Daisy Discovers America 1950-05-26 Audition Show

Summary

Harold's Old Time Radio - Episode Summary

Title: Daisy Discovers America
Episode Date: May 26, 1950
Release Date: March 11, 2025
Performed By: Ella Logan as Daisy McLennan
Featuring: Sheldon Leonard, Larry Dobkin, Ed Max, Dick Ryan, and Lou Brings Orchestra
Written and Directed By: Charlie Isaacs

---

Introduction

"Daisy Discovers America" transports listeners back to the Golden Age of Radio, capturing the essence of post-war American optimism and the immigrant experience. The episode follows Daisy McLennan, a spirited young Scotswoman, as she navigates her newfound life in America, embodying the dreams and challenges faced by countless immigrants during that era.

---

Arrival and Immigration Process

The story begins with Daisy McLennan arriving at Heritage University, symbolizing the gateway to her American dream. The initial interactions highlight the bureaucratic hurdles immigrants face:

• Narrator [00:00-00:23]: Sets the stage for Daisy's journey, emphasizing the promise of personal growth and lifelong friendships in America.

• Daisy McLennan [00:13, 00:23]: Expresses her aspiration for a "best life" and introduces herself to immigration officials with a blend of humor and seriousness.

Daisy's meticulous responses during her immigration interview reveal her desire to integrate while retaining her cultural identity:

• Daisy [01:52-04:08]: Provides personal details, subtly balancing honesty with a touch of humor, showcasing her determination to make a fresh start.

---

Cultural Identity and Aspirations

Daisy’s dialogue underscores her respect for American values while cherishing her Scottish heritage:

• Daisy [04:08-05:18]: References Andrew Carnegie, drawing parallels between his success and her own aspirations. Her mentions of famous Scots like Alexander Graham Bell and James Watt highlight her pride in her cultural contributions to America.

• Narrator [05:24-05:37]: Illustrates Daisy's longing for home juxtaposed with her excitement for new opportunities.

---

Exploring America

Determined to explore her new homeland, Daisy embarks on a journey across America, symbolizing the broader immigrant quest for understanding and integration:

• Daisy [11:18-14:10]: Attempts to take a taxi to Pittsburgh, expressing her eagerness to witness America's diverse landscapes and industries firsthand. Her interactions with the taxi driver reflect cultural misunderstandings and the challenges of navigating a new environment.

• Notable Quote [12:03]:
  Daisy: "I thought so. But I'm still determined to seek my fortune. Just like Andrew Carnegie."

---

Climax: The George Washington Bridge Incident

Daisy's exploration culminates in a dramatic and comedic incident on the George Washington Bridge:

• Daisy [14:28-15:20]: Enthralled by the bridge's architecture, Daisy insists the taxi driver stops mid-bridge, leading to traffic disruption. Her spontaneous singing becomes a central comedic element.

• Conflict [15:24-19:18]: Police are alerted to Daisy's actions, mistaking her singing for a deliberate obstruction. The ensuing chaos involves uniformed officers, disgruntled drivers, and media attention, highlighting the tensions between individual expression and public order.

• Notable Quote [19:44]:
  Daisy: "I was only singing at some. Is that such a terrible thing?"

---

Resolution: Courtroom Encounter

The episode shifts to a courtroom setting, blending humor with a reflection on cultural misunderstandings:

• Court Proceedings [23:04-27:22]: Daisy faces charges for her actions on the bridge. Through her testimony, she explains her intentions were purely driven by joy and admiration for America, not malice or obstruction.

• Notable Quote [25:17]:
  Daisy: "I didn't realize, your worship. You see, it was my first hour in America, and it was like all the things I had read and dreamed about."

• Judge's Decision [26:50-27:12]: Recognizing Daisy's good intentions and cultural naivety, the judge dismisses the case, allowing Daisy to continue her American journey unimpeded.

---

Conclusion

"Daisy Discovers America" wraps up with Daisy embracing her new life, symbolizing the optimistic spirit of immigrants striving to build a better future:

• Daisy [27:22-30:16]: Celebrates her acceptance into American society, blending her Scottish roots with her new identity. Her rendition of "On the Sunny Side of the Street" serves as a heartfelt anthem of hope and integration.

