
Eno Crime Clues 1933-01-10 The 32 Caliber Kiss Part 1
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O'Reilly
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Spencer Dean
Oh, oh, oh. O'Reilly Auto Parts. Eno crime, please.
O'Reilly
Sent to you by the makers of Eno effervescent sauce.
Spencer Dean
And now, members of the Eno Crime Club, we invite you once more to accompany Spencer Dean, the manhunter, on the thrilling adventure of the.32 caliber kit. All the clues necessary to a solution of this mystery drama by Stuart Sterling are given in tonight's episode. See if you can follow the threads of evidence leading to the criminal F Spencer Dean picks them up. The trail tonight leads us to the famous mountain sporting club of fashionable lake classics.
Eunice
It's lovely, isn't it?
Spencer Dean
Beautiful.
Eunice
See the shadows of those pine trees in moonlight. And that Bruce who? Skaters on the lake like dancing marionettes.
Spencer Dean
I wasn't thinking of the skaters or the moonlight.
Eunice
And I wasn't picking for compliments, Jean.
Spencer Dean
I know you weren't. But when it comes to moonlight, it's getting you. Jean.
Eunice
I could have brought you out here under the moon night before.
Spencer Dean
You should have brought me. I've been trying to get you out here ever since dinner.
Eunice
And now that you have me here.
Spencer Dean
Well, there's something I'd like to tell you.
Eunice
Now, don't be mysterious. I'm not so wrapped up in the beauties of Lake Tassie that I'm not anxious to hear it.
Spencer Dean
It's nothing very startling. You've heard it before.
Eunice
I like to hear it. Tell me again.
Spencer Dean
It would be greatest displeasure. Gene, I. Oh, Dean. Hoy hang at all. That cock I call him.
Eunice
Better go and see what he wants to it.
Spencer Dean
I was just beginning to tell you.
Eunice
You have plenty of time to tell me, Jean. And you, I'll always be ready to listen.
Spencer Dean
I'll be back in just a minute. Oh, Jean. Oh, hello, Bruce. What is it? I'd like to see you a minute before we go over to the bobsled run. Surely. Let's wait on the veranda here. Girls will be here in a few minutes. That's what I want to talk to you about. The girls. Not the girls, just one of them. My girl, Eunice. What? What's on your mind, old man? Plenty. Moyes. What were you doing over at the speed jump this afternoon? Talking to Eunice. Now, get this moist. Eunice and I'd be married day after tomorrow. And I don't fancy her running around with you either before or after the wedding. Aren't you A little cutty, maybe I am. That's my business, Moy. Yes, well, it's my business if I feel like talking to her. You know what I mean. You knew Eunice before I did. Yes. You were fond of us. You proposed to us. Yes. She turned you down. Turned you down cold. Bruce, you're carrying us too far, I warn you. So you thought you'd kill, try and marry into the Ren. Through millions by way of her sister Harriet. You're a liar. Why, you.
Eunice
Go.
O'Reilly
Get up.
Spencer Dean
Stand on your feet and I'll give you some more. You dirty nothing. Harriet. We're just falling.
Eunice
This looks like fooling to me. Bruce, are you hurt?
Spencer Dean
No, I'm all right.
Eunice
You've been fighting.
Spencer Dean
Oh, no, we weren't fighting. Were we, Bruce? No, I was just scuffling, Harriet. I tripped and fell, that's all. Where's Lewis?
Eunice
He'll be along in a minute, I think.
Spencer Dean
I'll see if I can find him.
Eunice
All right, Bruce. Jean, what happened? What's wrong, dear?
Spencer Dean
Nothing.
Eunice
Angry about something?
Spencer Dean
Well, I'm not angry with you anyway.
Eunice
Hello, darling. Ready for the bobsled rock party?
Spencer Dean
Bobstad Julie.
Eunice
Good.
Spencer Dean
I'll tell you what. Let's take the big dive.
Eunice
Ah, but we don't take the big dive until day after tomorrow, honey. There's not as much risk in getting married as there is in this bobsled run. I'm scared the best. Aren't you, Jean?
Spencer Dean
Why, there's nothing to be afraid of. It's just shrill.
Eunice
But safe enough bobsledding in the moonlight. Oh, that's my ideal for. Come on, Paul. Somehow I. I'm still afraid. I have a terrible feeling.
