Deadline For Danger 19xx.xx.xx Train Mystery

Summary

Podcast Summary: Harold's Old Time Radio - "Deadline For Danger 19xx.xx.xx Train Mystery"

Episode Information

• Title: Deadline For Danger 19xx.xx.xx Train Mystery
• Release Date: July 8, 2025
• Host: Harold's Old Time Radio
• Description: A thrilling journey back to the Golden Age of Radio, featuring suspenseful narratives reminiscent of classics like The Shadow and Dragnet. This episode immerses listeners in a mysterious train adventure filled with danger, deception, and heroic efforts.

---

Overview

"Deadline For Danger 19xx.xx.xx Train Mystery" is a suspense-filled radio drama that follows the tense dynamics between Mike and Madge Blake as they navigate a perilous situation involving espionage, betrayal, and a race against time to prevent catastrophic events. Set against the backdrop of a train station, the episode masterfully weaves dialogue and action to keep listeners on the edge of their seats.

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Main Characters

• Mike Blake: The protective and resourceful husband determined to save his wife and uncover the truth.
• Madge Blake: Mike's wife, who possesses critical information that puts her in danger.
• Agents/Villains: Mysterious figures intent on capturing Madge to silence her.
• Stranger: A seemingly innocuous individual who plays a pivotal role in the unfolding drama.
• Chief Vogler: A high-ranking official overseeing the agents' operations.

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Plot Breakdown

Initial Tension at the Station ([00:16] - [03:18])

The episode opens with Mike and Madge Blake waiting for a train, sensing that they are being watched.

• Madge expresses fear: "WHO is he, Mike? Who is he?" ([00:41])
• Mike's reassurance: "After all I've been through. Gee, Madge, I love you." ([00:49])

Madge reveals that she possesses sensitive information that certain organizations want to suppress.

• Madge's revelation: "Bombs planted in microwore and they'll have the state swiped out in a day." ([01:58])

They discuss the imminent danger and the need to escape before the train arrives.

Rising Suspicion and Confrontation ([04:03] - [07:35])

As the tension mounts, Madge becomes increasingly paranoid about the agents possibly being anyone around them.

• Madge’s concern: "If we don't get away in a few minutes, you never get a wish." ([03:07])
• Mike's realization: "I've got a gun." ([04:17])

Madge accuses Mike of being part of the enemy, leading to a heated exchange where trust falters.

• Madge's accusation: "Because you knew from the start that I'd stumbled upon the truth. Those papers. I found them in your office." ([07:35])

Escalation and Capture ([07:40] - [13:54])

Agents move in to apprehend Madge. A struggle ensues as Mike tries to protect his wife.

• Agent's threat: "You will come with me, Mrs. Blake. You will not call out or try to make a scene?" ([08:26])
• Madge’s plea: "How could you find out? You couldn't possibly find out unless. Unless you are one of them." ([07:25])

Mike confronts the agents, leading to a standoff where he threatens to use his gun to protect Madge.

• Mike's declaration: "I'm not letting anything stand in my way." ([02:22])
• Madge’s desperation: "They are everywhere." ([12:02])

The Chase and Strategic Maneuvers ([14:00] - [17:58])

As the agents close in, Mike devises a plan to distract them and ensure Madge's safety.

• Mike's strategy: "Remember the car? The one don't move. The key's still in it. I'll keep him covered from the gate. While you get it started." ([17:28])
• Madge's urgency: "They'll be able to get busy." ([17:40])

In a tense sequence, Mike manages to escape with Madge by leveraging a car, while the agents pursue them.

• Madge’s concern: "How do we know one of them isn't on the train?" ([20:44])
• Mike's reassurance: "Stay aboard. I'll meet you in the city." ([21:05])

Climactic Resolution ([22:08] - [25:13])

The final act sees Mike and Madge grappling with the aftermath of their escape. Chief Vogler strategizes with his agents to recapture Madge.

• Chief Vogler's directive: "I want you to get a uniform and climb aboard as soon as the train stops." ([18:43])
• Mike’s confrontation: "What's going on here?" ([24:39])

Madge attempts to expose the agents, but Mike intervenes just in time to prevent her from revealing the truth.

• Madge's plea: "They're all against me, you know. Everybody's against me." ([24:34])
• Agent's deception: "A young woman, pretty, rather excitable, got on the train one stop back." ([23:53])

The episode concludes with unresolved tensions, hinting at future confrontations and the ongoing battle between the Blakes and the nefarious agents.

