Deadline For Danger 19xx.xx.xx Train Mystery

Summary

Podcast Summary: "Deadline For Danger" – Train Mystery

Harold's Old Time Radio | Episode aired January 9, 2026

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Overview of Episode Theme

In this suspenseful radio drama, "Deadline For Danger," listeners are plunged into a tense tale of espionage and paranoia set at a rural train station. The story centers on Madge Blake, who has discovered a plot involving dangerous spies. As she and her devoted husband Mike try to escape their relentless pursuers, the drama gallops from suspicion and doubt to a desperate gamble for survival. The episode is packed with twists about trust, identity, and the ever-present fear of the ordinary hiding the extraordinary.

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Key Discussion Points and Story Highlights

1. Tension on the Platform – Whom Can You Trust?

[00:41–04:49]

• Madge and Mike are anxiously awaiting a train, trying to evade a shadowy organization.
• Madge’s paranoia is on full display: “They’re everywhere. Even you could be one of them.” (Madge Blake, [00:55])
• Details emerge that Madge accidentally discovered a plot involving bombs and state-wide destruction: “Bombs planted in micro war and... they’ll have the state swiped out in a day.” (Madge Blake, [01:58])
• Mike tries to comfort her, repeatedly stressing his loyalty and love: “Gee, Madge, I love you.” (Mike Blake, [02:32])

2. The Dangers of the Crowd

[04:49–06:49]

• Increasing fear about who in the crowd might be the enemy: “So many of them and so ordinary. In films and books, you can’t mistake them... Innocent looking people. Suburban types.” (Madge Blake, [04:10])
• Mike reveals he’s armed, but Madge doubts a gun could protect them: “A gun against those fiends?” (Madge Blake, [04:22])
• Both realize any public commotion could be fatal if the spies use a passing train’s noise to cover up violence.

3. Desperate Search for Safety

[06:02–08:47]

• Mike and Madge try to blend in with other passengers, cautiously making contact: “Do you mind if we stay close to you?” (Madge Blake, [06:35])
• Madge’s suspicion flares up against Mike himself: “You couldn't possibly find out unless…unless you are one of them.” (Madge Blake, [07:56])

4. Betrayal, Confusion, and Capture

[08:47–10:31]

• Madge accuses Mike of being part of the conspiracy: “I stood by because you’re one of them. You knew from the start that I’d stumbled upon the truth. Those papers. I found them in your office.” (Madge Blake, [08:15])
• The atmosphere grows chaotic, with Madge trying to contact authorities and Mike threatening bystanders and opposing forces.

5. Climactic Stand-Offs and Near Escapes

[10:31–18:44]

• A series of confrontations as Mike and Madge attempt to flee, often at gunpoint: “You want to die?” (Mike Blake, [10:19])
• Both are forced to kidnap and control suspicious characters while grappling with Madge’s lingering doubts and fear: “I got to thinking you were, too.” (Madge Blake, [10:57])
• Discussion on why Mike refuses to get the police involved, raising further suspicion. Madge: “Why won’t you go to the police, Mike?” (Madge Blake, [11:57])

6. Pursuit and Trains: Cat-and-Mouse

[18:44–21:35]

• Mike and Madge attempt to double-back and trick their pursuers by returning to the original station and boarding a train. “This will fool 'em. Out looking for us in this car. But we're going back to the station.” (Mike Blake, [20:04])
• Ever-present threat: “How do we know none of them isn’t on the train?” (Madge Blake, [21:15])
• The tension peaks as Mike urges Madge onto the train alone, promising to meet her at the city: “Stay aboard. I’ll meet you in the city. We’ve got to put them off the trail.” (Mike Blake, [21:35])

7. The Surreal Finale – Truth or Madness?

[22:19–25:27]

