
Dark Fantasy 41-11-28 (03) The Thing from the Sea
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Philip Hayward
Dark fantasy.
Bull
I am this thing from the sea.
News Reporter
Sorry, Mr. Hedges, this is all we can dig up on that story about the missing Hollywood people. Well, we can't wait it longer.
Ned
We got to go to press. Let's see what you got.
News Reporter
Story from the film capital. More than A week ago, November 20, to be exact, Philip Hayward, young cinema star of Yesterday's Bread and a popular actress, Judith Johnson, set sail for New Zealand aboard Hayward's private yacht. As chaperone, Ms. Johnson's movie director father accompanied the pair. And it's reported that Johnson Sr. Is taking advantage of the sea voyage to complete his original cinema yarn, a story of the strange creatures who live beneath the surface of the sea. That was more than a week ago. Word's been received from New Zealand that the Hayward yacht's more than two days overdue. A careful check gives evidence that there have been no disturbances on the Pacific throughout the time the party's been aboard. Special searching parties fail to discover the whereabouts of the boat. Question in Hollywood tonight. The question everywhere is what's happened to the trio aboard the Dolphin?
Bull
Where are they?
News Reporter
Have they become victims of the fantastic creatures created in the imagination of the author director aboard the yacht? That is this week's unsolved mystery.
Johnston
Will it ever be?
News Reporter
Oh, that's all right, boy. Get this down to makeup.
Philip Hayward
Let's get rolling.
Ned
Right away.
Philip Hayward
Come on in here. Which? Stop that food noise, will you?
Johnston
Oh, take it easy, Johnston. No reason to start shouting at each other, you know.
Philip Hayward
Now look here, we've been become for two days and a night now. We haven't moved a knot one way or the other.
Johnston
I assure you there's nothing wrong with the motors. I've been over them myself. For some fantastic reason, they just refuse to start again.
Philip Hayward
Why? Why won't they start? I don't know.
Johnston
Why did they stop in the first place?
Philip Hayward
Oh, it's weird. It's like some strange spirit has descended upon the boat.
Johnston
Oh, nonsense.
Philip Hayward
Is it nonsense? There are many terrifying legends about sea spirits. Fantastic adventures that have happened to sailors at sea?
Johnston
Just a lot of myths.
Philip Hayward
Who knows what strange creatures lurk beneath the sea's surface? Who can tell what might come up out of the depths at any moment?
Johnston
Oh, stop it. You're talking like a superstitious old fool. You made too many goofy movies. Just because you won an Academy Award is no sign I'm gonna swallow the tribe you dish out in those eight real clanbakes of yours.
Judith Johnston / Lana
No, Judy, you can't.
Ned
Hey, what's the matter with me?
Judith Johnston / Lana
You cannot. No, I won't let you.
Philip Hayward
Donna. Hey, wake up.
Judith Johnston / Lana
No, you can't do it. No. No, I say. No.
Philip Hayward
Judy.
Johnston
Judy, darling. What in the name of heaven?
Philip Hayward
Judy, are you all right?
Judith Johnston / Lana
Oh, I was asleep, dreaming. Oh, it was horrible.
Johnston
I'd say it was a nightmare.
Judith Johnston / Lana
I dreamed I was talking to a young girl. Yet she didn't seem like a girl at all. She looked more like a mermaid.
Philip Hayward
A what?
Judith Johnston / Lana
She was like a nymph from the sea, I thought. She stood looking at me. She told me she'd been dead for centuries and yet not really dead. I couldn't understand what she meant. She said something about her body being dead but her mind being free to.
Lana
Wander about the world.
Judith Johnston / Lana
Dad, it was ghastly. She kept trying to convince me that I should let her mind enter my body.
Johnston
What did she say she wanted to do?
Judith Johnston / Lana
She said the entire civilization of the earth depended upon the task she had to perform. Oh, Phil, she. She seemed to be actually trying to force me out of my body so she could enter it.
Philip Hayward
Judy, what did this creature look like?
