
Detectives Black And Blue 3x-xx-xx (023) In Bowman's Lair
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Narrator
The Adventures of Detectives Black and Blue.
Detective Black
It.
Narrator
Black and Blue. Learn from Elga Redgoff that her father is falsely imprisoned for the theft of a quarter of a million dollars in bonds. The actual thief is Roy Bowman, and Ms. Ragloff knows that the bonds are hidden in Bowman's apartment. The two amateur detectives undertake to recover the bonds from Bowman's hideout. The scene now is the five story studio building where Bowman's apartment is located. Black and Blue are ascending the stairs. The Adventures of Detectives Black and.
Detective Blue
I'm glad there ain't no more stairs. They should have put a elevator in this building.
Detective Black
Say, when this building was put up, black elevators wasn't even invented.
Detective Blue
Well, this must be the fifth floor. There ain't no more stairs. Did you ever see such a dark hall?
Detective Black
Say, have you got the duplicate key that Olga Ragloff give us?
Olga Ragloff
Huh?
Detective Blue
Yeah, I got it right here. I hope it fits the lock.
Roy Bowman
Turn on that flashlight till I find the door. Say, she was smart to get this extra key made. Wait a minute.
Detective Black
We'd better listen first and make sure Bowman ain't in there.
Roy Bowman
Nah, he ain't home. He went to Minneapolis. Olga was sure of it. Here, hold the light. It's the right key, all right.
Police Chief Olsen
Don't make no noise now.
Detective Black
Smells kind of musty in here, like it had been shut up for a long time.
Roy Bowman
Better close that door, Blue. Don't make no noise. It's shut now.
Detective Black
Where do we kind of get our bearings, huh?
Roy Bowman
Throw that flash over this way. What's that railing there in the center of the room? Let's see.
Detective Black
Listen.
Olga Ragloff
Black.
Detective Black
You know what that is? That's a kind of a skylight in the floor.
Police Chief Olsen
Look.
Detective Black
There's one in the ceiling, too.
Roy Bowman
Oh, I remember I'd been in this building before, years ago. I was thinking of getting a room here. The landlady told me they was mostly artists and music teachers here and they have to have lots of light.
Detective Black
Yeah, but they don't build apartments like this no more, not lately.
Roy Bowman
They ain't built one since the Civil War anyway. Say, that'd be a nice place to fall into, wouldn't it? You'd go clean down to the ground floor. Sure.
Detective Black
They got these glass skylights in every floor. This railing around is to keep you from stepping on the glass and going clear down.
Roy Bowman
If you got started going, you'd go through all of them.
Detective Black
What do you know about Roy Bowman having a hideout in a building like this where they ain't nothing but artists and etc.
Roy Bowman
Well, there's something appropriate in it at that. Cause Bowman's a artist, you might say. A artist at taking other people's money.
Detective Black
Hey, Black, don't lean too hard against that railing. You might fall down through the skylight.
Roy Bowman
Throw your flashlight over this way. Wonder what this room is.
Detective Black
Must be the kitchen.
Roy Bowman
Yeah, it's the kitchen. What's that standing on the sink?
Detective Black
Look, it's a whole case of whiskey.
Roy Bowman
Yeah, there ain't no doubt about this being Roy Bowman's apartment, all right.
Detective Black
Gee, if he'd come in now, Black, he'd just chalk us all to pieces, wouldn't he?
Roy Bowman
Well, I got this gun, ain't I?
Detective Black
Come on now, let's tiptoe back into the other room again. Don't you go follow Brad.
Roy Bowman
Dog gone. I hit a chair.
Detective Black
There you go, Black. Honest, I ain't never seen anybody as awkward as you in my whole life.
Roy Bowman
I didn't mean to do it.
Detective Black
Didn't mean to. Yeah. Supposing somebody down one of the other floors was to hear you and think we was burglars. Notify the police.
Roy Bowman
Gee. Come on, let's get busy and find them bonds.