• The enemy chief and his agents plot to intercept Madge on the train, with one disguised as a ticket collector.
• Upon interception, Madge, perhaps disoriented or feigning confusion, tells the authorities Mike was “one of them,” and that everyone is against her: “Everybody’s against me. And it’s all because I’m such a famous spy.” (Madge Blake, [25:05])
• The authorities appear to discredit Madge, suggesting she is mad and being returned to a sanitarium: “Oh, Dr. V. Springdale Mental Sanitarium. You mean to say she's crazy? Pretty girl like that, she didn't look very crazy.” (Train Conductor, [25:14])

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Notable Quotes & Memorable Moments

• Paranoia and Suspicion:
  “They’re everywhere. Even you could be one of them.”
  — Madge Blake ([00:55])

• On the Dilemma of Trust:
  “It was by accident. I found out all those things... I had to tell the authorities.”
  — Madge Blake ([01:37])

• Ruthless Pursuit:
  “She’s too dangerous.”
  — Train Conductor ([16:28])

• Madge’s Collapsing Reality:
  “Everybody’s against me. And it’s all because I’m such a famous spy.”
  — Madge Blake ([25:05])

• Ambiguous Ending:
  “Oh, Dr. V. Springdale Mental Sanitarium. You mean to say she's crazy? Pretty girl like that, she didn't look very crazy.”
  — Train Conductor ([25:14])

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Timestamps for Important Segments

• 00:41 – First sign of danger and distrust at the train station
• 02:21 – Madge’s knowledge revealed as the target of a spy ring
• 07:56 – Madge begins to truly doubt Mike’s loyalty
• 10:31 – Attempted escape; standoffs with bystanders and agents
• 16:28 – The conspirators insist on reclaiming Madge, labeling her “too dangerous”
• 20:04 – Mike and Madge’s car trick and dash back to the station
• 21:15 – Madge boards train alone, anxious and uncertain
• 25:05 – Madge accused of insanity; truth and lies are left in doubt

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Summary Tone & Style

The drama maintains a breathless, noir-inspired tension, driven by rapid dialogue and mounting paranoia. The language is direct, clipped, and urgent, reflecting the life-or-death stakes and era’s stylistic sensibilities. The ultimate ambiguity—was Madge truly a danger or simply caught in a web of delusion?—is left hauntingly unresolved, in true Golden Age radio fashion.

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For Listeners Who Missed the Episode

"Deadline For Danger" is a tightly plotted, atmospheric thriller—perfect for fans of cloak-and-dagger mysteries. If you relish classic stories of deception, shifting loyalties, and suspense in ordinary settings, this episode delivers with a taut script, memorable performances, and an ending that lingers long after the final whistle of the departing train.

Transcript

[Narrator/Announcer]

Most people would rather attend a corporate team building workshop than search for auto and home insurance.

[Madge Blake]

Go team.

[Narrator/Announcer]

Feel that synergy. That's why the zebra searches for you. Comparing over 100 insurance companies to find savings no one else can Compare. [e-mail] who's ready for the trust fall?

[Agent Vogler]

Deadline for danger.

[Madge Blake]

Who is he, Mike? Who is he?

[Mike Blake]

Just a guy waiting for a train, same as we are.

[Madge Blake]

If he wasn't. If he came up to us. You wouldn't leave me standing here all alone, would you?

[Mike Blake]

After all I've been through. Gee, Madge, I love you. What sort of a guy would I be if I did that?

[Madge Blake]

They're everywhere. Even you could be one of them.

[Narrator/Announcer]

Oh, I'm sorry.

[Madge Blake]

I didn't mean that.

[Mike Blake]

Sure, I know you've had a tough time.

[Madge Blake]

Guy waiting for a train wouldn't walk like that. So slow and heavy. Why does he keep looking at us all the time?

[Mike Blake]

He's waiting for a train, I tell you.

[Madge Blake]

Oh, darling, honey, darling, I'm scared.

[Mike Blake]

I'm here. I look after you. I've looked after you up to now, haven't I? Got to get you out of that place without anybody knowing a thing. As soon as that train comes, you can forget it ever happened.

[Madge Blake]

So darn clever keeping me in that place. It was by accident. I found out all those things. I didn't want to. I wasn't prying. But when I saw what they planned to do, I had to tell the authorities.

