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Nicole Byer
We interrupt this program to bring you an important Wayfair message. Wayfair's got style tips for every home. This is Nicole Byer helping you make those rooms Flyer today's style tip. When it comes to making a statement, treat bold patterns like neutrals. Go wild like an untamed animal. Print area rug under a rustic farmhouse table. From wayfair.com Ooh. Fierce. This has been your Wayfarer style tip to keep those interiors superior. Wayfair Every style, every home.
Paul Brickhill
To the men, living and dead who did these things, we dedicate this program.
Barnes Wallace
To the Dam Busters.
Paul Brickhill
Presented by the author himself, Paul Brickhill. Dramatized by Morris West An Australasian radio product.
Narrator
Good evening, this is Paul Brickhill. With a certain grim satisfaction, Barnes Wallace approached his next task to measure exactly how much high explosive would be required to breach the concrete retaining wall of a dam. He had run into so many blank walls in the previous months that the prospect of blowing onto smithereens gave him boyish pleasure. So on a grey winter's afternoon, he climbed the Welsh hills to the head of Rhyadr Lake, where a concrete wall cut off a narrow neck of water from the main body of the lake. On a rope, he lowered the explosive into the water, down against the inner base of the wall. Engineers unrolled the insulated cables from a small drum and and connected them to the detonator. Then they stood a few moments together, a gray wind blown group looking down at the choppy water.
Engineer
We're ready to shoot when you are, sir.
Barnes Wallace
Tell me again, how is the charge placed?
Engineer
Hard up against the base of the wall, sir. As near to dead center as I could get it.
Barnes Wallace
You checked the detonator connection?
Engineer
Checked and double checked.
Barnes Wallace
Mr. Wallace, is the charge on the lake bed or above it?
Engineer
No, about three feet above it, sir. There's a ledge of concrete that drops down into the mud. I thought it better to put it there.
Barnes Wallace
That's fine, fine. If it were a bomb, you see, it would strike above the ground level. Well, that's all, I think.
Sir Arthur Harris
Ready, everybody?
Engineer
Watch for debris.
Barnes Wallace
Fire.
Sir Arthur Harris
On the count of three.
Engineer
One, two, three.
Barnes Wallace
The dam's gone. D' ya see that? It's gone.
Engineer
We've blown the dam.
Mrs. Wallace
Hello? Yes, this is Mrs. Wallace.
Sir Arthur Harris
Oh, yes, yes.
Mrs. Wallace
My husband's just come in. I'll get him for you. It's for you, dear. Sir Henry Tizard.
Barnes Wallace
Oh, good, good. I was beginning to wonder why I hadn't heard from him. Thank you, dear. Hello? This is Wallace.
Sir Henry Tizard
Oh, Wallace. Mrs. Tizzard here. I I got your reports. Most interesting. I passed them onto the quarters I promised.
Barnes Wallace
You got the second set? The test on the bomb casing?
Sir Henry Tizard
Yes, yes, I got those too. Excellent work, Wallace. May convince anybody but a congenital idiot.
Barnes Wallace
I'm very glad. When do we start work, sir?
Sir Henry Tizard
We don't.
Barnes Wallace
I beg your pardon?
Sir Henry Tizard
I said we don't. Believe me, old man, I'm as disappointed as you are. But.
Barnes Wallace
But what?
Sir Henry Tizard
Reports are now in the hands of a bunch of people who call themselves Policy Controllers. They regard the whole idea as unpracticable and wasteful.
Barnes Wallace
Oh, no.
Sir Henry Tizard
I don't want you to lose heart altogether. It is going to take some more time. The trouble is, so few people in London seem to be able to read. I'm working on other approaches now. If only I had something else to show them.
Barnes Wallace
But the reports.
Sir Henry Tizard
I've told you, my dear fellow, they can't read. If we had a picture book, perhaps.
Barnes Wallace
Pictures. But we've got pictures.
Sir Henry Tizard
What sort of pictures?