---

Notable Quotes with Timestamps

• Madge Blake: "Bombs planted in microwore and they'll have the state swiped out in a day." ([01:58])

• Mike Blake: "After all I've been through. Gee, Madge, I love you." ([00:49])

• Madge Blake: "Because you knew from the start that I'd stumbled upon the truth. Those papers. I found them in your office." ([07:35])

• Agent: "You will come with me, Mrs. Blake. You will not call out or try to make a scene?" ([08:26])

• Mike Blake: "I'm not letting anything stand in my way." ([02:22])

• Chief Vogler: "I want you to get a uniform and climb aboard as soon as the train stops." ([18:43])

• Madge Blake: "They're all against me, you know. Everybody's against me." ([24:34])

---

Themes and Insights

Trust and Betrayal: The relationship between Mike and Madge is tested as suspicions arise, highlighting the fragile nature of trust in high-stakes situations.

Courage Under Fire: Mike's unwavering dedication to protecting his wife showcases heroism and bravery in the face of overwhelming danger.

Espionage and Secrecy: The episode delves into themes of covert operations, the lengths organizations will go to suppress information, and the personal costs of maintaining secrecy.

Race Against Time: The impending arrival of the train serves as a constant reminder of the urgency to act swiftly to prevent disaster.

---

Conclusion

"Deadline For Danger 19xx.xx.xx Train Mystery" is a captivating episode that expertly blends suspense, emotional drama, and action. Through its well-crafted dialogues and intricate plot twists, it offers listeners a nostalgic yet fresh take on the classic radio mystery genre. The episode leaves audiences eagerly anticipating the next installment, where the fate of Mike and Madge Blake hangs in the balance amidst the shadows of espionage and deception.

Transcript

[Narrator]

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[Agent]

Deadline for Danger.

[Madge Blake]

WHO is he, Mike? Who is he?

[Mike Blake]

Just a guy waiting for a train, same as we are.

[Madge Blake]

If he wasn't. If he came up to us. You wouldn't leave me standing here all alone, would you?

[Mike Blake]

After all I've been through. Gee, Madge, I love you. What sort of a guy would I be if I did that?

[Madge Blake]

They're everywhere. Even you could be one of them. Oh, I'm sorry. I didn't mean that.

[Mike Blake]

Sure, I know you've had a tough time.

[Madge Blake]

Guy waiting for a train wouldn't walk like that. Sort of slow and heavy. Why does he keep looking at us all the time?

[Mike Blake]

He's waiting for a train, I tell you.

[Madge Blake]

Oh, darling, honey, darling, I'm scared.

[Mike Blake]

I'm here. I look after you. I've looked after you up to now, haven't I? To get you out of that place without anybody knowing a thing. As soon as that train comes, you can forget it ever happened.

[Madge Blake]

So darn clever, keeping me in that place. It was by accident I found out all those things. I didn't want to. I wasn't prying. But when I saw what they planned to do, I had to tell the authorities.

[Mike Blake]

Sure, don't get so excited.

[Madge Blake]

You'd think the police and the FBI and the security people could look after me. Captured right under their noses.

[Mike Blake]

I guess they didn't realize how serious things were.

[Madge Blake]

Bombs planted in microwore and they'll have the state swiped out in a day.

[Mike Blake]

Look, Madge, I came here. I found out where they had you hidden. I got you away.

[Madge Blake]

You've got to get me to Washington, Mark. You've got to. I know all about their organization. What they're going to do, when and how. You don't think they'd have kept me locked up in that place if I didn't? You don't think.

[Mike Blake]

Quiet, kid. Hold on to yourself. I know you've been through a horror. I know what they've done to you. I also know how clever they are. And any yelling will give us away. Hold onto yourself. If you don't, we'll never get away. Gee, Madge, I love you. Since they grabbed you, I've been through seven different Horrors of my own. I'm as jittery as you are.

[Madge Blake]

It's coming, Mike, it's coming.

[Mike Blake]

Mayline Transpass. Through here all the time. We got a time yet before the local stops.

[Madge Blake]

Couldn't you stop it? Couldn't we get away that way?

[Mike Blake]

Not a chance.

[Madge Blake]

If we don't get away in a few minutes, you never get a wish.

