much fire insurance do we carry, Harry? 3,000. Are you crazy? I want no part of it. Just an idea. What makes you think you could get away with it? Get away with what? Well, I'm glad you're not that crazy. Now, there's back premiums due. That's why I thought you might like to, well, put 200 more into the account. 200 for the back premiums. Then I could increase the insurance to 5,000, just in case something did happen around here. You said you only needed 1500. Did I? You know, there's a tide in the affairs of men which, taken at its flood, leads on to fortune. Do you know who wrote that?

[B]

No.

[A]

Neither do I. But it wasn't a little man. And I'd be careful of that pipe. All this stuff around here. Why, if it'd go up just like that. Yes, you be careful of that pipe. Two weeks later, an early Sunday evening it was, I found Harry Simpkins waiting outside my house.

[B]

Ah.

[A]

I'd have not given you up, Arnold. I'm glad I waited. I had to see you. Come on in, Harry. Where's the missus and the little boy? Don't worry. They can't hear you. Now, listen, Arnold, I've been thinking things over. This fire insurance scheme of yours is off, see? It's off, is it? I was crazy to agree to it. Well, come to think of it, I never did agree to it. Didn't you? Then why did you give me the money for the back premium?

[B]

Well, I want it back. And don't try to get smart with me, Arnold.

[A]

Just give me back my money. Now, I didn't use your money for the premiums, Harry. Eh? You. You mean the scheme's off? Why didn't you tell me the scheme isn't off? I started a fire an hour ago. You. You what? I only needed 100 for the premiums. The other hundred sent Evelyn and Edward to Switzerland, first class. Ah, I tell them the truth. That's what I'll do. No, no, no. Why not wait and see what happens? You'll sleep a lot better tonight if you do. But how will we. How will we know when it happens? Well, I suppose we'll hear the fire engines. They go practically right by here. Then I imagine the police will telephone me. Do you know how much we're insured for now, Exactly? You said 5006. I hope we haven't been too greedy. No, I think you've gone mad. So do I.

[B]

Well, then why did you do it?

[A]

I did it because I was pushed. And if it works out, I'll never complain about my luck in the future. No matter what happens. I'll gamble it all tonight. Gladly, I believe, if you want anything. Enough, if you can get it. And I want Edward to walk properly through life without a limp. That's all I ask. And nothing else matters? Not in the slightest. Yeah, so it seems. Oh, come on. Come on. I have a feeling that this is my lucky night. And if you're. That's a bit too soon.

[B]

Go on, answer it. Answer it. Good. And act surprised.

[A]

Well? Yes, this is Mr. Bolt. Say you'll come along right away. Yes. Yes. What? Thank you. Thank you very much. You fool.

[B]

Is that how you think a man

[A]

acts when the police call up? That was a telegram, Harry, from Switzerland. Oh, listen.

[B]

It started.

[A]

