Faces of Love xxxxxx xxx Expecting Two For Dinner

Summary

Podcast Summary: Harold's Old Time Radio - "Faces of Love xxxxxx xxx Expecting Two For Dinner"

Introduction

In the captivating episode titled "Faces of Love xxxxxx xxx Expecting Two For Dinner" of Harold's Old Time Radio, listeners are transported to a dramatic household grappling with complex family dynamics and emotional turmoils. This episode masterfully weaves themes of love, loss, and acceptance against the backdrop of Jamaica's picturesque landscapes. Through engaging dialogues and poignant interactions, the story delves deep into the characters' struggles and aspirations, offering a rich tapestry of human emotions.

Setting the Scene

The narrative unfolds in Jamaica, primarily within the walls of Glory Point, a residence that serves as the central hub for the unfolding drama. The arrival of Mrs. Tom Wakefield, a widow returning to the island, sets off a chain of events that challenge the household's equilibrium.

Main Characters

• Hannah: A dedicated maid striving to maintain harmony within the household.
• Lewis Pomeroy: The authoritative figure and 60% owner of Glory Point, grappling with familial obligations and personal reservations.
• Clement Fowler (Mrs. Wakefield/Kate Wakefield): A widow returning to Kingston for sentimental reasons, bringing her own set of emotional baggage.
• Miss Ellen: Lewis's aunt, whose obsession with meeting Mrs. Wakefield hints at deeper psychological issues.
• Bill Griffiths and Morgan Fairchild: Secondary characters providing support and adding depth to the household dynamics.

Plot Overview

The episode opens with subtle tensions as Lewis Pomeroy expresses his concerns about bringing Mrs. Wakefield into Glory Point. He fears that Miss Ellen's apparent instability could exacerbate the situation. Hannah, representing a more empathetic perspective, believes that Mrs. Wakefield's presence might provide the necessary closure and peace of mind for Miss Ellen.

As Lewis prepares to meet Mrs. Wakefield at Kingston Airport, the dialogue between him and his staff, Bill Griffiths and Morgan Fairchild, reveals the underlying anxieties and stakes involved. Lewis's reluctance is palpable when he states, "I'm not bringing Mrs. Wakefield back to Glory Point" ([03:30]).

Upon arrival, Mrs. Wakefield's character is introduced through her heartfelt monologue about her experiences and her poignant reflections on hair coloring, symbolizing her desire to maintain a sense of normalcy amidst personal loss. This moment underscores the themes of identity and coping with change.

Key Interactions and Conflicts

The crux of the episode lies in the interactions between Lewis, Hannah, and Mrs. Wakefield. Lewis's steadfast stance against Mrs. Wakefield's integration into the household is met with Hannah's contrasting viewpoint that emphasizes emotional healing. Hannah asserts, "If Mrs. Wakefield came here for just one night, it might settle Miss Ellen's mind" ([04:08]), highlighting her belief in the restorative power of familial connections.

Mrs. Wakefield's arrival introduces a nuanced dynamic. Her conversation with Lewis reveals her purpose for visiting and the emotional baggage she carries. For instance, when Lewis questions her intentions, Mrs. Wakefield responds with vulnerability, stating, "I just want to see the harbors we knew and the places we stayed" ([09:27]).

Themes and Insights

• Love in Various Forms: The title, "Faces of Love", aptly captures the multifaceted nature of love depicted in the episode. From Hannah's selfless care for Miss Ellen to Lewis's duty-bound decisions, love manifests in actions, sacrifices, and emotional support.

• Acceptance and Letting Go: Mrs. Wakefield's journey symbolizes the struggle between holding on to the past and embracing the future. Her acceptance of loss and her quest for closure resonate deeply with the overarching narrative.

• Family Dynamics and Responsibility: The tension between personal desires and familial responsibilities is evident in Lewis's dilemma. Balancing business interests with emotional obligations presents a relatable conflict for many listeners.

Notable Quotes

1. Lewis Pomeroy on Responsibility:

   • "I want you to get through to her before I come back that Tom Wakefield's widow is not coming to this house. I don't want that girl here." ([03:35])

2. Hannah's Plea for Understanding:

   • "It's only when the sun strikes the walk in a certain way." ([04:58])

3. Mrs. Wakefield's Emotional Grounding:

   • "Even on this flight, things have been coming back to me that I hadn't thought of in years." ([09:43])

4. Lewis's Reluctant Acceptance:

   • "I don't need to remind you she owns 60% of this place." ([06:24])

Climactic Resolution

As tensions heighten, the arrival of Mrs. Wakefield brings a turning point. Lewis's decision to invite her into the household, despite his reservations, signifies a moment of emotional reckoning. The interplay between Lewis's authority and Hannah's compassionate approach culminates in a fragile acceptance, setting the stage for future developments in the household's dynamics.