Barnes Wallace
Moving pictures, Films. I've got a complete record of every stage of the operation. In the air, on the surface and under the water.
Sir Henry Tizard
In that case, my dear Wallace, we really can get somewhere. First, pack a bag and your films and get the first train to London.
Barnes Wallace
Whom are you going to talk to this time? Oh, I don't like the sound of that. They tell me he's the toughest autocrat in the business.
Sir Henry Tizard
I know that. That's why I want you here. If you can't convince Harris, nobody.
Sir Arthur Harris
Go in. No. It's you. Tizard. This, I suppose, is your inventor, fella.
Sir Henry Tizard
This is Mr. Barnes, Wallace.
Sir Arthur Harris
I'll sit down. Take a chair. Haven't much time to waste. Now what the devil do you want, Wallace? I got no time for you damned inventors. You know my boys. Lives are too precious to risk in your crazy inventions.
Barnes Wallace
I designed the place as your boys are flying today.
Sir Arthur Harris
Was that? No. Did you? Well, why don't you stick to your last like a good cobbler?
Barnes Wallace
Aircraft are made to carry bombs. Bombs are made to do damage. I've worked out a plan for destroying the German dams and the Ruhr.
Sir Arthur Harris
As I've heard about it, it's far fetched.
Barnes Wallace
I don't think so. I've tested it. It works.
Sir Arthur Harris
If you think you can walk in here and get a squadron of Lancasters out of me, you made a mistake. You won't.
Barnes Wallace
Now look here, Sir Arthur.
Sir Henry Tizard
Take it easy, Wallace.
Barnes Wallace
We don't want a squadron, sir. We'd like a chance to prove it in trial with one Lancaster. First.
Sir Arthur Harris
You really think you can knock a damn down with that thing?
Barnes Wallace
Yes, it may take three or four, but we can put them all in the same place.
Sir Henry Tizard
We'll prove it will work.
Sir Arthur Harris
Prove it? I'll arrange a squadron. But I'm tired of half baked inventors trying to run things.
Sir Henry Tizard
Now look, we've got some films here that show clearly how it works.
Sir Arthur Harris
All right, let's see them. I'll get San be in on this. He can work the projector if it's as good as you say. There's no point in letting everyone know. Come into the projection room and have some tea. Send in.
Barnes Wallace
This shot was taken inside a glass tank. You. You see the model bomb plunging under the water and crawling into position at the base of the wall, which is exactly where we need it to create the maximum damage by transmitted thrust. And that's all, gentlemen.
Sir Arthur Harris
Switch on the lights.
Sir Henry Tizard
Well, Harris, what do you think?
Sir Arthur Harris
Very interesting.
Barnes Wallace
If you want any other demonstrations. I'll be nothing more of at the moment.
Sir Arthur Harris
Thanks. I'll think it over. Day tzard day, Wallace. Thanks for.
Mrs. Wallace
It's nine o' clock, dear. You're tired. Why don't you go to bed early for a change?
Barnes Wallace
No, no, not yet, dear. I'll sit up for a while, I think. You know, I've been wondering.
Mrs. Wallace
Wondering what, dear?
Barnes Wallace
Why it is that men of affairs, men of action, great men, some of them regard the scientists as a sort of addle pated idiot who can't even tell the time of day.
Mrs. Wallace
They don't all think that way, my dear. After all, you told me yourself you had a very satisfactory interview today with Air Marshal Harris.
Barnes Wallace
Well, it wasn't unsatisfactory. The saddening part is that he's taken all these months to persuade him to regard me as what I am. A reputable scientist with solid achievement to his credit. Look, my dear. Vicars themselves have made hundreds of thousands of pounds out of me alone. They know that when I present them with a set of figures and drawings, it's solidly reasoned, accurate work. Not to be dismissed. Likely because they. They don't like the color of my eyes or the way I wear my tie. There are times when I. Dear, who.
Mrs. Wallace
Can be calling at this hour?