[Mike Blake]

When's the next to the city? Hour and a half. Five expresses pass through before Euro stops.

[Agent]

Well, honey, Deadline for danger.

[Guard]

A half hour.

[Agent]

Study in suspense.

[Madge Blake]

That's the second mic. Only three more trains and we're safe. At least safe as we can be.

[Mike Blake]

You are safe with me.

[Madge Blake]

If only we knew who to trust. So many other than so ordinary. In films and books you can't mistake them.

[Mike Blake]

But really, I haven't told you before, Mage. I've got a gun.

[Madge Blake]

A gun against those fiends? They're everywhere. They're so darn sold on their ideology, they don't mind if they're killed.

[Mike Blake]

I tell you, that guy's coming back.

[Madge Blake]

He's one of them.

[Mike Blake]

I tell you, if he is, they won't get their hands on you again.

[Madge Blake]

Don't you see, Mike? Maybe they won't capture me again. If they can't, they've got to keep me quiet. And there's only one way to do that.

[Mike Blake]

Oh, not here. Look. Passengers not 20ft away. Any gunplay and. Well, how are they going to get away?

[Madge Blake]

The train. The next train passing, the noise it makes and the shot wouldn't be heard. The train would pass and I'd be dead.

[Mike Blake]

Nonsense. Maybe we'd better go and talk to somebody. If that guy is one of them, he wouldn't do anything. If we were talking to somebody, they.

[Madge Blake]

Wouldn'T mind as long as they got rid of me.

[Mike Blake]

Don't you see, honey? If they shot you, I say if. Then the authorities'd know what you told them was the truth.

[Madge Blake]

Yes. Yes, that's true. Which one am I going to talk to?

[Mike Blake]

The man and woman over there.

[Madge Blake]

They're clever, Mike. They're everywhere and ruthless. Elderly couple like that are just the sort of agents they'd use. I tell you, I saw the papers. Innocent looking people. Suburban types.

[Mike Blake]

Then what about that girl there? She couldn't be one of them.

[Madge Blake]

Young kid like that man's coming back again. Better we take a risk than stand in the open all alone.

[Mike Blake]

Oh, come on then. Don't hurry.

[Madge Blake]

Walking away slow with him right behind us. Maybe you'll think they're making a dash for it.

[Mike Blake]

And not with all these people waiting. Gunplay's let the cat out of the bag, and he knows it.

[Madge Blake]

Oh, pardon me. Do you mind if we talk to you?

[Stranger]

Sure, if you want. Does get lonely waiting here.

[Mike Blake]

Thought you wouldn't mind. I, I. We're waiting for the train to the city.

[Stranger]

So am I. You're strangers around these parts, aren't you?

[Mike Blake]

Yes. Car broke down and now we have to catch the train.

[Stranger]

Oh, what a nuisance.

[Madge Blake]

I wonder. I know it sounds silly, but do you mind if we stay close to you?

[Stranger]

Some sort of trouble?

[Madge Blake]

Too much.

[Mike Blake]

You see, my wife and I think we're being followed.

[Madge Blake]

It's that man over there, the one walking away.

[Stranger]

That's hardly following you.

[Madge Blake]

Anyway, why should he?

[Stranger]

Domestic trouble.

[Madge Blake]

It's difficult for people to understand. They'd hardly be expected to.

[Mike Blake]

Just one of those things. My wife found out something by accident.

[Madge Blake]

Another after me in the desperate.

[Mike Blake]

I don't think we should worry this lady with our troubles.

[Stranger]

No trouble. I have to wait here.

[Mike Blake]

Well, come along, honey. We'll go for a walk.

[Madge Blake]

Why are you so anxious to get me away?

[Mike Blake]

I don't think we should worry people.

[Madge Blake]

How did you know where they were keeping me?

[Mike Blake]

I found out.

[Madge Blake]

How?

[Mike Blake]

Ways and means.

[Agent]

Now, come along.

[Madge Blake]

How could you find out? You couldn't possibly find out unless. Unless you are one of them. What a fool. It's always the way. The person you trust most is the person most dangerous to you.

[Mike Blake]

Oh, look, honey.

[Madge Blake]

You find out where I'm hidden when the police can't find me. And outside of the police, you're the only person I told about finding the papers.

[Mike Blake]

I've stood by you all the time, even when they left.

[Madge Blake]

I stood by you because you're one of them. Because you knew from the start that I'd stumbled upon the truth. Those papers. I found them in your office.

