
Favorite Story 46-10-29 Ep020 Phantom Rickshaw
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Jesse L. Lasky
We went to one of Hollywood's veteran motion picture producers, Mr. Jesse L. Lasky. We asked this maker of hits to tell us his favorite story so that we could dramatize it on this series. Well, he told us one yarn which had always fascinated him was Rudyard Kipling's weird and imaginative tale called the Phantom Rickshaw. So for Jesse L. Laski and for all of you who like a good spine tingling yarn, that's this week's favorite story.
Narrator
Bullocks. In downtown Los Angeles, one of America's great stores, proudly originates this radio program for the nation. Favorite story.
Jesse L. Lasky
This is the program which stars the story. And that means our star this week is Rudyard Kipling's the Phantom Rickshaw.
Narrator
Tonight, in keeping with the spirit of Halloween, Bullock's brings you a story to fit the occasion. Here is Jesse Lasky's favorite story. Act One.
Agnes
No.
Bubba Wallace
No. Not the rickshaw again. Not again. Agnes. Agnes. Why don't you let me alone?
Kitty
I'll stay with you all the rest of your life.
Doctor
Panze. Snap out of it.
Bubba Wallace
Agnes. Where do you haunt me?
Doctor
Pansae? Stop this nonsense. Lie back in bed now.
Bubba Wallace
She's calling me.
Doctor
There's no one calling you. You've got a fever and you're imagining things.
Kitty
I'm sure it's all a mistake. A hideous mistake.
Bubba Wallace
You're dead, Agnes. Dead for a month. Now let me rest. Leave me alone. Go away. And take that ghastly rickshaw with you. I hear it continually. The rickshaw. The black rickshaw with the yellow panels, the rickshaw and your voice.
Kitty
We shall be his good friends someday, Jack. As we ever were.
Bubba Wallace
No, Agnes. You're dead. Go away.
Doctor
Stop it, Panse. Talk to me if you like. There's no one else here.
Bubba Wallace
You're wrong. Agnes is here. April is gone. Agnes. April is over and you're dead. And now there's Kitty.
Kitty
Agnes, I'm sure it's all a mistake. A hideous mistake.
Bubba Wallace
I'm sick of you. Agnes.
Kitty
It's all a mistake.
Bubba Wallace
Do you hear me? I'm sick of you let me alone. Let me rest or let me die, but let me alone.
Doctor
Man, you've got to snap out of this. If I have to slap it out of you. Pansy. Are you listening to me?
Bubba Wallace
Yes, I'm. I'm. I'm listening.
Doctor
There's no one here. Do you understand? There's no one here.
Bubba Wallace
It's no use. She keeps calling me. No one's calling you.
Doctor
And I want you to stop this nonsense about a phantom rickshaw.
Bubba Wallace
Is it nonsense, Doctor?
Doctor
Take my word for it. The hospital has handled hundreds like you. It's the fault of the system. They expect you over at the Katabundi settlement to do the work of three men. That's India. But it's no reason for you to get these strange spectral illusions.
Bubba Wallace
I don't know. I don't know.
Doctor
In cases like this, what we need most is a brain purge. Now, lie back and tell me all about it from the start.
Bubba Wallace
From the start.
Doctor
This woman, Agnes, was she married?
Bubba Wallace
Widowed. The wife of a fellow on the Bombay side, Keith Wessington.
Doctor
Where did you meet her?
Bubba Wallace
On the boat coming back to Bombay. But it only got serious when we were together again the next spring in seminar.
Kitty
Darling, let's sit down here a moment and rest.
Bubba Wallace
All right, my dear.
Kitty
Oh, I could listen to those temple bells forever. Jack, do you suppose we can afford a bungalow here? Someday for the year round, perhaps, darling. Oh, it could be so wonderful. Looking up to the snow peaks, feeling the crisp air. Don't you love the snow?
Bubba Wallace
Not when I have to climb a mountain for it.
Kitty
Oh, beer. It's late. I must change.
Bubba Wallace
Change?
Kitty
We're going to a party at the Kernows.
Bubba Wallace
Oh, must we go?
Kitty
Well, if you love me, you won't say another word. But, darling, I won't listen to you. You don't want to go anywhere with me. You only want to make love to me.
Bubba Wallace
Is that bad?