Barnes Wallace
I'll take it. It's probably somewhere from the. Oh, Sir Charles Craven. This is an unexpected pleasure, sir. Won't you come in?
Engineer
I. I happen to be passing Wallace and as the matter is rather important, I thought I'd take the opportunity of seeing you.
Barnes Wallace
Oh, glad you did. You just in time for a cup of tea?
Engineer
No, no, Wallace. If you don't mind, I'd like a.
Barnes Wallace
Word in private in my. Sir Charles. What can I do for you?
Engineer
This could be awkward for both of us.
Barnes Wallace
Awkward? In what way?
Engineer
Well, as you know, Wallace, you are and always have been one of the most important and most valued members of Vickers.
Barnes Wallace
I'm glad to hear it.
Engineer
The work which you are doing on aircraft design is of vital importance to this country and to. Well, to the empire.
Barnes Wallace
I'm aware of that, too.
Engineer
Unfortunately, Wallace, you seem to be diverting a great deal of time and energy to this project of dam construction.
Barnes Wallace
All of which is quite within the scope of my contract.
Engineer
Oh, yes, yes, yes, quite. No question for that at all. However, Wallace, it appears that you've been peddling this project with some insistence around the ministries.
Barnes Wallace
It's an important project. I've used every effort to have it accepted.
Engineer
Quite so, quite so. Unfortunately, Wallace, I have received information from certain friends of mine which indicates that you have been making a nu yourself around the ministries. I have been asked to request you in the politest possible fashion to stop this nonsense and stick to your own job.
Barnes Wallace
In that case, Sir Charles, it would appear that I'm not acting in the best interest of the war effort. I feel, therefore, that I should offer you my resignation and. And try something else.
Sir Arthur Harris
You.
Engineer
You mean to say that it's. Mutiny. That's what it is, Wallace. Mutiny.
Sir Arthur Harris
Mutiny.
Barnes Wallace
Do you mind letting yourself out, Sir Charles? I've had a long day. I'm very tired.
Engineer
Good night, Wallace.
Mrs. Wallace
Darling. Darling. What is it? What was Sir Charles shouting about?
Barnes Wallace
I. I've resigned.
Mrs. Wallace
Resignation? But what for? Why all your work?
Barnes Wallace
Do you mind bringing me a glass of water? I think I'll sit down for a moment.
Mrs. Wallace
Was it because of the other things you've been doing?
Barnes Wallace
That's right. I'm. I'm a nuisance at the ministries.
Mrs. Wallace
Oh, no. I. I'll get the water.
Barnes Wallace
No, no, it's all right now, my dear. Foolish to be upset. Just. Just make me a cup of tea. I think I'll go to bed. Good night, my dear.
Engineer
Memorandum from Prime Minister to Chief of our staff. I have read with great interest the reports covered by your minute IJX317 and the conclusions reached by your staff. These conclusions agree substantially with those submitted to me from other quarters. I should like you to attend a meeting at chequers at 9:30am on Thursday next for final discussion and decision on this vitally important project. Message ends, memorandum acknowledged. I shall be present at the Chequers Meeting on Thursday next at 9:30am Mr. James.
Sir Arthur Harris
Morning, Mr. Wallace.
Barnes Wallace
Yeah? Oh, morning, Bert.
Sir Arthur Harris
Oh, Mr. Wallace.
Barnes Wallace
Yes, Bert, what is it?
Sir Arthur Harris
I left a message in your office. Mr. Wallace. Sir Charles Craven would like to see you when you come in, Sir Charles.
Barnes Wallace
Oh, yes, yes, Bert. I'll call in and see him. February 26th. Oh, well, it had to come sometime. Wallace here.
Engineer
Oh, this is Craven. Look, if you're free now, I'd like you to come to my office.
Barnes Wallace
Yes, sir. Yes, I'll be right along.
