Dark Fantasy 41-11-14 (01) The Man Who Came Back

Summary

Podcast Summary: Dark Fantasy 41-11-14 (01) The Man Who Came Back

Podcast Information

• Title: Dark Fantasy 41-11-14 (01) The Man Who Came Back
• Series: Harold's Old Time Radio
• Release Date: March 3, 2025
• Description: This episode delves into a suspenseful tale from the Golden Age of Radio, blending elements of mystery, supernatural, and drama. Listeners are transported to a bygone era where family gatherings around the radio were commonplace, enjoying thrilling stories akin to classics like The Shadow and Dragnet.

---

Introduction

Dark Fantasy 41-11-14 (01) The Man Who Came Back opens with a sudden interruption by an advertisement, setting a nostalgic tone reminiscent of old-time radio broadcasts. The main narrative begins shortly after, introducing the central conflict between Keith Grange and Philip Blake.

---

Plot Overview

The episode centers around Keith Grange, who finds himself confronted by Philip Blake—the man he killed three years prior. Blake's return from the dead seeks vengeance, unraveling a web of deceit, betrayal, and supernatural retribution.

---

Key Sections and Discussions

1. The Confrontation Begins (00:56 - 08:09)

• Philip Blake's Return: At [00:56], Philip Blake declares, "I am the man who came back," signaling his supernatural return. This initiation sets the stage for the ensuing conflict.

• Tense Exchange: The dialogue between Keith Grange and Captain Sullivan evolves as they attempt to manage Philip Blake's unexpected presence. At [02:00], Captain Sullivan references Emily Post, saying, "according to Emily Post, it's mask's off at midnight," adding a touch of old-fashioned etiquette to the tense situation.

• Revelation of Betrayal: Philip Blake reveals at [05:39], "I accidentally found the key to your apartment here. It was in Sylvia's purse," uncovering a hidden betrayal that deepens the conflict between the characters.

2. Escalation to Violence (07:09 - 12:56)

• Keith's Desperation: At [07:28], Keith Grange admits, "You think killing me is a way out, Grange? You're very badly mistaken," showcasing his desperation and the lengths he's willing to go to protect his interests.

• Philip's Threats: Philip Blake warns, "[07:41] If you kill me, Grange, I'll come back in a vein myself," emphasizing the supernatural stakes and the inevitability of vengeance.

• Self-Defense Claim: Captain Sullivan reports at [09:15], "the court therefore decrees that Keith Grange shall not be held to account for this unfortunate incident," highlighting the legal aftermath of Keith's actions.

3. The Supernatural Unfolds (12:56 - 22:09)

• Ghostly Apparitions: Keith Grange begins to experience hallucinations or supernatural encounters. At [11:44], Blake ominously states, "You're not alone, Grange," followed by chilling interactions that blur the lines between reality and the supernatural.

• The Piano Melody: At [20:25], Keith notices, "that melody he played the night I killed him. He's playing it now, yet he's not there," symbolizing Blake's lingering presence and unresolved conflict.

• The Gun's Return: Philip Blake returns the gun at [21:24], stating, "It's the one you killed me with. Don't you recognize it?" This act serves as a pivotal moment, forcing Keith to confront his past actions directly.

4. Climactic Resolution (22:09 - 25:05)

• The Final Confrontation: Keith Grange decides to take Philip's revenge, leading to a tense showdown. At [22:09], Keith muses, "What are you trying to go on? He's gone. Lord, am I mad? Was I dreaming?" expressing his conflicted emotions.

• Philip's Death: The culmination occurs when Keith Grange shoots Philip Blake, resulting in their intertwined fates. At [23:16], Captain Sullivan remarks, "So he shot himself, eh?" adding a twist to the resolution.

---

Notable Quotes with Attribution and Timestamps

• Philip Blake:

  • "[00:56] I am the man who came back."
  • "[05:53] I accidentally found the key to your apartment here."
  • "[07:41] If you kill me, Grange, I'll come back in a vein myself."
  • "[21:24] It's the one you killed me with. Don't you recognize it?"

• Keith Grange:

  • "[02:20] Stop changing the subject. What I want to know is, why ain't you unmasked like the others?"
  • "[07:01] Away, skip the heroic spake. You know, I think I've suddenly thought of a solution to all this."
  • "[22:09] What are you trying to go on? He's gone. Lord, am I mad? Was I dreaming?"