O'Reilly
Oh, don't be silly, Harriet.
Spencer Dean
I've driven over this run a dozen times. It's about as exciting as a subway ride, only a little faster.
Eunice
Well, I bought this Win Force costume especially for bob study, and I'm going to use it if I die for it.
Spencer Dean
It's a very cute outfit, Eunice. You won't need that muff. You'll need both hands to hang on.
Eunice
Oh, I can hang on to you all right, Bruce darling, with or without a muff.
Spencer Dean
I'll say you can. Come on, let's get moving.
Eunice
I. I wish I didn't have this dreadful feeling that something awful is going to happen.
Spencer Dean
I tell you, there's nothing to be afraid of, Harriet. It's like your first trip in an airplane.
O'Reilly
Great for it, Danny.
Spencer Dean
All that speed for you. Say, what are these bobs legs hit?
O'Reilly
Oh, about. About 75 miles an hour on the straight away. Hey, slow up at the turn.
Spencer Dean
Boy, I'm sure glad I came up with you, Spence.
O'Reilly
You know, I'd heard a lot about Lake last night. I thought you'd like it. Let's watch you at the curb for a minute, then go up and take a shot at it herself, huh? Well, I'll hang on. Spence, you handle that steering wheel.
Spencer Dean
Hey, that one skidded right up here.
O'Reilly
To the top of the bank. He was taking it wire, that's all. That's a little extra kick for the girl. Well, it'll be a kick for me too, all right. What happens if you go over one of these banks? Well, you still, I thought.
Spencer Dean
Oh, yeah. Wouldn't that be lovely? Watch this one come.
O'Reilly
Look at that driver. He looks as if he were asleep. Say, he's only got one hand on the wheel. They're coming high up the bank. Watch out.
Spencer Dean
They're coming over.
O'Reilly
They're over.
Spencer Dean
That was a bad smash. Come on, Daddy, they need help. Say, look at that girl French.
Eunice
The one against the tree. She's hurt.
Spencer Dean
Lucky if she's killed.
Eunice
Still alive.
O'Reilly
Are you?
Spencer Dean
Are you all right, Mrs.
O'Reilly
Faint for absence. No other face, Daddy. That'll bring her to. I'll go look after the others.
Spencer Dean
What's happened?
O'Reilly
The bat. Still. That's all you had anywhere?
Eunice
No.
Spencer Dean
I'm all right, I guess. How about the girls?
O'Reilly
Give me a hand, will you? Help me drag her out of the strip.
Spencer Dean
All right.
O'Reilly
Grab her feet in it.
Spencer Dean
Good Lord, it's human.
O'Reilly
Easy, easy. She's thrown against the stumpy.
Spencer Dean
She's hurt.
O'Reilly
I don't think it's any more than a squash. She's all right. She's opening her eyes. We hit a tree. Young lady, you're very lucky.
Spencer Dean
Can you. Can you stir it up.
Eunice
Okay? A little shaky.
Spencer Dean
Yes, of course.
O'Reilly
Here, let me help you. Fine. Don't think there are any broken bones.
Eunice
No, I'm all right.
Spencer Dean
Where's Harriet?
O'Reilly
Back up the hill.
Spencer Dean
My friend's water.
O'Reilly
Steady now, young lady. Steady.
Eunice
Never mind. Ms. Queenland understood me. I decided who by. Who.
Spencer Dean
Who. There he is. Against that rock.
O'Reilly
Come on, let's see.
Spencer Dean
He must be. Must be, by the looks of him.
Eunice
Oh, Bruce. Bruce.
O'Reilly
Careful, careful. He's unconscious. He's pretty badly hurt.
Spencer Dean
Oh, he cut his head on that rock. See? The snow's all bloody.
O'Reilly
Yes, but why? He couldn't have bled so much.
Eunice
Bruce. Oh, Bruce.
Spencer Dean
That come in this purple.
O'Reilly
Bruce, darling, take care for a minute, will you? Keep it away.
Spencer Dean
Now, you make easy.
O'Reilly
You can't do anything.
Eunice
Bruce, don't. Let me go. Dean. Let me go.
Spencer Dean
Teddy. Eunice. Hysterics won't help us any.
O'Reilly
Now. Help me. Let her up here, please. You kissing him? Kissing him won't bring him back to life, young lady. Yes.
Eunice
Oh, no. No. Oh, it can be. I'm going to be married. It can't be.