Nicole Byer
We interrupt this program to bring you an important Wayfair message. Wayfair's got style tips for every home. This is Styles MacKenzie helping you make those rooms sing. Today's style tip. When it comes to making a statement, treat bold patterns like neutral. Go wild like an untamed animal. Print area rug under a rustic farmhouse table. From wayfair.com fierce this has been your Wayfair style tip to keep those interiors superior. Wayfair every style, every home.
Barnes Wallace
Nuisance to the Ministry. Nuisance to the Ministry. Nuisance to the Ministry. Come in.
Engineer
Oh, good morning, Wallace. Please take a chair.
Barnes Wallace
Thank you.
Engineer
Wallace, I. I feel I owe you some sort of an apology. Well, for.
Barnes Wallace
It's unnecessary, Sir Charles.
Engineer
You will probably be called to London within the next hour or two.
Paul Brickhill
But for.
Engineer
For obvious reasons, I should like you to have the news from me first.
Barnes Wallace
What news, Mr. Wallace?
Engineer
Orders have been received from the Prime Minister through the Chief of the Air Staff that your Dams project is to go ahead immediately. The operation must be ready at all costs no later than May.
Barnes Wallace
I see. That's very good news, isn't it, sir? That's very good news.
Narrator
The Dam Buster project was approved at last. And to Barnes Wallace, life was work from dawn till midnight. He planned, he drafted, thought, discussed, consulted experts on weather and explosives and aerodynamics and civil engineering. His job was to design the Dam Buster bomb. Other men had the problem of delivering it on target. So on March 15, Sir Arthur Harris, Chief of Bomber Command, called to his headquarters Air Vice Marshal the Honorable Ralph Cochrane.
Sir Arthur Harris
That's the project, Cocky. You got to breach the Murna Dam and a couple of others with the biggest bomb of all time. I know it sounds far fetched, but I think it has a good chance.
Paul Brickhill
Well, sir, I've known Wallace for 25 years. He's a wonderful engineer. I've never known him not to produce the goods.
Sir Arthur Harris
You know how he works. I hope he produces the goods this time. Now, Cocky, I want you to organize a raid. Ask for anything you want as long as it's reasonable.
Paul Brickhill
Well, it's gonna need some good air crews. I think I better screen one of my squadrons right away and start training them.
Sir Arthur Harris
No, I don't want to do that. I don't want to take a single squadron out of the line if I can help it. It mustn't interfere with our striking force. What I have in mind is a new squadron of experienced people who are just finishing a tour of duty. Some of the keen chaps won't mind doing another trip. You find enough in your group?
Paul Brickhill
Yes, sir. I think I can. Have you got any particular man in mind to command it?
Sir Arthur Harris
Yes. Yes, I have. Gibson. Guy Gibson.
Paul Brickhill
You couldn't find a bet on him? As a matter of fact, he's going out tonight. It's the last trip of his third tour. Then he's due for leave.
Sir Arthur Harris
Let's hope he gets back safely. What's the target?
Paul Brickhill
Stuttgart. It's liable to be a dirty run. In fact, I'm rather worried about it.
Engineer
Bomb aimator, Captain. Left, left, right. Steady. Steady.
Sir Arthur Harris
Okay.
Engineer
How's that bomb's going? Bomb's gone.
Barnes Wallace
Captain.
Sir Arthur Harris
The crew port out are gone. I'll take it down. Wait for it.
Come in.
Come in.
Engineer
Sorry to wake you so early, sir, but there's an urgent message from group headquarters.
Sir Arthur Harris
Oh, no. I'm going on leave today.
Engineer
Yes, sir. Let's hope it's nothing.
Sir Arthur Harris
Let's hope. Give it to me. Leave canceled report immediately. Number five, Group Headquarters, dar, wouldn't it?
Engineer
Yes, sir, wouldn't it?
Paul Brickhill
Ah, Gibson. Nice to see you. Take a chair.
Sir Arthur Harris
Thank you, sir.
Paul Brickhill
First, Gibson, I'd like to congratulate you on the part of your dsl.