[Mike Blake]

Sure, don't get so excited.

[Madge Blake]

You'd think the police and the FBI and the security people could look after me. Captured right under their noses.

[Mike Blake]

I guess they didn't realize how serious things were.

[Madge Blake]

Bombs planted in micro war and. And they'll have the state swiped out in a day.

[Mike Blake]

Look, Madge, I came here. I found out where they had you hidden. I got you.

[Madge Blake]

You've got to get me to Washington, Mike. You've got to. I know all about their organization. What they're going to do, when and how. You don't think they'd have kept me locked up in that place if I didn't? You don't say.

[Mike Blake]

Quiet, kid. Hold on to yourself. I know you've been through a horror. I know what they've done to you. I also know how clever they are. And any yelling will give us away. Hold on to yourself. If you don't, we'll never get away. Gee, Madge, I love you. Since they grabbed you, I've been through seven different horrors of my own. I'm as jittery as you are.

[Madge Blake]

It's coming, Mike, it's coming.

[Mike Blake]

Mayline. It's passed through here all the time. We got a time yet before the local stops.

[Madge Blake]

Couldn't you stop it? Couldn't we get away that way?

[Mike Blake]

Not a chance.

[Madge Blake]

If we don't get away in a few minutes, we'll never get a wish.

[Mike Blake]

When's the next to the city? An hour and a half. Five expresses pass through before yours stops.

[Agent Vogler]

Well, honey, that's it. Deadline for danger. A half hour study in suspense.

[Madge Blake]

That's a second mic. Only three more trains in my safe.

[Woman at Station]

At least.

[Madge Blake]

Safe as we can be.

[Mike Blake]

You're safe with me.

[Madge Blake]

If only we knew who to trust. So many of them and so ordinary. In films and books you can't mistake them.

[Mike Blake]

But really, I haven't told you before, Madge. I've got a gun.

[Madge Blake]

A gun against those fiends?

[Woman at Station]

They're everywhere.

[Madge Blake]

And so darn sold on their ideology. They don't mind if they're killed.

[Mike Blake]

I tell you, that guy's coming back.

[Madge Blake]

He's one of them.

[Mike Blake]

I tell you, if he is, they won't get their hands on you again.

[Madge Blake]

Don't you see, Mike? Maybe they won't capture me again. If they can't, they've got to keep me quiet. And there's only one way to do that or not.

[Mike Blake]

Here, look. Passengers not 20ft away. Any gunplay and. Well, how they going to get away?

[Madge Blake]

The train. The next train passing, the noise it makes. The shot wouldn't be heard. The train had passed and I'd be dead.

[Mike Blake]

Nonsense. Maybe we'd better go and talk to somebody. If that guy is one of them, he wouldn't do anything. If we were talking to somebody, they.

[Madge Blake]

Wouldn'T mind as long as they got rid of me.

[Mike Blake]

Don't you see, honey? If they shot you, I say if. Then the authorities would know what you told them was the truth.

[Madge Blake]

Yes. Yes, that's true. Which one am I going to talk to?

[Mike Blake]

The man and woman over there.

[Madge Blake]

They're clever, Mike. Everywhere and ruthless. Elderly couple like that. Just the sort of agents they'd use. I tell you, I saw the papers. Innocent looking people. Suburban types.

[Mike Blake]

Then what about that girl there? She couldn't be one of them.

[Madge Blake]

Young kid like that man's coming back again. Better we take a risk than stand in the open all alone.

[Mike Blake]

Come on then. Don't hurry.

[Madge Blake]

Walking away slow with him right behind us. Maybe you'll think they're making a Gashford.

[Mike Blake]

And not with all these people waiting. Gunplay's let the cat out of the bag and he knows it.

[Madge Blake]

Oh, pardon me. Do you mind if we talk to you?

[Woman at Station]

Sure, if you want. Does get lonely waiting here.

[Mike Blake]

Thought you wouldn't mind. I, I. We're waiting for the train to the city.

