Lux Radio Theatre - What a Woman

Summary

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Lux Radio Theatre – “What a Woman”

Podcast: Harold's Old Time Radio
Episode Date: July 22, 2026
Featured Stars: Rosalind Russell, Robert Cummings
Source: Lux Radio Theatre adaptation of the Columbia Pictures film
Summary By: Harold's Old Time Radio

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Episode Overview

This episode features a radio adaptation of the classic screwball romantic comedy “What a Woman,” starring Rosalind Russell as the indomitable literary agent, Carol Ainsley, and Robert Cummings as the wry reporter, Henry Pepper. Set against a backdrop of Manhattan publishing and Hollywood buzz, the story dives into the search for the perfect leading man for a blockbuster novel’s film adaptation, and the unintended consequences of conflating business with romance. Listeners are transported back to the golden age of radio with rapid-fire banter, witty repartee, and a cast of colorful characters.

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Key Discussion Points & Highlights

1. Introduction & Premise (00:54–03:14)

• Henry Pepper, acting as the episode's narrator/host, introduces Rosalind Russell and Robert Cummings.
• The premise is laid: Anthony Street’s novel “The Whirlwind” is a runaway bestseller, but its author is a mystery, and literary agent Carol Ainsley is credited with its success.

Notable Line:
"There is no Anthony Street. It's a pen name… The author of The Whirlwind doesn't want himself known." – Knickerbocker staff (01:27)

2. The Search for the Whirlwind (03:14–08:21)

• Carol Ainsley orchestrates a nationwide campaign to find a male lead for the movie adaptation.
• The “mystery man” is found to be Michael Cobb, a modest college professor from Buxton.
• Henry Pepper is sent to write a feature about Carol, leading to their sparkling first encounter.

Memorable Exchange:
"Do you ever take your hat off, Mr. Pepper?" – Carol (05:29)
"Only in recognition of exceptional achievement, Ms. Ainsley." – Pepper (05:32)

3. Carol Meets Michael Cobb (08:21–11:08)

• Carol discovers Michael’s secret identity as Anthony Street.
• She attempts to persuade the reluctant academic to act as his own hero for the film adaptation.
• Michael initially refuses, feeling out of place in show business.

Notable Quote:
"I am a scholar… prouder of those three copies [of my thesis] than I am of a million Whirlwinds. No, it's utterly impossible." – Michael Cobb (10:32)

4. The Reluctant Star’s Training Montage (14:26–16:25)

• Carol's office buzzes with preparations: acting lessons, gym training, publicity photos, all under Carol's strict guidance.
• Michael is put through the paces in a fast-paced, comedic training sequence.

Standout Moment:
"Double-breasted, I would suggest… Two hours a day in the gym." – Pepper & staff (15:35–15:41)

5. Carol and Henry’s Sparring – Character Depth (19:12–20:24)

• Pepper psychoanalyzes Carol, proposing that her drive comes from a need to prove herself, having grown up in a successful family.
• Carol resists emotional introspection, pushing back on Henry's theories.

Quote:
"Only one thing—that in all your hurry you overlook doing a job on yourself." – Pepper (20:16)

6. Michael’s Doubt and Romantic Complications (21:20–26:17)

• Michael’s screen test demoralizes him; he wants to quit, doubting his acting abilities.
• Carol blurs the line between role-playing and genuine feeling, evidenced by an intimate acting demonstration that leaves both characters shaken.

Memorable Dialogue:
"Don’t think it’s so difficult to pretend you’re in love. Come here… Her face as near to you as mine. You pretend to want to kiss her and you do…" – Carol (22:41–23:40)

7. Momentum, Jealousies, Realizations (26:34–32:28)

• Michael grows more confident; Carol and Michael spend an evening together, leading to a deepening relationship.
• Henry teases Carol about her effect on Michael and gently probes her own feelings.

Highlight:
"He doesn't know it, Ms. Ainsley, but the professor's in love." – Pepper (26:27)

8. Plot Escalation: Engagement & Publicity (36:14–47:02)

• Michael (Anthony Street) becomes a sensation; the press is hot on his heels.
• In a comedic twist, Michael publicly announces his engagement to Carol during a press conference, catching her by surprise.
• Carol feels trapped by expectations and her own professional machinations.

Dramatic Moment:
"Ms. Ainsley and I are engaged… Well, the date hasn't been set yet, but I hope for the near future." – Michael (45:54)

9. Carol Draws the Line (48:01–49:16)

• In a climactic moment, Carol halts the impending wedding, refusing to go through with it for the sake of publicity or obligation.

Quote:
"That's where a woman draws the line." – Carol (49:07)

10. Resolution and Final Banter (50:31–51:33)

• Michael agrees to go to Hollywood, embracing his role for the public’s sake.
• Carol and Henry’s chemistry leads to a playful “deal,” hinting at a romantic future.