They operated this morning successfully. Successfully. Do you realize what that means? My boy's boy's going to be well. My boy won't limp. It means that Edward. Come over to the window, Harry. Yes. Quite a glow in the sky tonight. Make a friend and you make an ally. There's a thought for you to keep in mind, as many another American has. There's hardly a home in western Germany, for instance, which doesn't reflect the influence of Ellen McCloy, wife of our former High Commissioner to Germany. When Mrs. McCloy arrived in Germany in 1949, she decided to be more than just the wife of the High Commissioner. There were nearly 10 million outcasts in the western area. Refugees from the occupied countries, bewildered people who needed guidance and encouragement. Mrs. McCloy knew that big problems can be solved from small beginnings. So she bought a few sewing machines and opened a sewing room where the women could make warm winter clothing for their families. Well, the sewing room was an immediate success. As they sewed, the women discussed common interests, found new friends. Within a year, 30 more sewing runs were begun in the United States zone. Early in 1950, Mrs. McCloy began a series of visits which took her into every town in the US Zone as well as the French and British areas. She spoke to the women, told them how American women lived and how they became good citizens. She spoke honestly with German housewives and pulled them out of the depths of self pity by showing them the meaning of neighborliness. These are but a few examples of what she did to help those who needed help. During her three year stay in Germany, Mrs. McCloy did much to assure the future of German democracy. As one German housewife put it, for us Germans, Frau Macloy is better even than the Marshall Plan. Yes, Ellen McCloy had proved that by helping others you help your country. Now act two of Edward My Son Starring Walter Pidgeon as Arnold Bolt. During those next few years following, my luck was phenomenal. Everything I did brought success, money and honors. I was Sir Arnold now. Sir Arnold Vote. Edward, of course, was in school. And one day, in answer to a letter, I had occasion to visit Mr. Hanway, the headmaster. I hope I haven't kept you waiting for Arnold. Oh, no, not at all. I've been walking through the grounds. Beautiful. Simply beautiful. You must be very attached to Gringo, Mr. Henry. I am indeed. I don't get to the country much anymore, so I must thank you for writing me. Was not a pleasant letter to write, Sir Arnold. We don't often admit failure here. That's where you differ from me. I never admit failure. Now, why do you want to expel my son? I'm not expelling him. I'm perfectly willing that Edward should remain until the end of the term. I find it difficult to see the distinction, Sir Arnold. Have you considered that this may be for the good of the boy? Believe me, I have Edward's interest at heart as well as the schools. The schools? How? I find Edward a corrupting influence. I find the idea of my small son corrupting anyone rather absurd. If I didn't, I should be very angry. You don't like Edward, do you? My feelings have nothing to do with it. Well, mine have. I love him. Well, shall I ship him off to Reform Tree? No, no, no, of course not. There are many excellent schools that specialize. I am not interested in excellent schools that specialize. I wish my son to remain here. I think that Edward is a normal, nice child and with a little understanding will be a credit to Greengarry. And where do you suppose he learned these things you complain about? From me. From his mother. You lend them here. It's your responsibility and you're not going to shelve it. I can't accept that, Sir Arnold. Well, you're going to accept it. Mr. Henry. Are you threatening me? I am. Mr. Henry, there are certain mortgages outstanding on this school. These mortgages were in the hands of Dobson and Company. Were anyone holding the mortgages is in a position to foreclose, forcing yourself and the school into bankruptcy. I now hold them.

[B]

You?

[A]

I twirl my mustache, Mr. Henry. If I had a mustache. Yes, I acquired them. And Edward entered here just in case something like this should arise. Well, it has arisen. And I am now fighting with anything I can lay my hands on. I. I can't believe it. I'd be a hypocrite to say I'm sorry for you. I am prepared, however, to allow you to remain until the end of the term. I believe that's the prospect you offered Edward.

[B]

Well.

[A]

Well. I wonder what will happen to all these buildings, Those playing fields out there. Factory site, perhaps One of those luxury hotels. And you really believe that what you're doing will benefit your son? I shall do my best to see that it does. I can't believe it. I can't believe that one man can destroy another man's career. A whole tradition. Nothing safe anymore. No standards, no principles. No. Good day, Mr. Henri. Sir Arnold. Wait. Wait, please. Yes. I don't care about myself. I do about Greengerry. You win.

[B]

S. Ronald win.

[A]

No, no, it isn't a question of Winning or losing, Mr. Henry. Let's just. So we've worked out a solution. And I suppose it is conceivable that we haven't done our utmost here to understand your son. Yes. Yes, of course. Mr. Henry, I think it unwise that you should ever be placed in this position again. I'm giving you this check, an unconditional gift to Greengarry. I suggest you pay off the mortgages at once. But I couldn't possibly accept. It's in the interest of Greengary. And that's the one thing we. We both have. It hard, isn't it? You. You're an astonishing man, Sir Arnold. Am I? I confess I've always felt skeptical about these Napoleons of finance who rise so mysteriously from obscurity. There's nothing really mysterious about business success.

[B]

Indeed.

[A]

No. In my case, I had a small business and I wanted to enlarge it. But what did you do, son? I set fire to it and collected the insurance. Astonishing. Yes, isn't it? I told you before I would give you the facts. The incident at Green Gilly School is one of the facts. It's for you to judge. By 1935, I was several times a millionaire, owning or controlling a dozen great companies. One afternoon, I promised to meet Evelyn at my office.

[B]

Oh, good afternoon, Ms. Perrin. Oh, Nicky. Bernard. I'm sorry, Sir Arnold. Isn't back yet. I'm sure he won't be long. Dr. Woodhope's been waiting for him, too. Oh, really? He's in the outer office. May I send for tea? Oh, no, Ms. Perrin. I'll just go in and chat with Dr. Woodhouse.

