
Disney Specials 1935-09-20 Mickey Mouses Birthday
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And Doug, here we have the Limu emu in its natural habitat, helping people customize their car insurance and save hundreds. With Liberty Mutual. Fascinating. It's accompanied by his natural ally, Doug. Limu is that guy with the binoculars watching us. Cut the camera. They see us. Only pay for what you need@libertymutual.com Liberty, Liberty. Liberty. Liberty Savings vary unwritten by Liberty Mutual Insurance Company and affiliates. Excludes Massachusetts. Out in Hollywood, all the characters you've seen in the silly symphonies and Mickey Mouse pictures are having the time of their young lives. Reading the newest issue of the Mickey Mouse magazine, Donald Duck is going wild. Over page four, he says it's simply marvelous. The fact that it's a picture of himself may have something to do with that opinion. Professor Goof, the mad scientist, is holding his copy upside down. Naturally, he's standing on his head so he can read it. Giddy Goat has just finished the contents of the magazine. He claims he never ate anything more delicious. Mickey's little nephew, Mortimer Mouse, says he enjoyed every word of the stories and will enjoy them a lot more when he learns how to read. RCA Photophone has brought them to you. On the screen, the magic key is turning fast. Now it's turning to California and Hollywood to bring you Walt Disney's immortal animated characters. Ladies and gentlemen, Walt Disney. We're on the air. Quiet, everybody. Quiet. Hey, quiet. We're on the air. Where'd you say we was, Mickey? Quiet, Goofy. We're on the airbus. Donald. Donald. The bit of operatic rehearsal, which unfortunately slop slipped into our program, warns you that a musical masterpiece is about to be unveiled. Before introducing Walt Disney and the Mickey Mouse Grand Opera Company, I think that we should hear from a young fellow whose seventh birthday the whole world is celebrating this week. Mickey Mouse. Hello. Well, Vicki, old boy, this seems like a swell chance to thank your many friends for all those birthday presents. Yeah. Well, well, well. Go on, go on. Oh, well, I. You. Thanks a whole lot, everybody. Happy birthday. Happy birthday. And here's the young man behind the laugh, behind the fancy and homely truths which have made Walt Disney Pictures world honored and beloved. Walt Disney. Hello, everybody. For the benefit of nations who don't understand barnyard English, we send our greetings in a universal language music, a Rigoletto quartet, just as you will hear it sung in our new picture called Mickey's Grand Opera. Permit me to introduce the singing stars of this operatic triumph. First, that great romantic tenor and what a lover, Don Juan, Donald Duck. Donald. Stop. Donald. Donald. This is no place to sell magazines. No Our little duck is trying to work his way through kindergarten. Tell Mickey's new children's magazine. Donald. Donald, cut it out. Listen, Tom, if our friends want a Mickey Mouse magazine. He'll buy it at the newsstand. Not from you. When you buy one. When I buy one? No, Donald. I get all I want for nothing. Try Goofy. Maybe he'll buy one. Hey, Goofy. Can you read goofy? G.L. i don't know. I never tried. Too bad, Donald. No sale. Well, well. To continue with our introductions of Mickey's grand opera stars. Presenting that famous canine vassal, Pluto the pup. Atta boy. And now, that's the panel supreme, Madame Clara. Clutch. The old hen's molding or she's got the root. Uh oh. Better give her throat another shot of the grease gun, Goofy. Quick, pick out your neck, Clara. Hey, spray the inside, not the outside. Whoa. The inside. Come on, Clara. They are now dangle. It swallows. Atta girl. Now let's hear your high singing. Ah, perfect. On with the show. Now rig a little quartet. Just as it will be sung by the barnyard operatic trio in Mickey's grand opera. Okay, maestro. Mickey, take it away. Sa. Thank you very, very much. Mickey. No. No. Magazine. No. No. Hey. Wow. Wow. Rescue from these. Rescue these animals. Take them away from me. Please. Leave them alone. Get away from. Thank you, Mr. Disney. And we thank all your little friends. We hope to see them soon again on the screen. The the magic key of radio is turning. We take you now to San Francisco. Five hundred years ago, Magellan sailed around the world. In three years. Less than 50 years ago, a man made the headlines of the world's newspapers. By making the trip around the globe in 100 days. You all remember when a year ago, the record of eight days was established in an airplane. But now the magic key takes you around the world in less than two minutes. With stops at Honolulu, Manila, Tokyo, Geneva and back to New York. Ready. Hawaii, here we come. Now on to Tokyo. Captain. JVM Calling KWE and KES this is JVM And JVF Calling KWE and KEF Bolinas, California. Hello, Bolinas. Hello moliness. This is Tokyo. And now out across the great Chinese Empire and over the plains of Asia. And into Europe and the north center of the world we find Geneva, Switzerland. Welcome to Geneva period. We wish you could stay, but it is 9 o' clock Sunday night here and our bedtime good. Yes, you're right. We're back in New York in Radio City. Thank you, RTA Communications. For the daylight to dark to daylight trip around the world all in two minutes. I am sure that our friends will want to know that this feat was made possible by RCA engineers. The same engineers that developed