• Narrator [30:16-30:41]: Concludes the episode by acknowledging the collaborative efforts of the cast and crew, paying homage to the storytelling traditions of the Golden Age of Radio.

---

Key Themes and Insights

1. Immigrant Experience: Daisy's journey encapsulates the challenges and triumphs of immigrants seeking to assimilate while preserving their cultural heritage.

2. Cultural Identity: The episode emphasizes the importance of maintaining one's roots while embracing new opportunities, as evidenced by Daisy's references to Scottish icons and her admiration for American landmarks.

3. Humor and Misunderstanding: Through comedic interactions, the narrative highlights the misunderstandings that can arise from cultural differences, underscoring the need for empathy and open-mindedness.

4. Optimism and Determination: Daisy's unwavering spirit and positive outlook embody the quintessential American Dream, inspiring listeners to pursue their aspirations despite obstacles.

---

Notable Quotes with Timestamps

• Daisy McLennan [00:13]: "That will last your entire life and the future you've always dreamed of."

• Daisy McLennan [05:02]: "Well, I understand you make 5,000 automobiles in a day, Ms. McFellan."

• Daisy McLennan [12:15]: "Mr. Carnegie is a famous Scotsman who came to America as a penniless immigrant and made so much money he established a foundation and gave away thousands of dollars."

• Daisy McLennan [19:11]: "I was just singing, your Worship."

• Daisy McLennan [25:17]: "I didn't realize, your worship. You see, it was my first hour in America, and it was like all the things I had read and dreamed about."

---

Conclusion

"Daisy Discovers America" is a charming portrayal of an immigrant's first steps into American society, filled with humor, cultural references, and heartfelt moments. Through Daisy's adventures and misadventures, listeners gain insight into the universal quest for identity, belonging, and the pursuit of dreams that define the immigrant narrative. This episode stands as a testament to the enduring legacy of the Golden Age of Radio, blending storytelling with timeless themes that resonate across generations.

Transcript

[Narrator]

When you start your college career at Heritage University, you're opening the door to something big. To a world of new experiences, to personal growth and academic discovery, to friendships.

[Daisy McLennan]

That will last your entire life and the future you've always dreamed of.

[Narrator]

You're opening the door to your best life. And the best part is, it won't stop here.

[Daisy McLennan]

Heritage University Operation Best Life. Learn more at Heritage. Edu BestLife.

[Narrator]

Daisy discovers America Daisy Discovers America Starring Ella Logan as Daisy and featuring Sheldon Leonard, Larry Dobkin, Ed Max, Dick Ryan and Lou Brings Orchestra from the day that Columbus first discovered America, people have streamed in from Europe to help build this great nation. Artisans from Italy, railroad builders from Ireland, steel workers from the Baltics, painters from France, inventors from England and Scotland all have joined together in this great melting pot. And now they are no longer just steel workers or inventors or painters. They are Americans. What is an American? Anybody knows that it's a person who eats hot dogs and yells, kill the umpire. Of course, there are immigrants who don't care about hot dogs. For instance, take this young Scotswoman being asked some final questions by an official in the Office of Immigration at the Port of New York. Your name, please?

[Daisy McLennan]

Daisy McLennan.

[Narrator]

Your age?

[Daisy McLennan]

Well, it's 27, but put it down at 26 and a half. I understand that it's important in the United States for a girl to seem younger than she is, but, Ms. McClellan.

[Narrator]

Taking six months off your age isn't going to do much good. Now, if you said you were 21 or 22.

[Daisy McLennan]

Oh, take only the half year. I'm not a hypocrite.

[Narrator]

Then why take any off at all?

[Daisy McLennan]

Well, it wouldn't be right for me to adopt this country as my own. Begin by breaking down a sacred tradition of the American woman.

[Narrator]

All right, Mr. Glen. Now, where was your birthplace?

[Daisy McLennan]

Some family in Scotland.