Kitty
But I have a new dress, and if I don't get shored off tonight, I'll be angry. Good heavens, what's that?
Bubba Wallace
The sacred monkeys at the temple. You're disturbing them with your chatter.
Kitty
I don't chatter. All right, I don't chatter. Do I, darling?
Bubba Wallace
No. But sometimes you talk too much. Jack, if there's anything I detest, it's a garrulous darling.
Kitty
Darling, do you suppose we could ever fall out of love?
Bubba Wallace
I never gave it a thought. No.
Kitty
We've been too much to each other, haven't we?
Bubba Wallace
Yes.
Kitty
I'll stay with you all the rest of your life, Jack. You'll never be Rid of me.
Bubba Wallace
Oh, come, my dear. Don't sound so grim.
Kitty
That's how much I love you, darling. That's how much I love you.
Bubba Wallace
That's how it was that first year in Simla. Doctor.
Doctor
Did you love her?
Bubba Wallace
At first she was very beautiful. The most golden hair. But then she became possessive. She hung on me every moment and everywhere we went.
Doctor
When did you see her again?
Bubba Wallace
The next year. But then things were different. I had not seen Agnes for many months. I'm afraid I had purposely not seen her. And then one day I had business that took me into the bazaar. It was there that it happened. The incident that was to change the course of my life. The incident that I shall have cause to regret till the hour I die.
Agnes
Gems.
Doctor
Beautiful gems.
Agnes
Ivory. Gems.
Kitty
Beautiful ivory.
Agnes
If you would buy a walking stick. This is a walking stick the gods might envy.
Bubba Wallace
Is it a tough wood?
Agnes
Like an elephant, sahib. And yet it has spring, sahib, like a fine blade. Listen. Huh, Sahib. The Verriere sings to this stick.
Ryan Seacrest
Jack.
Agnes
Sahib. A woman calls.
Bubba Wallace
Where?
Agnes
There, sahib, in the black rickshaw. The woman with the golden hair, Sahib. You will take this wonderful stick.
Bubba Wallace
I suppose so.
Agnes
Here, sahib. It is two coins of such a brightness for such a stick.
Bubba Wallace
Rubber.
Kitty
Jack.
Agnes
Cirque, sahib, Cirque. The best from China, sahib. The finest Persian rum. Red wine, sahib. Red wine from the south side. Wine.
Kitty
Jack. There you are. For a moment, I was afraid you weren't going to hear me. Or come to me if you did.
Bubba Wallace
Don't be ridiculous. Agnes, how are you?
Kitty
Oh, darling, it's good to see you again.
Bubba Wallace
Is it?
Kitty
Jack, why do you treat me like this?
Bubba Wallace
Like what?
Kitty
You've been avoiding me deliberately.
Bubba Wallace
Have I?
Kitty
Last year it was different.
Bubba Wallace
How?
Agnes
Well, we.
Kitty
We walked together. We rode together, had tea, had dinner. Now you don't even want to see me.
Bubba Wallace
People change.
Kitty
Yes. Yes, they do. You've changed so much, I hardly know you.
Bubba Wallace
12 months is a long time. Especially in India.
Kitty
You were very happy here last year.
Agnes
That was last year, Sahib. I have lovely gems.
Kitty
No, nothing today.
Agnes
I have here a ruby. A ruby? Moss crimson.
Bubba Wallace
We don't want any.
Agnes
The mem sahib in the black rickshaw has hair as golden as the wheat of Samarkand.
Bubba Wallace
Go away.
Agnes
For hair so golden, I have two exquisite combs set with the tiniest and finest of sapphires. The blue, sahib, on a field of gold.
Bubba Wallace
The mem sahib wants nothing.
Agnes
A crown fit for a queen. Sa'.
Bubba Wallace
Ev. Get away, or I'll have the mem sahib's rickshaw boys beat you.
Agnes
Sahib. In another Land, it was once said, whom the gods would destroy, they first drive mad.
Bubba Wallace
Then I am ready for destruction. For fools like you will drive me mad.
Agnes
Before the gods work their will on you, Sahiba. You would perhaps buy for them a Saiba brooch of purest gold. Fashioned by the craftsman of Kashmir.
Bubba Wallace
One more word and I'll use a stick on you myself.
