Father Knows Best - Betty's Screen Test

Summary

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Podcast Summary: Father Knows Best – Betty's Screen Test

Podcast: Harold's Old Time Radio

Date: June 21, 2026

Episode Description:

A classic episode from the radio sitcom "Father Knows Best," focusing on Betty’s dreams of Hollywood stardom and the comical confusion that erupts when a talent scout unexpectedly visits the Anderson family.

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Episode Overview

This episode centers on Betty Anderson’s ambitious dream of becoming a movie star after her high school play, “Camille,” and the resulting family turmoil when she believes a Hollywood talent scout has come to see her. The story unfolds as her family navigates Betty's theatrical afterglow, a misunderstanding involving a talent scout, and the comical misfire of mistaken fame.

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Key Discussion Points & Insights

1. Betty’s Post-Play Ambitions (00:50–04:55)

• The family is gathered during dinner, discussing Betty’s over-the-top immersion into her recent stage role ("Camille").
• Betty remains in character, much to her father Jim’s irritation.
  • Jim: “We’ve had Camille for breakfast, dinner and supper for the last month, and I’m getting sick of it." (03:39)
• The family pokes affectionate fun at Betty for her dramatics, while she clings to the hope of being discovered by a talent scout rumored to have been in the audience.

2. Family Dynamics and Aspirations (04:55–10:01)

• Bud, Betty’s brother, and Kathy, her younger sister, bring comic relief with their observations and sibling squabbles.
  • Bud: “Ah, shut up.” (05:15), later apologizes.
• Betty determines to dedicate her life to theater, while the family expresses skepticism about her Hollywood prospects.
  • Margaret (Mother): "Let her dream, just for a little while." (04:29)

3. The Party, Critiques, and Tension (07:14–10:26)

• Billy, Betty's friend (and admirer), arrives, recounting critiques of Betty’s performance.
  • Billy: “…Betty’s performance lacked the polish of a more experienced artiste, it had warmth, spirit and a certain objective maturity you can only describe as eclat.” (08:37)
  • Jim, wryly: "Her grandfather was a champion hog caller." (09:01)
• Betty and Billy argue about women’s roles and what constitutes equality and ambition.

4. The Arrival of the Talent Scout (13:03–14:47)

• The real excitement begins when Mr. Alfred K., a Hollywood talent scout, arrives at the Anderson home.
• The family excitedly scrambles to find Betty, only for Mr. K. to reveal he’s actually interested in their youngest, Kathy, for a screen test.
  • Mr. K.: “I want to talk to you about a screen test for Kathleen.” (14:47)
• The family’s focus and enthusiasm comically shift to Kathy.

5. Handling Disappointment and Parental Guidance (17:14–23:54)

• With Betty upset over missing the talent scout, her parents grapple with how to tell her the truth about the screen test.
  • Margaret: "There are times when the truth can be very cruel. Especially to an imaginative young girl." (17:34)
  • They hatch a plan to let Betty down gently and keep Kathy’s opportunity secret for now.
• Betty returns home and is heartbroken to learn the talent scout has come and gone.
  • Betty: “My entire life is ruined. Everything I’d hoped for, everything I’d planned.” (21:38)
• Jim delivers a heartfelt speech on the value of motherhood and homemaking over the lure of theatrical fame.
  • Jim: “You can take all your picture stars… and the most successful woman, the woman with the greatest possible career is still the plain, everyday Mother.” (24:01–24:35)
  • Betty, joking: “I never heard of anybody getting an Oscar for being a mother.” (24:01)

6. Comic Resolution and The Springfield Herald Mix-Up (25:12–26:24)

• The episode winds down with Betty reconciling to her "lost" chance at stardom, and the family bonding over the day’s events.
• A final gag ensues when Kathy, questioned by a local newspaper reporter, claims Betty is “going to stay in Springfield on account of she was going to be a mother.” (26:24), originating a classic small-town misunderstanding.