the famous magic brain, magic eye, metal cube radio. Paul Whiteman, our own king of jazz is back again. Paul, will you introduce your next selection? We'd like to play one more number from the new picture. Thanks a million. The title. I am sitting high on a hilltop and one of the boys in the band, Johnny Howser, will come sing the refrain. Sam. I'm sitting high on a hilltop Tossing all my trouble to the moon Webs of easily say don't you worry Stay in your mouth and wake up here near the sky On a hilltop Seems to me the world is all in new I forget all the hustle and hurry Causing all my trouble to the moon I know someone will love me Everything will be just right Just know the stars up above me we continue doing business in the same old town it's mighty sweet in the evening when I had a busy afternoon it tries my own the hilltop dough my trouble. And Doug, here we have the Limu Emu in its natural habitat, helping people customize their car insurance and save hundreds with Liberty Mutual. Fascinating. It's accompanied by his natural ally, Doug. Uh, Limu is that guy with the binoculars watching us. Cut the camera. They see us. Only pay for what you need@libertymutual.com Liberty. Liberty. Liberty. Liberty Savings. Very underwritten by Liberty Mutual Insurance Company Affiliates excludes Massachusetts. I don't know what to do. I'm always in the dark. The sweat and that short smells like a dark Downey river Stubborn odors in just one wash when impossible odors get stuck in. Sam. Thank you and good afternoon. Paul Whiteman. Night after night and year after year, this theme has made you draw your chair a little closer to the radio because it meant that America's most beloved characters were about to come to you. The magic key turns now to Amos and Andy to be off. How you do, ladies and gentlemen? How you do, ladies and gentlemen? Well, Mr. Faranoff is on his way to New York and he listened to us out in the middle of the ocean. Ms. Faranoff, you find a lot of changes here in New York when you get back. It seems that Mr. Aylesworth, who has been reading about the different city officials in the various cities throughout the United States, he's been letting the kids come into the city hall and run the city for one day. So, Mr. Aylesworth, let the page boys here run NBC for one day and the vice presidents all acted as page boys. And Mr. Aylesworth wanted us to tell you that if you could let him do that for two weeks on a stretch while he thinks he could get NBC back on their feet again. Yeah. Mrs. Sarnoff, RCA has done wonders with the new radio set. First they had the magic brain, now they got the magic kids, the magic eye. There's got Thurston the magician at the factory now working. Oh, yeah, you can pull a rabbit out of radio set you make now anytime. Yeah. You know, ladies and gentlemen, we've been in radio for many years. And when we listen to a program like this today we is. Well, it's really hard to believe that such things are possible. Well, I know something that I don't think has ever been told about. You started when you started in radio. Tell them about that. Well, I started in radio during the war. I was a wireless operator in the navy. Yeah. And a seasick sailor. Yeah. But getting back to the serious side, ladies and gentlemen, as close as we are to radio and as long as we have been in it, there's something about it that almost frightens us when you stop and think that we can speak here in front of this ribbon microphone and our voices could be heard all around the world. Yeah, when we started in radio, it was down in New Orleans. We was in New Orleans putting on an amateur show. That was in 1920, I believe it wasn't. Yeah, they didn't have microphones like this. He used to broadcast in a megaphone boat. Had about two feet in diameter. Yeah, that's a big word there. You're getting out of character on me. I never will forget too. Right after we finished singing, a lady called up three, four blocks away and she said that she heard her. We said no fooling. Yeah. Neither one of us believed us. Then we started on radio a couple years after that, just for the fun of it. We used to sing songs together. We didn't have much harmony. Yeah, without harmony and without pay, we was called the Without Boys. Then we decided in 1925 to make radio our work. And instead of doing radio as a sideline, we gave radio all of our time and done nothing else. I never will forget the night that we started to do that blackface on the air. Remember that night? Took us from 12 o' clock midnight till 7 o' clock in the morning to write the first episode. Yeah, we showed it. Get under his records, didn't we? I don't think the sponsors of this program would have. Just sending a message to the listeners on the Air. So what you gonna say? Well, ladies and gentlemen, we have been in radio for many years. We have been with NBC for Pepson and Company going on seven years. We are both very grateful for many things. To you listeners who have tolerated us all these years, we are very grateful. We have been fortunate enough to have our help. You have taken our work seriously, has helped us. Why, we can truthfully say as we. The reason we don't permit an audience in the studio during our broadcast is because we feel a certain responsibility when we sit down in front of a microphone for our nightly episode. Our responsibility is to you who may be listening on your radio set. And we feel that we want to devote our entire time, attention