[A]

Evelyn. I'm so happy to see you, my dear.

[B]

What a nice surprise. Seems like years.

[A]

Larry, how smart you look.

[B]

Thank you. Edward and I are just leaving for Switzerland. Did Arnold see any for you?

[A]

Yes.

[B]

I mean, as a doctor.

[A]

I'm not sure. I haven't been his doctor officially for some time. Is there anything wrong with him?

[B]

Not that I know of. Larry, why don't you come to see us anymore, unofficially?

[A]

Well, I. I want to, Evelyn, but you know how it is.

[B]

You didn't come to Edward's last birthday. It was the first one you missed.

[A]

Yes, I. I know.

[B]

I just wondered if there was anything we'd said or done, that's all.

[A]

No, no, of course not. How is Edward?

[B]

Oh, he's very grown up now. He shaves every other day.

[A]

This boy's a genius.

[B]

Is he, Larry?

[A]

Is he what?

[B]

I don't know. A genius, maybe. Oh, Larry, I'm so glad to see you again.

[A]

Tell me about Edward.

[B]

Oh, well, of course, Arnold still spoils him dreadfully. I'm sometimes so afraid he'll never have any real sense of values. There are some things that are so wrong.

[A]

For instance?

[B]

Well, I don't know. Well, for one thing, he's not quite as straight about money as he should be. With your mother. Arnold lets him have a glass of port in the evenings, but he doesn't always stop at one glass. He's not 17 yet. Maybe he is a genius like Arnold. You don't like Arnold anymore, do you?

[A]

Well, let's just say that I don't approve of some of the things that he does lately. Well, the Simpkins Savings bank collapse was a few years ago, but that was Harry Simpkins.

[B]

It broke Arnold's heart when it happened.

[A]

Only Arnold came out of it a much richer man and Simpkins went to jail. Didn't I read that he killed himself?

[B]

Yes. It was terrible. You don't know how Arnold tried to help that man. Do you know that some people believe that Simpkins deliberately set fire to their business that time?

[A]

Then there are other people.

[B]

Oh, that's horrible. They're jealous of Arnold. Besides, anything he's done has been for me and Edward.

[A]

Yes, I know. And he's made a most unholy mess of it.

[B]

Tell me what to do, Larry.

[A]

It's too late.

[B]

But Edward's only 16.

[A]

I'm talking about Arnold.

[B]

Larry, you're our friend. You have the right to tell Arnold that loving Edward doesn't mean substituting money for. For. You can tell him that you can kill something inside a person unless you treat him as a human being. That's all I ask.

[A]

For Edward. And for yourself.

[B]

I wasn't talking about myself.

[A]

Oh, yes, yes. Yes, you were, Sarah.

[B]

That's wrong to say. You were right.

[A]

I have no right to love you either.

[B]

I dare to be going. Heaven will wonder what happened to me.

[A]

You knew, didn't you?

[B]

Yes. I've known you for a long time. What ought I to do?

[A]

You mean about.

[B]

I mean about her. Good.

[A]

Hello, Larry. Oh, hello, Arnold. Sorry I'm late, Evelyn. Well, have you got everything, dear? Travellers checks, cash. What about your luggage?

[B]

Mr. Graves is taking care of everything, Arnold. Good. When we get to Zurich, there will be a brass band and an illuminated address.

[A]

Well, it could be arranged, you know.

[B]

Arnold is to be made Lord Bolt next year. Larry.

[A]

Oh. Oh, just a rumor. But I can't say I wouldn't be pleased to have a title to pass on to Edward. Marry, my boy. You should get married and have children. It's a great incentive.

[B]

Well, I'm off. Goodbye, Larry. It has been nice seeing you again.

[A]

Now, what's all this formality between old friends?

[B]

Goodbye, old friend.

[A]

My best to Edward.

[B]

I will. Goodbye, dear.

[A]

Just have a good time, you hear? And get some of that color back.

[B]

I'll buy her as soon as we get there, Arnold.