[Woman at Station]

So am I. You're strangers around these parts, aren't you?

[Mike Blake]

Yes. Car broke down and now we have to catch the train.

[Woman at Station]

Oh, what a nuisance.

[Madge Blake]

I wonder. I know it sounds silly, but do you mind if we stay close to you?

[Woman at Station]

Some sort of trouble?

[Madge Blake]

Too much.

[Mike Blake]

You see, my wife and I think we're being followed.

[Madge Blake]

It's that man over there. The one walking away.

[Woman at Station]

That's hardly following you. Anyway. Why should he? Domestic trouble.

[Madge Blake]

It's difficult for people to understand. They'd hardly be expected to.

[Mike Blake]

Just one of those things. My wife found out something by accident.

[Madge Blake]

Another after me in the desperate.

[Mike Blake]

I don't think we should worry this lady with our troubles.

[Woman at Station]

No trouble. I have to wait here.

[Mike Blake]

Well, come along, honey. We'll go for a walk.

[Madge Blake]

Why are you so anxious to get me away?

[Mike Blake]

I don't think we should worry people.

[Narrator/Announcer]

Most people would rather assemble a 300 piece cabinet than search for insurance. That's why the zebra searches for you. Comparing over 100 insurance companies to find savings no one else can Compare [e-mail] Most people would rather remove a nest of irate hornets than search for auto and home insurance. That's why the zebra searches for you. Comparing over 100 insurance companies to find savings no one else can compared to today@the zebra.com. i think I'll wait inside.

[Madge Blake]

How did you know where they were keeping me?

[Mike Blake]

I found out.

[Madge Blake]

How?

[Mike Blake]

Ways and means. Now come along.

[Madge Blake]

How could you find out? You couldn't possibly find out unless. Unless you are one of them. What a fool. It's always the way. The person you trust most of the person most dangerous to you. Look, honey, you find out where I'm hidden when the police can't find me. And outside of the police, you're the only person I told about finding the papers.

[Mike Blake]

I've stood by you all the time. Even when they left.

[Madge Blake]

I stood by because you're one of them. Because you knew from the start that I'd stumbled upon the truth. Those papers. I found them in your office.

[Kearns]

Oh.

[Mike Blake]

First time I knew about that.

[Madge Blake]

Well, I did. Of course you're one of them.

[Mike Blake]

Now look what you've done. Why can't you keep quiet?

[Madge Blake]

I haven't done. Where did she go?

[Mike Blake]

Her telephone. She's phoning up now the police.

[Madge Blake]

She Phones the police? Why wouldn't you?

[Mike Blake]

I've got to stop her somehow.

[Madge Blake]

I thought it was funny you wouldn't phone the police as soon as I got out of that place.

[Mike Blake]

You stay here. Don't move. I'll be back. I was a darn fool to let you talk to anyone.

[Madge Blake]

Mike. Mike, you can't leave me alone.

[Agent Vogler]

You will come with me, Mrs. Blake. You will not call out or try to make a scene.

[Madge Blake]

What are you going to do?

[Agent Vogler]

You didn't think you'd escape from us so easily while you were with that man. I didn't want to make a scene.

[Madge Blake]

You're one of them.

[Agent Vogler]

Yes, Mrs. Blake. Of course I'm one of them.

[Madge Blake]

Hello? Hello? Hello?

[Woman at Station]

Exchange.

[Madge Blake]

Put me through.

[Mike Blake]

Put that phone down.

[Madge Blake]

Exchange. You must put me through. Down.

[Mike Blake]

I don't want to use this. But I will if I must.

[Madge Blake]

Oh, Exchange.

[Mike Blake]

I down.

[Woman at Station]

So now what?

[Mike Blake]

Come out of that booth. Give you back to me. Don't try and get help.

[Woman at Station]

I got through to the exchange. They'll know something odds happened.

[Mike Blake]

Act natural. Walk in front of me to where we were standing before and don't hurry.

[Woman at Station]

While you've been so busy getting tough with me, your wife walked out on you.

[Madge Blake]

Darn it.