Agnes
May Allah preserve you from Fare, sahib.
Bubba Wallace
You devil.
Agnes
My back is broken in a dozen places. Oh, Allah, have pity on my children. May you have a short life, sahib. And one of misery. May the gods of darkness creep into your mind. And fill it with the fear of night.
Kitty
Jack, you shouldn't have hit him.
Bubba Wallace
The swine deserved it.
Kitty
Jack, you've changed so. You were never like this before.
Bubba Wallace
Flowers fade, grass turns yellow. And the bloom of love is gone with the dawn or last year's rains.
Kitty
Oh, please, please forgive me, dear.
Bubba Wallace
What for?
Kitty
I must have failed you somehow. You wouldn't treat me like this.
Bubba Wallace
I can't pretend to love you any longer.
Kitty
Oh, Jack, don't.
Bubba Wallace
I'm fed up. I'm tired of your monotonous voice and weary of your appeals. I'm sick to death of your whining.
Kitty
Oh, I'm sure it's all a mistake, Jack. A hideous mistake. We should be as good friends someday as we ever were.
Bubba Wallace
Don't you get it through your head that I don't want to be friends. I want to be rid of you. Completely rid of you. I wish you were dead. Dead. That's what I said. I said to her. That's what I said. And a week later, she was dead.
Doctor
Dead. Had she been ill?
Bubba Wallace
For several months. Only hope had kept her alive. And then I took the last hope from her. I'll never forget her sitting there in the black rickshaw. Her golden head bowed. I'll never forget it.
Doctor
Did you know this other woman then?
Bubba Wallace
Kitty? Yes. We'd become quite thick all of a sudden. And everything was going fine until. Until the afternoon we bought the ring. The ring? Yes. We had just left the jewelers. Hamilton's just outside the bazaar.
Kitty
Jack, dear, there's never been such a ring in the whole world.
Bubba Wallace
Ah, my darling. There's never been a love like ours in the whole world.
Kitty
Oh.
Bubba Wallace
Oh, Kitty, if you but knew what your coming into my life has meant to me. The freshness, the beauty, the. The understanding of you. And, yes, the unselfishness.
Kitty
Jack, you don't have to say such things, you know. We're already engaged. Unless it's all been a dream these last days. Is it true, darling? Are we engaged?
Bubba Wallace
Well, let me see your left hand. We must be.
Kitty
Kitty, what's the matter?
Bubba Wallace
Jack, those rickshaw boys, they used to work for Agnes.
Kitty
Who?
Bubba Wallace
Agnes. Mrs. Keith Wessington.
Kitty
Is she the poor woman who died last month?
Bubba Wallace
Yes, that's the one.
Kitty
Someone said she died of a broken heart. I didn't think anyone died of a broken heart. So old fashioned.
Bubba Wallace
That's her rickshaw over there.
Kitty
Where?
Bubba Wallace
On the bridge, near the railing.
Kitty
Are you joking? There's no rickshaw on the bridge.
Bubba Wallace
No rickshaw.
Kitty
Did you have too many brandies this afternoon?
Bubba Wallace
Kitty, I'm not joking. Look again. On the bridge.
Kitty
There's nothing there.
Bubba Wallace
You're blind. The black rickshaw's there. It's turning around now.
Kitty
Jack, are you all right?
Bubba Wallace
Tell me you see the rickshaw. It's off the bridge now. It's coming toward us.
Kitty
Oh, let's not stand here in the middle of the street, dear.
Bubba Wallace
It's the rickshaw. Agnes's rickshaw. Kitty, stop the rickshaw. He's trying to run us down. Kitty. Doctor. Rickshaw. Stop it. Kitty.
Narrator
In a moment, act two of Rudyard Kipling's Phantom Rickshaw. Tonight, Bullock's Downtown issues a call to arms. A call to protect you and your children against the threat of the most dangerous enemies you have ever faced. Disease, delinquency, hate crime. Divorce, maladjustment, hunger.