Detective Black
You're just about as light and airy on your feet as an elephant, Black. Yes, sir, an elephant trying to dance a minuet.
Roy Bowman
Well, I'm sorry. Come on.
Detective Black
There's a desk right there. Funny looking thing too, ain't it?
Roy Bowman
Now, I wonder if that's where the secret panel is.
Detective Black
Well, let's find out and get them bonds and lay them out of here. I'm kind of nervous even if Roy Bowman is gone to Minneapolis. Say, he could really have us arrested for breaking in here, couldn't he? He'd be just mean enough to do it too, that fellow.
Roy Bowman
Arrest us? Why, you poor SAP.
Detective Blue
We're breaking in here for a good.
Roy Bowman
Honest purpose, ain't we? We're doing it to get them bonds that Bowman stole so Ms. Regnoff can give them back to her father. Besides, the police is the last people that Boone ever wants to see.
Detective Black
Yeah, I guess you're right at that. He wouldn't have us arrested, but he just shook the socks right off her feet, huh, Black? Hey, what's this thing setting beside the desk here? I'm gonna see what it is.
Detective Blue
There.
Roy Bowman
Now you've Done it.
Detective Blue
Why can't you mind your own business? Not go around handling other people's property?
Detective Black
It's a guitar.
Roy Bowman
Oh, is it?
Detective Blue
Well, why don't you pick it up now and play Cavalleria?
Roy Bowman
Rush the cannon. You'll wake everybody up in the building. Now, let's look for that secret panel. Doggone these things the matter now.
Detective Blue
Whenever I stoop over, these false whiskers fold up and spread all over my face so I can't see nothing.
Detective Black
I told you it was just plum cuckoo to go putting on a disguise again. Look what happened when we rescued Olga Regloff. The flower mill. Your whiskers got burnt up. And it served them right, too. Here, come around this side and see if there's a knob or something that pushes and opens the secret drawer.
Detective Blue
For the love of mud, be quiet. What in the world are you doing?
Roy Bowman
Now?
Detective Blue
What have you got on your foot?
Detective Black
I stepped right in the waste basket and I got my foot stuck in it.
Detective Blue
Well, I'll be. Pull it off, will you?
Olga Ragloff
There.
Detective Blue
Say, you couldn't think of anything else to make a noise, could you? The next time I go to Ticketing with you, I'm going to bring along a fire gong and a steam calliope for you to play on while I'm working. Now, what in the. Say, what do you suppose this stuff is? I got some sticking to my whiskers. The top of the desk is all covered with it.
Detective Black
Can you beat that? Look, Bowman's got sheets of sticky flypaper all over the top. That's funny in the wintertime.
Detective Blue
Here, pull this flypaper off my whiskers and put it in a wastebasket. No, it ain't funny. He's done it on purpose just to make it tough. If anybody should get in here.
Detective Black
Can you beat that? Ain't he the slick guy? You gotta give it to him Black.
Roy Bowman
No, no. I accidentally touched something. Let's have the flashlight around this side.
Detective Black
What do you think of that? A little door. Gee, that flick, that is. Most people would have put that secret compartment on the inside of the desk. Moment he puts the door on the outside. Just where nobody wouldn't look for it.
Roy Bowman
Bring the light down closer.
Detective Black
There's something in there.
Roy Bowman
Wait till I feel. Yeah, here it is. The black box.
Detective Black
Olga Ragloff was right. The bonds are here.
Roy Bowman
Just think, right here in this little box is a quarter of million dollars.
Detective Blue
Gee, Blue, it makes me nervous. Now we really got him. Let's lay him out of here. Just supposing somebody downstairs heard us.
Detective Black
Supposing he should come back. Not so good, huh?
Roy Bowman
Keep still as a mouse for a minute till we're sure there's nobody moving downstairs and. And then we'll lay em out quiet now.
Olga Ragloff
Okay.