[Narrator]

What was that?

[Daisy McLennan]

Some famlyn D U N F E R M L I N E. You must have heard of it. It's where Mr. Andrew Carnegie was born.

[Narrator]

Oh, yes. As I recall, he did quite well in Pittsburgh.

[Daisy McLennan]

Quite well. He made a fortune. And isn't it wonderful? Mr. Carnegie and I both came from Dunfermline.

[Narrator]

Color of hair?

[Daisy McLennan]

It's black. Used to be lovely long hair that hung down my back below my waist. But I finally cut it. I was always getting headaches from sitting in it.

[Narrator]

Tell me, what's the color of your eyes?

[Daisy McLennan]

Little blue. I've been told that's the best color for me. Of course, if they'd been brown, there's little I could have done about it.

[Narrator]

What is your height?

[Daisy McLennan]

I'm 5 foot 2 into. My granny always kept track of my growing. She would stand me against the wall and make a pencil mark near the top of my head. Poor Granny. I remember the time she was so frightened. The year she thought I was growing shorter. Thank goodness we found it. It was only the house had settled an inch.

[Narrator]

And your weight?

[Daisy McLennan]

I was about 105 pounds when I left home. But it's less now. Oh, in the voyage, I lost a lot through sleep. I think third class travel is not desirable. But I have to save some money to live on while I'm getting situated here in America.

[Narrator]

Do you have any visible distinctive marks?

[Daisy McLennan]

Would freckles come under that classification?

[Narrator]

Not at all. Freckles come and go.

[Daisy McLennan]

On the contrary, mine come and stay. But, sir, this was all asked me on my other papers.

[Narrator]

Well, we find there are less errors. We fill out each document by direct questioning. Now, tell me, are you married?

[Daisy McLennan]

No. I imagine that will come in due time. It happens to the best of us. First, I must make my own way. Like Andrew Carnegie did. He was not afraid to begin modestly and work hard.

[Narrator]

Your father's name, please?

[Daisy McLennan]

Rory McLennan. I never saw him. Granny told me he was six foot three when he was filled with whiskey, he could pass for seven feet. If he had stayed in the textile mills, I might have got to know him. But he decided to be a fisherman. And it took just two short trips to make my mother a widow.

[Narrator]

Your father's birthplace?

[Daisy McLennan]

Ireland.

[Narrator]

Your mother's name, please.

[Daisy McLennan]

Janet Ferguson. I hardly remember her. Granny wished I had a lot more of her Jenny's prettiness. She believed that to get along in this world, you've got to have either beauty or brain. And she was worried because neither was showing on me.

[Narrator]

Your mother's birthplace?

[Daisy McLennan]

My mother just met. My father was born in Ireland.

[Narrator]

Really? And how is it that you were born in Scotland?

[Daisy McLennan]

The kippers were running.

[Narrator]

I see. Well, that's all the information I need, Ms. McClellan.

[Daisy McLennan]

Thank you, sir.

[Narrator]

I'll clip this to your other papers. And if you'll step outside, we'll have your landing card ready in just a few minutes.

[Daisy McLennan]

Does this mean I'm an American now?

[Narrator]

Not at all. You can't become an American overnight. Takes months to get your citizenship papers.

[Daisy McLennan]

Months? But I understand you make 5,000 automobiles in a day, Ms. McFellan.

[Narrator]

We can't turn out citizens on an assembly line just like automobiles.

[Daisy McLennan]

No, I guess not. Them changing the models every Year. Well, I'll be in the waiting room. Well, Ms. McLennan, did you get your landing card? I'm Mrs. Gustafson. The man will be here in a moment to hand it to me in person. I hope Eric come out soon. We would be disappointed if anything went wrong. Ah, nothing of good wrong, Mrs. Gustafson. You know, we didn't know whether to settle in Texas or Minnesota. Eric says Minnesota would be used like home. So I said, why did we come all this way? Used to be home. Anyway, the boys would like Texas better because of Hopalong Cassidy Galileany. Will the Immigrations. A man be mad. I make a mistake, I tell them I have five bambinos. I only got four. No, I don't think so, Senora Felipe. But my husband is in there. And he will say he has four bambinos. And they will say I tell them five. My husband will be angry. He is always looking for some excuse to say I keep it a secret. You mustn't worry about such things. We are new here in America.