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Narrator
Poverty, whose poisonous fangs right now are being sunk deeply into your community are driving Los Angeles youth to appalling acts. Are making the Los angeles divorce rate 3 out of 5 marriages the most disgraceful of any large community in America. These ruthless forces threaten you and your family every second of every minute of every day. They are not thousands of miles away across oceans. They are right outside your door. They are strong, ruthless, forceful, Thriving on the disrupted conditions of our post war world. And they don't let up for one second, don't give one inch until you fight back and fight back hard. No, halfway. Let the other fellow do it. Defensive will check these evil forces only. A full scale major offensive made by you individually through the army that knows how to handle them, the Red Feather community chest. The 152 separate agencies of the Community Chest are real frontline fighters. They know the cunning of their enemies, know the threat to you, and they know the kind of powder it takes to win this fight. But these fighters can do nothing without you. Because you, not they, need your help. Now, Bullock's downtown urges you give to your Community Chest. Remember, it is your future and the future of your children that is in danger. Give now and give enough. And now. Act of Jesse Elaski's favorite story. The Phantom Rickshaw with William Conrad as Panse.
Bubba Wallace
When I woke up, Doctor, I realized that Kitty knew. She knew about Agnes. Doctor, don't you see how I've paid for it? As surely as any woman was ever killed by man. I killed Agnes. And now she won't let me alone.
Doctor
Pansy, that's ridiculous. You're suffering from some spectral illusion, nothing more.
Bubba Wallace
An illusion. If it only were, Doctor. If it only were.
Doctor
Pansy, listen to me. In medicine we have something we call a shock treatment. Right now, we're going to saddle up a couple of horses, ride to the spot where you saw that specter, and I'm going to prove to you that it was merely a combination of overwork nerves on the hot sun of India. Shall we take it at a faster gate? It's only a mile to the bridge.
Bubba Wallace
You don't have to go to the bridge, Doctor. It's there, just ahead of us.
Doctor
What's ahead of us?
Bubba Wallace
The phantom rickshaw. It left the house when we did. It's about 20 yards ahead of us.
Doctor
Maybe it's your eyes. I'll examine them more closely when we get back.
Bubba Wallace
Doctor.
Agnes
Doctor.
Doctor
Pansy. You're sweating and trembling like a frightened pony. Yes, I think it's your eyes.
Bubba Wallace
Perhaps. My eyes see the rickshaw as surely as they see you riding beside me. My eyes see the four rickshaw boys. Do you know that all four of them died of cholera on their way to their new owner? And the rickshaw was broken up by the man she hired it from. Told me he'd never used a dead memsa. Its rickshaw spoiled his luck. Queer notion, wasn't it, Tanse?
Doctor
The presence of the rickshaw is in itself enough to prove the existence of a spectral illusion. Perhaps one may see ghosts of men and women. But surely never of a carriage. The whole thing's absurd. Fancy the ghost of a carriage.
Bubba Wallace
Yes, fancy. And yet there it is ahead of us. The dead travel fast and by shortcuts unknown to ordinary rickshaw boys. Wait a minute. Pull up.
Doctor
What's the matter, Pansy?
Bubba Wallace
The rickshaw's come to a dead stop.
Doctor
Where?
Bubba Wallace
By the cliff.
Doctor
Well, what do we do? Spend a cold night on the hillside for the sake of a blasted illusion? Let's ride on.
Bubba Wallace
Wait.
Doctor
Good Lord, Pansae. The whole cliff's coming down.
Bubba Wallace
I told you we should stop, Dr. Man.
Doctor
If we'd gone forward, we should have been 10ft deep in our graves by now. We'll have to turn round and go by way of the church ridge. I want to drink badly, Pansy. Well, you've had 10 days of my treatment.
Bubba Wallace
How do you like it? It's simple enough.
Doctor
Liver pills, cold water baths and strong exercise. And you agree the little incident at the cliff had nothing to do with the rickshaw, don't you? Don't you?
Agnes
Yes.
Bubba Wallace
Yes, Doctor. It's eyes, brain and stomach, isn't that it?
Doctor
Exactly. At the end of the week you won't know yourself.
Bubba Wallace
You're sure of that, Doctor? You're very sure of that?
Doctor
What do you mean? What's the matter with you this morning, Pansy?
Bubba Wallace
Kitty sent back my letters. And here's a note from her father. Says that a man who behaved as I did to Mrs. Wessington ought to kill himself. And Agnes won't let me rest. I keep repeating to myself I'm on leave in Simla. Ordinary, everyday Simla. I'm in Semla and there are no phantoms here. But sometimes it seems that the rickshaw and I are the only realities in a world of shadows. That Kitty was a ghost and that all the other men and women I know are all phantoms and the hills themselves are just shadows to torture me. Why can't I be left alone?