[A]

Yes, do that, you. She doesn't look well, does she? Well, it's been so long since I've seen her. And how do you think I look, Larry? Oh, much as I expected, Arnold. Amazingly fit. Well, I. I am. Tell me, do you ever look at some of us ordinary human beings? There are those of us who may crack under the strain of trying to keep up with you. Those of us who are foolish enough or loyal enough to try. We should talk about this, Larry. Someday, when I have a little more time. I'm sorry. No, no, I mean it. Right now. I want to talk to you about your hospital. I want to help you. I want to build a new wing. That's very kind of you, Arnold. Well, why not? After all, I'm in a position. Yes?

[B]

The gentlemen from the admiralty are here, Sir Arnold.

[A]

Well, look alike, Ms. Burns.

[B]

Admiral Benson is with them, sir.

[A]

Oh, I see. I'll call you right back. I'm sorry, Larry. There's a delegation of gold Braid out there. Well, that's quite all right. Look, I'll train you next week and we can have dinner. Yes, I'd be delighted, Arnold. Miss Perrin can always reach me at the hospital. That's the trouble with you doctors. Busy, Always busy. Come in, Miss Perrin. What time is it?

[B]

Almost half past five, sir.

[A]

Well, anything left for me to do?

[B]

Well, there's a personal check, if you care to sign it. Now, this is Harry Simpkins.

[A]

Oh, yes, yes, of course. You never knew Simpkins, did you?

[B]

No, Sir Arnold.

[A]

Poor chap. I really believe he blamed me for what happened to him. He came to see me one day after he got out of prison. I wanted to help him, set him up in business or something. Instead, he jumped off the roof of this building.

[B]

It's very kind of you to help his widow.

[A]

Maybe it's my patience. What do you think, Miss Perron?

[B]

That's possible. I suppose there's nothing else, Sir Arnold.

[A]

Oh, please do sit down, won't you? I feel like talking. What are your interests like, Miss Perrin?

[B]

Curiously enough, just at the moment. There's Sir Arnold Bolt and company.

[A]

Aren't he really?

[B]

Yes. I like finding out about things, don't you?

[A]

And just what have you found out about me, for instance?

[B]

I've worked for you for some time, Sir Arnold, but I still regard all information concerning you as strictly confidential.

[A]

That's very commendable. What do you do evenings, Miss Perrin?

[B]

I go home.

[A]

Oh, do you really?

[B]

What did you suppose happened to me?

[A]

Oh, I just thought perhaps you.

[B]

Why?

[A]

I don't know. You're a very interesting girl, Miss Pern. Would you like to have dinner with

[B]

me tonight as a reward for my diligence? Sir Arnold?

[A]

No, no, no, no. Just because I'd like to.

[B]

Do you mind if I go home and dress?

[A]

As a matter of fact, we'll both dress.

[B]

Pick you up at 8.8.30.

[A]

What's that? What are you writing down?

[B]

Just my address, sir.

[A]

That's how it started. Eileen Perrin and I. The love story. Sordid, discreditable. But I want you to know about it. Not because I fancy myself a middle aged Don Juan, but because it is part of the whole story. Many months later, Eileen discovered that her apartment was being watched. At the time, Evelyn and Edward were in Paris. Two days later I joined her there.

[B]

I'm sorry. You didn't let me know you were coming, Arnold. Edward and I are leaving Paris today.

[A]

Are you even in half an hour.

[B]

That is, if I can find Edward.

[A]

What does that mean?

[B]

It means that I've been checking all the cocktail bars, but I can't find him.

[A]

So you're leaving? And where were you going to hide from me?

[B]

Why should I hide from you?

[A]

On the advice of your lawyer, I imagine. Anyway, I can tell you where Edward is. I phoned him this morning. I told him I wanted to surprise you. We thought the best way to keep you here was for him to disappear for a little while. I told him I didn't think you'd be angry.

[B]

I am angry, but not with him. Like all your actions nowadays, I find it very underhand.

[A]

And I find it underhand to have one's husband investigated by private detectives. Incidentally, even I haven't the slightest intention of giving you a divorce.

[B]

I'm delighted to hear you say so.

[A]

Really? Why?

[B]

Because I should like you to fight and lose. I want Edward to realize, with all your money and power, there are still some things you can't get away with.

[A]

I've seen Eileen Perrine for the last time, you can believe that.

[B]

What did you tell Ronald? Was there a scene? Did she cry? You're not an unattractive man, you know.

[A]

Stop it. I won't listen to this or ever.

[B]

I beg your pardon. Anyway, I want Edward to see the sort of man his father is.