[Mike Blake]

Quick, now, the main gates.

[Woman at Station]

I'm not moving.

[Mike Blake]

Oh, yes, you are. I know you've got nothing to do with this, but I'm not having anybody getting in my way. Keep moving unless you want your spine shot in two. Right through those main gates. Now move the left and run. Madge.

[Madge Blake]

Mike, quick.

[Mike Blake]

Coming. Turn the ignition key off. Oh, no, you don't. Switch that engine off or I'll let you have it here and now.

[Agent Vogler]

I'll see personally that you're taken care of, Mr. Blake.

[Mike Blake]

I'll see personally you don't get a chance out of that car. All right. Madge.

[Madge Blake]

Yes, Mike? I'm sorry, honey. So many people against me. I got to thinking you were, too.

[Mike Blake]

I wouldn't have gone through what I have gone through if I wasn't right behind you through thick and thin.

[Madge Blake]

Anyway, we know these two are our enemies.

[Mike Blake]

This girl's all right. Just got caught up in it. All right, take his arm and walk back to the station.

[Kearns]

You heard me.

[Mike Blake]

Don't know what either of your names are, but you do as I say.

[Agent Vogler]

There's too many against you, Blake, for you to get away with this.

[Mike Blake]

I take my chances. Now do as I say.

[Madge Blake]

Walk. Do you think we ought to go back, Mike?

[Mike Blake]

Yes. We'll keep these two until our train gets in and we'll take them with us to the city. That way they can't get any help. All right, now come on, walk.

[Madge Blake]

I don't like it, Mike.

[Mike Blake]

There's no other way out. Let them go. He gets his pals out, he goes to the police.

[Madge Blake]

But why won't you go to the police? Why, Mike? They know all about me. They'll know what to do. Trying to get up a city like this makes our chances worse. And there's better.

[Mike Blake]

Oh, Madge, I know what I'm doing. I'll get you away my own way. You just trust me.

[Madge Blake]

Yes, Mac.

[Mike Blake]

Look, there's a. There's a bench over there, Utah in front. Make straight for it and sit down.

[Agent Vogler]

The whole countryside's on the lookout for you two. Long time till that train gets in. Sitting here, somebody will recognize you.

[Madge Blake]

It's true, Mike. They're everywhere.

[Mike Blake]

I know what I'm doing. All right, now sit down. It's better. Put your arms along the back of the bench. And not one movement from either of you.

[Agent Vogler]

She'll be recaptured. And when they get their hands on.

[Chief]

Her.

[Mike Blake]

Neither of you will attempt to move. Remember, while that train is going through the station, a shot wouldn't be heard. And I am not letting anything stand in my way. All right, you two. You'll stay where you are till that train comes in. Then you're coming with us to the city.

[Agent Vogler]

Some time to go yet, Blake. You can't keep two people under a gun point and get away with us.

[Mike Blake]

Do anything if you're determined enough.

[Madge Blake]

Two of them, Mike. Two of them. Standing by the main entrance.

[Mike Blake]

Closing in, eh?

[Madge Blake]

Can't mistake them. What we gonna do?

[Mike Blake]

Stay still. It's dark here. Maybe they won't see us.

[Madge Blake]

They won't go away. They'll search every bit.

[Mike Blake]

Stay still and not a peep out of you two.

[Agent Vogler]

They come close enough, I'll take a chance.

[Madge Blake]

They're still standing, looking up and down.

[Mike Blake]

They get too close. I'll take a chance, too.

[Agent Vogler]

Those men mean business. Better you give up, Blake. Shoot me. Shoot them. There's still dozens to take their places. Can't chop your way out of a forest by cutting down all the trees.

[Madge Blake]

They are. They're coming this way, Mike.

[Mike Blake]

All right, all right.

[Chief]

I'm.

[Mike Blake]

I'm right behind you. One move and I'll let you have it.

[Agent Vogler]

I'll yell, and one of them will get you anyway. If you kill me, it'll be murder. You know what they do with murderers. It isn't worth it, Blake.