Doctor
Don't get excited now. Get back into bed and rest. A few more days and you'll be fit. You'll be laughing yourself at these fantasies of yours. Well, Pansy, after much examination of pupil and pulse, I'm ready to dismiss you. I certify to your mental cure, which is to say I've cured most of your bodily ailments. Now get your traps out of here as soon as you can.
Bubba Wallace
You've been very good to me, Doctor, and very good for me.
Doctor
Go out and see if you can find this phantom rickshaw business again. I'll give you a rupee for each time you see it.
Narrator
Two more brandy, sweet home.
Agnes
How's your most celebrated case, doctor?
Bubba Wallace
Heathery.
Doctor
What's that?
Agnes
Panzy. How's Pansy doing now?
Doctor
Fine. He's been released, you know.
Agnes
Really?
Doctor
You know, the natives will have you.
Agnes
Believe that there's a crack in Panzy's head and a little bit of the dark world is coming through and pressing to death. But that's in there for you.
Doctor
Always the most involved explanation, eh? My notion is that the work of the Katabundi settlement ran him off his legs. That he took to brooding and making very much of a very ordinary affair. But I've handled too many of that sort. Liver pills.
Agnes
What?
Doctor
Liver pills. Liver pills and exercise. That's all they need.
Agnes
Well, I'm glad to hear that he's all right again. Only met him once, but he seemed like a fairly decent sort of chap.
Doctor
First rate. But he encountered the two great destroyers of Englishmen in India.
Agnes
What are those?
Doctor
Bad food and good women.
Agnes
Very profound, doctor. Much too profound for a hot day like this.
Doctor
Oh.
Agnes
Oh, there's Elkins. Just came in. Elkins? Oh, the fellow would drink, so may as well have him over. Gentlemen, I need a drink.
Bubba Wallace
He's getting you? Oh, no, but he's getting someone.
Agnes
There's a chap walking down the middle of the street down by the bridge.
Doctor
Talking to a woman. Seems to me that's been done before.
Agnes
Yes, old fellow, but there's no woman there. What chap's walking down the middle of.
Doctor
The street talking to a woman?
Agnes
Who isn't there?
Narrator
Mad as a hat.
Bubba Wallace
A poor devil or drunk.
Doctor
Does he call her by name?
Bubba Wallace
No, he just talks to her.
Doctor
What does he say?
Agnes
Oh, he tells that April's gone and.
Bubba Wallace
For her to stop hounding him.
Doctor
Anything else?
Bubba Wallace
Yeah, to take Eric Shaw away.
Doctor
Hansai.
Agnes
No, no. Heathery, come back here. Well, this must be my bad day. That's the second daft one I met in an hour.
Bubba Wallace
What's got into him anyway?
Agnes
I think someone couldn't quite stomach his liver pills. Your friend is here, Saib. He was carried into my humble shop just after he fell hurt in the street. As you see, the commissioner is already here.
Doctor
Oh, Commissioner.
Agnes
Doctor, I fear your friend is near death. Saeed.
Bubba Wallace
Hanse.
Doctor
Hansi, can you hear me?
Bubba Wallace
Yes. Yes, doctor, I can hear you.
Doctor
Are you all right now?
Bubba Wallace
You've been much too good to me already, old man, but I. I don't think I'll trouble you further.
Doctor
Are you hurt?
Bubba Wallace
Should I be?
Doctor
I don't know, Commissioner. Tell me what happened.
Agnes
When we got to him, he was lying in the middle of the mail.
Narrator
Like he'd been run over. Picked him up and brought him to the shop.
Bubba Wallace
Tell me, Commissioner, will you carry the investigation of my death into the spirit world?
Doctor
Well, you're gonna be all right, Pansy.
Bubba Wallace
Never. You know, I debated with myself. Shall I die in my bed decently and as an English gentleman should die? Or in one last walk on the marrow, will my soul be wrenched from me to take its place by the side of that ghost of a woman? The ghost of Agnes.
Doctor
Stop it, Pansy.
Bubba Wallace
Shall I return to my old lost allegiance in the next world? Or shall I meet her, loathing her, and riding by her side in that rickshaw through all eternity? Shall we show Panzer?