[Mike Blake]

Oh. First time I knew about that.

[Madge Blake]

Well, I did. Of course. You're one of them.

[Mike Blake]

Now look what you've done. Why can't you keep quiet?

[Madge Blake]

I haven't done.

[Mike Blake]

Where did she go for telephone? She's phoning up now.

[Madge Blake]

The police. She phones the police. Why wouldn't you?

[Mike Blake]

I've got to stop her somehow.

[Madge Blake]

I thought it was funny you wouldn't phone the police as soon as I got out of that place.

[Mike Blake]

You stay here. Don't move. I'll be back. I was a darn fool to let you talk to anyone.

[Madge Blake]

Mike. Mike, you can't leave me alone.

[Agent]

You will come with me, Mrs. Blake. You will not call out or try to make A scene?

[Madge Blake]

What are you going to do?

[Agent]

You didn't think you'd escape from us so easily while you were with that man. I didn't want to make a scene.

[Madge Blake]

You're one of them.

[Agent]

Yes, Mrs. Blake. Of course I'm one of them.

[Madge Blake]

Hello? Hello? Hello? Exchange. Put me through.

[Mike Blake]

Put that phone down.

[Madge Blake]

Exchange, you must put me through.

[Mike Blake]

I don't want to use this, but I will if I must.

[Madge Blake]

Oh, Exchange.

[Mike Blake]

I'm down.

[Stranger]

So now what?

[Mike Blake]

Come out of that booth. Give you back to me. Don't try and get help.

[Stranger]

I got through to the Exchange. I know something. Odds happened.

[Mike Blake]

Act natural. Walk in front of me to where we were standing before and don't hurry.

[Stranger]

While you've been so busy getting tough with me, your wife walked out on you.

[Mike Blake]

Darn it. Quick, now, the main gates.

[Stranger]

I'm not moving.

[Mike Blake]

Oh, yes, you are. I know you've got nothing to do with this, but I'm not having anybody getting in my way. Keep moving unless you want your spine shot in two. Right through those main gates. Now move the left and run.

[Madge Blake]

Madge, Mike, quick.

[Mike Blake]

Coming. Turn the ignition key off. Oh, no, you don't. Switch that engine off or I'll let you have it here and now.

[Agent]

I'll see personally that you're taken care of, Mr. Blake.

[Mike Blake]

I'll see personally you don't get a chance out of that car. All right. Madge.

[Madge Blake]

Yes, Mike? I'm sorry, honey. So many people against me. I got to thinking you were, too.

[Mike Blake]

I wouldn't have gone through what I have gone through if I wasn't right behind you through thick and thin.

[Madge Blake]

Anyway, we know these two are our enemies.

[Mike Blake]

This girl's all right. Just got caught up in it. All right, take his arm and walk back to the station. You heard me. Don't know what either of your names are, but you do as I say.

[Agent]

There's too many against you, Blake, for you to get away with this.

[Mike Blake]

I'll take my chances. Now do as I say. Walk.

[Madge Blake]

Do you think we ought to go back, Mike?

[Mike Blake]

Yes. We'll keep these two until our train gets in. And we'll take them with us to the city. That way they can't get any help. All right. Now come on, walk.

[Madge Blake]

I don't like it, Mike.

[Mike Blake]

There's no other way out. Let them go. Gets his pals have he goes to the police.

[Madge Blake]

But why won't you go to the police? Why, Mike, they know all about me. They'll know what to do. Trying to get at the city like this makes our chances Worse, and theirs better.

[Mike Blake]

Oh, Madge, I know what I'm doing. I'll get you away my own way. You just trust me.

[Madge Blake]

Yes, Mac.

[Mike Blake]

Look, there's a bench over there. You turn front, make straight for it and sit down.

[Agent]

The whole countryside's on the lookout for you two. Long time till that train gets in. Sitting here, somebody will recognize you.

[Madge Blake]

It's true, Mike. They're everywhere.

[Mike Blake]

I know what I'm doing. All right, now sit down. That's better. Put your arms along the back of the bench. And not one movement from either of you.

[Agent]

She'll be recaptured. And when they get their hands on.

[Mike Blake]

Her, neither of you will attempt to move. Remember, while that train is going through the station, a shot wouldn't be heard. And I'm not letting anything stand in my way. All right, you two. You'll stay where you are till that train comes in. Then you're coming with us.