[Mike Blake]

I know whether it's worth it or.

[Agent Vogler]

Not, give up your wife to us and I guess you won't hear anymore.

[Kearns]

Mike.

[Mike Blake]

This far and right to the end, kid. Now, quiet. Why doesn't the train come? Why doesn't the darn train come?

[Agent Vogler]

They'll come back before it does.

[Madge Blake]

They looked at us long, suspicious looks.

[Mike Blake]

Four of us makes it safer. They're looking for two.

[Madge Blake]

Hadn't we better go before they come back?

[Mike Blake]

Don't know what to do. It's getting too big for me. Yeah, and you shut up.

[Agent Vogler]

It'll get bigger and bigger.

[Mike Blake]

You can't win locking my wife up. She hasn't done you any harm. If you guys think you can run a whole country, you're mistaken.

[Agent Vogler]

We don't want to run the whole country. We just want to make sure that certain people don't do any damage, that's all.

[Madge Blake]

Those two men are coming back again.

[Agent Vogler]

And this time they'll stop and ask questions.

[Mike Blake]

I've handled worse situations than this one before.

[Madge Blake]

They'll kill me, Mike. Two of them looking for me to kill me.

[Mike Blake]

They wouldn't dare.

[Madge Blake]

They captured me. You got me away with what I know they won't take a risk of my getting away again.

[Mike Blake]

I'll stick by you. And there's going to be no question of anybody killing anybody. Except this guy here. And I'll kill him if he makes a peep. Okay, now relax.

[Chief]

I'm.

[Kearns]

I'm looking for a man and a woman. Oh, hello, Vogelin. Hello. Thought you might. Say, that's her. Yeah, then what? I get it. The guy's got a gun, huh?

[Agent Vogler]

Yes, in my back.

[Mike Blake]

And I'll use it unless you two move off.

[Kearns]

Say, I didn't know they were. Is he one of them, too?

[Agent Vogler]

No, it's the girl we want. The man's in plenty trouble.

[Mike Blake]

Been in so much trouble, I get in deeper. Unless you move off and stay away. I'll shoot your friend. I mean it. I kind of get pleasure shooting a rat like him.

[Kearns]

Yeah, and the chair. Get sense.

[Agent Vogler]

Hasn't got any anyway. Hasn't even enough sense to. Keep out of this.

[Mike Blake]

You want to die?

[Kearns]

I want to see your wife doesn't get away free.

[Mike Blake]

I bet you don't.

[Madge Blake]

Don't take me, Mike.

[Kearns]

Now, you better let her go, Blake. We don't want any trouble in a public place. And if you don't let her go, we'll have to take her. She's too dangerous.

[Madge Blake]

Listen to them, Mike. Too dangerous. I tell you, they get me again, they'll kill me. Things I know about them.

[Mike Blake]

Sorry, Better get out of it before I let your friend have it in the back of the neck. I'm getting my wife out of your clutches.

[Kearns]

What do you think?

[Agent Vogler]

Formula, I guess they've got us beat. They can't. Checkmate. And a mighty big game of chess. Dangerous game too.

[Kearns]

I can't walk off and leave you.

[Agent Vogler]

The world's a big place and we can bide out time. Getting on that train won't help them.

[Kearns]

Guess not. All we gotta do is wait the other end.

[Agent Vogler]

To keep me quiet, they've gotta take me with them. No place to go, no hideout. We won't find. Guy's got to sleep. Even a guy with a gun.

[Madge Blake]

The police. That's it. Mike, phone the police.

[Woman at Station]

Now.

[Madge Blake]

You've got to phone the police.

[Mike Blake]

We're leaving the police out of this. Madge, get that into your head. Out of this.

[Madge Blake]

But why? They know I've told them. Told them about the papers, told them about these spies. They don't know what to do with scum like these.

[Mike Blake]

We're not going to. Cops.

[Agent Vogler]

Clever boy.

[Mike Blake]

Come on, Madge. We're leaving them.

[Madge Blake]

Leaving them? You mean walking away and leaving them here?