7. Newspaper Retraction and Final Irony (27:01–30:00)

• The next day, the Springfield Herald prints a retraction clarifying Betty is not to be a mother, but adding to the confusion by reporting she will become a "lady wrestler" instead—a comic misunderstanding.

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Notable Quotes & Memorable Moments

• Jim, on Betty's dramatics (03:39):
  “We’ve had Camille for breakfast, dinner and supper for the last month, and I’m getting sick of it.”

• Billy (on Betty as Camille) (08:37):
  “Why, when she was dying, didn’t you notice the… brilliant resonance in her cough?”

• Jim's Speech about Motherhood (24:01):
  “They give a mother a baby’s tears to carry in her heart. They give her laughter and love to comfort her on lonely nights… and the most successful woman, the woman with the greatest possible career is still the plain, everyday Mother.”

• Kathy’s phone call with the reporter (26:24):
  “I told him she was going to stay in Springfield on account of she was going to be a mother.”

• Final punchline about Betty’s ‘future career’ (27:01):
  “After completing her education… Ms. Anderson is going to embark on a career as a lady wrestler.”

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Key Timestamps

• 01:47 – The Andersons discuss Betty’s ongoing dramatic performance at the dinner table.
• 08:37 – Billy gives his earnest and comical critique of Betty’s acting.
• 13:03 – The Hollywood talent scout, Mr. K., arrives.
• 14:47 – Mr. K. reveals he wants a screen test for Kathy, not Betty.
• 17:14–19:45 – Parental dilemma: how to tell Betty the truth about the missed opportunity.
• 21:10 – Betty returns, discovers what happened, and is devastated.
• 24:01–24:35 – Jim’s moving “career of motherhood” speech.
• 26:24 – Kathy’s phone call results in a hilarious reporter misunderstanding.
• 27:01 – The Springfield Herald’s retraction: Betty is not to be a mother, but perhaps a “lady wrestler.”

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Tone and Style

• The episode is classic mid-century sitcom: warm, gently satirical, and rooted in family values.
• Humor centers on generational misunderstandings, familial love, and Betty’s oscillation between dreams and reality.
• Key moments alternate between farcical confusion and genuine sentimentality, especially regarding the theme of “real” success in life.

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This episode is a loving send-up of small-town ambition, family mishaps, and the timeless challenge of balancing dreams with reality—sprinkled with the sharp wit and gentle affection that made "Father Knows Best" a radio classic. The comic misunderstandings and heartwarming speeches contribute equally to its enduring charm.

Transcript

[A]

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[B]

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[A]

Mother, is Maxwell House really the only coffee in the world? Well, your father says so, and your father knows best.

[B]

Yes, it's Father Knows Best transcribed in Hollywood, starring Robert Young as Father. A half hour visit with your neighbors, the Andersons, brought to you by America's favorite coffee, Maxwell House. The coffee that's always good to the last drop. To be or not to be. That's quite a question, isn't it? Whether it is nobler in the mind to suffer the slings and arrows of outrageous fortune or to take arms against a sea of troubles. That's a question, too, and quite a problem in Springfield, in the white frame house on Maple Street. The Andersons are old hands when it comes to questions and problems. Big problems, little problems. They've had their share of them all like this. I've never seen anything like it in my whole life.

[A]

Life, Jim.

[B]

Oh, bless, oh Lord, this food to our use and our lives to thy service.

[A]

Amen. Amen. All right, Kathy, eat your dinner.

[B]

Say, dad, tell me. Golf is a game of skill. Dad, he couldn't do anything wrong, and I couldn't do anything right. Dad. What is it, Bud? Look at Betty. What about her? Betty. Betty.

[A]

H. What?

[B]

What's the matter with you?

[A]

Nothing, Father. Nothing at all.

[B]

Well, stop daydreaming and eat your dinner.

[A]

Yes, Father. She still thinks she's Camille. All right, Kathy.

[B]

I think she's nuts, but.

[A]

Well, holy cow, Mom.