Spencer Dean
Dad, don't be. You sure nothing can be done for him?
O'Reilly
I'm sure of more than that.
Spencer Dean
What do you mean?
O'Reilly
What do you think? Truly on that rock, dead body ever hit the rock.
Spencer Dean
I don't understand.
O'Reilly
Again. Any sweater here under the shoulder.
Spencer Dean
Blood.
O'Reilly
Northern blood. See the full account. He was shot? Yes. Murdered.
Spencer Dean
Of this copy. And I am Handled this case. This may be your clubhouse, but I'm using it for this investigation. And I won't have hope of an inn. Keep that door closed. Back so soon, Sheriff?
O'Reilly
Well, what'd you find?
Spencer Dean
Well, this case has got me plumb flabbergasted, gentlemen. Now, here.
O'Reilly
Here's one of the richest young men.
Spencer Dean
In the state up here at Lake Pasid for the vacation with a girl he intended to marry. They were gonna be married tomorrow.
O'Reilly
What do you think of that for a top spray? Hold on, Danny. Let the sheriff do the talking.
Spencer Dean
Yes, well, then. Then he runs a bobsled off the edge of a deep curve, nearly breaks the neck for the three passengers. And when we pick him up, we find he's been killed by a.32 caliber bullet.
O'Reilly
Find anything in the way of footprints near the bobsled run?
Spencer Dean
And that's. That's what's burning me up. The only footprints found within 100 yards on either side of the run. Well, sounds queer, but yes.
O'Reilly
Footprints running.
Spencer Dean
Those made by you, Mr. Dean and Mr. Cassidy.
O'Reilly
Are we suspected of the murder, Sheriff?
Spencer Dean
No, no, no, no, no. Your reputation clears you from anything of that sort, Mr. Dean. And you do, Mr. Cassidy.
O'Reilly
But I don't get it.
Spencer Dean
Now, if there were no footprints on either side of the bobsled run, how could anyone have come near enough to Cartwright to kill him? And that's one of the things that I don't understand.
O'Reilly
Well, I think I can explain that. But there are several other things I'm not quite clear about. You mean what happened to the gun, for one thing, yes. Now, your men made a ferrous search, Sheriff?
Spencer Dean
Yes, sir. And absolutely no trace of a dozen.
O'Reilly
I thought there wouldn't be. The curious fact that does puzzle me the most is watch Danny. Now, Danny, do you remember how Cartwright looked when we first saw him coming down the straightaway Well, I.
Spencer Dean
He's.
O'Reilly
No, I don't remember noticing exactly. You couldn't remember. We couldn't see his face and one of his hands. Drops must hear in you.
Spencer Dean
That's right. His head was bent very low. Almost as if he were asleep. You're wasted time, gentlemen. Of what difference does it make how he looked before the accident? Couldn't have been asleep. So? So why. So why worry about that? What we know is who killed him after the bobsled jumped the bank.
O'Reilly
I don't think anyone did, Sheriff.
Spencer Dean
You don't think what? How. That's back.
O'Reilly
I don't think anyone killed him after the bobsled jumped the bank. I think he'd been dead for several seconds by that time.
Spencer Dean
You mean he was dead not even driving the bobsled?
O'Reilly
Yes.
Spencer Dean
That's a crazy idea. Why? The sled would have jumped for shoot.
O'Reilly
No, not necessarily. You realize that run has banked so carefully that a properly weighted bobsled will follow every curve from start to finish without a driver and still stay in the chute.
Eunice
That's right.
Spencer Dean
I heard you talk about that. By the Lord Harry. I want to know, James. He'd been killed sometime before we caught sight of them.
O'Reilly
Looks as though he might have been killed a half mile above the curb where it still occurred.
Spencer Dean
Just imagine that. A dead man driving one of them bobsled st 70 miles an hour with three people right behind him.
O'Reilly
Yes, and don't forget his sweetheart was holding onto him tightly so he wouldn't have slumped over. She probably wouldn't have noticed anything. Why?
Spencer Dean
George, let's get these people in here and see what they've got to say. For who? Who do we stop?
O'Reilly
I'd like to ask Ms. Harriet a question or something. What do we have our info.
Spencer Dean
Good idea. I'll fetch her. Send in this, Harriet.
Eunice
Could you send for me, Sheriff?