Closing Highlight:
"Now this is strictly 50-50… Well, you better make up your mind. It's a long-term contract and exclusive…" – Pepper (51:17–51:32)

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Notable Quotes & Moments

• On Success and Identity:
  “You wanted success in a hurry. So you took other people, developed their abilities, sold them high and made their second-rate talents pass for pure genius.” – Pepper (20:06)

• On the Blurry Line Between Pretend and Real:
  “Don’t think it’s so difficult to pretend you’re in love… Now, what’s so difficult about that? You hold her…now what would your next impulse be?” – Carol (22:41)

• On Emotional Honesty:
  “You know what you really ought to be worrying about? Well, when a guy like that gets it, a guy who’s never been in love before, it’s just murder.” – Pepper on Michael (33:15)

• Refusing to Compromise Herself:
  “There isn’t going to be a wedding. That’s where a woman draws the line.” – Carol (49:07)

• The Partnership Proposal:
  “Now this is strictly 50-50… It’s a long-term contract and exclusive. Well, take it or leave it.” – Pepper (51:17–51:32)

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Timestamps for Key Segments

| Segment | Time (MM:SS) | |---------|--------------| | Episode premise, introduction | 00:54–03:14 | | Carol’s Manhattan office, finding Cobb | 03:14–08:21 | | Buxton College, Michael’s secret | 08:21–11:08 | | Training montage, office buzz | 14:26–16:25 | | Carol & Pepper: character motivations | 19:12–20:24 | | Screen test, confession scene | 21:45–23:40 | | Night out, shifting relationships | 28:02–32:28 | | Reception, engagement surprise | 36:14–47:02 | | Carol breaks off the wedding | 48:01–49:16 | | Final “deal” between Carol & Pepper | 50:31–51:33 |

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Tone & Style Highlights

• Rapid-fire, witty dialogue characteristic of 1940s screwball comedies.
• Rosalind Russell’s commanding blend of charm and quick-thinking as Carol.
• Robert Cummings’ blend of cynicism and warmth as Pepper.
• Themes of female agency, self-invention, and the performativity of both love and show-business.

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For New Listeners

This vintage radio adaptation offers a sparkling trip into old Hollywood, with banter, romance, and industry satire at every turn. Whether you're a fan of classic films, sharp dialogue, or love stories with a twist, “What a Woman” serves up a heady blend of humor and heart. No knowledge of the original film required—just settle in and enjoy the clever interplay and timeless charm.

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(End of Summary)

Transcript

[Sponsor/Advertiser]

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[Henry Pepper]

as we welcome home one of our most talented stars from our recent Broadway triumph. In fact, I can't think of an actress who could be more aptly described by tonight's play title than Rosalind Russell. What a woman. And as her co star in this Columbia picture, which I had the pleasure of producing and directing, is one of our most versatile artists, Robert Cummings. No relative, but I wish he were. But for a moment, From coast to coast, a sensational new novel is sweeping America. Its title, the Whirlwind, bears from every bookshelf and the name of Anthony street, its author is on every ton right now in an office of a Knickerbocker magazine. Well, Henry, you can forget that article on Anthony Street. What do you mean forget it? Because there is no Anthony Street. It's a pen name. I just talked to the publishers. The author of the Whirlwind doesn't want himself known. Wait a minute. He writes the best selling novel in 10 years and doesn't want himself known? What's the matter with it? I don't know. But the next best thing to Anthony street is the person who did more than anyone else to put that book over. Carol Ainsley. Carol Ainsley? She's Anthony Street's agent. Anthony street hasn't any agent. But Carol Ainsley thought was going to be a bestseller, hooked up with the publishers and did the best promotion job in the history of the business. And all for her usual 10%. So what? I'm sorry to bore you, Henry, but Carol Ainsley happens to be phenomenal and Our readers will want to know about her. Well, they want to know about Anthony street, but they'll settle for Carol Ainsley. She's all over the newspapers, isn't she? This search to find an unknown male to play the whirlwind in the movies. Say, isn't she some relative of Senator Ainsley? His daughter. Important background, everything. What more do you want for an article? Oh, me? Nothing. I don't. Don't even want to read it. I'm afraid you will, because you're going to write it. Hold on just a minute, Harold. Ainsley's going to be in our next issue, so grab your hat and get over to our office. Are you serious? Get over there. You're serious.

[Carol Ainsley]

Everybody here? Ms. Ainsley, anytime you want to begin. Thanks, Timmy. Come on into my office, everyone. Well, I guess you all know where I've been. Atlanta, Memphis, Chicago, St. Louis, Boston.