• Captain Sullivan:

  • "[08:45] Read all about it."
  • "[12:56] No, no. I'm sure of was no one. No one at all."
  • "[17:38] Must have been your imagination."

• Sylvia:

  • "[10:05] To worry about now."
  • "[15:10] This is his ring."
  • "[19:17] Oh, it's lovely. Absolutely lovely. Keith, darling, what's the matter?"

---

Characters and Performances

• Keith Grange (Ben Morris): The central figure haunted by his past actions, grappling with guilt and the supernatural consequences of his deeds.

• Philip Blake (Eugene Francis): The vengeful spirit seeking retribution, his return serves as the catalyst for the unfolding drama.

• Captain Sullivan (Murillo Schofield): The pragmatic authority figure attempting to mediate the escalating conflict.

• Sylvia (Corin was hurt as Sylvia Fred Wayne): Keith's confidante, whose loyalty and actions significantly influence the narrative's progression.

• Casey Muir (Eleanor Naylor): A supporting character involved in the interactions surrounding the central conflict.

---

Conclusion

The Man Who Came Back masterfully intertwines elements of suspense, mystery, and the supernatural, creating a compelling narrative that keeps listeners engaged from start to finish. The episode concludes with a dramatic resolution that underscores themes of guilt, retribution, and the inescapable nature of one's past. As Keith Grange faces the ultimate consequences of his actions, the story leaves listeners pondering the thin veil between life and death, and the haunting echoes of unresolved conflicts.

---

Final Thoughts

This episode of Dark Fantasy exemplifies the enchanting allure of old-time radio dramas, effectively using soundscapes and dialogue to build tension and evoke deep emotional responses. For fans of classic radio storytelling, The Man Who Came Back offers a rich and immersive experience that honors the traditions of the Golden Age while delivering a fresh and engaging tale.

Transcript

[Styles MacKenzie]

We interrupt this program to bring you an important Wayfair message. Wayfair's got style tips for every home. This is Styles MacKenzie helping you make those rooms sing. Today's style tip. When it comes to making a statement, treat bold patterns like neutrals. Go wild like an untamed animal. Print area rug under a rustic farmhouse table. From wayfair.com fierce. This has been your Wayfair style tip to keep those interiors superior.

[Keith Grange]

Wayfair, every style, every home. Dark fantasy.

[Philip Blake]

I am the man who came back. All right, now, break it up.

[Keith Grange]

Break it up. All right, Ms. Casey.

[Captain Sullivan]

Yes, Captain.

[Philip Blake]

Now, you stay right there in that.

[Keith Grange]

Doorway and don't let nobody in or out.

[Captain Sullivan]

Right, Captain. All right, now. All right, you heard him.

[Sylvia]

Oh, but we had nothing to do with this.

[Captain Sullivan]

Okay, sister, if you didn't, you ain't got nothing to be scared of. Hey, you. Where do you think you're going?

[Philip Blake]

I thought I might get a little air, if you don't mind.

[Captain Sullivan]

Well, I do mind. Now back in the house with you. What's the big idea, you wearing that mask?

[Philip Blake]

As you might have observed, my friend, this is a masquerade party.

[Captain Sullivan]

Oh, is it now? Well, according to Emily Post, its mask's off at midnight. We got this call to come out here just as the clock in Washington Circle was striking the hour.

[Philip Blake]

The call was placed by a most hysterical woman. And there is nothing you can do for the man in there, I assure you.

[Captain Sullivan]

Stop changing the subject. What I want to know is, why ain't you unmasked like the others?

[Philip Blake]

I prefer, sir, to wear my mask.

[Captain Sullivan]

Take it off, Don Juan. I want to look at your mug.

[Philip Blake]

It might be better, my friend, if you didn't see my mug.

[Captain Sullivan]

Now, look here, Zorro.

[Philip Blake]

Perhaps while we are waiting, I might tell you a story.

[Captain Sullivan]

Yeah, what is this, bedtime at Grandma's? The only story I'm interested in is what happened here tonight.

[Philip Blake]

Exactly.

[Captain Sullivan]

Eh?

[Philip Blake]

I said exactly. Perhaps I can tell you the story.

[Captain Sullivan]

All right, then, my fine, mysterious friend, give.

[Philip Blake]

Well, you see, it's quite a long story. It really all began three. Yes, at least three years ago. I remember that evening quite well. I let myself into Grange's apartment. It was a golden key. I used a bright golden key. And there was no one there when I arrived. So I closed the door and waited. Well, Grange, imagine seeing me here.