Conclusion

"Faces of Love xxxxxx xxx Expecting Two For Dinner" is a poignant exploration of love's complexities within a familial and organizational setting. Through its well-crafted characters and emotionally charged dialogues, the episode offers listeners a profound reflection on acceptance, responsibility, and the enduring bonds that tie us together. Harold's Old Time Radio continues to excel in bringing timeless stories to life, and this episode stands as a testament to its storytelling prowess.

Production Notes

• Cast:

  • Morgan Fairchild as Kate Wakefield
  • Clement Fowler as Louis Pomeroy
  • Bill Griffiths
  • Bryna Rayburn
  • Helene Dumas
  • Jack Naughton
  • Madeline Lee
  • Mimi Ayers

• Production Team:

  • Produced by Ernie Ricker
  • Directed by Dick Cox
  • Written by Margaret Leworth

• Sponsorship:

  • Brought to you by Loving Care Color Lotion from Clairol.

This episode was beautifully produced by Ernie Ricker and directed by Dick Cox, with a compelling script penned by Margaret Leworth. The production quality ensures an immersive experience, effectively transporting listeners to the heart of Jamaica's Glory Point.

Transcript

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[Bill Griffiths]

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[Morgan Fairchild]

Love is gentle, faithful, swift, passionate, blind and wondrous. All these are faces of love. In a moment, young Kate Wakefield venturing into today's world of confusing freedoms. Brought to you by Loving Care Color lotion from Clairol. If you take Tylenol instead of aspirin for headache now, you can get the exact same relief with Datril and get a dollar refund. Besides, buy Datril in the 100 or 250 tablet size and Bristol Myers will refund you $1. Send name, address and Datril carton to Datril Box 836, Farmingdale, NY 11735 and get a dollar back. Offer good on one bottle only. Expires April 30, 1976. So try Daytrill now and get a dollar back. I know we share everything, Hud, but next time could you keep your cold to yourself?

[Clement Fowler]

This was your cold, dear. You see? Spurt.

[Morgan Fairchild]

You were sniffling before that. Think of the money we spend on nasal sprays.

[Clement Fowler]

That's why I bought four way nasal spray today. It can cost a lot less than the leading brand. A lot less. And you can't buy faster. Decongestant rel Here, just follow the directions.

[Morgan Fairchild]

Hey, that's a blast.

[Clement Fowler]

I know. I bought four way for me too. And think how much we can save on four way with all the cold you get.

[Morgan Fairchild]

You beat all the cold you give me.

[Hannah]

You think Ms. Ellen was expecting tin for dinner instead of just one? I don't think we'll have even one, Esmond. Then what am I doing with all this? For two candelabra polish the best wine glasses out. Because Ms. Ellen wants it. And if it makes her happy for a little while, we will. When I'm her age, I hope I'll see things as they are, Mrs. Vale. Not like she does. Ms. Ellen may see things just as they are. So you watch your tongue. Who knows in this house? That's Mr. Pomeroy. And the dinner. Send me with silver polish.

[Clement Fowler]

I'll go.

[Hannah]

Esmond. What'd I do with Otis? Finish the job. If Miss Ellen is going to be disappointed, we are not going to be the ones responsible. He's in a mood this morning, Esmond. You just tend to your duties, will you? Yes, ma'. Am. I don't know anything. You wanted something, Mr. Pomeroy?

[Lewis Pomeroy]

Where are the maids?

[Hannah]

There are only two and they are both busy.

[Lewis Pomeroy]

I hope they're not still wasting their time over my aunt's delusions.

[Hannah]

No, they're not wasting their time, sir.

[Lewis Pomeroy]

I shan't be here for lunch. I'm going to Kingston airport. I'm meeting Mrs. Wakefield's plane.

[Hannah]

So Miss Ellen said.

[Lewis Pomeroy]

But I'm not bringing Mrs. Wakefield back to Glory Point.

[Hannah]

That's a pity.

[Lewis Pomeroy]

I'm not concerned with your opinions, Hannah. But you do have some influence with my aunt. And I want you to get through to her before I come back that Tom Wakefield's widow is not coming to this house. I don't want that girl here.

[Hannah]

Your decision, of course, sir. I happen to think it's unfortunate. It might even be a mistake.

[Lewis Pomeroy]

A mistake? Why a mistake?

[Hannah]

Well, you are concerned with your aunt's health.

[Lewis Pomeroy]

I'm concerned about her instability.

[Hannah]

That's just what I mean.