Doctor
It's an awful thing to go down quick among the dead.
Agnes
Only one half of your life completed, Commissioner. Yes.
Doctor
There are no marks on his body.
Agnes
But he must have been struck.
Doctor
Did anyone see him fall?
Bubba Wallace
Oh, no.
Agnes
That's the strangest part of it all.
Narrator
He was found on one of the.
Agnes
Busiest streets, and yet no one saw him go down.
Doctor
How about the Sadhu?
Agnes
The holy man?
Bubba Wallace
Yes, all right.
Agnes
I'll bring him in. Go on with your examination, Doctor.
Doctor
You there. You say you own this shop?
Agnes
Yes, it is my shop. I sell gems. Beautiful gems, I am.
Doctor
What do you know of this?
Agnes
Only that the man was cursed, Saeb.
Doctor
How do you know?
Agnes
It came on the wind and died in the tree, Saeb.
Doctor
What does that mumbo jumbo mean?
Agnes
That the man was cast, Saeb.
Doctor
Ah, Commissioner, what nonsense is. Oh, yes. There you are, Commissioner.
Agnes
Here's the holy man. Let's see what he has to say.
Doctor
Do you know this man Sadhu?
Agnes
The one who stands there and sells bits of glass? Saive. Or the one on the floor now sells his soul to the powers of darkness.
Narrator
None of that nonsense now. You know who I am, don't you?
Agnes
You are the commissioner of police, sir.
Narrator
I want you to tell me if.
Agnes
Anyone was with this man when he.
Narrator
Fell in the street.
Agnes
All men are alone when they die, sir. After he fell, did you see anything? When the soul is in flight, no one can see it or know whence it goes.
Doctor
Did you see something on a more material plane? Anything on the street after the man fell?
Agnes
Yes.
Doctor
What?
Agnes
A rickshaw cybe moving very fast.
Doctor
Fast? What did it look like?
Agnes
It was a black rickshaw, sahib. A black rickshaw with yellow panel. It was his destiny to die slowly and a little every day. You can go. Yes, sir.
Doctor
Commissioner. I don't know what you want to make in the nature of an examination, but I don't need to go any further. I'm satisfied as to the cause of death.
Agnes
You are?
Doctor
Yes.
Agnes
What are you going to put on the death certificate?
Doctor
I'll just say he was run down by a phantom Rickshaw.
Narrator
You have been listening to Rudyard Kipling's the Phantom Rickshaw, the favorite starry choice of motion picture producer Jesse L. Laski. Favorite story is brought to you by Bullocks in downtown Los Angeles, one of America's great stores. Heard in the cast were William Conrad as Panse with Eric Snowden, Edmund McDonald, Lois Corbett, Gene Vanderpile, Guy Kingsford, Ramsey Hill, and your announcer, George Barkley. This week's program was directed by True Boardman with sound designs by Jack Hayes. Music was composed by Bob Mitchell, who conducted Claude Sweeten's orchestra. This was a Lawrence and Lee production. Bullock's proudly originates it for the nation. Now here is True Boardman to tell you about next week's favorite story.
Jesse L. Lasky
Next week we bring you the favorite story of one of the world's greatest travelers, Mr. Carveth Wells. Mr. Wells has suggested an excursion which should be most welcome to all travel hungry radio listeners. Next week, Jules Verne takes us from the Earth to the moon. We hope you'll be listening until next Tuesday at 9 when we meet you in the crater of Copernicus. Good night to you from Bullocks.
Kitty
Foreign.
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Podcast Summary: Harold's Old Time Radio – "Favorite Story 46-10-29 Ep020: Phantom Rickshaw"
Introduction
In the July 25, 2025 release of "Harold's Old Time Radio," host Harolds Old Time Radio presents Episode 020 of the "Favorite Story" series: "Phantom Rickshaw." This episode dramatizes Rudyard Kipling's enigmatic and eerie tale, brought to life by esteemed Hollywood producer Jesse L. Lasky. Set against the backdrop of colonial India, the story delves into themes of guilt, supernatural vengeance, and the psychological unraveling of its protagonist.