[Mike Blake]

Yes. Now listen to you guys. Madge and I are backing away from you. This gun will be on you all the time. One of you moves or goes for help or shouts. I'm a good shot. No matter how dark it is.

[Agent Vogler]

Running away means you'll be caught all the sooner.

[Mike Blake]

Come on, Madge.

[Agent Vogler]

You won't get any further than the main entrance.

[Madge Blake]

What are you gonna do, Mike? Running away like this means we'll run into Moor. They're everywhere, I tell you.

[Mike Blake]

Remember the car. The one don't move. The one he was trying to take you away in. Well, the key's still in it. I'll keep him covered from the gate while you get it started.

[Madge Blake]

They'll be able to get busy.

[Mike Blake]

Do as I say. I've got you through this far, haven't I?

[Madge Blake]

Yes, Mike.

[Mike Blake]

Well, get it started. Drive to here. Now get going.

[Madge Blake]

Yes, Mike. Don't see how it's going to help.

[Mike Blake]

And hurry. Train after. This one's ours.

[Madge Blake]

Yes, Mike.

[Mike Blake]

I'm right here. Behind you guys. Still, any one of you looks around, I'll let you have it.

[Agent Vogler]

You're taking my car? It won't get you far. We've got men everywhere.

[Mike Blake]

I'll get away from you and your sort.

[Madge Blake]

Hurry up, Mike. Get in.

[Mike Blake]

Come in. And you guys stay where you are.

[Chief]

Brugal here. They've got away.

[Agent Vogler]

I found them at the station. But he had a gun.

[Chief]

Escaped?

[Agent Vogler]

Yeah, got away in my car. I didn't think he'd have a gun.

[Chief]

They won't get far. We got men everywhere. Were they waiting for the train?

[Agent Vogler]

Yeah, to get to the city. Train's due in in a few minutes.

[Chief]

Listen, Vogler. They'll know that it's life and death to us to get that woman. They'll know we'll get them in a car sooner or later. What's your guess they'll meet for the city? Guess again. They'll make for the next upline station and get aboard the local there. Hoping to get through this station while we're out sweeping the countryside. Say, you ever played the part of a ticket collector?

[Kearns]

No.

[Chief]

Well, you're going to now. I want you to get a uniform and climb aboard as soon as the train stops. I'll get it held until you find them. And remember, if he's armed, he'll have to shoot.

[Mike Blake]

This will fool him. Out looking for us in this car. But we're going back to the station. They'll never think of looking in the train. Straight through to the city for us.

[Madge Blake]

Go to the police, Mike. Please go to the police.

[Kearns]

That's out.

[Mike Blake]

I know what I'm doing.

[Madge Blake]

I don't understand why you won't let me go to the police. They'll help us. They must know the danger the country's in.

[Mike Blake]

I waited them before and look what happened to you.

[Madge Blake]

Anyway, I reckon it's such a good idea catching that train again having go through that station.

[Mike Blake]

We're sticking to that deadline. We catch the train once we get to the city. I've got friends who'll look after you.

[Madge Blake]

I heard it. It's in the station.

[Mike Blake]

As to this old jalopy, I'll go. If we miss it, then we are in a mess.

[Madge Blake]

I don't understand why you won't go to the police. I don't understand.

[Mike Blake]

When you shut up about the police.

[Madge Blake]

Almost as if you wanted to help them. Almost as if you're on their side.

[Mike Blake]

Station ahead. Train's still there. Any luck and we'll still make it.

[Madge Blake]

We'll have a smash up if you don't slow down.

[Mike Blake]

Get ready. Soon as I stop, make a dash. That train, we've got to catch it. Got to hold on to everything. Now. Come on, Madge. Be going any second now. For goodness sake. I'm aboard.

[Madge Blake]

How do we know one of this isn't on the train? How do we know? But that man. That man looking out the window. He's one of them I recognize him.

[Mike Blake]

We haven't got time to stand here chatting. Now. Get aboard.