[Keith Grange]

Blake, I say, you startle me.

[Philip Blake]

Did I, now? I dare say, had I been someone else, you wouldn't have been at all startled.

[Keith Grange]

Incidentally, old man, how did you get in here?

[Philip Blake]

I Suppose it would be quite facetious of me to say that I came in the same way you did. Oh, I say, a new piano. Do you mind?

[Keith Grange]

No, not at all. Go right ahead. Help yourself. Have a drink.

[Philip Blake]

No, thanks. You better have one, though.

[Keith Grange]

Hmm? Oh, yes. I say, Blake, what's that you're playing?

[Philip Blake]

You've heard it before, Grange.

[Keith Grange]

Have I? I don't recall.

[Philip Blake]

You have a short memory.

[Keith Grange]

I usually remember pretty well when you choose to.

[Philip Blake]

You do?

[Keith Grange]

Yes. What do you mean by that?

[Philip Blake]

My wife has played that tune for you every night this week and last and the week before that. You see, I happen to know.

[Keith Grange]

Oh, I see.

[Philip Blake]

Well, I'm glad you haven't the audacity to deny it.

[Keith Grange]

No, I don't deny it. Your wife has been here often. As often as she possibly could. But I assure you she came of her own desire.

[Philip Blake]

And as a result of your oily persuasion.

[Keith Grange]

I might agree, Blake, that she is easily persuaded. And of course, my curiosity prompts me to ask how you finally learned the truth.

[Philip Blake]

I accidentally found the key to your apartment here. It was in Sylvia's purse. A golden key with your initials engraved on one side, hers on the other.

[Keith Grange]

Why, I thought that a rather handsome touch. Don't you agree?

[Philip Blake]

I've brought the key back to you.

[Keith Grange]

How gallant of you, old fellow.

[Philip Blake]

I'm serious. Sylvia will never come here again.

[Keith Grange]

Are you positive of that?

[Philip Blake]

Quite. For I shall ask her not to.

[Keith Grange]

You seem to believe she'll obey you.

[Philip Blake]

She will. And I ask you now, Grange, as a gentleman, kindly refrain from inviting her here again.

[Keith Grange]

In other words, hands off. Is that it?

[Philip Blake]

I'm glad I make myself quite plain.

[Keith Grange]

Why, you fool. You dull, stupid fool. What right have you to demand anything of Sylvia? Do you think for a moon, night after night, twiddling her thumbs while you're away from home?

[Philip Blake]

I admit I've been busy this past year, but another six months.

[Keith Grange]

Ah, you've no one to blame for Sylvia's being here but yourself. Here she's found what you've denied her, Blake. I doubt very much if she'll give it up.

[Philip Blake]

Why, you swine. If you think for a moment.

[Keith Grange]

Oh.

[Philip Blake]

I forgot you carried a gun. But if you'd care to put it.

[Keith Grange]

Away, skip the heroic spake. You know, I think I've suddenly thought of a solution to all this.

[Philip Blake]

The only solution is for you to leave Sylvia alone.

[Keith Grange]

Oh, no, no, you're quite mistaken. This is the solution, here in my hand. Indeed, I rather like the idea. Besides, with you out of the way, Sylvia need have no more qualms.

[Philip Blake]

Why, you low yellow rat.

[Keith Grange]

That's it, Blake. Come closer. Threaten me. Make me do it. Make me do it, Blake.

[Philip Blake]

You think killing me is a way out, Grange? You're very badly mistaken.

[Keith Grange]

It's the only way out.

[Philip Blake]

If you kill me, Grange, I'll come back in a vein myself.

[Keith Grange]

One shot and that'd be all. I can prove self defense. Sylvia will help. She'll swear you came here and tried to kill me.

[Philip Blake]

I'll come back, Grange.

[Keith Grange]

Just one shot. Directly between the eyes.

[Philip Blake]

I'll haunt you, Grange, because by God in heaven, I'll come back.

[Keith Grange]

It's a perfect scheme. Yes, I like it.

[Philip Blake]

Pierce the veil, Grange, because I'll come.

[Captain Sullivan]

Back if I have to fight all.

[Philip Blake]

The demons that helted for it.

[Keith Grange]

Prepare, Blake. This is a chance of a lifetime. It's the way out. Yes, it's the way out.

[Captain Sullivan]

Get your extra paper. Wealthy playwright slain in millionaire's apartment.

[Keith Grange]

Read all about it.