[Henry Pepper]

Harold, you found the whirlwind.

[Carol Ainsley]

Are you kidding? My notes read like a coroner's report.

[Henry Pepper]

Oh, good.

[Carol Ainsley]

Now, look, everyone. When a certain motion picture producer named David Arthur bought the screen right to the whirlwind, I made it part of the contract that we'd supply the man to play the part. Fine. Great. Only now Mr. Arthur's becoming a little unreasonable. He insists that we deliver him. Well, where do we stand?

[Henry Pepper]

Absolutely nowhere. Sorry, Carol.

[Carol Ainsley]

I won't believe it. I simply cannot believe in all these United States that there isn't a man who can play the whirlwind. What's more, I don't think that we. Oh, Timmy there in the corner with his hat on. Who is he? I thought he came in with you. With me? Excuse me. I'll get your phone. Hello?

[Henry Pepper]

Oh,

[Carol Ainsley]

you there. You with the hat on.

[Henry Pepper]

Yes.

[Carol Ainsley]

You're new here, aren't you?

[Henry Pepper]

Well, as a matter of fact, It's Hollywood again.

[Carol Ainsley]

Ms. Ainsley. David Ardner. What did I say to him? You're never any good when you rehearsed. Here, talk to him. David. David. David. Oh, darling. Well, I know, but there isn't anything to worry about. Well, I have two wonderful possibilities. One of them is bound to pan out. I'll deliver him when and as I promised. Oh, David. Now, don't worry about it. I'll keep you posted on everything that happens. Just give my love to. To. To Sophie. To Sophie. That's right, darling. Bye. Oh, how did I do? Got us a reprieve. Well, we can't hold him off forever. Oh, well, thanks, everyone. That's all for now. Oh, you. You with a hat on. Are you Bald.

[Henry Pepper]

Bald.

[Carol Ainsley]

And just what do you do in this firm?

[Henry Pepper]

Oh, you see, I don't work here. No? I'm a spy.

[Carol Ainsley]

Oh, I see. But who are you spying on?

[Henry Pepper]

And what for? Well, on you, for Knickerbocker magazine. A reporter.

[Carol Ainsley]

And she's been sitting there listening to everything I can do.

[Henry Pepper]

It's a very colorful business you run, Miss Ainslie.

[Carol Ainsley]

Thank you. What is your name? Pepper.

[Henry Pepper]

Henry Pepper.

[Carol Ainsley]

Do you ever take your hat off, Mr. Pepper?

[Henry Pepper]

Only in recognition of exceptional achievement, Ms. Ainsley.

[Carol Ainsley]

Now, just what did you have in mind for your magazine?

[Henry Pepper]

Well, the boss wants an article on you.

[Carol Ainsley]

Oh, well. Well, I didn't mean to be rude. I'll send for my biography from the publicity department. It covers everything for my.

[Henry Pepper]

Well, thanks all the same, Ms. Ainsley, but I work in kind of a funny way.

[Carol Ainsley]

So I gather.

[Henry Pepper]

I work, well, you might say, from the inside. When I'm on an assignment, I subject. Well, my subject and I practically might say, live together.

[Carol Ainsley]

That's cozy, Mr. Pepper. I happen to be a very busy

[Henry Pepper]

woman and a very smart woman. You can see the value of an article in Knickerbocker. I figure maybe four installments.

[Carol Ainsley]

Your coffee, Ms. Angel. Oh, thanks, Jimmy. Just set it down. Oh, do I have your permission to drink this while it's hot?

[Henry Pepper]

Oh, sure. Go right ahead.

[Carol Ainsley]

Thank you.

[Henry Pepper]

I'll just catch up on my reading. The Whirlwind, by Anthony Street. Now, what's this blurb on the jacket? Mr. Street is author, story, soldier, sailor. A man of the world with a sense of the world in conflict. A tidal wave of action. Six foot four of magnificent manhood. Ex athlete, ex footballer.

[Carol Ainsley]

Let me see that. Man of the world with a sense of the world in conflict. 6ft 4. Right under our noses. Oh, Timmy. Timmy, get me Anthony Street Publishers. Tidal wings of action. 64 of magnificent.

[Henry Pepper]

Do you mean to say that you haven't seen him?

[Carol Ainsley]

No, no, no. Of course not. Anthony Street's his pen name. Everything was arranged through his publishers. And you keep that out of the Knickerbocker. Mr. Lindsay, Ms. Ainsley. Hello, Lindsay. Yes. What's Anthony Street's real name and address?

[Henry Pepper]

But. But, Carol, you. You know I'm honor bound not to reveal.

[Carol Ainsley]

I don't intend to reveal anything.

[Henry Pepper]

I just want to have a little talk with him.

[Carol Ainsley]

Now, who is he? And. And not too loud.