[Agent]

The city some time to go yet, Blake. You can't keep two people under a gunpoint and get away with us.

[Mike Blake]

Do anything if you're determined enough.

[Madge Blake]

Two of them, Mike. Two of them. Standing by the main entrance.

[Mike Blake]

Closing in, eh?

[Madge Blake]

Can't mistake them. What we gonna do?

[Mike Blake]

Stay still. It's dark here. Maybe they won't see us go away.

[Madge Blake]

They'll search every bit.

[Mike Blake]

Stay still and not a peep out of you two.

[Agent]

They come close enough, I'll take a chance.

[Madge Blake]

They're still standing, looking up and down.

[Mike Blake]

They get too close, I'll take a chance, too.

[Agent]

Those men mean business. Better you give up, Blake. Shoot me. Shoot them. There's still dozens to take their places. Can't chop your way out of a forest by cutting down all the trees.

[Madge Blake]

They are. They're coming this way, Mike.

[Mike Blake]

All right, all right. I'm. I'm right behind you. One move and I'll let you have it.

[Agent]

Yell and one of them will get you anyway. If you kill me, it'll be murder. You know what they do with murderers. It isn't worth it, Blake.

[Mike Blake]

I know whether it's worth it or not.

[Agent]

Give up your wife to us, and I guess you won't hear anymore.

[Madge Blake]

Mike.

[Mike Blake]

This far and right to the end, kid. Now, quiet. Why doesn't the train come? Why doesn't the darn train come?

[Agent]

They'll come back before it does.

[Madge Blake]

They looked at us long, suspicious looks.

[Mike Blake]

Four of us makes it safer. They're looking for two.

[Madge Blake]

Hadn't we better go before they come back?

[Mike Blake]

Don't know what to do. It's getting too big for me. Yeah, and you shut up.

[Agent]

It'll get bigger and bigger.

[Mike Blake]

You can't win locking my wife up. She hadn't done you any harm. If you guys think you can run a whole country, you're mistaken.

[Agent]

We don't want to run the whole country. We just want to make sure that certain people don't do any damage, that's all.

[Madge Blake]

Those two men are coming back again.

[Agent]

This time they'll stop and ask questions.

[Mike Blake]

Let him. I've handled worse situations than this one before.

[Madge Blake]

They'll kill me, Mike. Two of them looking for me to kill me.

[Mike Blake]

They wouldn't dare.

[Madge Blake]

They captured me. You got me away with what I know they won't take a risk of my getting away again.

[Mike Blake]

I'll stick by you and there's going to be no question of anybody killing anybody. Except this guy here. And I'll kill him if he makes a peep. Okay, now relax.

[Guard]

I'm. I'm looking for a man and a woman. Oh, hello, Vogelin.

[Mike Blake]

Hello.

[Guard]

I thought you might. Say that's her.

[Mike Blake]

Yeah?

[Guard]

Then what? I get it. The guy's got a gun, huh?

[Agent]

Yes, in my back, and I'll use it.

[Mike Blake]

Unless you were to move off.

[Guard]

Say, I didn't know there were. Is he one of them, too?

[Agent]

No, it's a girl we want. The man's in plenty trouble.

[Mike Blake]

Been in so much trouble, I get in deeper. Unless you move off and stay away, I'll shoot your friend. I mean it. I kind of get pleasure shooting a rat like him.

[Guard]

Yeah, and the chair. Get sense.

[Agent]

Hasn't got any anyway. Hasn't even enough sense to. Keep out of this.

[Mike Blake]

You want to die?

[Guard]

I want to see your wife doesn't get away free.

[Mike Blake]

I bet you don't.

[Madge Blake]

Don't let them take me, Mike.

[Guard]

Now, you better let her go, Blake. We don't want any trouble in a public place. And if you don't let her go, we'll have to take her. She's too dangerous.

[Madge Blake]

Listen to them, Mike. Too dangerous, I tell you. They get me again, they'll kill me. Things I know about them.

[Mike Blake]

Sorry. Better get out of it before I let your friend have it in the back of the neck. I'm getting my wife out of your clutches.

[Guard]

What do you think? Formula?

[Agent]

I guess they've got us beat, eh, Cairns? Checkmate. And a mighty big game of chess. Dangerous game, too.

[Guard]

I can't walk off and leave you.