Judith Johnston / Lana
Oh, she was awful looking, dad. She had long hair, green and slimy like seaweed. Her teeth were brilliant red. They were long and pointed. She kept staring at me with her little beady eyes. They were horrible, for there were no eyelids. She never blinked once. She just stared and stared.
Philip Hayward
Yes, what else? Judy?
Judith Johnston / Lana
It was horrible. When she touched me, she had long, narrow fingers with no nails on them and they were covered with fish like scales.
Philip Hayward
It's positively the most amazing thing I've ever heard of. Mr. Hayward.
Judith Johnston / Lana
Mr. Hayward.
Johnston
Well? Yes, Ned, what is it?
Philip Hayward
I say, look at the lady. What's wrong, boy? You're pale as a ghost.
Ned
Mr. Hayward, the dolphin, she is moving.
Johnston
The boat's moving.
Philip Hayward
Good.
Johnston
The men got the motor started?
Ned
No, sir, that's just it. The motors aren't running and there's no wind. The boat's making about 20 knots an hour.
Philip Hayward
This boat couldn't possibly move without motor fresh.
Ned
Not all. There's a man at the helm. Steering the boat. And he's a man none of us have ever seen before.
Johnston
Nat, are you sure?
Ned
Sure as I'm standing here, sir. And he's the strangest thing I've ever seen.
Johnston
Well, let's go have a look at him.
Philip Hayward
Hey, come on. Judith, you'd better stay here.
Judith Johnston / Lana
Oh, no, no. I'm not going to stay here by myself.
Johnston
All right, come along, all of you.
Ned
Follow me.
Philip Hayward
It's him.
Ned
Standing up there at the helm, singing.
Philip Hayward
Some sort of an ancient siege.
Ned
Hunting easy now.
Johnston
Maybe trouble.
Philip Hayward
No.
Ned
There he is, sir. You see, Mr. Hayward?
Philip Hayward
Oh, yeah. I say, Heyward, that's no man. Some sort of a sea monster.
Ned
Look at his hands, Mr. Hayward, lads.
Philip Hayward
Right. Long, narrow fingers with webs between them and no fingernails.
Judith Johnston / Lana
Ted, Bill, they're like the hands of the girl in the dream. Where's he taking us?
Philip Hayward
Yes, I wonder. Behind the sun. Look at a huge wall of water rising out of the sea.
Johnston
Get down those steps. Everybody.
Lana
Get down.
Johnston
Everybody down here.
Lana
Into the cabin.
News Reporter
Hurry.
Judith Johnston / Lana
Hurry.
Johnston
I say. Everybody all right?
Philip Hayward
Yeah.
Ned
Yes, I am.
Philip Hayward
Did Judy go down to the cabin?
Johnston
Yes, she made it. Just managed to close the door before the wave hit.
Judith Johnston / Lana
Are you all right?
Philip Hayward
Yes.
Johnston
Okay.
Philip Hayward
You.
Judith Johnston / Lana
Judy, what in the world caused that?
Philip Hayward
Yeah, what? No wind and a wave of water hundreds of feet high.
Judith Johnston / Lana
It's a miracle we didn't capsize.
Ned
Look, sir, to the port side.
Johnston
Yes, Ned, it's land.
Philip Hayward
Land, by heaven, it can't be.
Johnston
Not in these waters. There's no land for 500 miles.
Philip Hayward
And what's that over yonder? Mirage?
Ned
No, sir, that's no mirage. It's land.
Philip Hayward
It certainly is. Long, low coast extending north and south as far as you can see.
Judith Johnston / Lana
A low, steaming land.
Johnston
Look.
Judith Johnston / Lana
Look at the heavy vapors rising from it.
Philip Hayward
You're right, Judy. It is steaming. That must explain the sultryness has been around us these past two days.
Johnston
Why, I've been in these waters a dozen times. This has never been here before. It's an entire continent where there ought not to be anything but empty sea.
Philip Hayward
Land from the sea. That explains the wave that swept over us. A wave that high could only have been caused by an undersea disturbance.