[Captain Sullivan]

Hey, Mr. Keith Grange playing self defense in slaying a Philip Lake. Here it is, folks. Get your extra paper. Read the headline news about the killing.

[Ryan]

It's all here in your.

[Captain Sullivan]

It is the judgment of this court that the defendant, Keith Grange did shoot and kill the deceased Philip Blake on the night of April 16th. And that in so doing he acted in a line of self defense. The court therefore decrees that Keith Grange shall not be held to account for this unfortunate incident.

[Philip Blake]

Well, my dear, I suppose there's nothing.

[Sylvia]

To worry about now.

[Keith Grange]

Not the slightest thing. I told you from the very beginning, Sylvia, that I acted rightly in doing what I did.

[Sylvia]

I still can't resign myself to it.

[Keith Grange]

But you must. It's all over. Philip is dead. Now we can be together as much as we please.

[Sylvia]

Keith. Suppose you and I should have a misunderstanding. Suppose I should become angry. Sometimes so angry I. I might tell the truth to the authorities.

[Keith Grange]

That, my dear, would be most unfortunate. But it's a possibility. And by no means should we overlook possibilities. So allow me to remind you, Sylvia, my dear girl, that your hiding the true facts of the matter at the coroner's investigation automatically makes you an accomplice.

[Sylvia]

Oh, I see. But why are we talking like this, darling? We'll both feel better after we've had a little rest.

[Keith Grange]

Of course we will, dear.

[Sylvia]

Kiss me good night, darling. I'm going home.

[Keith Grange]

I'll take you.

[Sylvia]

Oh, no, no. I'd rather go alone tonight, if you don't mind.

[Keith Grange]

As you wish, my dear. Good night.

[Sylvia]

Good night, darling.

[Keith Grange]

Sweet.

[Sylvia]

Will you call me in the morning?

[Keith Grange]

Yes, of Course I will.

[Sylvia]

Good night, then.

[Keith Grange]

Good night, darling. Pleasant dreams. That's strange. Very strange. Just a moment ago, there were only Sylvia and I here. Now she's gone. Yet I feel that I'm not alone.

[Philip Blake]

You're not alone, Grange.

[Keith Grange]

What? What was that? I thought I heard a voice.

[Philip Blake]

It was my voice.

[Keith Grange]

Who are you? Where are you?

[Philip Blake]

I told you I'd come back.

[Keith Grange]

No, no, it's just my imagination.

[Philip Blake]

Is it your imagination, Grange?

[Keith Grange]

Yes, yes, of course.

[Philip Blake]

I warned you. I warned you, remember?

[Keith Grange]

Come out. Come out in the open. Come out, I say.

[Captain Sullivan]

Do you hear me?

[Keith Grange]

Come out.

[Philip Blake]

Your gun is useless against me now, Grange.

[Keith Grange]

What do you want? Tell me, what do you want?

[Philip Blake]

Oh, not now. The time isn't right now. But I'll be back. Watch for me and wait. Watch and wait for. I'll come back Rang. I'll come back.

[Keith Grange]

No, no. I'm sure of was no one. No one at all. I just imagined it, that's all. Yes. Just my imagination.

[Ryan]

Hello, it is Ryan. And we could all use an extra bright spot in our day, couldn't we? Just to make up for things like sitting in traffic, doing the dishes, counting your steps. You know, all the mundane stuff. That is why I'm such a big fan of Chumba Casino. Chumba Casino has all your favorite social casino style games that you can play for free, anytime, anywhere, with daily bonuses that should brighten your day. Lo actually, a lot. So sign up [e-mail]. that's chumbacasino.com. no purchase necessary bgw or void.

[Keith Grange]

Prohibited by law. See terms and conditions 18.

[Styles MacKenzie]

When you start your college career at Heritage University, you're opening the door to something big. To a world of new experiences. To personal growth and academic discovery. To friendships that will last your entire life and the future you've always dreamed of. You're opening the door to your best life. And the best part is, it won't stop here. Heritage University Operation Best Life. Learn more at heritage. Edu bestlife.

[Keith Grange]

Sylvia, dear, you look so tired. Here, perhaps this will wake you up. Present for you.

[Sylvia]

A present?

[Keith Grange]

Yes, something I picked up today. I thought you'd like it.

[Sylvia]

How sweet of you, darling. I think I can guess just by looking at the box. It's. It's a ring.

[Keith Grange]

Oh, aren't you clever. Go ahead, open it.

[Sylvia]

All right, darling, but don't hurry me.