Detective Blue
There's that fool watch of yours again for the lover. Say, if we get out of here alive, I'm gonna take an axe and bust that thing. Shut it off, can't you? What'd you start it going for anyway?
Detective Black
I didn't start it, Black. It just starts off like that in my pocket. Sometimes for no reason at all. If I just happened to jiggle a certain way or something.
Detective Blue
Well, jiggle it some other way and hurry up. Why didn't you bring the 3rd Regiment band along?
Detective Black
There, it stopped. Now. Come on, let's go. Now I am nervous.
Detective Blue
Well, all right then. Come on then.
Roy Bowman
Put your flashlight in your pocket. Now listen, you take this box of bonds right under your arm and don't.
Detective Blue
You let go of it till we get back to our room.
Roy Bowman
I want to have both hands free.
Detective Blue
And I got a gun right handy here too.
Roy Bowman
Go ahead.
Detective Black
Wait a minute. I thought I heard a noise.
Police Chief Olsen
Oh, gee, there's somebody feeling at the door. Listen. Stand still. Don't make a sound. The door's opening.
Narrator
Ah, that's it, huh? You two guys in my apartment, eh?
Detective Blue
No, I gotcha.
Detective Black
Hey. Say, Black, wait a minute.
Detective Blue
Down you go through the skylight. 1, 2, 3, 4, 5. There's the last of Foeman Blue. I threw him right through the skylight. We better get some bluff and paper and go down and pick them off the ground floor. What?
Detective Black
Who turned down them lights Blue?
Narrator
That's right. Keep them up in the air.
Detective Blue
The police chief, Olsen. Why?
Olga Ragloff
Why?
Narrator
Put the bracelets on them, boys. Get their rod.
Detective Blue
Okay, Chief. Why, Chief, I. I can't understand this fella's Roy Bowman. But I just threw Roy Bowman down the skylight.
Narrator
Well, I can understand it, you dumb egg. You better get that blotting paper and go down and pick up your partner Blue. It's him you threw down the skylight. Be sure to listen to the next episode in the thrilling and amusing adventures of Detectives Black and Blue over this station.
Detective Black
It's sa.
Podcast Summary: Detectives Black And Blue (Episode 023) – "In Bowman's Lair"
Podcast Information
"In Bowman's Lair" is the 23rd episode of the beloved radio series Detectives Black and Blue, hosted by Harold's Old Time Radio. Set against the backdrop of a bygone era before television dominated family entertainment, this episode plunges listeners into a gripping narrative filled with intrigue, humor, and suspense. The story revolves around the amateur sleuths, Detective Black and Detective Blue, as they navigate the labyrinthine corridors of Roy Bowman's enigmatic apartment to recover stolen bonds and exonerate Olga Redgoff's father.
Setting the Scene
The episode opens with a brief narration introducing the central conflict: Olga Redgoff discovers that her father has been wrongfully imprisoned for stealing a substantial sum of bonds. In reality, Roy Bowman is the true culprit, and the missing bonds are concealed within his apartment located in a five-story studio building inhabited primarily by artists and music teachers.
The Investigation Begins
Detectives Black and Blue embark on their mission, ascending the stairs of the old building. Detective Blue expresses his frustration with the lack of an elevator:
"I'm glad there ain't no more stairs. They should have put an elevator in this building."
[02:06]
As they approach Bowman's apartment, Detective Black inquires about the duplicate key provided by Olga:
"Say, have you got the duplicate key that Olga Ragloff give us?"
[02:22]
Entering the Hideout
Upon entering, they encounter Roy Bowman himself, who feigns absence and appears suspiciously knowledgeable about their presence. Detective Black notes the musty smell of the apartment, indicating it has been long unattended:
"Smells kind of musty in here, like it had been shut up for a long time."
[02:59]
Exploring Bowman's Apartment
The detectives explore the dimly lit apartment, discussing architectural details like the glass skylights and the historical construction of the building. Roy Bowman makes casual yet foreboding remarks about the building's structure:
"They ain't built one since the Civil War anyway. Say, that'd be a nice place to fall into, wouldn't it?"