[A]

I think he knows that by now.

[B]

No. No, he doesn't. He admires you, Arnold. As I used to. He loves you. As I used to. I think a divorce is the only way of bringing Edward to his senses.

[A]

Why? What has he done now?

[B]

Edward got very drunk last night. Oh. He's 17, Arnold. If he goes on like this, what will he be like at 20?

[A]

But all young men get tipsy now and then. What's so terrible about that?

[B]

That you don't? I think it's terrible. That's what's so terrible to you. It's all rather a joke, isn't it? When I ask you to stop sending money to him, you promise and then break your promise. I'm frightened, Arnold. I'm frightened for my son. That's why I'm taking him away.

[A]

Where?

[B]

Anywhere. Away from England, where he can learn what it is to work for his living and to have responsibilities. I shall be one of those, too, because I don't intend to take much money with me.

[A]

Do you think Edward's going to agree to all of this? Poor Edward.

[B]

It will be quite a shock. But I think he still loves me. And he's not altogether lacking in courage or pride. Arnold, I'm awfully tired. Do you mind going now?

[A]

Go where? I'm still your husband. We're not divorced yet, you know.

[B]

How long did you tell Edward to stay away?

[A]

Oh, just long enough for us to have a little chat.

[B]

Well, we've had it. Please leave.

[A]

Don't be silly, Evan. I'm not trying to excuse Ms. Perrin, but I didn't realize that it made you so bitter. I'm sorry.

[B]

You haven't understood one word of what I've been saying, have you?

[A]

Just that you think the only way to deal with Edward is to break up his home.

[B]

Home? Where did he ever have a home? Something that wasn't a cross between a toy department and the bank of England, presided over by a perpetual fairy godfather who granted his every wish before he even thought of it himself.

[A]

There are women who'd be grateful to a man who did just that.

[B]

Possibly. But I'm not one of them. I've seen the fairy godfather when he's off duty, and I think it's time Edward should, too.

[A]

So you're going to tell him everything?

[B]

Oh, you're going to tell Edward everything? Yes.

[A]

I assume that that means Larry, too. Of course.

[B]

Larry?

[A]

Larry Woodhope's in love with you. And you think, And I think that you're in love with him. That's why you want the divorce.

[B]

You must be mad.

[A]

This is going to be very bad for him. Evelyn. The Medical association has very narrow ideas about doctors who make love to their patients.

[B]

Are you accusing me? No.

[A]

No, not yet. But I'll make very certain that Larry gets his full share of bad publicity.

[B]

I don't think I ever despised you as much as I do now.

[A]

I've always fought for Edward and I always will. And if you think you can slander me, turn him against me, you've made the biggest mistake of your life. Edward is my son.

[B]

Yes, Arnold. I'm afraid he is. Please, will you go now?

[A]

Not until you promise to drop this case.

[B]

Why should I?

[A]

Because I've laid the stakes too high. You never were much of a gambler, were you? Hello? Yes, just a moment. The desk clerk wants to know if we're staying tonight or not. You are staying, aren't you, my dear?

[B]

I won't tell you. I won't. I won't.

[A]

Hello? Oh, yes, we're all staying. You send up my baggage, please. At ten minutes after two, on the afternoon of August 5, 1949, the country of Ecuador suffered one of the most disastrous earthquakes of the present century. The dead numbered from 6 to 8,000. 20,000 or more were injured, and 100,000 were made homeless, 53 towns were destroyed or badly damaged. But from United States army installations in Panama came immediate aid. Military planes shuttle back and forth with emergency supplies. Food, medicine, clothing and especially tents for the homeless. Besides material things, doctors, nurses and engineers volunteered from far and near to give their own hands in the work of saving lives. The warm heartedness of these angels in uniform is remembered in Ecuador as a bright light in its darkest hour. Such acts as these by you and your friends today are shaping our world of tomorrow. We pause now for station identification. Now the curtain rises on act 3 of edward my son. Starring walter pidgeon as arnold bolt. I fought my wife for my son and my home. And I won again. Those are the facts. Whether or not I deserve to win is something for you to decide. It's now 1939, with the war starting to close in around us.

[B]

Larry, my dear. I had no idea you were calling.

[A]

I've been waiting, dear husband. Even since he fixed the time himself, I thought for once he might be punctual.