[Lewis Pomeroy]

What are you getting at, Hannah?

[Hannah]

Ever since yesterday morning, when she learned that Mrs. Wakefield was coming to Jamaica, Miss Ellen has been in a state of excitement.

[Lewis Pomeroy]

There's no reason for it. We don't want strangers here and she knows it.

[Hannah]

She doesn't look on Mrs. Wakefield as a stranger. She talks about her coming as a sort of act of fate.

[Lewis Pomeroy]

You listen to that talk of hers, Hannah. That's your job. But I don't have to, Mr. Pomeroy.

[Hannah]

If Mrs. Wakefield came here for just one night, it might settle Miss Ellen's mind.

[Lewis Pomeroy]

So that's your game.

[Hannah]

It's not a game.

[Lewis Pomeroy]

You just want Miss Ellen to have her way.

[Hannah]

No, but I think it would benefit the household, and certainly you, sir, to give Miss Ellen peace of mind.

[Lewis Pomeroy]

She won't get it by meeting Tom Wakefield's widow. She won't even accept the fact that he's dead. Didn't she say last week again she saw him standing on Glory Point?

[Hannah]

It's only when the sun strikes the walk in a certain way.

[Lewis Pomeroy]

She knows that I'll have nothing to do with it. I shall be at the airport to meet Mrs. Wakefield. We'll have a little talk. I'll find out why she's come and I'll come Home alone.

[Hannah]

Then you can count on more rambling talk and more delusions from your aunt. I don't know what Mrs. Wakefield is like, but she's real. And that's what your aunt needs.

[Lewis Pomeroy]

I don't like it, Hannah. We all indulge her too much.

[Hannah]

Up to you, sir. I'll tell Cook you won't be here for lunch.

[Lewis Pomeroy]

Morgan.

[Bill Griffiths]

Yes, sir. He's running all right?

[Lewis Pomeroy]

As far as I can see.

[Morgan Fairchild]

Him.

[Bill Griffiths]

I put a new battery in.

[Lewis Pomeroy]

I'll need it. I'm going to Kingston.

[Morgan Fairchild]

Dutch business? In a way.

[Lewis Pomeroy]

It could be trouble.

[Bill Griffiths]

Want me to go with you?

[Lewis Pomeroy]

Not that kind of trouble. I'm going to the airport to meet Mrs. Tom Wakefield.

[Bill Griffiths]

Tom Wakefield's wife?

[Lewis Pomeroy]

A widow.

[Bill Griffiths]

What's she coming to Jamaica for?

[Lewis Pomeroy]

That's what I want to find out.

[Bill Griffiths]

She's not coming to Glory Point?

[Lewis Pomeroy]

Maybe. That's crazy. I'm not sure one night here would hurt anything.

[Bill Griffiths]

What does she know?

[Lewis Pomeroy]

That's what I have to find out.

[Bill Griffiths]

Don't do it, Lou.

[Lewis Pomeroy]

Well, unfortunately, my aunt is obsessed with the idea of meeting Mrs. Wakefield.

[Bill Griffiths]

The old lady. The old lady. Always the old lady.

[Lewis Pomeroy]

I don't need to remind you she owns 60% of this place.

[Bill Griffiths]

I know, I know. But this is not good. I don't like it.

[Lewis Pomeroy]

I don't like it either. It might be worse if Mrs. Wakefield insists on coming and I refuse.

[Bill Griffiths]

Is she coming alone?

[Lewis Pomeroy]

I don't know that either.

[Bill Griffiths]

What shall I do?

[Lewis Pomeroy]

Nothing, until I see what she is like.

[Morgan Fairchild]

The supervisor here.

[Lewis Pomeroy]

There's no need for you to meet her.

[Bill Griffiths]

None at all.

[Lewis Pomeroy]

Odat.

[Bill Griffiths]

Yes, sir.

[Lewis Pomeroy]

It's going to be overcast tonight. I'd let the dogs run. I don't want any prowlers around Glory Point.

[Kate Wakefield]

Hi. I've only got a minute. My job here at home requires my full attention. I just wanted to say a few words about hair coloring. My little girl has beautiful chestnut hair like I used to. And it made me very conscious every time I brushed her hair of the gray that had been sneaking into mine the last year or so. I thought about hair coloring, but using peroxide or changing my natural color turned me off. Then one day, I heard about Loving Care color lotion from Clairol. How it had no peroxide and came in 15 shades, one just like my own. I said, okay, I'll try it. Sure enough, Loving Care covered my grays without changing my natural color. And it made my hair softer and shinier, too. And some days it's just such a comfort to peek in the mirror and see A woman who looks pretty terrific considering her immediate surroundings.