[Narrator]

We must leave our cores behind.

[Daisy McLennan]

This is a new life for us. Aye. And it's. It's just like being born again. But it's gonna be lonely. Sometimes I seem so far away from the lochs and the meadowlands and the people we were comfortable with. Right now, all my folks seem so far away Far afraid my hame I wonder but still my thoughts fitter Till we lose out yonder in the valley by the burn I can see the cozy angle and the mist about the glen where joy and sadness mingle As I hear an old world strain and it's all But I'm longing for my info Though they be but lowly pouring I am far across the sea but my heart will always be at him in dera Scotland with my I am far across me but my heart will lie with me at in the world Scotland.

[Narrator]

Taxi, miss?

[Daisy McLennan]

I'm afraid not. It isn't economical.

[Narrator]

Well, you got a lot of bubbles in. Aye, it must be heavy.

[Daisy McLennan]

Aye.

[Narrator]

Well, coming?

[Daisy McLennan]

Aye, supposed to.

[Narrator]

Might as well get a load off your feet.

[Daisy McLennan]

Aye, but it'll also take a load off my pocketbook.

[Narrator]

Where to, miss?

[Daisy McLennan]

Pittsburgh.

[Narrator]

Pittsburgh? Well, I would like to take you, lady, but not in this cab. You see, it's 500 miles. The ride ain't so bad. But that meter ticking would make us both nervous wrecks.

[Daisy McLennan]

I don't expect to go to Pittsburgh in a cab. I'll go to the railway station. But first take me to the bridge they built for. For the Father of your country for.

[Narrator]

The father of the. Oh, you mean a George Washington Bridge?

[Daisy McLennan]

Aye.

[Narrator]

Well, that's out of the way to Grand Central Station. It'll cost you.

[Daisy McLennan]

Whatever it takes to. You'll be paid.

[Narrator]

Well, okay, lady. So you got a pitch playing, eh?

[Daisy McLennan]

Aye. Tell me. I used to hear the streets in America were paved with gold. Is there any place.

[Narrator]

It's true, lady. I drove a hack in every town in the country and never once have I got a puncture from gold nuggets.

[Daisy McLennan]

I thought so. But I'm still determined to seek my fortune. Just like Andrew Carnegie.

[Narrator]

Oh, yeah? You mean a guy that runs Carnegie Hall?

[Daisy McLennan]

Mr. Carnegie is a famous Scotsman who came to America as a penniless immigrant and made so much money he established a foundation and gave away thousands of dollars.

[Narrator]

He's from Scotland. He gave away thousands of dollars.

[Daisy McLennan]

He was a very generous man. And don't say anything uncomplimentary because he's been dead for many years.

[Narrator]

Oh, well, then that's why he's giving the money away.

[Daisy McLennan]

Look, if you're going to talk like this, you might as well just let me out of the cab.

[Narrator]

Oh, it's all right. I'm sorry, lady. It was just a joke.

[Daisy McLennan]

I know you didn't mean any harm. But you see, I'm sensitive about this. You see, Mr. Carnegie was from my hometown, Dunfermline.

[Narrator]

Dumfemlin. Never heard of it.

[Daisy McLennan]

Dumfemlin has a population of 36,500. Naturally, that would be minus one since my departure. It's a very famous city. Eight Scottish kings are buried there.

[Narrator]

Well, you mean it's a Scotland?

[Daisy McLennan]

Hi.

[Narrator]

And you're from Scotland?

[Daisy McLennan]

Hi.

[Narrator]

Kind of thought you didn't sound like New Jersey. How come. How come you choose, pitch boy?

[Daisy McLennan]

It's where Mr. Carnegie made his fortune. And I am going to follow in his footsteps.