Spencer Dean
Yeah. Take a seat, young lady. There are some questions we'd like to ask you.
Eunice
I'll tell you anything.
Spencer Dean
I can go on full head, Mr.
O'Reilly
D. Were you and the dead man on the best of terms, Mr. Ensler?
Eunice
I can't honestly say we would.
Spencer Dean
What's that?
O'Reilly
You resented his attention to your sister. Not exactly.
Eunice
That Bruce Cartwright was a wealthy ne'er do. Well, that's all.
O'Reilly
Well, did you ever have any quarrels with him?
Eunice
No, but somehow we didn't exactly agree.
O'Reilly
Perhaps you thought Mr. Cartwright was not the sort of man your sister should marry.
Eunice
As a matter of fact, I didn't think it was a good match.
O'Reilly
I said, did you ever speak to Mr. Cartwright about it many times. And to your sister Eunice, just once. I dare say she didn't take it kindly.
Eunice
Eunice, Suppose anything you please. Eunice can see for herself.
O'Reilly
Now, if Mr. Cartwright had married your sister, he would have. Well, he'd have had control of a good share of the Renfrew fortune. Would he now?
Eunice
I suppose so. That wouldn't have made any difference.
O'Reilly
You don't seem to feel very badly about this affair.
Eunice
I do, though, for you, Mr. Sake.
O'Reilly
But insofar as you yourself are concerned, you're not sorry to have him well out of the picture?
Eunice
No, I'm not. I know a little about Bruce Cartwright's past and I didn't want my sister to have anything to do with his. True. I never liked him while he was alive. And I'm not going to say anything good about him now that he's dead.
O'Reilly
You realize that you're putting yourself somewhat under suspicion?
Eunice
You mean you think I can do it?
O'Reilly
Certainly. Your attitude might indicate a motive.
Eunice
Oh, too old to who? You can't do that. You can't do that. You can't.
Spencer Dean
I think we better try another tax, don't you, Ms. Nadine?
O'Reilly
Yeah, she's rather upset. Let's have unison. Just a few questions, Ms. Ren. I know you're feeling very much upset, my dear.
Spencer Dean
Oh, no tears now, miss. We'll get this over just as soon as possible. What's up, Mr.
Eunice
What is it you want to know?
Spencer Dean
Well, in the first place, supposing you ask a question. Mr. Dean, you're. You're more used to this murder business than I am.
O'Reilly
Ms. Renfro, did Mr. Cartwright have any enemies who might have threatened his life?
Eunice
None that I believe.
O'Reilly
He came up from New York with you and your sister?
Eunice
Yes. Mr. Moyce is a member of our family.
O'Reilly
You were engaged to Mr. Cartwright?
Eunice
Yes, I was. Already married tomorrow.
O'Reilly
Yes, I. I know. Now, how long have you known Mr. Cartwright?
Eunice
A good many years.
O'Reilly
Did anyone object to your marriage? Any of your relatives or friends?
Eunice
What? Answer that question.
O'Reilly
No. This is not a course, Mr. Ensler, but I think you'd be very well advised if you were quite frank with it. Now, there was someone who. Let's say he. You didn't like the idea of your marriage?
Eunice
No.
O'Reilly
Someone in the family? A former admirer? Possibly. Now, surely you want to help us find your fiance's murderer, miss? Mr. You mean Mr. Morris?
Eunice
Oh, no. No, I'm sure it wasn't.
O'Reilly
Where were you sitting? On the Bob's, where that Ms. Ren? From.
Eunice
Don't drive you. I sat behind you telling me.
Spencer Dean
Just four of them.
O'Reilly
There was no intimation of any trouble before you started on the fob flood ride?
Eunice
Oh, none whatever.
O'Reilly
I see. And each time you came to a curb, I. I presume you were all holiday.
Eunice
Oh, yes, of course. It was very exciting.
O'Reilly
Now, about a hundred yards above the curve where the bobsled went over the bank, there's another curve. Do you remember hearing Mr. Cartwright shout as you rounded that curve?
Eunice
Why is he. The cold gets over his shoulder. Why'd he say something like we must?
O'Reilly
Then he was surely alive when the bobsled first came into view. Then you mean that he was killed.
Spencer Dean
While we were weapon and shooter fled down that slope.
O'Reilly
Exactly.
Eunice
Yeah.