[Madge Blake]

Just going from one shopping to another. You don't know what they're like.

[Mike Blake]

Get a boy. Get a boy.

[Madge Blake]

All right, all right, but I think. Mike. Mike, you can't leave me on the train by myself.

[Mike Blake]

Stay aboard. I'll meet you in the city. We've got to put them off the trail.

[Madge Blake]

I'm all by myself. I wonder what to do. Mike, don't leave me. Don't leave me.

[Mike Blake]

You'll be all right. Sit still and I'll meet you at the other end. It's a friend here.

[Madge Blake]

Who?

[Mike Blake]

A friend. I'm ringing you to tell you the girl you want has got away in a car.

[Chief]

Thanks, but we know that.

[Mike Blake]

I saw her driving toward the city. She was going fast. If you're going to get her, you'd better block off all the roads going that way. Goodbye now.

[Chief]

Hello. Who are you? Your husband.

[Mike Blake]

Hello.

[Chief]

Whoopi's head of Vogler, please. Oh, good. I'll speak to him right away. Hello, Vogler. You won't have any trouble. Blake's just rung trying to put us off the scent. Far as I can gather, he must have put her on the train and remain behind himself to phone. That'll be the train. Just about to pull in at the station you're at now.

[Agent Vogler]

All right, chief.

[Chief]

Try and get her off quietly. If she gets hysterical, you know what to do.

[Agent Vogler]

Sure, Chief. I've got Kearns here to help me.

[Chief]

Be diplomatic about it. You know what the public are. If she gets talking to them and they believe her, we'll have a ride on our hands. She'll do.

[Agent Vogler]

No talking. Where shall I take her?

[Chief]

Back here. She needs the treatment and I'm gonna see she gets it. She'll have to be kept quiet for a long time.

[Agent Vogler]

Okay, I'll handle it.

[Chief]

Leave it to me.

[Agent Vogler]

If we don't get her this time, the chief will shoot us both.

[Kearns]

Here she comes.

[Chief]

Come on.

[Agent Vogler]

According to the chief, Blake isn't with her.

[Kearns]

I hope he isn't. These young husbands make more trouble than enough. Mind you, I can sympathize with him.

[Agent Vogler]

In our job, sympathy doesn't pay. Excuse me.

[Chief]

Pardon.

[Agent Vogler]

One side, please.

[Kearns]

Now, mister, haven't seen you before.

[Chief]

What?

[Agent Vogler]

Oh, this uniform. Yeah, I. I borrowed it for a little, but I don't think I'll need it. Here's my card.

[Kearns]

Looks official enough. We see. What do you want?

[Agent Vogler]

A young woman, pretty, rather excitable. Got on the train one stop back. Notice her?

[Kearns]

Sure. It's to going compartment here. I noticed her because a young man didn't get on the train. And they were hollering it at each other. This compartment here. Hey, is that her?

[Agent Vogler]

Hello, Mrs. Blake. Everything all right?

[Madge Blake]

Well, I'm so glad you've come. I've had a terrible time. There was a young man and he pretended to be my husband. And I didn't know how to get away from him. He's one of them, you know.

[Agent Vogler]

Sure, sure, sure. Well, you come along with us and we'll see they don't get at you anymore.

[Madge Blake]

So nice of you to come to my rescue.

[Mike Blake]

Not at all.

[Agent Vogler]

Thanks, guard. I have no trouble. I'll return this uniform.

[Kearns]

Hey, what is that?

[Madge Blake]

They're all against me, you know. Everybody's against me. And it's all because I'm such a famous spy.

[Mike Blake]

What's going on here?

[Agent Vogler]

You didn't read my card very well.

[Madge Blake]

Hey.

[Kearns]

Oh, Dr. V. Springdale Mental Sanitarium. You mean to say she's crazy? Pretty girl like that, she didn't look very crazy.

[Chief]

Brother.

[Agent Vogler]

Have five minutes conversation with her and she'll convince you. It would have been all right, but her husband decided he wanted a home with him. Was he the crazy one?

[Chief]

La.