Sir Arthur Harris
Oh, thank you, sir.
Paul Brickhill
Would you like to do one more trip?
Sir Arthur Harris
What kind of trip, sir?
Paul Brickhill
An important one. I can't tell you any more about it now except that you would command the operation.
Sir Arthur Harris
Yes, I. I think so, sir.
Paul Brickhill
Good. That's fine. I want to warn you that this will be no ordinary raid. And it can't be done for at least two months.
Sir Arthur Harris
It's not the. It's not the turbotz, is it, sir?
Paul Brickhill
No, it isn't.
Sir Arthur Harris
Thank God for that.
Paul Brickhill
Training for this raid is so important that the commander in chief wants a special squadron formed. I want you to form it. As far as air crews are concerned, you'll want good ones. You'd better pick on yourself. I'm telling all the squadrons. They'll have to give you all their best crews. They won't like it, but that's too bad. I'll have to move fast. As you haven't got very long and training is very important, try to get your aircraft flying in four days.
Sir Arthur Harris
Well, what sort of training? What sort of target?
Paul Brickhill
Low flying. You've got to be able to low fly at night until it's second nature. I can't tell you the target yet, but you've all got to be perfect at low flying at night.
Sir Arthur Harris
I know just the boy. On Australian. Mickey Martin even got a gong for low flying.
Paul Brickhill
Get hold of him.
Sir Arthur Harris
Yes, sir. How about aircraft, sir?
Paul Brickhill
The equipment staff have that in hand. The first will be flown in tomorrow. One thing more.
Sir Arthur Harris
Yes, sir.
Paul Brickhill
Security. This is a top secret operation. As far as the others are concerned, this is just an ordinary new squadron.
Sir Arthur Harris
Very good, sir.
Paul Brickhill
Crew Captain Whitworth commands the bomber base at Scampton. He'll be training there. He'll give you any help you want. That's all, Gibson. Good day.
Sir Arthur Harris
Oh, yeah. Good day, sir. How the hell do you start to organize a squadron?
Engineer
Well, that's one of the things even a wing commander is expected to boggle at. There are 21 crews, seven men in each. There are pilots, navigators, engineers, bomb aimers, wireless operators and gunners. There are 21 aircraft. There are a dozen different trades in the ground crew. There's a list of equipment, from spark plugs to thermos flasks. There are blankets and beer, boot laces and toilet paper. And to get all those things, you have to have a number.
Sir Arthur Harris
A number? What sort of a number?
Engineer
A squadron number, of course.
Sir Arthur Harris
I haven't got a squadron yet. How the hell do I go about getting a number?
Engineer
Oh, some boffin in the Air Ministry. They probably don't work so fast there.
Sir Arthur Harris
What do I do then?
Engineer
You make one up for the moment. We'll call you Squadron X. Do you mind if I. Well.
Sir Arthur Harris
Holy smoke.
Engineer
Gibson. Guy Gibson.
Sir Arthur Harris
Mickey Martin. Oh, come in. Come in, boy.
Engineer
Sit down.
Sir Arthur Harris
Hey, I sent out a panic call for you two days ago.
Engineer
Yes, I got it. I'm on my way to Scampton now. What gives, Guy? What's all the mystery?
Sir Arthur Harris
Well, it's. It's a long story, Mickey. Most of it I don't know myself. Something about a new squadron or something. Yes. Haven't even got a number yet. A lot of the boys are waiting for us as captain.
Engineer
Oh, nice to be with you, Guy, but why me?
Sir Arthur Harris
Well, it's a low flying job. I want you for training the boys.
Engineer
Do I come in on the strike?
Sir Arthur Harris
Mm, you do.
Engineer
Fine, fine. That's all I wanted to know. Whatever boys have you got?
Sir Arthur Harris
Well, There's Hopgood, Shannon, an Aussie, and Burpee. They're from my own squadron. Dinghy Young is senior flight Commander and there's quite a bunch of Aussies. Simpson, Foxley, Jack Lego and Bob Hay.