[B]

She walks around coughing all the time.

[A]

Never mind, Bud. Just eat your dinner and be quiet.

[B]

Holy cow. You know what he did on the sixth hole, Margaret? He sliced one out of bounds. It hit a tree and bounced right back on the green. Yes, dear, that's a great way to win the semifinals, isn't it?

[A]

Skill, Daddy.

[B]

What is it, Kathy?

[A]

Why does it call Marguerite the lady of the camellias?

[B]

Because that's what she wore. Camellias. Now forget about it and eat your dinner.

[A]

She wears.

[B]

Betty, will you please pass the butter?

[A]

Father.

[B]

What is it, Betty?

[A]

It's very kind of you, monsieur, to speak to me. So gently.

[B]

What?

[A]

Here is the butter.

[B]

Oh, for crying out loud. Betty, what in the name of. What's gotten into you?

[A]

Why, nothing, Father.

[B]

Well, then stop it. The play is over. You were wonderful. You. You were sensational. But it's over now. Come on back to earth.

[A]

It's all right, Jim. It may take her a few days, but she'll get over it.

[B]

I know, but a man can stand just so much. We've had Camille for breakfast, dinner and supper for the last month, and I'm getting sick of it. If this keeps up, she won't be in any more plays, and that's a promise. What a play. Oh, Armand, I love you.

[A]

Nobody even got shot or anything. Father.

[B]

What is it?

[A]

Betty, do you know who was in the audience last night? We were a talent scout from Hollywood. Wouldn't it be wonderful?

[B]

Betty?

[A]

Yes, Father.

[B]

Don't fall into the swimming pool.

[A]

What?

[B]

Betty, I saw the show last night and, well, this is a practical world. You've got to realize.

[A]

Jim.

[B]

Margaret, I'm merely trying to explain to her.

[A]

Jim, she's so young. Let her dream, just for a little while.

[B]

Well, I think the entire thing is ridiculous.

[A]

Me too.

[B]

Eat your dinner and be quiet.

[A]

Gee whiz, I'm going to dedicate myself my entire life to the theater.

[B]

But past potatoes, please.

[A]

Do you want to know why?

[B]

No. Come on, Bud. Here you are, dad. Thank you.

[A]

Because there are moments when I lose myself in that dream. Because there are days when I am weary of the life I lead and imagine that I have another. Because in the midst of my turbulent existence though my reason, my pride, my senses are alive. My heart is so tired of never finding tender understanding Little do people care.

[B]

Ah, shut up,

[A]

Mother. Why, he said, bud. How dare you speak that way to your sister.

[B]

Well, holy cow. Mom.

[A]

Jim, would you please say something to Bud?

[B]

Hello, Bud.

[A]

Hi, dad. Jim Anderson. It is not funny, and I don't care what Betty did. There's no excuse.

[B]

Right, Bud? You shouldn't have said it. I know, dad, but good gracious, Betty, you're sorry and. Well, go ahead. I'm sorry, Betty. I shouldn't have said what I said.

[A]

You want me to forgive you? Dear one, what is there to forgive in a world such as ours?

[B]

Betty, for peace, they. Cut it out. But, Father, you've been spouting Camille around here until I've got it coming out of my ears. Now, stop it.

[A]

Very well. But when I'm a famous movie star and they ask me who is responsible for my success.

[B]

Margaret, she isn't just Counting her chickens. She's selling next year's egg.

[A]

Betty, we mustn't raise our hopes too high.

[B]

What do you mean, our hopes? Bud, that was the doorbell. I know. Well, answer it. Holy cow.

[A]

You think there was a law that nobody else was allowed to open the door?

[B]

Margaret, you certainly don't think that Betty has a chance of being a movie star, do you?

[A]

Why not? I've seen certain people a lot less talented than Betty.

[B]

But she isn't trained for it. She isn't prepared.

[A]

Father, they train you. And she and Janie Ligget are both preparing.

[B]

What?