[Agent]

The world's a big place and we can bide out time. Getting on that train won't help them.

[Guard]

I guess not. All we gotta do Is wait the other end.

[Agent]

To keep me quiet, they've gotta take me with them. No place to go, no hideout. We won't find guys got to sleep. Even a guy with a gun.

[Madge Blake]

The police. That's it. Mike, phone the police.

[Mike Blake]

Now.

[Madge Blake]

You've got to phone the police.

[Mike Blake]

We're leaving the police out of this. Madge, get that into your head. Out of this.

[Madge Blake]

Why? They know I've told them. Told them about the papers, told them about these spies. They don't know what to do with scum like these.

[Mike Blake]

We're not going to. Cops.

[Guard]

Clever boy.

[Mike Blake]

Come on, Madge. We're leaving them.

[Madge Blake]

Leaving them? You mean walking away and leaving them here?

[Mike Blake]

Yes. Now listen, you guys, Madge. And I am backing away from you. This gun will be on you all the time. One of you moves, r goes for help or shouts. I'm a good shot, no matter how dark it is.

[Agent]

Running away means you'll be caught all the sooner.

[Mike Blake]

Come on, Nad you won't get any.

[Agent]

Further than the main entrance.

[Madge Blake]

What are you gonna do, Mike? Running away like this means we'll run into Moor. They're everywhere, I tell you.

[Mike Blake]

Remember the car? The one don't move. The one he was trying to take you away in. The key's still in it. I'll keep him covered from the gate. While you get it started.

[Madge Blake]

They'll be able to get busy.

[Mike Blake]

Do as I say. I got you through this far, haven't I?

[Madge Blake]

Yes, Mike.

[Mike Blake]

Well, get it started. Glide to here. Now get going.

[Madge Blake]

Yes, Mike. Go ahead and see how it's going to help.

[Mike Blake]

And hurry. Train after. This one's ours.

[Madge Blake]

Yes, Mike.

[Mike Blake]

I'm right here. Behind you guys. Still, any one of you looks around, I'll let you have it.

[Agent]

If you're taking my car, it won't get you far. We've got men everywhere.

[Mike Blake]

I'll get away from you and your sword.

[Madge Blake]

Hurry up, Mike. Get in.

[Mike Blake]

Come in. And you guys, stay where you are.

[Guard]

Brugal here.

[Chief Vogler]

They got away.

[Agent]

I found them at the station. But he had a gun. Escaped? Yeah, got away in my car. I didn't think he'd have a gun.

[Chief Vogler]

They won't get far. They got men everywhere. Were they waiting for the train?

[Agent]

Yeah, to get to the city. Train's due in a few minutes.

[Chief Vogler]

Listen, Vogler. They'll know that it's life and death to us to get that woman. They'll know we'll get them in a car sooner or later. What's your guess they'll meet for the city? Guess again. They'll make for the next upline station and get aboard the local there. Hoping to get through this station while we're out sweeping the countryside. Say, you ever played the part of a ticket collector?

[Mike Blake]

No.

[Chief Vogler]

Well, you're going to now. I want you to get a uniform and climb aboard as soon as the train stops. I'll get it held until you find them. And remember, if he's armed, he'll have to shoot.

[Mike Blake]

Ms. Sul. Fulham out looking for us in this car. But we're going back to the station. They'll never think of looking in the train. Straight through to the city for us, Governor.

[Madge Blake]

Police. Mike, please go to the police.

[Mike Blake]

That's out. I know what I'm doing.

[Madge Blake]

I don't understand why you won't let me go to the police. They'll help us. They must know the danger the country's in.

[Mike Blake]

I waited them before and look what happened to you.

[Madge Blake]

Anyway, I reckon it's such a good idea catching that train again. Having to go through that station.

[Mike Blake]

We're sticking to that deadline. We catch the train once we get to the city. I've got friends who look after you.

[Madge Blake]

I heard it. It's in the station.

[Mike Blake]

As to this old jalopy will go. If we miss it, then we are in a mess.

[Madge Blake]

I don't understand why you won't go to the police. I don't understand.

[Mike Blake]

Will you shut up about the police?

[Madge Blake]

Almost as if you wanted to help them. Almost as if you were on their side.

[Mike Blake]

Station ahead. Train's still there. Any luck and we'll still make it.

[Madge Blake]

We'll have a smash up if you don't slow down.