Engineer
They are my boys.
Sir Arthur Harris
That's a good show. We've got a fine bunch of blokes. But I hate to think of the sorting out we've got to do when we get the scabs and yeah, you.
Engineer
Need a good flight sergeant to do that for you.
Sir Arthur Harris
No, I think I got one. Chiefy Powell, you know.
Engineer
Sure, he's good. He knows his job and he looks after the men.
Sir Arthur Harris
That's a good start, Mickey. I'll be glad to get all the details sorted out and start training. Flight Tygen Power reporting Z. Oh, well, stand easy, Fly. What's the news?
Paul Brickhill
Well, sir, all air crews are in and settled in quarters.
Sir Arthur Harris
I'll see them at mess tonight. What about ground staff?
Paul Brickhill
Oh, it's still coming in, sir. I'm sorting them out now. They look pretty good to me, but.
Sir Arthur Harris
What is it?
Barnes Wallace
Bit of trouble, sir.
Sir Arthur Harris
What sort of trouble?
Paul Brickhill
A bunch of charge sheets. One of the SPs have been putting my men in for scruffy uniforms.
Sir Arthur Harris
Anything in it?
Paul Brickhill
Nothing, sir. Boys have had to travel a long way. Some of them need new outfits.
Sir Arthur Harris
Anyway, to hell with the charges. We can't start a squadron that way. That fixes that. Now tell the equipment officer that I want all my men refitted tomorrow morning.
Paul Brickhill
I've already done that, sir. But he says the squadron hasn't got a number and he hasn't got any authority.
Sir Arthur Harris
Oh, does he? Give me that phone. Ah, is that the equipment officer? Listen, this is Gibson. And what's this I hear about no refit for my men? I don't give a tinker's damn whether they've got a number or not. That's not your business, that's mine. I want every one of those men completely refitted before parade tomorrow morning. To hell with the papers. I'll sign them when I'm ready. That's that. All right, take over, Flight. I'll see the men on parade tomorrow morning.
Paul Brickhill
Yes, sir. And sir.
Sir Arthur Harris
Yes?
Paul Brickhill
I think I'm going to like this squadron, sir. Good evening, gentlemen.
Sir Arthur Harris
Close the door, please. All mess staff and unattached personnel will leave right now. I know you're all wondering why you're here. Well, you're here as a crack squadron to do a special job. It's I'm told we'll have startling results and may shorten the war. I can't tell you what the target is or where it is. All I can tell you is you'll have to practice low flying day and nights until you can do it with your eyes shut.
Engineer
It's the ruddy Tirpitz.
Sir Arthur Harris
No, don't jump to conclusions. It may be the Tirpitz, it may not. Whatever it is, I want you to be ready. If I tell you to fly to a tree in the middle of England, I want you to be able to do it. If I tell you to fly through a hangar that isn't wide enough for your wingtips, I want you to be able to do that, too. You've got to do everything you're told without question. Now, discipline is essential. So is security. You're going to be talked about. Rumors are flying about already, but you've got to keep your mouth shut. If you get stuck in the pub on the hops and someone asks you what it's all about, tell him to jump in the river. Your lives depend upon secrecy. If we can surprise the enemy, everything will be fine. If not, then you're. You're old enough and ugly enough to know what happens. That's about all. I'll give you more details in the briefing room tomorrow morning. Well, now, I'd like someone to buy me a drink.
Nicole Byer
We interrupt this program to bring you an important Wayfair message. Wayfair's got style tips for every home. This is Stiles Mackenzie, helping you make those rooms sing. Today's style tip. When it comes to making a statement, treat bold patterns like neutrals. Go wild like an untamed animal. Print area rug under a rustic farmhouse table from wayfair.com fierce. This has been your Wayfair style tip to keep those interiors superior.
Sir Arthur Harris
Wayfair.
Nicole Byer
Every style, every home.