[Narrator]

Oh, you're gonna follow in Carnegie's footsteps?

[Daisy McLennan]

Aye. Too bad he wasn't wearing kilts. He wouldn't have taken such broad steps.

[Narrator]

Hey, look, why don't you take a crack at New York? You know, this is the greatest old town in the world here. Just look at them buildings. Did you ever see anything that reach up in the sky like that? Aye.

[Daisy McLennan]

Fair. Takes her breath away. But I want to take a train and cross all of the America that I read about. I want to see the steel mills in Pittsburgh and the farms in Indiana. And the oil fields in Oklahoma. And orange trees in California. I just want to see it all before I decide.

[Narrator]

Gee, you Talk like the dames that used to teach at PS 64. Believe me, lady, there ain't nothing west of New York of any value except maybe parking space.

[Daisy McLennan]

Oh, look. Oh, look. Look there. Is that it? Is that the bridge?

[Narrator]

Yeah. Yeah, that's the George Washington Bridge. It's two miles long. It joins New York and New Jersey, much against their will.

[Daisy McLennan]

I'm here. I'm here at last. Oh. Drive to the very middle where New York and New Jersey connect, and then I want you to stop. Oh, what a sight this is.

[Narrator]

Now, wait, wait. Just. Now you want me to stop in the middle of the bridge?

[Daisy McLennan]

Aye. There's an extra shilling in it for you if you do.

[Narrator]

A shilling? Lady, I hope that you're paying me in American money. If my old lady shakes any strange coins out of my pants she'll accuse me of having been to Europe during my night shift.

[Daisy McLennan]

Don't worry about it. Oh, look at that view. It's heaven.

[Narrator]

It ain't heaven, lady. It's New Jersey. Well, here's to State Lane.

[Daisy McLennan]

Stop a minute.

[Narrator]

Well, all right. I can just stop a second if traffic gets heavy. Hey, what are you doing? Don't get out here.

[Daisy McLennan]

Oh, please. Please wait for me. I've dreamed about this moment.

[Narrator]

Lady, get back in the cab. Hey, lady, I'm blocking traffic. Give me my fare. Will you need to stay here as long as you like.

[Daisy McLennan]

Here I am, Daisy McLennan from Dunfermline. And I'm standing on the George Washington Bridge, named after the father of the country. One foot is in New York and one foot in New Jersey. And all to the west lies America. America, I love you. You're like a sweetheart of mine. From ocean to ocean for you My devotion is touching each boundary like. Just like a little baby claiming his mercy. America, I love you. And there's a hundred million mother like me. Just like a little baby ling its mother's knee. America, America, I love you. And there's a.

[Narrator]

Come on, get that flower out of the way. Calling cars 71, 28, 16, 34 and all special Manhattan patrols in uptown area. Investigate. Report someone trying to throw woman off center of George Washington Bridge. Calling all cars. Calling all cars. New Jersey squads in the city of George Washington Bridge. Check on woman attempting to jump city desk. Huh? What? George Washington Bridge. I'm Mansfield. Take a photographer and hop over to the George Washington Bridge. Some sort of a disturbance. Or maybe we can make it sound like attempted sabotage. Come on already. Here come the cuts.

[Daisy McLennan]

The cops. Oh, you mean the police constables. Say, they look like they're after someone.

[Narrator]

Oh, you can bet on that.

[Daisy McLennan]

Maybe we'll see them catch somebody.

[Narrator]

Yeah, I'll bet on that myself. Where is she? Where's the Dane that's gonna jump? Oh, they stopped you in time, huh?

[Daisy McLennan]

Me? Did you think I was gonna jump? Yeah, with all that water down there. I can't swim. I don't even go in the deep end of my bathtub.

[Narrator]

What is this all about? That dame is off or not, officer. She was standing right in the middle of the bridge, singing in jammed up traffic. Look, I got a truck with 60,000 eggs bound from Manhattan. And if I don't get them out of the sun before they spoil, you'll have to bury New York and build it somewheres else. Miss, what's the idea singing on the bridge?