[Mike Blake]

Get ready. Soon as I stop, make a dash. That train, we've got to catch it. Got to hold on to everything.

[Madge Blake]

Now.

[Mike Blake]

Come on, Madge. Be going any second now. For goodness sake, climb aboard.

[Madge Blake]

How do we know one of them isn't on the train? How do we know? But that man, that man looking out the window, he's one of them. I recognize him.

[Mike Blake]

We haven't got time to stand here chatting now. Get a boy.

[Madge Blake]

Just going from one shot into another. You don't know what they're like.

[Mike Blake]

Get a boy. Get a boy.

[Madge Blake]

All right, all right, but I think. Mike. Mike, you can't leave me on the train by myself.

[Mike Blake]

Stay aboard. I'll meet you in the city. We've got to put them off the trail.

[Madge Blake]

I'm all by myself. I wonder what to do. Like. Don't leave me.

[Chief Vogler]

Don't leave me.

[Mike Blake]

You'll be all right. Sit still and I'LL meet you at the other end. It's a friend here.

[Madge Blake]

Who?

[Mike Blake]

A friend. I'm ringing you to tell you the girl you want has got away in a car.

[Chief Vogler]

Thanks, but we know that.

[Mike Blake]

I saw her driving toward the city. She was going fast. If you're going to get her, you'd better block off all the roads going that way. Goodbye now.

[Chief Vogler]

Hello. Who are you? Your husband.

[Mike Blake]

Hello? Hello?

[Chief Vogler]

Here. Put me through the Vogler, please. Oh, good. I'll speak to him right away. Hello, Vogler. You won't have any trouble. Blake's just rung trying to put us off the scent. Far as I can gather, he must have put her on the train and remain behind himself to phone. That'll be the train. Just about to pull into the station you're at now.

[Agent]

All right, Chief.

[Chief Vogler]

Try and get her off quietly. But if she gets hysterical, you know what to do.

[Agent]

Sure, Chief. I've got Kearns here to help me.

[Chief Vogler]

Be diplomatic about it. You know what the public are. If she gets talking to them and they believe her, I will have a ride on our hands.

[Agent]

She'll do no talking. Where shall I take her?

[Chief Vogler]

Back here. She needs the treatment, and I'm gonna see she gets it. She'll have to be kept quiet for a long time.

[Agent]

Okay, I'll handle it.

[Chief Vogler]

Leave it to me.

[Agent]

If we don't get her this time, the chief will shoot us both.

[Guard]

Here she comes.

[Agent]

Come on. According to the chief, Blake isn't with her.

[Guard]

I hope he isn't. These young husbands make more trouble than enough. Mind you, I can sympathize with him.

[Agent]

In our job, sympathy doesn't. Excuse me. One side, please.

[Guard]

Oh, mister. Haven't seen you before.

[Mike Blake]

What?

[Agent]

Oh, this uniform. Yeah, I. I borrowed it for a little, but I don't think I'll need it. Here's my card.

[Guard]

Well, looks official enough.

[Mike Blake]

I see.

[Guard]

What do you want?

[Agent]

A young woman, pretty, rather excitable, got on the train one stop back. Notice her?

[Guard]

Sure. This compartment here. I noticed her because a young man didn't get on the train and they were hollering it at each other. This compartment here. Hey, is that her?

[Agent]

Hello, Mrs. Blake.

[Chief Vogler]

Everything all right?

[Madge Blake]

Well, I'm so glad you've come. I've had a terrible time. There was a young man and he pretended to be my husband and I didn't know how to get away from him. He's one of them, you know.

[Agent]

Sure, sure, sure. Well, you come along with us and we'll see they don't get at you anymore.

[Madge Blake]

So nice of you to come to my rescue.

[Agent]

Not at all. Thanks, Guard. I have no trouble. I'll return this uniform.

[Guard]

Hey, what's that?

[Madge Blake]

They're all against me, you know. Everybody's against me. And it's all because I'm such a famous spy.

[Mike Blake]

What's going on here?

[Agent]

You didn't read my card very well, eh?

[Mike Blake]

Oh.

[Guard]

Dr. Volder, Springdale Mental Sanitarium. You mean to say she's crazy? Pretty girl like that, she didn't look very crazy, Brother.

[Agent]

Have five minutes conversation with her and she'll convince you. It would have been all right, but her husband decided he wanted a home with him. Was he the crazy one?

[Guard]

It.