Johnston
Oh, nonsense, Justin. You're trying to say an underwater convulsion forced this vast expanse of land up to the surface?
Philip Hayward
Precisely. A land called Eben.
Johnston
I'll have to have a better explanation than that. Things like entire continents rising up out of the ocean just don't happen.
Judith Johnston / Lana
Well, then if that's not correct, what is the explanation?
Philip Hayward
There is no other. A Lion called Iban did exist at one time, nearly 10,000 years ago, ruled by a man named Bul and a woman named Lana. They both possessed wonderful powers and knowledge. Bull, the emperor, destroyed the continent of Iban.
Ned
How?
Philip Hayward
By releasing vast unknown forces beneath the continent. Forces that only he and Lana knew how to control.
Judith Johnston / Lana
But why did he destroy it?
Philip Hayward
I, I I don't seem to recall. I read the legend once doing research for one of my pictures. It seems that for some reason or other, Bull and the girl were to release their spirits from their bodies. And those spirits would have the power someday of recalling the sunken land from the sea.
Judith Johnston / Lana
Then if such a story is true, that must be the land of Evan we're approaching.
Philip Hayward
Not at all impossible. And if it is true, couldn't that monstrous chanting thing at the helm be Bull himself taking us with him back to his long lost kingdom?
Johnston
You don't actually believe that, do you, Johnston?
Philip Hayward
Why not?
Johnston
Well, I certainly don't, Phil.
Judith Johnston / Lana
What else can we believe?
Philip Hayward
That wave couldn't have swept us off our course enough to put us in sight of this land. Besides, look at it. Steaming in that sultry, foul odor. Land covered with seaweed.
Ned
There's no one at the helm, sir. That monster's disappeared.
Judith Johnston / Lana
But look. There's someone lying on the deck beneath the wheel.
Ned
It's a man.
Judith Johnston / Lana
Yes.
Philip Hayward
Maybe that thing's met with a bit of hard luck.
Ned
Careful.
Philip Hayward
Careful, Hayward.
Johnston
Right.
Ned
He's breathing.
Johnston
Only slightly. I see.
Philip Hayward
Who is he?
Johnston
Not a member of the crew.
Philip Hayward
How'd he get on board? Why is he lying here on deck?
Judith Johnston / Lana
What happened to him?
Johnston
Oh, he's conscious. He's trying to tell us something.
Philip Hayward
Look here. Who are you?
Judith Johnston / Lana
I.
Philip Hayward
Stowaway, hid it in supply room, went to sleep. I don't remember anything. Stowaway says hid in the supply room and went to sleep. Wait a minute.
Ned
He's dead. Hey.
Philip Hayward
But I'm going to have a look over here. Oh, Judy. Judy.
Judith Johnston / Lana
Oh, dear, I feel so strange.
Philip Hayward
Oh, dear, you look ill.
Judith Johnston / Lana
Very strange.
Johnston
You'd better go below to the cabin, dear.
Judith Johnston / Lana
Yes, I better. I'll lie down for a while.
Philip Hayward
Shall I go with you, dear?
Judith Johnston / Lana
No, no. I'll be all right if I rest a little while.
Philip Hayward
All right, dear.
Johnston
Be careful going to your cabin. Oh, Ned, get a tarpaulin and cover the body.
Ned
Right away, sir.
Philip Hayward
Hey, come over here a minute, will you?
Johnston
Yes, Johnson, what is it?
Philip Hayward
Here, have a look. See? Someone's climbed down that rope ladder, gone ashore through the mud and slime.
Johnston
Whoever it was, he didn't sink in.
Philip Hayward
Very Deep seaweed's too thick. Kept him from sinking. I wonder who it was.
Johnston
I'm in favor of finding out.
Ned
Oh, Ned.
Philip Hayward
Yes, sir.
Johnston
We're going ashore. Watch out for Miss Blake, will you?
Philip Hayward
Right, sir.
Johnston
And not a word of this to the rest of the crew, understand?
Ned
Yes, sir.
Johnston
All right, Johnston. Down you go.
Philip Hayward
Down.