[A]

Kathy? Well, you and Janie were trying on sweaters and she said. Kathy.

[B]

Kathy, why don't you go in and do your homework?

[A]

I haven't finished my milk.

[B]

Well, finish it and behave yourself.

[A]

Hi, Betty. Oh, Billy. Come on in.

[B]

Hello, Billy. Glad to see you.

[A]

Hello, Mr. Anderson. Mrs. Anderson. Beautiful evening, isn't it? Oh, hello, Billy. How are your mother and father? Just fine, thank you. Would you care for a piece of cake? No, thanks. We've got to run along. Janie Liggett's throwing a big party for the Dramatic club. Sort of a celebration, you know.

[B]

Yes, Betty was telling us. Bud, what are you doing out there?

[A]

I'm waiting for the doorbell to ring again.

[B]

Stop being such a smart Alec and come back here. Unless you'd rather skip to dinner.

[A]

Well, every time I sit down, the doorbell rings and I'm the only one who ever gets to answer it.

[B]

Sit down and finish your dinner. Holy cow.

[A]

We were just talking about the play, weren't we, Jim?

[B]

Yes, we certainly were.

[A]

We thought it was wonderful, didn't we, dear?

[B]

Yes, we certainly were talking about it.

[A]

Billy, tell them what the club critique said about my performance. Well, as the director of the various productions, I run a critique after each performance. A sort of symposium. And we're quite ruthless in our critical analysis. In a constructive way, of course.

[B]

Of course.

[A]

What did he say?

[B]

Never mind. Just drink your milk.

[A]

I drank it.

[B]

Well, drink buds. Go ahead, Billy.

[A]

Well, as I was saying, we decided that while Betty's performance lacked the polish of a more experienced artiste, it had warmth, spirit and a certain objective maturity you can only describe as eclat.

[B]

You don't say.

[A]

Oh, yes. Why, when she was dying, didn't you notice the. The brilliant resonance in her cough? She had a timber you'll find in mighty few Camilles.

[B]

Well, she comes by it naturally. Her grandfather was a champion hog collar.

[A]

Jim, Billy and Betty are being quite sincere and earnest.

[B]

Well, so am I. Just because you can cough Loud. That doesn't mean they're going to send you to Hollywood.

[A]

Who said anything about Hollywood? Billy Smith. You told me there was a talent scout in the audience. Woman's place is in the home. Caring for her family. Sharing the joys and sorrows of the man she loves. Mother, have you ever heard anything more prehistoric? Betty, I really don't think.

[B]

Just a minute, Margaret. Betty, this is one quarrel you aren't going to drag us into. If you and Billy want to fight, do it on your own time.

[A]

But, Father, he's so pig headed. I am not pigheaded. I just believe in equal rights for men, that's all.

[B]

Betty, if you're going to the liggets, go.

[A]

I spent a whole month preparing for Camille.

[B]

Betty.

[A]

And then he has the nerve to tell me.

[B]

Betty.

[A]

Yes, Father?

[B]

Go.

[A]

Well, come on, Billy. Good night, everybody. Good night. I won't be out too late, Mother. All right, dear. Have a good time. Good night. Good night. Good night. Gosh, Betty, I didn't mean to get you all excited. I'm not excited. But there's no reason why I can't take a screen test if I want to. But why? I told you in the very beginning

[B]

of all the idiotic arguments I've ever heard.

[A]

Well, at least it's a little different. Daddy.

[B]

What is it, Kathy?

[A]

Why doesn't Billy want Betty to go into the movies?

[B]

I don't know, baby. I guess he just wants her to stay in Springfield.

[A]

Why? So they can smooch Dopey Bud? Well, if she doesn't know.

[B]

But if there are any clinical replies to be given around here, please let me give them. Holy cow. Kathy, you see, when you're very young and in love, you dream up all kinds of things. Now, actually, there isn't any reason for Betty and Billy.

[A]

There.

[B]

You see? What?