[B]

Oh, he treats you disgracefully, my dear. This is Phyllis Maiden, Dr. Woodhope, our Dr. Woodhope. Phyllis, who brought Edward into the world. Then I must thank you, Doctor. Here's a secret for you, Larry. Phyllis is my daughter in law to be.

[A]

Well, how wonderful, Ms. Merton. I hope you and Edward will be very happy.

[B]

Thank you. Yes, they will be. I know. Very happy. Well, I think we must run. Late evening. I'll never be at the Barclay by 8:30. We're having a little party, Larry. Join us. Oh, please do.

[A]

Oh, I'm sorry that I am rather busy these days, you know.

[B]

I'm sorry too. Goodbye, darling. And do tell Edward not to keep us waiting. Yes, yes, I'll tell him to hurry, dear. What do you think of her?

[A]

Very lovely. How's Edward?

[B]

Well, perhaps marriage is what he needs.

[A]

Come now, that's a rather drastic reform, isn't it?

[B]

We'll have a drink to celebrate. How do you think I'm looking, Larry?

[A]

Fine, fine.

[B]

When I get Edward married, maybe I'll try taking a cure. Do you think people know I drink?

[A]

No, I don't.

[B]

Arnold does. Perhaps that's why he sent for you. Perhaps he thinks you

[A]

well as usual. My apologies. That's all right, Arnold.

[B]

Did you bring Evelyn back with you?

[A]

Yes, he went upstairs to dress Evelyn. You haven't forgotten the party tonight?

[B]

No, Arnold, but I think I'm going to have one of my headaches.

[A]

Just run up and change, dear. You'll be late.

[B]

Didn't you hear me? I said I was going to have a headache?

[A]

You're not going to have a headache, Evelyn. You're not going to spoil Edward's party.

[B]

You see, Larry, no headache. Isn't it marvelous?

[A]

You and Edward go ahead. I'll join you there later. Well, I suppose we can talk here, Larry. I'll close the door. Well, now, what's wrong, Arnold? Where does it hurt? No, no, no. None of your little doctor jokes. I feel fine. I asked you here because I want you to meet someone. A girl. Well, Miss Merton, I've already met her. Congratulations. Thanks. But she's not the girl I'm talking about. You see, Edward's already married. Who is joking now? Nobody. It happened 10 days ago. Edward's been in Sussex. Been doing a lot of flying lately. Anyway, some of the pilots staged a party, and when Edward woke up, he discovered he was married. Oh, the girl was no stranger, I suppose, but believe me, he had no intention. What about Eben? Does she know? Oh, no, of course not. No one knows. I'm having the marriage annulled. There'll be no publicity. And the bride from Sussex agrees to all this? I think she will. Yes. When? The lady, please see you, Milo. Yes, I'm expecting you. Have her come in, please. Because Edward Helwich was here? Yes, he gave us carte blanche to handle the whole deal. Oh, that's very considerate of Edward. I wanted a witness. Larry, you don't mind? You're a doctor and an old friend. Well, at least I'm a doctor. Miss Foxley, milord. Miss Foxley, I am Lord Bolt.

[B]

How do you do?

[A]

And this is Dr. Woodhull, old friend of the family. He brought Edward into the world.

[B]

Well, never lived upon.

[A]

How do you do? You were very nice to come here. Please sit down.

[B]

I've always wanted to meet Edward's father. I've seen your pictures, of course.

[A]

I wish we had met under happier circumstances. Well, I suppose we may just as well get on to business. You don't mind Dr. Woodhull being here, do you?

[B]

No. No, I don't mind.

[A]

How long have you known Edward, Miss Fox? You knew who he was, of course.

[B]

Not at first I didn't, my lord.

[A]

And you. You. You think he's in love with you?

[B]

Edward's a funny boy, you know. I think he's a bit afraid of responsibility. It's made him stop loving me for a while. But we are married and.

[A]

And what?

[B]

I don't know. But I know it's going to be all right. It's not that he's weak. It's just that he thinks I. You didn't marry me.

[A]

Suppose that. I think so too. Edward deeply regrets having married you. He wants you to know.

[B]

Yes, I know he sent me a letter. But he must tell me to my face. It's no good he was running away like this.

[A]

Well, the thing we have to think about now is. What are you going to do?

[B]

I don't know, my lord.