[Henry Pepper]

I'm not alone. But I promised. Oh. Oh, my. Well, his name is Michael Cobb. He lives in Buxton, Pennsylvania.

[Carol Ainsley]

Thanks, Timmy.

[Henry Pepper]

Oh, Timmy, get me a reservation right

[Carol Ainsley]

away for Buxton, Pennsylvania. And now, Mr. Pepper, if you'll excuse me.

[Henry Pepper]

You going somewhere?

[Carol Ainsley]

Out. Here, I miss.

[Henry Pepper]

251 Fulton Avenue.

[Carol Ainsley]

But this can't be right. It's a faculty house.

[Henry Pepper]

Well, that's right. A lot of professors from Buck College live here.

[Carol Ainsley]

Professor, you mean. Oh, thanks.

[Henry Pepper]

College professor.

[Carol Ainsley]

Oh, brother.

[Henry Pepper]

How do you do? I had a message that you wanted to see me, Professor Cobb.

[Carol Ainsley]

Professor Michael Cobb?

[Henry Pepper]

Yes.

[Carol Ainsley]

I'm Carol Ainsley. Could I talk to you for a minute?

[Henry Pepper]

Well, I. I suppose no one could object here in the library.

[Carol Ainsley]

Michael Cobb. The jacket was pleasantly accurate, wasn't it? Mr. Anthony's treatment.

[Henry Pepper]

Look here. How did you know that? That was a complete secret between me and my publishers. I demand to know. I won't be shocked.

[Carol Ainsley]

I demand to know I sold your

[Henry Pepper]

book from motion pictures.

[Carol Ainsley]

Your secret is absolutely safe with me.

[Henry Pepper]

And I.

[Carol Ainsley]

Well, I.

[Henry Pepper]

Why are you staring at me?

[Carol Ainsley]

Is this college coeducational?

[Henry Pepper]

No, it is not too bad. Please. What do you want to see me about?

[Carol Ainsley]

I've been commissioned to find a man to play the part of the whirlwind you see on the screen.

[Henry Pepper]

Well, I wish you every success. Good day.

[Carol Ainsley]

I've searched everywhere, seen everyone. I. I thought I had failed, but now I know I haven't. Professor, there's only one man who can

[Henry Pepper]

possibly do justice to the character of your wonderful book.

[Carol Ainsley]

That man is you.

[Henry Pepper]

Me? Portray the character of the whirlwind on the screen?

[Carol Ainsley]

That's right.

[Henry Pepper]

That's ridiculous.

[Carol Ainsley]

Now, please, please listen to me. This is of the utmost importance.

[Henry Pepper]

Importance to the millions of people who've read your book.

[Carol Ainsley]

Important?

[Henry Pepper]

Ainsley. I wrote that book on an impulse. It's entirely without literary merit.

[Carol Ainsley]

Professor Cobb, regardless of what you think of it. Think of what it means to your readers. Little people, millions of them living out their humdrum, sordid lives to whom the excitement and romance of this book means escape and happiness. And do you happen to know how many people are going to see this book on the screen? 80 million.

[Henry Pepper]

80 million. Nevertheless, Ms. Angley, I.

[Carol Ainsley]

Now, you can't say a book like that is not important. And you can't say it's unimportant. Who portrays the whirlwind on the screen? The minute I saw you, I knew

[Henry Pepper]

you were the Ainsley. I am a scholar. My doctor's thesis was on a certain phase of Elizabethan literature. And I'm prouder of those three copies than I am of a million whirlwinds. No, it's utterly impossible.

[Carol Ainsley]

You're afraid the college won't Approve?

[Henry Pepper]

That's only one consideration, though. It's all out of the question. Goodbye, Miss Ainslie.

[Carol Ainsley]

It's a pity.

[Henry Pepper]

What is?

[Carol Ainsley]

To have found the right man and to have lost him. Goodbye, Professor.

[Henry Pepper]

Hello, Ms. Ainsley. Pepper.

[Carol Ainsley]

What's the big idea following me here?

[Henry Pepper]

There's a train back to New York at 5:30.

[Carol Ainsley]

Answer my question.

[Henry Pepper]

Well, I thought I explained that. It's part of my job to follow you. That's how I learn things. Why don't you try it with your hat off?

[Carol Ainsley]

Now, you look here, Mr. Pepper.

[Henry Pepper]

I won't be able to give you

[Carol Ainsley]

a single minute while I'm in Buxton. My business here is extremely confidential.

[Henry Pepper]

Yes, I know. Anthony Street.

[Carol Ainsley]

Mr. Street's identity is a secret.

[Henry Pepper]

Look, Ms. Ainsley, my assignment isn't Anthony street, it's you. Now, do we catch that 5:30 for New York?