Johnston
Follow those footprints and see where they lead us.
Philip Hayward
This is the most evil smelling place I was ever in. Hold on. Look.
Johnston
Yeah, I see what you mean. A city up ahead there.
Philip Hayward
A city from the depths of the sea.
Johnston
I say, Johnston, isn't that Captain Webb going into that low domed building over there?
Philip Hayward
Eh? Oh, yes. Yes, it is. So that's our man. Ahoy, captain.
Lana
Captain Webb.
Johnston
Wait a minute, Captain. Hold up a bit.
Philip Hayward
Heyward. He's turned around. That snarl on his face. He's got a gun in his hand. Hayward. It isn't Webb. It's that thing.
Johnston
What in the name of heaven?
Bull
Stand back, the two of you. Stand back.
Philip Hayward
What?
Johnston
You are not Captain Webb.
Bull
I am Bull, emperor of Eban. And I've returned to claim again my ancient kingdom. If you come one step nearer, I shall be compelled to slay you.
Lana
You dare not. Boo.
Philip Hayward
Lana. Judy.
Lana
You seem surprised. Boo. Did you think I would forget?
Bull
Lana.
Johnston
Judy, darling, what does this mean? Why do you speak so strangely? Why does this thing call you Lana?
Lana
I am Lana, Philip Heywood. I have borrowed for a while the body of your beloved Judy.
Ned
What?
Lana
My mind, my spirit has entered her body. You see me as Judith Johnston. But now. Now I am Lana, empress of the kingdom of Eban.
Bull
I have returned to rule Eben.
Lana
And I have returned to prevent you.
Bull
King cannot prevent it. Lana.
Johnston
Look here. This quarrel is none of my affair. I demand that you release whatever power you have over my fiance.
Lana
I have borrowed her body only for a little while, Philip Hayward. Just as Boole has borrowed the body of the captain of your craft.
Bull
The body I first borrowed was a weak one, a sick stowaway. The captain's is a sturdy body. Now it is mine.
Lana
But you must return it to him, Boolean. It is the law. You must return his body unharmed, just as I must return the body of Judith Johnston.
Bull
It shall be so. I am about to enter the temple now regain my ebonite body.
Lana
You cannot open the burial chamber unless I accompany you.
Bull
I realize that full well. I enter the temple now. I shall await you, Lana, beside the sepulcher.
Philip Hayward
Look here, Lana.
Johnston
Oh, whoever you are, this is some horrible nightmare.
Lana
Philip Heyward, we must act quickly. I will try to explain when Boole destroyed Eben. 10,000 years ago, we sealed our Ebonite bodies in a vacuum chamber inside this tent. And our spirits left our bodies to roam the universe until Eban should be restored. Now Vhul intends to re enter his body and build a new Eben. Once he does reclaim his ancient body, all is lost. For no one save me, can destroy him. And if I slay him, I too must die.
Johnston
But what can you do?
Lana
I have a plan. Come with me into the temple where Bull awaits. There is Boole standing beside our ancient bodies just as we left them so long ago.
Bull
All is ready, Lana. We will break the vacuum. Permit our spirits to enter our sleeping bodies. Are you prepared?
Lana
I am prepared, Bool.
Bull
Then we begin.
Philip Hayward
Her. Look, those bodies in the glass vacuum, they're beginning to move. Yes. Slowly, slowly.
Johnston
Forget them.
Lana
No, no, no, don't.
Judith Johnston / Lana
Please don't.
Philip Hayward
Judy.
Johnston
Judy, darling.
Philip Hayward
Oh, no.
Lana
Help me.
Philip Hayward
Judy.
Lana
Sit here again.
Judith Johnston / Lana
Where am I?
Philip Hayward
Judy.
Judith Johnston / Lana
How did I get here?
Johnston
Judy. Thank heaven she's left you. You're yourself again.
Philip Hayward
Look. They will ask the vacuum. She up there.
Judith Johnston / Lana
There she is. She's the one in my dream.
Lana
You are free. All of you.
Philip Hayward
Not so.