[A]

I told you it was gonna ring again. And you said I was being a smart aleck.

[B]

I don't know. Isn't there going to be one evening we can go through without all this fuss and excitement?

[A]

Bud, stop making such an issue of it and answer the door.

[B]

I'll answer it myself. He can finish his dinner. I'll go, dad. Never mind. Just do as you're told. Has to walk a full 20ft to get to the front door. You think it was going to kill him?

[A]

I'll pour your coffee, dear.

[B]

All right, Margaret. I'll be right back.

[A]

Hey, everybody. Lady Luck here. And we're celebrating America's 250th birthday. Now, all summer long, I'm going to Be celebrating by playing on finquest.com which is an American owned social casino. It obviously features over a thousand slot games and live blackjack. Live crap, live bubble crap. Head on over to spinquest.com get yourself a 30 coin pack for just 10 bucks.

[B]

Spin Quest is a free to play social casino void where prohibited. Visit spinquest.com for more details. Save on family essentials at Safeway and Albertsons this week. Extra meaty pork back ribs bone in are $2.99 per pound limit, two member price and sweet red cherries are $2.99 per pound Limit 6 pounds member price with coupon plus signature select 80% lean ground beef sold in three pound twin pack bricks is $4.99 per pound Limit 1 member price with coupon. Fresh and delicious savings for every meal. Hurry in. This deal won't last. Visit safewayeralbertsons.com for more deals and ways to save. Mr. Anderson? Yes? My name is K. Alfred K. May I come in? Why, yes, come right in. Thank you. You probably heard that I was in town. Well, quite frankly, no. Oh, I thought you had. Mr. Anderson, I represent the Metropolitan Picture Corporation of Hollywood. Metropolitan? You mean you. You're the talent scout? You did hear about me, the talent. Margaret, he's here.

[A]

He came. What is it? The talent scout, he's it.

[B]

I mean, he's here.

[A]

He's right here.

[B]

Now, Mr. Anderson, there's no need to get excited.

[A]

What on earth are you talking. What's the matter, Dad? I want to see too.

[B]

Margaret, this is my wife, Mrs. K. I mean, Mrs. Anderson. I'm Alfred K. Of Metropolitan Pictures.

[A]

Oh, no. Holy cow. Go.

[B]

Now, let's not get excited, children. Let's just keep our heads. Just keep our heads.

[A]

Bud, call the lick. It's immediately. Tell him to send Betty home at once. Okay, Mom.

[B]

Oh, I wouldn't go to all that trouble, Mrs. Anderson. Oh, it's no trouble, Mr. K. No trouble at all. Let's go into the living room where we can be more comfortable. Thank you. That'll be very nice.

[A]

You can't imagine how excited we are,

[B]

Mr. K. I think I can. After all, a thing like this doesn't happen every day, does it? That's better.

[A]

Don't I get to say hello?

[B]

Oh, I'm sorry. Kathy. Mr. K. This is our younger daughter, Kathleen. Yes, yes, I noticed her in the audience last night. How are you, Kathleen?

[A]

I'm very pleased to meet you, sir.

[B]

Sweet child. Mr. Anderson.

[A]

Hey, Mom. Betty isn't there yet. But I told them about the talent scout. And they said they'd send her home the second that she came in.

[B]

That's fine, Bud. Just fine.

[A]

We're very proud of Betty, Mr. K.

[B]

But I'm not sure she wants to go into pictures, you see. Well, that needn't bother us, Mr. Anderson. I want to talk to you about a screen test for Kathleen.

[A]

Kathy.