[Daisy McLennan]

I didn't mean to cause any trouble. You see, when my heart is full of happiness, it gives me a feeling inside like I'm going to burst. And then I sing. Mm.

[Narrator]

Next time it'll be better if you just burst. Won't block traffic. Okay, move aside. Move aside. What's going on? This young lady's got the bridge jammed up clear into New York. She's loused up New Jersey, too.

[Daisy McLennan]

I was only singing at some. Is that such a terrible thing?

[Narrator]

Well, it is when you pluck the right away. Why don't you sing on a side street where the worst that might happen is you get hit by a flower pot?

[Daisy McLennan]

I don't think you understand. This was the only place where I could have one foot in New Jersey and one foot in New York. And I had looked forward to it since the day I left home.

[Narrator]

Where is your home?

[Daisy McLennan]

It was Dunfamily.

[Narrator]

Don't joke with me. Where do you live?

[Daisy McLennan]

Dumfound.

[Narrator]

That's in Scotland, Officer. The king just arrived to. Why couldn't she have arrived tomorrow, which is my day off? We better get her out of here before this jam gets any worse. Yeah. I'm arresting you, young lady, for disturbing the peace, starting a riot. Ah, take it easy, buddy. I'm hauling her in myself. This is a New Jersey case. It is not. She's standing in New York. She's standing in New Jersey. You're both wrong. She's standing in New York and New Jersey. She's leaning toward New York. We better decide jurisdiction right here, or this bridge will be jammed all day. Curly, girlie, come here a minute. I want to talk to you.

[Daisy McLennan]

I didn't want to make trouble.

[Narrator]

I know, I know. Just step over here. We can iron it all out. They can't arrest you. They can arrest you if you move.

[Daisy McLennan]

Lady, I don't know what to do. This never happened to Andrew Carnegie.

[Narrator]

Maybe. Maybe I oughta just grab. No, no, you can't do that. It's illegal. She's half in New York, half in New Jersey. I tell you what. I'll extradite my head. No, no, no. You gotta get papers. That'll take all day. Wait a minute, lady. Let it please. Move, will you? Hey, Lonnigan, the captain says get the bridge cleared. Everybody thinks it's a disaster. The Red Cross is already starting to save donuts.

[Daisy McLennan]

I'm a wee bit hungry myself.

[Narrator]

When you guys do something. I gotta get my eggs out of here. The other truck drivers are beginning to whisper and point at me. Look. That's tough. Listen, we all want to get out of here. Yeah, well, you're the guy that brought the dame here. You started the whole thing. Well, when a fair asks me to take her somewhere, I do it. You shouldn't be driving a hack if you don't know better than to stop in the middle of the bridge. Hey, go sit on your egg. Maybe you can hatch yourself out a new head. Why, you no good meter jockey. I'm gonna poke you right in the nose. Get here, boy. Well, you are going to get it placed. Lonigan, get the riot squad. Call the state troopers.

[Daisy McLennan]

Call the.

[Narrator]

Next case. State of New York versus Ms. Daisy McLennan. Charged with obstructing traffic, creating a disturbance and inciting to riot. How do you plead, guilty or not guilty?

[Daisy McLennan]

I was just singing, your Worship.

[Narrator]

Guilty or not guilty?

[Daisy McLennan]

Guilty of singing.

[Narrator]

Do you plead guilty of obstructing traffic, creating a disturbance and assigning to riot?

[Daisy McLennan]

Guilty of singing.

[Narrator]

You're not charged with singing.

[Daisy McLennan]

Well, perhaps they enjoyed it.

[Narrator]

Bailiff, read the list of damages ensuing as a result of the defendants singing on the George Washington Bridge Coast Trucking Company. Two fenders smashed. John Forbes convertible, three fenders bent, bumper broken. Margaret Johnson, sedan car grill smashed. Gas. Fred Dorsey, coupe, four fenders bent, tire punctured. Benjamin Fox, two bumpers broken, windshield cracked, teeth chipped. George Melton, radiator caved in. New Jersey bus Company entrance doors smashed. That's enough. That's enough. Well, Ms. McLennan, that's what happened when you sang.