Podcast Summary: "Harold's Old Time Radio – Dambusters (AU) 54-xx-xx Episode 2"
Release Date: May 10, 2025
Host: Harold's Old Time Radio
Title: Dambusters (AU) Episode 2
In this riveting episode of "Harold's Old Time Radio," listeners are transported back to the Golden Age of Radio, immersing themselves in the dramatic unfolding of the infamous Dambusters mission during World War II. Presented by Paul Brickhill, the episode pays homage to the men—both living and deceased—who orchestrated this pivotal operation. As Brickhill aptly states at [00:51], "To the men, living and dead who did these things, we dedicate this program." The show is dramatized by Morris West, offering an authentic Australasian perspective on this historic event.
The narrative centers around Barnes Wallace, a determined scientist whose innovative approach is crucial to the Dambusters mission. At [01:36], the narrator sets the scene:
"With a certain grim satisfaction, Barnes Wallace approached his next task to measure exactly how much high explosive would be required to breach the concrete retaining wall of a dam."
Wallace's meticulous planning is evident as he oversees the placement of explosives, demonstrating his technical expertise and unwavering commitment. His interaction with the engineers highlights the precision required for the operation:
This collaboration underscores the critical nature of their task—blowing the dam to disrupt enemy infrastructure.
Despite Wallace's technical success, he encounters significant resistance from higher authorities. After successfully testing the explosive on the dam, Wallace seeks approval from Sir Henry Tizard. The conversation at [04:00] reveals the bureaucratic challenges:
Frustrated by the lack of support, Wallace contemplates resigning, feeling marginalized despite his contributions:
This segment poignantly illustrates the often-overlooked struggles of innovators facing institutional inertia.
A turning point occurs when a memorandum from the Prime Minister grants official approval for the Dam Buster project, as conveyed by an engineer at [12:10]:
"Orders have been received from the Prime Minister through the Chief of the Air Staff that your Dams project is to go ahead immediately. The operation must be ready at all costs no later than May."
With renewed vigor, Wallace resumes his work, emphasizing the collaborative effort required to design the specialized bomb and plan its deployment. The dedication is palpable as the narrator states at [15:48]:
"The Dam Buster project was approved at last. And to Barnes Wallace, life was work from dawn till midnight."
Sir Arthur Harris, the Chief of Bomber Command, takes an active role in mobilizing the necessary resources. In a strategic meeting at [16:23], Harris outlines the ambitious plan:
Paul Brickhill highlights Wallace's trusted relationship with Harris, reinforcing the significance of their collaboration:
Harris's determination is further evident as he insists on forming a new squadron without disrupting existing bomber forces:
The episode delves into the meticulous process of assembling and training the specialized squadron. Key figures like Guy Gibson and Mickey Martin are introduced, illustrating the blend of experience and expertise required for the mission:
Training focuses intensively on low-altitude flying and night operations, essential for the success of the Dambusters' raid:
The emphasis on secrecy and discipline is paramount, as Harris communicates to the squadron at [25:47]:
"If we can surprise the enemy, everything will be fine. If not, then you're old enough and ugly enough to know what happens."
This stern guidance underscores the high stakes involved in the mission.
By the episode's end, the Dambusters project is fully mobilized, with a dedicated squadron ready to undertake their daring mission. The blend of technical prowess, strategic planning, and unwavering determination showcased by Wallace and Harris exemplifies the essence of wartime innovation and leadership.
Through immersive dramatization and insightful narration, "Dambusters (AU) Episode 2" offers listeners a compelling portrayal of one of World War II's most legendary operations. The episode not only highlights the technical challenges but also the human elements of perseverance and collaboration that ultimately led to the mission's execution.
For enthusiasts of historical radio dramas and military history, this episode of "Harold's Old Time Radio" serves as an engaging and informative retelling of the Dambusters' mission. The detailed character interactions, coupled with authentic period dialogue, create a vivid auditory experience that honors the legacy of those who served.