[Carol Ainsley]

Sorry, but I've just made an appointment to see the dean of Buxton College at exactly 5:30. Goodbye, Mr. Pepper. I beg your pardon being cha.

[Henry Pepper]

But Professor Cobb is here now. Professor Cobb?

[Carol Ainsley]

Something to do with Ms. Ainsley, wasn't it?

[Henry Pepper]

Miss Gilbert, do you realize that from what Ms. Ainsley said, I have reason to believe that a certain novel was written on the campus of Foxton College?

[Carol Ainsley]

Not. Not the Friend.

[Henry Pepper]

Yes.

[Carol Ainsley]

In Shaffer. No.

[Henry Pepper]

I have further suspicions. Send in Professor Cobb. You. You wanted to see me, Dean Schaefer? Professor Cobb, have you heard of a book called the Whirlwind? The Whirlwind? Yes, sir. Romantic work. Quite a popular. I believe I've heard that it's unadulterated trash. Oh, I wouldn't say that. What's more, I have a strong suspicion it was written by a member of this faculty under the pen name of Anthony Striggs. Oh, it's unthinkable. A piece of tripe like the world, originating at Boxford. I don't think tripe is exactly a fair word, sir. Too many people have found this book important. Oh, they have little people, sir. Thousands of them, living out there. Humdrum, sordid lives to whom the adventure and excitement of this book are a relief and a boon. And this same book will be filmed. Do you know how many people are waiting to see it? 80 million. 80 million little people, sir, seeking escape and happiness. I thought so. Antony Street.

[Carol Ainsley]

You?

[Henry Pepper]

Yes, sir. Anthony street.

[Carol Ainsley]

Mr. Pepper, what is this second sight that makes you catch the same train to New York?

[Henry Pepper]

I'm taking no second sight at all. No other train. Let's get aboard. Ms. Ainsley.

[Carol Ainsley]

Is that the car?

[Henry Pepper]

Ms. Ainsley? Ms. Ainsley, does your office still hold

[Carol Ainsley]

about doing the Whirlwind? You've changed your mind?

[Henry Pepper]

Well, some unexpected circumstances we need to reconsider. I thought if your offer is still open.

[Carol Ainsley]

Get on saying what my thing is. Pepper will lend you whatever you need. Won't you, Mr. Pepper?

[Henry Pepper]

Who, me? Well, that's very kind of you.

[Carol Ainsley]

Come on, come on, Mr. Pepper. Well, for heaven's sake.

[Henry Pepper]

Yeah, you win. What's the matter?

[Carol Ainsley]

Look at Mr. Pepper.

[Henry Pepper]

I am looking at Mr. Pepper.

[Carol Ainsley]

He's got his hat off.

[Henry Pepper]

At night now. And in New York, the entire Ainsley staff has hastily assembled in Carol's penthouse. The chief herself has just walked in the door with a tall, handsome, thoroughly bewildered professor. Carl.

[Carol Ainsley]

Here we are. Everybody, meet Mr. Anthony Street. So Whirlwind.

[Henry Pepper]

How do you do?

[Carol Ainsley]

Now, I won't be too long, but we've got to work fast. Oh, Timmy, this is Ms. Simmons, my secretary, Mr. Street.

[Henry Pepper]

How do you do?

[Carol Ainsley]

Kinney, wire Hollywood right away. Tell them we've definitely found the right man for the Whirlwind to be delivered on the agreed date. Don't tell them anything else. Oh, Ed. Ed, this is Mr. Clark, our photographer.

[Henry Pepper]

How do you do? Hey, what a guy.

[Carol Ainsley]

Ed, we're going to need publicity pictures and fast. Now, everything concerning Mr. Street is to be handled right here under my personal supervision. Is that clear?

[Henry Pepper]

Oh, Ruth.

[Carol Ainsley]

As Mrs. Ms. Fenwick, our instructor in dramatics. Mr. Street.

[Henry Pepper]

Well, well, Mr. Street.

[Carol Ainsley]

Lucy, he's got to learn to read lines right away. I want him to make a screen Test in 10 days. Where's Pat? Oh. Oh, there you are. Pat O' Shea is one of our key men. Mr. Street.

[Henry Pepper]

How do you do? Oh, you don't know how glad I am to know you, Pat.

[Carol Ainsley]

Get Tony Williams to measure him for a suit. Make it brown.

[Henry Pepper]

Double breasted, I would suggest. Where's Rich?

[Carol Ainsley]

Oh, Richie. Richie, you've got to get him in condition. Two hours a day in the gym.

[Henry Pepper]

Yes, ma'. Am. Rousseau. Mr. Street.