[03:46]
Their search leads them to the kitchen, where they discover a case of whiskey heavily indicating Bowman's presence:
"Look, it's a whole case of whiskey."
[04:35]
Tension and Comedy
The tension escalates as Roy Bowman brandishes his gun, prompting Detective Black to suggest retreat:
"Come on now, let's tiptoe back into the other room again."
[04:54]
However, comedic mishaps ensue when Bowman's attempts to hinder their progress result in clumsiness. Detective Black critiques Detective Blue's agility:
"You're just about as light and airy on your feet as an elephant, Black."
[05:19]
Discovering the Secret Compartment
The detectives continue their search, eventually uncovering a secret panel in the desk that leads to a hidden compartment containing the missing bonds. Detective Black exclaims with triumph:
"Olga Ragloff was right. The bonds are here."
[08:41]
Climactic Confrontation
As they prepare to leave with the bonds, Chief Olsen intervenes, revealing himself as an unexpected antagonist. A chaotic confrontation ensues, culminating in Detective Blue accidentally throwing Roy Bowman through the skylight:
"I threw Roy Bowman right through the skylight."
[10:36]
The episode concludes with Chief Olsen admonishing the detectives for their blunders, leaving listeners in suspense about the aftermath and the fate of the protagonists.
Detective Black: The more cautious and methodical of the duo, often taking the lead in investigations. His interactions reveal a blend of pragmatism and humor.
Detective Blue: The bumbling counterpart to Black, Blue’s antics provide comic relief. His lack of finesse contrasts with Black’s seriousness, creating a dynamic interplay.
Roy Bowman: The elusive antagonist whose deceit drives the plot. His suave demeanor masks his criminal intentions, making him a formidable foe.
Olga Redgoff: The aggrieved daughter seeking to clear her father's name, serving as the catalyst for the detectives' involvement.
Police Chief Olsen: A surprising figure who complicates the detectives' mission, adding layers of conflict and intrigue.
Detective Blue on Building Architecture:
"Well, this must be the fifth floor. There ain't no more stairs. Did you ever see such a dark hall?"
[02:16]
Detective Black on Security Measures:
"Ain't nothing but artists and etc."
[04:08]
Detective Blue’s Frustration:
"Why can't you mind your own business? Not go around handling other people's property?"
[06:21]
Detective Black on Roy Bowman's Cunning:
"Ain't he the slick guy? You gotta give it to him Black."
[08:06]
Detective Blue’s Accident:
"I threw Roy Bowman right through the skylight."
[10:36]
"In Bowman's Lair" masterfully intertwines elements of mystery and comedy, a hallmark of the Detectives Black and Blue series. The episode delves into themes of deception, the quest for justice, and the camaraderie between partners with contrasting personalities. The interplay between Detectives Black's calculated approach and Detective Blue's inadvertent chaos underscores the delicate balance required in investigative endeavors.
The setting—a five-story studio building filled with artists—adds a nostalgic charm, evoking the Golden Age of Radio where such radio dramas thrived. The inclusion of detailed architectural descriptions and period-specific dialogues enhances the immersive experience, transporting listeners to an era where every family gathered around the radio for entertainment.
"In Bowman's Lair" is a testament to the enduring appeal of classic radio dramas. Through its engaging plot, memorable characters, and witty dialogue, the episode captivates both long-time fans and newcomers. As Detective Black and Detective Blue navigate the complexities of Roy Bowman's deceitful hideout, listeners are treated to a narrative that is as entertaining as it is suspenseful. The episode leaves audiences eagerly anticipating the next installment in the adventures of these endearing amateur detectives.
Note: This summary omits commercial breaks, introductory remarks, and any concluding advertisements, focusing solely on the narrative content and character interactions to provide a comprehensive understanding of the episode.