[B]

Oh, no. A cup of coffee keeps right on making good news these days in stores everywhere, grocers have been featuring Maxwell House at lower prices. And now they're featuring lower prices. Still on America's favorite brand of coffee. Something we're all happy to see. You your grocer and Maxwell House too. Now the world's most famous coffee flavor comes to you at the lowest prices in months. Wonderful. Good to the last drop Flavor you can count on cup after cup, day after day. Because with Maxwell House coffee, we have just one aim. To bring you the most in flavor and satisfaction. Every pound you buy to bring you truly good coffee at the lowest possible price. That's why you find so much more flavor for your. Your money in Maxwell House, your money's worth and more in real pleasure. And at today's prices, it's more than ever today's coffee bar. Look for that familiar blue Maxwell House tin in your store featured these days at still lower prices, the lowest prices in months. See how much you enjoy a cup of coffee that's always good to the last drop. A very few minutes have passed in the white frame house on Maple street and the status is not what you would call exactly quo. Betty is on her way back from the Liggetts to meet the Talon scout. And Billy Smith, who was jealous, doesn't want her to meet the talent scout, we think. But that's all right because the talent talent scout has left anyway. And besides, he didn't want Betty, he wanted Kathy. And furthermore, well, you can see how with just a little consideration and common sense normal excitement can be completely controlled and turned into a sort of seething confusion. Like this.

[A]

But, Daddy, you said you didn't want me to go into the movies.

[B]

I know, but you didn't have to tell him. You'd rather be a lady wrestler.

[A]

Well, I would. Jim, I'm worried.

[B]

About what?

[A]

About Betty. What are we going to tell her?

[B]

What can we tell her? We'll tell her the truth, that's all.

[A]

Jim, there are times when the truth can be very cruel. Especially to an imaginative young girl.

[B]

Well, I'm certainly not going to lie to her.

[A]

Lying is a sin.

[B]

Kathy, why don't you dry up can't

[A]

you see we've got a problem? Yes, Bud.

[B]

Kathleen, if you start that phony coughing again.

[A]

I'm sorry, Father. I'll try to control myself, even though something deep within me.

[B]

Stop it, Margaret. If she's going to keep that up.

[A]

She won't, Jim. Will you, Kathy? Will I what? Kathy, darling. Mommy and Daddy have a great problem. We need your help.

[B]

Boy, are you in trouble, Bud.

[A]

Well, holy cow. If you have to count on that knothead Mother. But if you can't behave yourself, I'd suggest you go to bed.

[B]

I'm sorry, Margaret. The plain truth of the matter is that the man wasn't impressed with Betty's performance. That's what we'll have to tell her.

[A]

I know, Jim, but not right away.

[B]

I still think he was a little out of his mind. Telling me Kathy looked like a da Vinci cherub. Stop it.

[A]

I'm sorry, Daddy. I forgot.

[B]

Margaret.

[A]

Yes, dear?

[B]

Do you suppose we made a mistake? We could have sent her all the way out to California.

[A]

Jim, what have you got against California? You just keep it up, Bud, that's all. When I get to be a lady wrestler? Kathy, please. We have a very great favor to ask of you, and we haven't very much time.

[B]

Margaret, I say you're making a mistake. Tell Betty the truth, and if she isn't big enough to take it.

[A]

Jim, believe me, this is one time when the truth is a very dangerous thing. If we can just convince Betty that she doesn't want to go to Hollywood,

[B]

I can just see that we can try.

[A]

Jim, if we succeed and she doesn't want to go. Then it won't make any difference if she finds out about Kathy.

[B]

In other words, you're going to put yourself at the mercy of that cherub.

[A]

What else can we do, dad?

[B]

How would it be?

[A]

Just a moment, dad, please. Kathy, will you promise not to say anything to Betty about Mr. K? Not even I'm a cherub? Not even that she was.

[B]

Kathy, I have here a list titled Damages for may Kathleen Anderson. Four windows, one windshield, two rose bushes, one shrub.

[A]

Is that just May 1st half? Gosh. Well, okay, Mommy. I won't talk. Thank you, dear Boy. Parents can sure louse up your life. Kathy.

[B]

Mother, we're in the living room, Betty.

[A]

Remember, Kathy, not a word, okay?

[B]

Kathy?