Spencer Dean
But I tell you, my boys couldn't find any footprints within 100 yards to shoot on either side anywhere near there. A.32 caliber bullet. That means a revolver or an automatic. It couldn't have been a rifle.
O'Reilly
Right. Then that limits the possible suspects to.
Spencer Dean
I say to the three who was writing on the box.
O'Reilly
It looks that way now, Ms. Renfrew. Hello. Thank you. Hey, wait a minute.
Spencer Dean
I'll get some water. Well, I guess we better not question her anymore now, gentlemen. No, no, I'll carry her into the next room.
O'Reilly
There's a cop there. We can put her on back.
Spencer Dean
This case gets more balled up every minute. What will we do now?
O'Reilly
I'd like to ask Mr. Gene Morris a few questions. Let's have him in.
Spencer Dean
Bring in Mr. Moyes. Good to you, gentlemen, I think this is an outrage. Murder.
O'Reilly
An outrage. I'm afraid it's much more serious than that, Mr. Moist.
Spencer Dean
Have a chair, Mr. Moist.
O'Reilly
Mr. Moist, you were a good friend of a dead man?
Spencer Dean
Well, yes, quite good friends.
O'Reilly
Known each other for some time.
Spencer Dean
Several years.
O'Reilly
Never had an ick 4. Any arguments? Anything of that sort?
Spencer Dean
See here, I don't quite understand what you're driving at. It's necessary that you understand, Mr. Moy. We have asked him a question. You just depend for the answers.
O'Reilly
Where am I under arrest?
Spencer Dean
Nobody's under arrest yet.
O'Reilly
Everybody's under suspicion, Mr. Moist.
Spencer Dean
Well, if you imagine that I killed Bruce, you'd.
O'Reilly
I'm not imagining anything, Mr. Moyes. We're merely trying to get down to facts. Now, did you ever quarrel with Bruce Cartwright?
Spencer Dean
Yes, we had a little disagreement last night.
O'Reilly
Oh, really? What about?
Spencer Dean
Oh, they're stupid.
O'Reilly
Suppose you tell us that after that.
Spencer Dean
Well, he was absurdly jealous. Just because Eunice and I were out.
O'Reilly
For a walk yesterday morning.
Spencer Dean
He thought I was.
O'Reilly
You're engaged to Mr. Harriet Renfrew, aren't you?
Spencer Dean
Practically.
O'Reilly
Why did Mr. Carp had a big seeing your fiance's sister?
Spencer Dean
Well, you see, I knew Eunice pretty well even before I became friendly with Harriet. No, that. That puts us a foreign light onto the matter. I don't see that it does.
O'Reilly
You had words about the matter, Ms. Cartwright? Yes, nothing more than words.
Spencer Dean
Levi struck him. You believe you're struck enough. Well, did you? Oh, I knocked him down. I'm glad I did. Do it again under the same circumstances.
O'Reilly
By the way, have you a gun, Mr. Moist?
Spencer Dean
Yes, of course.
O'Reilly
What type of gun? Automatic. What caliber?32. Bring it up here with you.
Spencer Dean
Yes.
O'Reilly
Where is it now?
Spencer Dean
Toothpaste, I suppose.
O'Reilly
I haven't looked fired it recently.
Spencer Dean
No, not for months. But I always keep it with me. I have a permit for it. Naturally.
O'Reilly
Of course. Naturally. Sheriff, I wonder if you'd be good enough to get that gun to Mr. Morris's suitcase. That have a look at it.
Spencer Dean
Wait a minute. You don't think I killed Cartwright, do you? I may have knocked him down, but I certainly didn't kill him. Murder isn't in my line.
O'Reilly
We are not accusing Mr. Morris. We're merely investigating. Get the gun.
Spencer Dean
Please, Sheriff. But I will.
O'Reilly
Now, Mr. Morris, this case simmers down to this. Bruce Cartwright was shot. He was killed with a.32 caliber bullet. And all the evidence seems to indicate that he was shot by someone on the bobsledge.
Spencer Dean
What that means is. How the devil.
O'Reilly
That leaves just three of you. Eunice, her sister Harriet and me. There are certainly some points concerning your connection with the case that require clearing up.
Spencer Dean
For instance?
O'Reilly
For instance, why was Cartwright jealous? Your attention to Eunice?
Spencer Dean
I told you, Eunice and I were pretty sick at one time.