[Daisy McLennan]

Is that over or under par for the bridge?

[Narrator]

Are you joking with me?

[Daisy McLennan]

Oh, no, sir. I wouldn't dare.

[Narrator]

Where do you live, Ms. MacLennan?

[Daisy McLennan]

I haven't settled as yet, sir. I just arrived from Scotland I see.

[Narrator]

And you're planning to stay?

[Daisy McLennan]

Aye, sir. I have adopted the country. It's mine.

[Narrator]

Mm. And when you were arrested, you were just taking possession of the bridge?

[Daisy McLennan]

Oh, no, your worship. I'll try to make you understand. You see, I come from the same town as Andrew Carnegie, and I want to work hard and get somewhere, just like he did.

[Narrator]

Yes, well, Mr. Carnegie was a credit to Scotland, as well as the United States.

[Daisy McLennan]

Oh, many Scotsmen have done well here. Take Alexander Graham Bell. He invented the telephone, which has done so much for so many people, including Mr. Donamechi. And the Scots are very inventive. You know, James Watt developed the steam engine, and the raincoat was invented by Charles Mackintosh.

[Narrator]

Obviously, Ms. MacLennan, the Scottish people have contributed to the progress of the world. Therefore, what were you doing holding up progress on the George Washington Bridge?

[Daisy McLennan]

I didn't realize, your worship. You see, it was my first hour in America, and it was like all the things I had read and dreamed about. I had seen a picture with a view from the bridge, and I wanted to be the first of. Well, I just wanted to see it first of all. And I got so carried away, I just started to sing. It's the same way I felt when I saw the Statue of Liberty. It's the way I'd feel if I saw your other institutions, like the Washington Monument or Eberts Field. You see, you've been in America all your life. You've had time to get used to it. I just arrived, and it's like taking, I think, a scotch whiskey. First it warms you, and then afore you know it, you're taking the high road and the low road all at the same time.

[Narrator]

Well, I. I appreciate your feelings, Ms. McLemon, but there are the charges of the arresting officers. Oh, if you'll pardon me, your worship, your honor, you know, I could have been mistaken. It might be that a taxicab was stalled on the bridge. Let's say it was a truckload of eggs, huh? Come to think of a judge, it was just one of those jams that happen when everybody suddenly decides they want to drive over the bridge and see the view. Well, miss, it looks like the officers saw nothing unusual. So for Andrew Carnegie and his protege, case dismissed.

[Daisy McLennan]

Oh, thank you, sir. And thank you, constables. You're very kind. And. And I want you to know that I think both ends of your bridge are lovely. This is. This is just the way I knew the country and the people were. Oh, your worship, would you mind if I sang? Because I Have that feeling again why not?

[Narrator]

After all, I missed the performance on the bridge. Excuse me, I gotta go deliver my eggs.

[Daisy McLennan]

Grab your coat and grab your hat Leave your. What is on the doorstep?

[Narrator]

How come.

[Daisy McLennan]

I know, I know. Just direct your feet to the sunny side of the street Listen, listen. Shh. Can't you hear a bit of pat? Why, honey, that happy tune, baby, that's your step. You know, life, life could be so sweet on the sunny side why, look at me I used to walk in the shade with those blues unfurrayed Ah, but now I'm not afraid I'm just a rover stopping over and if I never had a scent why, I'd be rich as a Rockefeller with gold dust all around my feet Ah, but that's on the sunny side of the street I used to walk in the shade I wear those billows on but take a look at me Now I Look at me now I'm not afraid I'm just a rover stopping over and if I never If I never had a cent why, I'd be rich as any other Rockefellers Including Nelson with gold just farting money around my feet on the sunny. Oh, the sunny. On the sunny side of the street.

[Narrator]

Daisy Discovers America, stars Ella Logan and features Sheldon Leonard, Larry Dobkin, Ed Max, Dick Ryan and Loe brings orchestra. It is written and directed by Charlie Isaacs. This has been a presentation of the NBC Hollywood Program department.