Bull
The three of you will remain here forever to help rebuild the populace of Eban.
Lana
You cannot.
Johnston
Fool.
Bull
Bold is all great, all powerful. Fool is the law no one can defy.
Lana
No one who will save me.
Bull
You lack the courage, Lana.
Lana
Not now. I have the courage now. You were cruel and wicked, Bull. Your rule of ancient Eban ended in horrible tragedy. It must not happen again.
Bull
Put down the weapon, Lana. You dare not slay me. You'll die yourself.
Lana
Then I call upon death to claim me.
Bull
You dare not, Lana. You dare not slay the son of the ancient one.
Judith Johnston / Lana
Yes.
Lana
Fool. Yes. It has been written by the hand of destiny.
Ned
Lana.
Bull
Think.
Philip Hayward
Think before you slay me beyond the realm of Thothpool.
Lana
No. I destroy you.
Johnston
Murder.
Philip Hayward
She did it. She did it.
Judith Johnston / Lana
That is the end.
Lana
All is finished Now. Now you must go.
Johnston
Can you come with us, Lana?
Lana
No. But soon I perish also. You must hurry now. Leave, Ivan. Quickly. Go while yet you have time. Hasten before it is too late.
Philip Hayward
Well, Judy darling, we're underway.
Johnston
Full speed ahead.
Judith Johnston / Lana
No trouble starting the motors, dear?
Philip Hayward
None at all.
Johnston
The father and Ned are down to the crew. The men don't even suspect what has happened to us.
Judith Johnston / Lana
Well, just as well. They'd never believe it.
Johnston
Well, take a last look, Judy. You'll soon be out of sight of the land.
Judith Johnston / Lana
Yes. Oh, I'm so glad it's all over, Phil. Poor Lana. She gave her life to save ours, Phil.
Philip Hayward
Yes, darling, she did.
Judith Johnston / Lana
What's that?
Philip Hayward
Look.
Johnston
Flames from the mainland. Like a volcano.
Lana
Phil. The land sinking.
Johnston
It's Lana.
Philip Hayward
Judy.
Johnston
She's released the forces.
Philip Hayward
She's destroyed ancient he man.
Ned
Once again.
Philip Hayward
Dark Fantasy.
Ned
The Thing from the Sea. An original tale of dark fantasy by Scott Bishop. Eleanor Naylor Corin was Judith Johnston. Ben Morris played Philip Hayward. Fred Wayne was heard as Johnston. Eugene Francis played Ned. Georgiana Cook was Lana. And Daryl McAllister was bull. The Thing from the Sea Next Friday night, at the same time, the National Broadcasting Company will bring you another weird adventure thriller, the Demon Tree, Another tale of dark fantasy created by Scott Bishop and based upon the ancient legend of the strangling oak of Nanowood in England. So listen for the Demon Tree next Friday night. Dark fantasy originates in the studios of station wky, Oklahoma City. Keith Painton speaking. This is the National Broadcasting Company.
This episode of "Harold's Old Time Radio" presents a rebroadcast of Dark Fantasy — “The Thing from the Sea,” an eerie radio drama dating from the golden age of radio. The story follows a group of Hollywood elites — a young actor, a famed actress, and her director father — whose yacht voyage to New Zealand is interrupted by mysterious, supernatural events. The show blends maritime legend, ancient curses, possession, and adventure as the group encounters the sunken continent of Eban and its vengeful immortals.
On Possession & Ancient Spirits:
On the Supernatural Nature of Eban:
On Lana's Final Sacrifice:
On Wonder and Relief:
The episode’s script is rich in suspense, supernatural fear, and pulpy adventure. Characters fluctuate between skepticism and awe. The drama builds upon classic fears of the unknown — isolation at sea, uncontrollable supernatural forces — all told with a mix of melodrama and earnestness typical of golden age radio horror.
This episode is a quintessentialDark Fantasy tale: lost continents, otherworldly possession, and ancient secrets converging in a tense, atmospheric story that keeps listeners on edge. It's both a nostalgic time capsule and a showcase for the timeless appeal of radio horror.