[A]

Miss Foxley, will you be guided by me and Miss. Do you have a family?

[B]

No, no one.

[A]

I'd like to be your friend, if you'll allow me.

[B]

Thank you, Lord. Both.

[A]

Now, I'm not for a moment condoning Edward's conduct. I think he behaved very badly, but. Oh, Larry. I think Betty and I can work this out between ourselves after all. That's all right, Arnold. I'm quite interested in your plan. Yes, I know. But it is rather a family matter and I will.

[B]

I don't mind him being here, my lord.

[A]

Really. I must insist. I'll leave on one condition. If Ms. Foxley gives me a promise. Now, if Lord Bolt suggests something that you don't agree with, you'll walk out of here. Oh, now, really. After all. Go on, get out of here. When I've had a promise. One promise, Ms. Foxley, please. Let's get something settled tonight.

[B]

A promise, Dr. Woodhope.

[A]

Satisfied? I'm not satisfied. But I'll go then. If I can be of any help. I'm in the phone book. Ms. Foxley. Lawrence Woodhope. Well, now we can get on with it. He's a nice fellow, but a bit

[B]

of an old woman, Lord Bolt.

[A]

Nonsense. You're a young and pretty girl. And one day you're going to make the proper marriage.

[B]

But I'm not such a fool as to think I could fight for Edward against you. Besides, if Edward really loved me.

[A]

I want to take care of you.

[B]

I don't need anyone to take care of me. Edward's the one who needs that.

[A]

But what are you going to do?

[B]

Nothing that need call you any worry, Lord Bolt, nor even any money. If Edward wants their moment, he can have.

[A]

Was that simple? Edward and Phyllis Maiden were married the following spring. It wasn't the elaborate wedding I had planned. It took place during an air raid. Edward in the uniform of an RAF pilot. Three months later, Edward. Edward was dead.

[B]

Hello. Lone limit to brass em at the bless my friend.

[A]

I have been away and I only

[B]

left home my heavenly celebration. You have a glass of wine, Larry? It is birthday.

[A]

Of course. Thank you.

[B]

Edward, my son. During these first birthday party, Arnold's Toast. The world's your oyster.

[A]

Very well.

[B]

Well, if you think of that day, it all seemed such a perfect start. And yet it was only the beginning of the end. Maudlin Duncan, old woman. Larry. Why do you waste your time?

[A]

Evelyn.

[B]

But I went wrong, Marian. I don't know why. That's what I want to know. Why. It wasn't that Edward was weak and that Arnold spoiled him. Other people spoil their children and they get over it. Why couldn't Edward?

[A]

Edward would have got over it. He would have been all right.

[B]

Oh, Nick. Gone down to the eardrum. Not to be back soon. You're welcome. Someone to talk to. I shall go quietly up to my room and drink myself to sleep. I keep a bottle there. Just quietly. By myself. Isn't it extraordinary what people do?

[A]

No. No, please.

[B]

Are you still in love with me? I would hope. Would you like to? No. The trouble with drink is that it makes you just a little bit uncool. It's no use my asking Summers for any more because he won't let me have it. It's rationed, you know. By my husband, Larry. Oh. Here is ladies and gentlemen. Lord, both.

[A]

Nice of you to come. I've been away, Arnold. I didn't know. I've just been down to see Edward's commanding officer. Just about the best pilot in the squadron. That's what he said. Didn't know what fear was.

[B]

A born leader of an extraordinary life that man must have. Sitting around there all day telling parents fairy stories about their dead son. Edward was killed stunting his plane.

[A]

Don't you think you better go to bed?

[B]

No, Harold. I want to find out about Edward. And if he really knew Edward properly, not like his commanding officer. He summed him up in 30 seconds. Just as long as it takes a sparrow to fall to the ground. They said it would take Edward about 30 seconds to fall. He wasn't very high. I wonder what he thought about. What his commanding officer would say. I suppose. A born leader of men, just like his father.

[A]

I thought that would please you, Ronald.

[B]

He didn't say where you thought of leading me. He didn't know the real joke, Billy. He didn't know that the leader himself had lost all sense of direction.

[A]

Evelyn, please.