[Carol Ainsley]

Well, you'd all better go home and get a good night's rest. And maybe the last one for some time. Thank you very much. Well, professor, we're underway.

[Henry Pepper]

Yes, I. I'd better get along to a hotel.

[Carol Ainsley]

Hotel?

[Henry Pepper]

You're staying here. Here?

[Carol Ainsley]

We've got work to do. It's most important that you stay near me.

[Henry Pepper]

Yes, but. But. Well, I.

[Carol Ainsley]

And there's a guest suite that my clients use. I think you'll find us both isolated and comfortable. Oh, Minna, are Mr. Pete's rooms ready?

[Henry Pepper]

Oh, yes, Ms. Ainsley, I. I had no idea. Of staying here, I mean.

[Carol Ainsley]

Oh, now, look here. This isn't Buxton. Run along now and don't worry. Better show him the way, Nina.

[Henry Pepper]

Well. Well. Good night, Ms. Ainslie. Mr. Ainslie?

[Carol Ainsley]

Yes.

[Henry Pepper]

I'm impressed, Pepper. I'm deeply impressed.

[Carol Ainsley]

I wondered where you were.

[Henry Pepper]

Yes, your staff let me in just now as they were leaving.

[Carol Ainsley]

Well, I'll have to speak to them about it in the morning. See?

[Henry Pepper]

How did you. How did you do this, Miss Ainsley? Get the professor out of Buxton.

[Carol Ainsley]

Well, I'm afraid that will have to remain a trade secret. Shall we just put it down to charm?

[Henry Pepper]

Charm, huh? The velvet glove on top and underneath the brass knuckles.

[Carol Ainsley]

Oh, I. I never show my knuckles. You better run along, Mr. Pepper. I have a tough day ahead. I'm working against the deadline, you know.

[Henry Pepper]

Yes, so am I. And until you give me 15 minutes, I can't even start.

[Carol Ainsley]

Well, if I do give you 15 minutes, do I stand a reasonable chance of not finding you underfoot every time I turn around?

[Henry Pepper]

A reasonable chance, yes.

[Carol Ainsley]

All right, what do you want to know?

[Sponsor/Advertiser]

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[Henry Pepper]

Well, let's start at the beginning. How about your childhood?

[Carol Ainsley]

Oh, I had a divine childhood. Glorious.

[Henry Pepper]

Oh, well, I'm sorry. It was as bad as all.

[Carol Ainsley]

And now see here, Pepper, you asked a question and I answered it.

[Henry Pepper]

Ms. Ainsley, your mother was Cora Ainsley, a great actor. Your father's Senator Ainsley.

[Carol Ainsley]

Oh, I get it, Doctor. Poor little rich girl left alone day after day in her own private space. Swimming pool and no thank you, I'm not having any of it.

[Henry Pepper]

Okay. What sort of childhood did you have?

[Carol Ainsley]

It was very stimulating having both one's parents so successful. All their friends were brilliant, talented writers, musicians.

[Henry Pepper]

Exactly. And here's what I think, Ms. Ainsley. I think that ever since you were a child, you've had to prove something. Carol Ainsley had to be somebody. It was expected of her.

[Carol Ainsley]

Very interesting, doctor. When do you throw on the colored slides?

[Henry Pepper]

And furthermore, you wanted success in a hurry. So you took other people, developed their abilities, sold them high and made their second rate talents pass for pure genius.

[Carol Ainsley]

And what's so wrong with that?

[Henry Pepper]

Only one thing that in all your hurry you overlook doing a job on yourself.

[Carol Ainsley]

Oh, I don't exist, is that it?

[Henry Pepper]

Well, about 10% of you does. And I think given a chance chance? The other 90 might be. Well, terrific. Good night.

[Carol Ainsley]

Morning, Cat. Well, we're those photographs of Anthony Street.

[Henry Pepper]

Yeah. Say, was that guy's mother frightened by a camera?

[Carol Ainsley]

I see what you mean. Oh, well, he just lacks confidence. How was he? And dramatic through. You really want the truth? Oh, that is that, huh? Well, it's only the first day. We've got to get a screen test in 10 days.

[Henry Pepper]

Hey, how about giving us some more time, Carl?

[Carol Ainsley]

We promised David Arthur that we'd have that screen test out in Hollywood by the 27th. Oh, incidentally, if Mr. Henry Pepper shows his face around you. Oh, never mind. Just keep him away from Anthony Street.

[Henry Pepper]

Oh, hiya, Professor. How's it going? Hello, Mr. Pepper. Oh, like that, huh? Say, where is Everybody? Back there. Ms. Ainsley's projection room. Oh, yes, they're looking at your scene, Des, huh? Yeah. Again. Mr. Pepper, I am not a film actor. Well, does it matter? It sounds like they're about Finney. I hope so. I couldn't stand it. Nobody said a word. But I could tell what they were thinking.