[A]

You mean I can't even call? I'm sorry we took so long, but you know how traffic is these days. We left the second Janie told us. But, Mother, where is he? Well, you see, dear. But Janie said the town scout Was here. She told me Daddy sent him away. Father.

[B]

Kathy.

[A]

Well, I didn't tell her who. Bud, take Kathy upstairs.

[B]

Come on, squirt.

[A]

I don't want to go upstairs. I won't say anything, honest. Come on, will ya? Well, stop pulling me. Why do you always have to pull me? Father, you didn't send him away. Tell me you didn't send him away.

[B]

I'm sorry, Betty, but I did.

[A]

Oh, Father. Betty, your father and I felt it. My entire life is ruined. Everything I'd hoped for, everything I'd planned. Plan?

[B]

Betty, if you'd only try to understand.

[A]

Understand? Mr. Anderson? This sort of treachery passes all understanding. What? As Betty's director, I say you have perpetrated a crime against the arts. Stolen from the silver screen, one of its most glittering gems. You have purloined.

[B]

Wait a minute. Which side are you on anyway? You said you didn't want Fatty to go into pictures.

[A]

I said that? I did. Svengali Hide Trilby under a bushel Basket. Did Cecil be demilla?

[B]

Oh, go home, Father. Stop saying Father, if you must know the truth.

[A]

Jim, please.

[B]

Margaret, if they're going to accuse me of having ruined the movie industry.

[A]

Betty, whatever we did was for your good. You must know that. But after I'd worked so hard and so long. A whole month, and it's just thrown away.

[B]

Honey, you aren't ready to be an actress. You haven't lived enough or suffered enough.

[A]

I could have lived and suffered in Hollywood, couldn't I? Betty's a great actress. One of the greatest I've ever directed. And I've had almost two years of it.

[B]

Wait a minute, Billy. Betty, you know, you might think Springfield is pretty dull and monotonous, but this is where you belong. This is your home.

[A]

That has nothing to do with it. I wanted a career. I wanted to be a success. And you spoiled everything.

[B]

Did I? Betty, there's one thing you've got to learn. There are a great many kinds of career. Your mother has a career. A very fine career. Your mother and millions of women just like your mother. They've raised families. They've built homes. They've worked with their husbands and helped them in a thousand different ways. Without women like your mother, life would be a very difficult thing. True. Being a wife and a mother isn't as glamorous as being a movie star. But the rewards are so much greater.

[A]

I never heard of anybody getting an Oscar for being a mother.

[B]

Well, they give out different rewards to mothers. They give a mother a baby's tears to carry in her heart. They give her laughter and love to comfort her on lonely nights. They give her dirty faces to wash and hems to let out. They give her the greatest collection of memories a woman can want. You can take all your picture stars, all your scientists, all your women who have made names for themselves in industry and commerce. And the most successful woman, the woman with the greatest possible career is still the plain, everyday Mother.

[A]

Jim.

[B]

Just a minute, Margaret. Weren't you kids told to go upstairs?

[A]

We are upstairs. But you didn't say we couldn't listen.

[B]

Well, go do your homework or something.

[A]

Holy cow. I'll get it, Father.

[B]

Yes, Betty?

[A]

I'm sorry I was such a goon.

[B]

Oh, you weren't at all, Betty. You just didn't understand.

[A]

Being a mother is a very difficult thing. Very difficult indeed.

[B]

Especially if you're a man.

[A]

Yes.

[B]

Never mind, Betty.

[A]

Naturally, we realize that you're very disappointed. Oh, no, I'm not, Mother. Not really, I guess. Well, anyway, you've got something Janie Liggett hasn't got. They didn't want her to be a movie star. That's right. Wait until she hears I turned it down. Oh, Billy.

[B]

Now, just a second, Betty. Let's not make a big thing out of this. Oh, who's that on the phone? Kathy.

[A]

Oh, I took care of it. It was just a reporter from the Springfield Herald.

[B]

Kathy.

[A]

Yes, Father.