Plot Overview
The narrative centers around Jack Panze (voiced by William Conrad), a man haunted by the ghost of Agnes, a woman he unwittingly caused to die. Agnes's spirit is perpetually linked to a mysterious black rickshaw with yellow panels, symbolizing her lingering presence and Jack's unresolved guilt.
Jack grapples with his past actions, attempting to move forward with a new relationship with Kitty. However, Agnes's ghost persistently torments him, leading to hallucinations and a deteriorating mental state. Jack seeks help from Doctor Man (voiced by Edmund McDonald), who dismisses his supernatural claims as mere illusions caused by overwork and stress from the demanding conditions of the Katabundi settlement in India.
As the story unfolds, Jack's past resurfaces, revealing his relationship with Agnes and the tragic incident that binds him to her spectral presence. The climax intensifies when Jack and Doctor Man encounter the phantom rickshaw near a cliff, forcing Jack to confront the tangible manifestation of his guilt. The episode concludes with a mysterious death investigation, intertwining the supernatural elements with a police procedural twist, leaving listeners pondering the thin veil between reality and the supernatural.
Key Characters
Jack Panze: The protagonist haunted by his past actions and the ghost of Agnes.
Agnes: The vengeful spirit whose death Jack inadvertently caused, now connected to the Phantom Rickshaw.
Kitty: Jack's new love interest, whose relationship with Jack becomes strained under the weight of his guilt and Agnes's haunting.
Doctor Man: Jack's physician, skeptical of supernatural explanations and focused on treating Jack's perceived psychological ailments.
Narrator: Provides contextual background and transitions between scenes, maintaining the old-time radio ambiance.
Key Scenes and Discussions
Introduction of the Haunting ([00:31] - [01:40])
Jack's Confrontation with Agnes ([02:23] - [04:25])
Jack's Interaction with Kitty ([05:33] - [11:50])
The Phantom Rickshaw Encounter ([14:10] - [20:35])
The Investigation and Revelation ([25:14] - [29:28])
Themes and Insights
Guilt and Redemption: Jack's relentless pursuit of peace is thwarted by his overwhelming guilt over Agnes's death, illustrating how unresolved emotions can haunt an individual.
Supernatural vs. Reality: The story masterfully blurs the lines between Jack's psychological turmoil and genuine supernatural occurrences, leaving listeners questioning what is real.
Colonial India Setting: The backdrop of India’s Katabundi settlement adds layers of cultural context, highlighting the pressures and societal expectations faced by expatriates like Jack.
Psychological Breakdown: Jack's interactions with Doctor Man emphasize the dismissal of mental health struggles, a commentary on the stigma surrounding psychological ailments.
Notable Quotes
"You're dead, Agnes. Dead for a month. Now let me rest. Leave me alone." ([02:55]) – Jack’s plea to the ghost of Agnes, showcasing his desperation.
"We walked together. We rode together, had tea, had dinner. Now you don't even want to see me." ([09:38]) – Kitty expressing her hurt over Jack’s changed demeanor.
"You're blind. The black rickshaw's there. It's turning around now. It's coming toward us." ([14:22]) – Jack confronting the phantom rickshaw, questioning Doctor Man’s skepticism.
"I killed Agnes. And now she won't let me alone." ([17:50]) – Jack’s confession revealing the crux of his haunting.
"I'll just say he was run down by a phantom Rickshaw." ([28:44]) – Doctor marking the cause of death, blending the supernatural with official records.
Conclusion
"Phantom Rickshaw" is a compelling installment in Harold's Old Time Radio series, seamlessly blending supernatural horror with human drama. Through Jack Panze's tormented journey, the episode explores profound themes of guilt, redemption, and the fine boundary between reality and the supernatural. Jesse L. Lasky's adept narration, combined with a stellar voice cast and atmospheric sound design, transports listeners back to the Golden Age of Radio, delivering a timeless tale that resonates with the complexities of the human psyche.
Production Credits
Cast:
Director: True Boardman
Sound Design: Jack Hayes
Music: Composed by Bob Mitchell, conducted by Claude Sweeten's orchestra
Production: Lawrence and Lee Productions
Next Episode Teaser
In the following week's episode, host Jesse L. Lasky introduces an excursion into Jules Verne's "From the Earth to the Moon," promising an adventurous journey to the crater of Copernicus. Tune in next Tuesday at 9 PM to continue the captivating series.