[Carol Ainsley]

Well, that's all, folks. Bright and early in the morning. Well, Michael, awful ordeal, wasn't it, seeing yourself on the screen for the first time? Ah, don't worry. You'll be amazed at the improvement in your next test.

[Henry Pepper]

Next test?

[Carol Ainsley]

Yes, yes, of course. Mr. Pepper, did I have an appointment with you?

[Henry Pepper]

Well, you, you told me to come around any evening. I was ready.

[Carol Ainsley]

I told you to telephone.

[Henry Pepper]

Firstly, as for making another.

[Carol Ainsley]

Michael, please, this is not. Not the time.

[Henry Pepper]

Well, I. I could leave. I am not an actor. I can never be an actor.

[Carol Ainsley]

No, not an actor. Not an actor. Not an actor. What are actors? Simply people. And what's acting? Simply being people.

[Henry Pepper]

Well, if there's a train back to Buxton tonight, I'm going to take it.

[Carol Ainsley]

Professor, you astound me. A person with your imagination, your. Your, Your intelligence. After all, what are you asked to do? To pretend. Simply to pretend. To pretend.

[Henry Pepper]

Pretend to be in love. I've made a complete heath of myself.

[Carol Ainsley]

Don't think it's so difficult to pretend you're in love. Come here. All right. You're standing before the woman you love. You have your arms around her. No, no, no, no.

[Henry Pepper]

Around her.

[Carol Ainsley]

All the way around her. There. Now, what's so difficult about that? You hold her. Really hold her closer. Tighter. That's right. And her face is close to yours. Like this. Now, what would your next impulse be? I. I. What is the next thing you to pretend? A woman as close to you as this. Her face as near to you as mine. You pretend to want to kick her and you do. Like this. That's all there is to it. Mr. Ainsley, I, I.

[Henry Pepper]

Good night, Ms. Ainsley. Well, I guess he found it a little too warm in here.

[Carol Ainsley]

Now, where do you think he's going?

[Henry Pepper]

Well, I judge he's on a beeline back to Buxton, but, well, I don't imagine you're in a mood for work. No, no, no, I thought not. Well, if you excuse me, Ms. Ainsley, I find it a little too cold in here. You know what time it is, Henry? It's after midnight. Yes. Poor Miss Ainsley. She must be just going nuts by now. How did you know where to find me? Well, tell you truth, I just figured that if I were you, I'd head to the nearest bar Here you were. You know what I regret most about all this? It's not what's happened to me, but. Well, she's worked so hard. Yeah, well, that's her business. But she took such a personal interest and in such a warm way. Oh, you felt that? Oh, definitely. Very sympathetic. Well, drink opera that. You know, Henry, there's something challenging about failure. When a man has undertaken something, right or wrong, there's an urge to see it. Uhhuh. And I'll be right back. Professor.

[Carol Ainsley]

Excuse me.

[Henry Pepper]

I just remembered to make the phone call.

[Carol Ainsley]

Hello?

[Henry Pepper]

This is pepper, Ms. Ainsley. Should I wake you up?

[Carol Ainsley]

Wake me up? I'm going crazy. Anton Streets disappeared. So hang up. If you.

[Henry Pepper]

You don't mind, may I make a prediction?

[Carol Ainsley]

I'm not at all interested in your predictions. And what's more, I have to miss.

[Henry Pepper]

10 to 1, the professor's back on the job in the morning, bright and early.

[Carol Ainsley]

You know where he is? Now, look here, Pepper, if you've done anything to that man before.

[Henry Pepper]

Just a hunch, Miss Ainsley. Good night. Good morning. I hope you didn't Worry about me, Ms. Ainsley.

[Carol Ainsley]

Where have you been?

[Henry Pepper]

In a Turkish bath? Yes, there's nothing like it to clear the head. Oh, I see everything in a different light this morning. It's no sin to fail, Ms. Ainslie. But once you've undertaken anything, it is a sin to give up trying.

[Carol Ainsley]

It is.

[Henry Pepper]

Well, let's have another go at it, shall we? My dramatics, I mean. Is Ms. Fenwick here?

[Carol Ainsley]

No, no, not yet.

[Henry Pepper]

Well, it's just as well. I'll have time for a workout first in the gym. Goodbye, Henry.

[Carol Ainsley]

And thanks a.

[Henry Pepper]

He's a swell guy, isn't he?

[Carol Ainsley]

Mr. Pepper, how were you able to call me up last night and predict a thing like this?

[Henry Pepper]

We got to talking, you know, Michael

[Carol Ainsley]

and I. Oh, and he began thinking better of the job, huh?