O'Reilly
Well, why did you suddenly shift your attention to Eunice? To our elder sister?
Spencer Dean
Well, that's a personal matter and I prefer not to discuss it.
O'Reilly
That's entirely up to you. Possibly you'd rather discuss it in court.
Spencer Dean
I won't discuss it in court or anywhere else. That gun ain't in your suitcase at all, Mr. Moist. Oh, it must be. Well, thanks. He's by them all. A safe and said nowhere in the room. Well, I left it there.
O'Reilly
Why didn't you say it last?
Spencer Dean
Last night.
O'Reilly
Before the murder?
Spencer Dean
Yes.
O'Reilly
Who else knew you had the gun?
Spencer Dean
I know one that I know of. Look here, if you're trying to pin this thing on me.
O'Reilly
We are trying to pin it on the one who did the killing.
Spencer Dean
Well, I'm not going to do any more talking you mean you refuse to answer any more questions? That's exactly what I mean. I want to talk to my lawyer before I answer any more questions.
O'Reilly
That's quite all right, mister. We should go and call him up. You won't mind having one of Shellfook's deputies with you, I'm sure.
Spencer Dean
Of course not. Don't worry.
O'Reilly
I shan't run away. I'm quite sure you won't. All right, Sheriff. Mr. Moyes doesn't want to assist us anymore. Suppose we talk to Ms. Harriet Renfrew again.
Spencer Dean
Okay. Stick with Mr. Moyes while he'd make the phone call, will you? Thanks. Oh, and say, boy, ask Ms. Heavy a friend who will step in when.
O'Reilly
Hey, Sheriff.
Spencer Dean
What is it? He's gone. What do you mean? He's not here. Just scared.
O'Reilly
Disappeared. That certainly complicates matters.
Spencer Dean
I'll say it, Judge. See, I can't make any sense out of this case anyway. Well, gentlemen, that's a fine how to do.
O'Reilly
Find her. Find her very fast, Sheriff.
Spencer Dean
You bet I will. I'll have the boys lay it up for us.
O'Reilly
Danny. Thing looks bad.
Spencer Dean
Yeah? Well, what do you want me to do?
O'Reilly
Wait a minute. Wait a minute. Let me think. I've got it. Can you go to Harriet's room? Stay there. Don't let anybody in. What's that scream?
Spencer Dean
Who's that? Come on.
O'Reilly
It came from the next room. But there's no one here. Window. Danny, look out the window. Mr. Renfrew, you hurt?
Eunice
Oh, my shoulders. I know that you.
Spencer Dean
There's nobody in place. Spence, what's the Trouble? Who screamed?
O'Reilly
Mr. Renfrew has been shot.
Eunice
Oh, it hurts. Tell me.
O'Reilly
Two shots? Yes, two. Both on the left shoulder.
Spencer Dean
Did the. Did you see who twas, Miss?
Eunice
It was a woman.
O'Reilly
Did you recognize her?
Eunice
Oh, no, no. He was outside in the dark. Poke gun through that open window.
Spencer Dean
See? There's a million footprints out here. Spence.
O'Reilly
Anyone could have reached the wonder from the easily enough. Did you see the gun clearly?
Eunice
Yes, one of those silly black things.
O'Reilly
Automatic. We heard no sound of a shot.
Eunice
It is a long tube in the barrel.
Spencer Dean
Oh, a silencer, eh, miss?
Eunice
Yes, sir. All of Mabel's little flop.
O'Reilly
Now, quiet, quiet. You'll be all right, my dear. Call the doctor, Sheriff.
Spencer Dean
I'll have him here in a minute.
O'Reilly
Then we've got to change our tactics. Now, you stay with unit. Don't let her out of your sight, you understand?
Spencer Dean
Sure, sure, I get you. Spence, keep an eye on her.
O'Reilly
Keep both eyes on her. And watch out for yourself, Danny. Whoever shot her might try for you. Don't worry, Spence. I won't let anybody get nearer or near you. Dan, we're getting too close to this murderer for comfort.
Spencer Dean
Yeah. Too close for the murderer's comfort. For ours, I meant.
Podcast Summary: Eno Crime Clues 1933-01-10 The 32 Caliber Kiss Part 1
Introduction
In this gripping first part of "The 32 Caliber Kiss," listeners are plunged into a suspense-filled mystery set against the backdrop of the glamorous Lake Tassie. Hosted by Spencer Dean, the episode masterfully weaves together elements of intrigue, romance, and deception, drawing listeners into the intricate web of crime that unfolds.