[B]

Oh, no, no. Well. Well, just to the staircase, perhaps. That's amazing. I can never find that staircase. Oh, here it is. Do you hear any steps there, Mary? I do. I've counted them. You see, sometimes one can't see quite as clearly as one would wish and. And needs a great help to count. One, two, Three. Four. Goodbye, Larry. Five.

[A]

She says things she doesn't mean, Larry. You mustn't blame her. I don't blame her. Oh, I suppose Edward might have been a different Variaphon, being another sort of man. But I wouldn't change his memory by a hair's breadth. You think I spoiled him, don't you?

[B]

No.

[A]

No, I did what I thought was best for my son because I loved him. You can't do any more than that, can you?

[B]

Can you?

[A]

Eagle died in April 1945. A few weeks later, I went to Harley Street. I wanted to see Larry. His office was crowded, but being an old friend, I walked right in. Come in, Arnold. Come in. Nice of you to see me, Larry. Such a mob out there. I always have time to see Arnold Bolt. Apparently, I've never been here before, have I? Good heavens, Larry. All these baby pictures. You've got quite a family for a bachelor. What can I do for you, Arnold? You can sit down and talk to me, that's what you can do. Why, who's that little baby on the wall? What a bright little face. There you go, Brian. You remember all of them, don't you? I suppose. Incredible to think that you and I ever looked like this. Whose child is this? Mother and father called Girdner, I believe.

[B]

Cute.

[A]

Which one is Edwards? What? Which one is my grandchild? I don't think I know what you're talking about. Yes, you do, Larry. At 2:00pm on November 3, 1939, according to my report, a seven pound son was delivered of Betty Fox. Delivered, I might add, by Dr. Lawrence Woodhull. That's all my investigators have been able to discover. For the moment, that is. Which one is Hilary. Which one is Edward's son? You'd like to go through it all again, wouldn't you? Making the same mistakes with your grandson that you made with Edward. Well, I am not telling you anything. You may as well. You know I'll find out sooner or later. And I'm planning a little trip to America. And I'd like to take the boy with me. It'll do him good. Yes, I thought you might be getting tired of England by now. Why do you say that, Larry? Oh, rumors. You and the bank inspectors. Larry, where is my grandchild? No, I'm sorry to learn the. Arnold, I'm sorry for you, but no. Betty is married again. Happily married. You'll never find her. You're a fool, Larry. But I don't need your help. I could use it, but I don't need it. Everybody in this crazy country is turning against me these days. But I'll beat all of you. You, the bank inspectors and anyone who gets in my way. I always have and I always will. These baby pictures. Ridiculous. They're all beginning to look like me. Well, ladies and gentlemen, something went wrong. Just a little wrong. They sent me to prison. Prison, mind you, for burning down a furniture store back in 1924. But that's all behind me now and I can get on with the search for my grandson. He'd be 13 now. 13 years old. Well, that's the whole story. What I did and why I did it. What's your answer? If you had been me, what would you have done? Good night. In a moment, Walter Turvigno returned. When the news reached the 10th Air Rescue Group in Alaska that a diphtheria epidemic had hit the tiny Eskimo village of Nandalton, there was an immediate response from the men of the outfit. They volunteered to fly through the treacherous northern skies, landing on frozen wastes where no plane had been before. And they evacuated over 130 people. It takes courage of a very definite sort for a man to face combat, to engage an enemy on a battlefield. It also takes courage to risk life and limb in performing a service of mercy. Not in the line of duty, but straight from the heart. Such acts as these by you and your friends today are shaping our world of tomorrow. Now here's Walter Pigeon. I seem to remember hearing you play Arnold Bolt once before. And I think you even surpassed that performance tonight. Well, I've had mighty good support both times. Last time I co starred with Deborah Carr who was in the original picture. You and Deborah must like co starring. Aren't you both in your latest MGM comedy, Dream Life? That's right. And we got some mighty good support from Cary Grant tonight. What a starring trio. Two handsome actors and one of our most beautiful girls. You know, it's always a pleasure going to co star with a beautiful woman. And I understand you sign one for your play next week. Oh, yes, indeed. And she just happens to be a fine actress too. And Baxter. Ah, yeah. I'm sure everyone will want to hear her in one of Paramount's most delightful romantic comedies, the affairs of Susan. I couldn't agree with you more, Don. Good night.

[B]

Good night.

[A]

Hollywood Radio Theater is a presentation of the United States Armed Forces Radio Service.