and thought to the listeners who are sitting in front of a receiving set in some far off place. Our time is up. Yeah, that's right in. You know, we live by the watch, ladies and gentlemen. Yeah, we eat some, sleeps by the watch, keeps us hopping all the time. Yeah. But we is glad to be able to do it. I wish we had more time to talk to you. We've enjoyed it. And we want to thank RCA for including us on this fine program. And we hope that they'll let us talk to you again some Sunday afternoon. So good afternoon, ladies and gentlemen. Good afternoon, folks. Thank you, Amos, and thank you, Andy. And thanks, National Broadcasting Company. For the nationwide network that brings these two lovable citizens into millions of American homes, the magic key of Radio Corporation of America turns drawing to a close the first of a new series of weekly broadcasts tasks in which the facilities of the RCA family have been used. These facilities, devised and perfected in the experimental and engineering laboratories of RCA have aided in bringing about a new conception of living that is daily drawing the world into a closer feeling of intimacy and understanding. May we extend to you, our listeners, a cordial invitation to avail yourselves of the many services and products offered by the RCA family. If you need a better radio or phonograph, your nearest RCA Victor dealer will gladly show you the newly announced 1936 Magic Brain model with a new magic eye and the new RCA metal tube. When you want to send a telegram. The quick and accurate services of the RCA communications system brings the whole world within a few minutes of your home or office. And Radio Marine carries your message from ship to ship and shore to ship. For entertainment that is consistently fine, RCA offers the nationwide service of the National Broadcasting Company. Sam, RCA has given up this time next week to make way for the broadcast of the World Series. Two weeks from today, the magic key of RCA returns at this same time with another program of stars headed by Rudy Valley and his Connecticut Yankees, the famous soprano Lucarina Garden, Giannini singing from Berlin, John B. Kennedy, Frank Black and his NBC Symphony Orchestra and others. Paul Whiteman and his orchestra appeared on this program through the courtesy of Kraft Phoenix Keys Corporation. Amos and Andy through the courtesy of The Pepsid & Company. Milton J. Cross Speed. What's that sound? That's the sound of Downy unstoppable scent beads going into your washing machine and giving your clothes freshness that lasts all day long. There it is again. It's like music to your ears. Or more like music to your nose. That freshness is irresistible. Let's get a Downy unstoppables bottle. Sh. And now a sniff solo. Nice. With Downy unstoppable, you just toss wash. Wow. For all day freshness. Gaines super flings are here to take your laundry to the next level. Talking about Gain super clean super sized laundry packs. These things are huge. Super fresh super clean. Gain super flings. Gain super flings laundry packs have four times the oxy cleaning power and three times the Febreze. Freshness versus Gain original liquids. Super fresh super clean Gain super flings. Gain super flings for next level laundry.
Podcast: Harold's Old Time Radio
Episode Date: October 24, 2025
Episode Focus: A celebration of Mickey Mouse’s seventh birthday, broadcast in 1935 as part of early radio “Disney Specials,” featuring Walt Disney and his characters, musical performances, and a behind-the-scenes look at the early days of radio entertainment.
This special “Golden Age of Radio” broadcast commemorates Mickey Mouse’s seventh birthday with a blend of humor, music, and heartfelt nostalgia. Walt Disney and his iconic animated characters—Mickey, Donald, Goofy, and more—make lively appearances, with special features including the “Mickey Mouse Grand Opera Company.” The episode also spotlights advances in radio technology and includes celebrity cameos and musical interludes, capturing the whimsy and excitement of early broadcast entertainment and Disney’s emerging cultural influence.
On Mickey’s Birthday:
“Thanks a whole lot, everybody. Happy birthday.” —Mickey Mouse (01:42)
Walt Disney’s Universal Language:
“For the benefit of nations who don’t understand barnyard English, we send our greetings in a universal language—music.” —Walt Disney (01:58)
Goofy on Reading:
“I don’t know. I never tried.” —Goofy (02:36)
Comic Mayhem in the Opera:
“Spray the inside, not the outside!” —Goofy (03:05)
Radio’s Reach:
“When we listen to a program like this today… it’s really hard to believe that such things are possible.” —Andy (07:46)
Responsibility to the Listener:
“Our responsibility is to you who may be listening on your radio set…” —Andy (08:03)
The tone is spirited, nostalgic, and abundantly playful, blending slapstick humor, musical performance, and a genuine celebration of Disney’s growing impact on audiences worldwide. The episode is punctuated with lively banter, vaudeville-style mishaps, and earnest reflection—an affectionate snapshot of family radio listening and the joy of early broadcast entertainment.
This episode captures the warmth, imagination, and camaraderie that defined 1930s American radio, with Disney’s enduring characters at center stage. It’s both a commemorative birthday party for Mickey Mouse and a fond look at the innovations and personalities that brought entertainment into millions of living rooms before the television era.