Setting
The story unfolds at the prestigious Mountain Sporting Club of Lake Tassie, a fashionable locale known for its scenic beauty and elite gatherings. The serene environment, illuminated by moonlight and the shadows of towering pine trees, provides a stark contrast to the dark events that transpire.
Characters
Spencer Dean: The protagonist and manhunter, determined to unravel the mystery.
“I was just beginning to tell you.” [01:56]
Eunice Renfrew: Spencer’s fiancée, whose uneasy feelings hint at underlying tensions.
“I have a terrible feeling.” [05:20]
Bruce Moyes: A rival suitor vying for Eunice’s affection, displaying jealousy and aggression.
“You have plenty of time to tell me, Jean.” [02:10]
Sheriff O'Reilly: The local law enforcement official assisting Spencer in the investigation.
“I think I can explain that.” [13:28]
Ms. Harriet Renfrew: Eunice’s sister, whose relationship with Bruce Ball complicates the narrative.
“No, I'm not.” [17:24]
Gene Morris: A friend involved in the unfolding drama, whose actions raise suspicions.
“We are not accusing Mr. Morris.” [24:10]
The Inciting Incident: The Bobsled Accident and Murder
The tranquility of Lake Tassie is shattered during a bobsled run when Bruce Cartwright, a wealthy young man intending to marry Eunice Renfrew, is found dead. The circumstances surrounding his death are puzzling:
“He was killed by a .32 caliber bullet.” [12:16]
The bobsled crashes into a tree, and Spencer discovers the body with no apparent cause of death. The only clue is the .32 caliber bullet, leading to immediate suspicions.
Investigation Begins
Spencer Dean takes charge of the investigation, utilizing his keen instincts to piece together the mystery. Early on, he inspects the scene and interrogates witnesses:
“The only footprints found within 100 yards on either side of the run.” [12:33]
This odd detail suggests that the murderer might have used a silencer, limiting evidence.
Interrogations and Clues
The investigation intensifies as Spencer and Sheriff O'Reilly delve deeper into the relationships and motives of those involved:
Eunice Renfrew is questioned extensively, revealing her strained relationship with Bruce and her lack of support for his impending marriage to her sister.
“I never liked him while he was alive.” [17:33]
Gene Morris becomes a person of interest when inconsistencies in his statements and the discovery of his gun raise red flags.
“Murder isn't in my line.” [23:35]
Key clues emerge, including the absence of footprints near the bobsled run and the mysterious disappearance of Sheriff O'Reilly during a critical moment in the investigation.
Rising Tension
As the plot thickens, Eunice is abruptly shot, escalating the urgency of the investigation:
“Mr. Renfrew has been shot.” [27:32]
The use of a silenced gun points towards a calculated and stealthy attacker, increasing the stakes for Spencer and his team.
New Developments
Sheriff O'Reilly and Spencer confront Gene Morris, uncovering vital information about the murder weapon and the possible suspects. The tension peaks as suspicions narrow down to those closest to the victim, leading to dramatic confrontations and revelations.
“Whoever shot her might try for you.” [28:31]
Conclusion of Part 1
"The 32 Caliber Kiss Part 1" concludes on a cliffhanger, leaving listeners eagerly anticipating the resolution of the tangled web of deceit and murder. Spencer Dean remains steadfast in his quest for the truth, while the characters grapple with betrayal and the shadows of their pasts.
Notable Quotes
Key Takeaways
Complex Relationships: The intertwined relationships between Eunice, Bruce, and Spencer add depth to the mystery, revealing motives driven by jealousy and ambition.
Intriguing Clues: The lack of footprints and the use of a silencer are critical elements that propel the investigation forward, showcasing Spencer’s detective prowess.
Rising Suspense: The sudden shooting of Eunice heightens the suspense, ensuring listeners remain engaged and eager for subsequent episodes.
Conclusion
"The 32 Caliber Kiss Part 1" serves as a captivating introduction to a classic whodunit, blending suspenseful storytelling with rich character development. Spencer Dean's relentless pursuit of justice amidst personal turmoil sets the stage for an enthralling narrative that honors the spirit of the Golden Age of Radio.