[Keith Grange]

Oh, Sylvia, that isn't the ring I bought for you.

[Sylvia]

Keith, look at this ring.

[Keith Grange]

The initials P.B.

[Sylvia]

Keith.

[Keith Grange]

This.

[Sylvia]

This is his ring.

[Keith Grange]

Sylvia, what are you saying?

[Philip Blake]

It's his ring.

[Sylvia]

I gave it to him.

[Keith Grange]

But, Sylvia, truth.

[Sylvia]

I swear to you. Philip Blake was buried with that ring on his finger.

[Captain Sullivan]

Yes, Please, do you mind coming around.

[Philip Blake]

To the other side, please?

[Captain Sullivan]

Mister, that door busted and you can't get it open.

[Keith Grange]

Oh, very well.

[Philip Blake]

Sorry to ask that of you, but.

[Captain Sullivan]

I ain't had time to get the other door fixed.

[Philip Blake]

Where to, friend?

[Keith Grange]

Oh, I think the D Hotel, please.

[Philip Blake]

Right. Excellent. That's where I'm going.

[Keith Grange]

Oh, well, you startle me. I didn't know there was anyone in this cab. It's so dark tonight.

[Philip Blake]

Yes, isn't it?

[Keith Grange]

I say, I don't seem to feel anyone in the seat here beside me.

[Philip Blake]

Strange. You certainly bumped me hard enough when you crawled in here.

[Keith Grange]

Bumped you? I beg your pardon, sir, but I.

[Philip Blake]

Never mind, Grange, Never mind.

[Keith Grange]

You know me.

[Philip Blake]

I am surprised that you don't know me.

[Keith Grange]

But. Yes, your voice sounds familiar.

[Captain Sullivan]

Good Lord.

[Philip Blake]

Philip Blake, do you mind riding with me?

[Keith Grange]

I. Blake, you're supposed to be dead. You're supposed to be buried.

[Philip Blake]

I am dead, Grange. I am buried.

[Captain Sullivan]

Gabby.

[Keith Grange]

Gabby, stop this cab.

[Captain Sullivan]

Right, sir.

[Keith Grange]

Now let me out of here. Let me out.

[Captain Sullivan]

What's the matter, governor?

[Keith Grange]

Hey, you hadn't ought to jump out.

[Captain Sullivan]

Of a moving car like that.

[Keith Grange]

What in the name of heaven is in the back of that cab?

[Captain Sullivan]

Why, nothing, governor. Here, see? I'll turn on the light.

[Philip Blake]

There, see?

[Keith Grange]

But there was somebody in there with me.

[Captain Sullivan]

Oh, now, mister, they couldn't have been. Look for yourself.

[Philip Blake]

The seat's empty.

[Captain Sullivan]

There. You just jumped out on this side of the cab.

[Keith Grange]

The other door won't open.

[Philip Blake]

No, brother, there wasn't nobody in that seat with you.

[Captain Sullivan]

Must have been your imagination.

[Sylvia]

Hello? Hello, Doric, dear, this is Sylvia. I just wanted to remind you about the masquerade ball at Keith's new home tonight. You'll be there? Fine. Now remember, masks and costumes for everybody. All right, dear. Now, be sure to come in costume, won't you, Dorothy? Yes, and heavily masked, my dear. Yes, at Keith's new place. Oh, darling, wait till you see the place. It's really a mansion. Honestly, it's huge. Mr. Grange, I believe.

[Keith Grange]

Sylvia, darling. So you've penetrated my disguise.

[Captain Sullivan]

Silly.

[Sylvia]

I heard you order it from the costumers yesterday. Darling, the music book starts soon is the first dance hours.

[Keith Grange]

Sylvia, my dear, every dance is ours tonight. Are you happy I bought this place?

[Sylvia]

Oh, it's lovely. Absolutely lovely. Keith, darling, what's the matter?

[Keith Grange]

That man in black. I've been watching him all evening. He's been watching me.

[Sylvia]

Do you know who he is?

[Keith Grange]

No, he just stands and stares at me everywhere I go. He's always just a short distance away.

[Sylvia]

Look, Keith, he's going into your study.

[Keith Grange]

Well, he hasn't any business in there.

[Sylvia]

Strange. I locked that door this evening so the guest wouldn't go into your study and disturb things.

[Keith Grange]

Well, he just walked right in and. Here. I'll go see who he is and what he wants. You mingle with the guests and I'll join you later.

[Sylvia]

Very well, dear. But don't be long. I'll be waiting for you.