[B]

What did he want?

[A]

All information about the screencast. Jim, you'd better call them back. Oh, he doesn't have to, Mommy. I told the man everything he wanted to know.

[B]

Which is what?

[A]

Well, he wanted to know if it was true that Miss Betty Anderson had been offered a screen test.

[B]

And what did you tell him?

[A]

I told him yes. And I told him she turned it down and he wanted to know why, so I told him.

[B]

Kathy, what did you tell him?

[A]

Well, just what you said. I told him that Betty didn't want to go to Hollywood, and he said, why? And I told him she was going to stay in Springfield on account of she was going to be a mother.

[B]

All across the country, grocers have been doing a pleasant job in recent weeks putting lower price tags on Maxwell House coffee. And now those grocers are doing the job again. Yes, these days they're featuring Maxwell House at lower prices. Still the lowest prices in months. Certainly, that's welcome news for you folks who drink Maxwell House every day. And for you who haven't been getting that wonderful good to the last drop flavor, now's the time to bring home a blue Maxwell House tin. Find out how much more real enjoyment there is in a cup of coffee. When it brings you the world's most famous flavor. Flavor you can count on always. Because we're mighty proud of it. And we'll never compromise on the quality of a single pound. For truly good coffee. For today's coffee buy, look for Maxwell House, featured these days at the lowest prices in months. It's always good to the last drop. A day has passed, and in Springfield, the Andersons wait anxiously for the newspaper which is to carry a retraction on the original story about Betty Anderson, American mother. Buried on one of the back pages. They're going to find the retraction all right, and it reads like this. The editors of the Springfield Herald regret a slight inaccuracy in yesterday's story concerning the screen test offered to Ms. Betty Anderson of this city. We are happy to state that there is no basis of fact in the report that she is to be a mother. In an effort to learn the complete details in this matter, however, the Herald, with its policy of accurate reporting. Interviewed Mr. Alfred K. Of Metropolitan Pictures. As he was leaving from the Springfield Airport. Mr. K. Confirmed the fact that Ms. Anderson had been offered a test and supplied the true facts concerning her refusal. After completing her education in Springfield, he told us. Ms. Anderson is going to embark on a career as a lady wrestler. The instant coffee with a famous flavor that's instant Maxwell House, the happiest combination in coffee. Wonderful. Good to the last drop. Flavor combined with the convenience and thrift of coffee made instantly in the cup. So easy. No pot, no grounds, so thrifty. Saves you real money compared to ordinary coffee. So truly good. Pure roaster, fresh flavor. Try instant Maxwell House, the instant coffee with a famous flavor instantly good to the last drop. Join us again next week when we'll be back with Father Knows Best. Starring Robert Young as Jim Anderson. With Roy Vargy and the Maxwell House Orchestra. And yours truly, Bill Foreman. Don't forget, membership cards for the Robert Young Good Drivers Club are waiting for you at your local NBC station. Get a man to man or dad to daughter pledge and sign up today. Be a good driver. Get your membership card in the Robert Young Good Drivers Club today. Now until next Thursday, good night and good luck from the makers of Maxwell House, America's favorite brand of coffee. Always good to the last drop. Father Knows Best was transcribed in Hollywood and written by Ed James. Now stay tuned in for Screen Gill Theater which follows immediately over most of these stations. Stay tuned for humphrey bogart in the maltese falcon on NBC.

[A]

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[B]

Spin Quest is a free to play social casino void where prohibited. Visit spinquest.com for more details. Save on family essentials at Safeway and Albertsons this week. Extra meaty pork back ribs bone in are $2.99 per pound limit 2 member price and Sweet Red cherries are $2.99 per pound Limit 6 lb member price with coupon plus signature select 80% lean ground beef sold in 3 pound twin pack bricks is $4.99 per pound limit 1 member price with coupon. Fresh and delicious savings for every meal. Hurry in. This deal won't last. Visit safewayeralbertsons.com for more deals and ways to save.