[Morgan Fairchild]

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[Hannah]

Ladies and gentlemen, we are beginning our descent to Kingston Airport. Please fasten your seat belts. The no smoking sign is on. We shall be landing in 10 minutes. Ground temperature is 74 with a light overcast.

[Clement Fowler]

It's been a lovely flight.

[Hannah]

We're glad you enjoyed it.

[Clement Fowler]

It's just like sailing over whipped cream, isn't it? All this brilliant sunshine up here. And all those white, fluffy clouds below us.

[Hannah]

We'll go down through them shortly.

[Clement Fowler]

I know. I just hope they'll clear by tomorrow. I have a long drive to the other end of the island.

[Hannah]

You've been to Jamaica before?

[Clement Fowler]

Oh, yes, often. It was a long time ago.

[Hannah]

If you're going to the western end of the island, Mrs. Wakefield, why didn't you get off at Montego Bay? It's much nearer. Most of our flights go in there now.

[Clement Fowler]

Shall I tell you?

[Hannah]

Oh, I don't mean to be personal.

[Clement Fowler]

No, it's okay. I'm. I'm coming to Kingston. For sentimental reasons, I guess.

[Kate Wakefield]

They're the best.

[Clement Fowler]

My husband and I came here a lot. Always to Kingston. Then we charted a boat and sailed around the southern coast. How divine it was.

[Hannah]

Are you meeting him here now? No.

[Clement Fowler]

He died three years ago. Oh, I'm sorry. Thank you. You're brave to come back. Oh, I didn't want to. Not for a long time.

[Hannah]

Will you be staying with friends?

[Clement Fowler]

No. No, I don't know anyone. I just want to see the harbors we knew and the places we stayed. I don't think I could do that. I didn't think I could either. Yet here I am. Even on this flight, things have been coming back to me that I hadn't thought of in years. I suppose when I get out to Glory Point, I.

[Hannah]

Where's that?

[Clement Fowler]

Oh, I guess you'd have to sail to hear of it. It's near the western end of the island, southwest coast. That is quite a trip. Yes, but I'm going to take it by stages.

[Hannah]

Excuse me, Mrs. Wakefield. I must prepare for landing. Enjoy your trip. Oh, thanks.

[Clement Fowler]

You.

[Bill Griffiths]

Order, ma'?

[Lewis Pomeroy]

Am?

[Hannah]

Oh, yes.

[Clement Fowler]

I have to get my luggage, and I want a taxi, please.

[Bill Griffiths]

Yes, ma'.

[Hannah]

Am.

[Morgan Fairchild]

This way, please.

[Bill Griffiths]

Planes early, you know.

[Clement Fowler]

We had a beautiful flight.

[Hannah]

Mrs. Wakefield?

[Kate Wakefield]

Oh, hi.

[Hannah]

Hi Again. You're being paged in the main Lobby. I am Mrs. Tom Wakefield.

[Clement Fowler]

Well, yes, that's me.

[Kate Wakefield]

I saw you going through the doors.

[Hannah]

And I was afraid you'd miss it.

[Clement Fowler]

Oh, Thanks a lot. I just can't imagine who.

[Hannah]

Porter.

[Clement Fowler]

Yeah, I have to go into the main lobby.

[Morgan Fairchild]

Right.

[Clement Fowler]

I'm terribly grateful to you, Ms. Ann Watkins.

[Hannah]

And I have a married brother in the grill. Incidentally, if you ever get that far on the island and need anything.

[Clement Fowler]

Well, thank you very much.

[Kate Wakefield]

It's very thoughtful of you.

[Hannah]

The information desk is right over there.

[Clement Fowler]

Thanks. Amelia. Listen, I'm Kate. If we should happen to meet again.

[Hannah]

Right. Bye now.

[Clement Fowler]

I'm Mrs. Wakefield. You have a message for me?

[Lewis Pomeroy]

Good afternoon, Mrs. Wakefield. Oh, I'm Lewis Pomeroy.

[Hannah]

Oh.

[Clement Fowler]

Oh, well, how do you do?

[Lewis Pomeroy]

My aunt and I learned you were coming to the island. We insist that you be our guest.

[Morgan Fairchild]

Faces of Love features Morgan Fairchild as Kate Wakefield and Clement Fowler as Louis Pomeroy. Also appearing were Bill Griffiths, Bryna Rayburn, Helene Dumas, Jack Naughton, Madeline Lee and Mimi Ayers. Produced by Ernie Ricker, directed by Dick Cox. Written by Margaret Leworth and brought to you by Loving Care Color lotion from Clairol. This is Mel Brandt. This program comes to you from the Radio Playhouse.

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