[Keith Grange]

All right. So? Yeah, it's odd. This door is locked. Dark piano. Oh, confound it, where's the light switch?

[Philip Blake]

There.

[Keith Grange]

No, no, it can't be. That piano. Someone's playing and yet there's no one seated there. The keys moving up and down, playing the music. But there are no hands on them. That melody. It's the melody he played the night I killed him. He's playing it now, yet he's not there.

[Philip Blake]

I'm here, Grange. I'm here, Grange. Look closer, Grange. Here I am. You see?

[Keith Grange]

Yes, I see you now.

[Philip Blake]

I brought you a little gift for your masquerade party. You find it lying on your desk. Turn around and see for yourself. That's right. There, you see?

[Keith Grange]

A gun.

[Philip Blake]

It's the one you killed me with. Don't you recognize it?

[Keith Grange]

Where did you get that gun?

[Philip Blake]

I found it, Granged, and I've brought it back to you. I put one shell in its chamber. Just one, Grange, but that is enough.

[Keith Grange]

What are you trying to go on? He's gone. Lord, am I mad? Was I dreaming? No, no, the gun is here. It is my gun. One cartridge. He said only one. One cartridge? Yes, yes. It's the only way left. He knew it was the only way. Now he's left me to take it. All right, Blake. You can have your revenge. You can have it. And you are right. It is the only way.

[Captain Sullivan]

So he shot himself, eh?

[Philip Blake]

The evidence in there will indicate that he did, yes.

[Captain Sullivan]

Say, that's quite a yarn. You sponge, Zorro.

[Philip Blake]

It is nothing but the truth.

[Captain Sullivan]

Come on now. Come on, me friend. Let's take off your mask and have a look at you.

[Philip Blake]

One moment, Keith Grange shot Philip Blake squarely between the eyes.

[Captain Sullivan]

Yeah, so what?

[Philip Blake]

That doesn't make a very pretty sight.

[Captain Sullivan]

Well, I don't see what that's got to do with. Here comes the captain. He'll take that mask off. Ye, Captain. Sullivan, come here a minute, will you?

[Keith Grange]

Yes, Casey, what is it?

[Captain Sullivan]

There's a mug here that won't take off his mask. He's been spinning me the most fantastic yarn ever heard in all my. Where'd he go? Huh?

[Philip Blake]

Where'd who go? Say, did you let somebody get out of this house?

[Keith Grange]

Casey?

[Captain Sullivan]

No, no, no, no, said Cap. No, I didn't. But he was. He was standing here just a minute ago. He wouldn't take off his mask. He told me the darndest story about a murdered man coming back from the grave.

[Philip Blake]

Casey, have you been near the punch bowl? There's no one here.

[Keith Grange]

Now, wait a minute.

[Philip Blake]

What's this stain here on the floor?

[Captain Sullivan]

Blood. A little pool of it there on the floor. Right in the exact spot where the man in black was standing.

[Keith Grange]

SA Dark Fantasy the MAN who Came Back an original tale of dark fantasy by Scott Bishop. Ben Morris was Keith Grange. Eleanor Naylor Corin was hurt as Sylvia Fred Wayne took the part of Casey Muir. Height was Captain Sullivan Murillo Schofield the cab driver. And Eugene Francis was the man who Came Back. Ladies and gentlemen, every Friday night at this time, the national broadcast, the National Broadcasting Company will bring you dark fantasy tales of the weird adventures of the supernatural created for you by Scott Bishop. Listen one week from tonight for the breathtaking story of the tombs of ancient China, the soul of Shanghai 1.

[Captain Sullivan]

This is the National Broadcasting Company.

[Keith Grange]

Step into the world of power, loyalty and luck. I'm gonna make him an offer he can't refuse.

[Styles MacKenzie]

With family.

[Keith Grange]

Cannoli and spins mean everything. Now you want to get mixed up in the family business? Introducing the [e-mail] test your luck in the shadowy world of the Godfather slots.

[Captain Sullivan]

Someday I will call upon you to do a service for me.

[Keith Grange]

Play the Godfather [e-mail]. welcome to the family. No purchase necessary. VGW Group void. We're prohibited by law 21 plus terms and conditions apply.

[Styles MacKenzie]

Ever wanted to stay on vacation longer? Us too. With VRBO's long stay discounts, you can stay longer and save more on select properties. Gotta love a win win. Book the perfect summer getaway today with VRBO Private Vacation Rentals. Your future self will thank you later.