[Henry Pepper]

He began thinking better of you. Yes. You see, a handsome thing like you can't kiss a man like that and not expect to change the whole course of his life. And he doesn't know it, Ms. Ainsley, but the professor's in love.

[Carol Ainsley]

Are you crazy?

[Henry Pepper]

Say, you know something? If you play your cards right and well, you've not only got a star on your hand, you've got him right in your lap.

[Carol Ainsley]

Now, the new screen test.

[Henry Pepper]

I just thought, the boy's terrific.

[Carol Ainsley]

Now, didn't I tell you? I simply don't understand. Just 10 days, Carol, and he's become an actor.

[Henry Pepper]

I wonder what hit him.

[Carol Ainsley]

Nothing hit him. He's intelligent, sensitive. He nearly caught on. Well, take the test out to the airport, Pat. By tomorrow night, you'll know what Hollywood thinks of it.

[Henry Pepper]

Then what?

[Carol Ainsley]

Well, on Wednesday, we release the publicity. The whole country will hear about him, complete with pictures, everything. And on Thursday, the whirlwind and I take the train to Hollywood. Sure you want to go? I want to deliver this prize personally. Oh, now, look, Pat, I'm waiting. I want a reception. Newspaper, magazine editors. Have the invitation read simply to meet Mr. Anthony Street. Mr. Pepper's on the phone, Ms. Ainsley. Oh, you tell him to go to let me have it. Well, how do you do, Mr. Pepper?

[Henry Pepper]

Ms. Ainsley, I have the first installment for you to look over.

[Carol Ainsley]

I couldn't possibly do it today. I'll have to look at it another time.

[Henry Pepper]

You'll read it today, Miss Ainslie, or it goes to press just as I wrote it. Is that all right?

[Carol Ainsley]

No. No, it isn't. Oh, all right. Five o' clock here at my apartment. That man's an epidemic.

[Henry Pepper]

Remember, this is just the first installment, Miss Ainsley. Well, do you like it?

[Carol Ainsley]

Pretty good. Thanks for keeping a civil tongue in your typewriter.

[Henry Pepper]

Well, now, shall we go on from there?

[Carol Ainsley]

Well, we've polished off my childhood. What now?

[Henry Pepper]

Business. No. Heart interest. But, Ms. Ainsley, hasn't your life been remarkably free of men?

[Carol Ainsley]

Of course not. My heart had lots of beaus, thousands of them.

[Henry Pepper]

But never the one. The right one.

[Carol Ainsley]

Well, you force it out of me. There was one, only one. Jeffrey. I was about 20, skiing that spring in Austria. He was an English boy there on his Easter holiday. It was love at first sight, you know. Preordained. I sailed home to tell my parents about it. We were going to get married. Then it happened that summer. He didn't live. He drowned. So you see, after that, you have soft music.

[Henry Pepper]

Now What? Of course, you know I don't believe a word.

[Carol Ainsley]

Well, why not? It was a very moving story.

[Henry Pepper]

Yeah, it was almost good enough to pass for the real thing.

[Carol Ainsley]

Oh, you're uncomfortably smart and the smuggest man. All last night I didn't sleep laughing about your theories. For instance, Michael Cogg. Okay.

[Henry Pepper]

How is the professor?

[Carol Ainsley]

Perfectly fine. And if you've seen a screen test this afternoon, you'd realize the job is practically done. Well, now, what have you got to say about that?

[Henry Pepper]

Well, I'd say it's about time he began to feel very great grateful.

[Carol Ainsley]

Excuse me, Ms. Ainsley. These packages just arrived by special messengers. Oh. Oh, thanks, Minna.

[Henry Pepper]

That's your birthday.

[Carol Ainsley]

No, no, it's not my birthday.

[Henry Pepper]

Well, a basket of fruit. Candied fruit.

[Carol Ainsley]

Now, nobody could be that hungry. What idiot thought that up?

[Henry Pepper]

Well, isn't there a card in it? Of course, of course.

[Carol Ainsley]

Oh, well, well, well. Nagin. Yeah?

[Henry Pepper]

Someone you know?

[Carol Ainsley]

Yes, naturally.

[Henry Pepper]

This other box is obviously candy. Is there a card?

[Carol Ainsley]

Oh, yes, from a client. All four packages. From clients, huh? Yeah, a quartet. Four of them. They sing, you know, together. All very talented.

[Henry Pepper]

Oh, hello. Hello, Henry. Oh, hello, President.

[Carol Ainsley]

Oh, Michael, do you mind? Mr. Tupper and I'll be through in five minutes.

[Henry Pepper]

Oh, you're angry.

[Carol Ainsley]

What, me? I should say not. On the contrary.

[Henry Pepper]

Really?

[Carol Ainsley]

I'll cross my heart and hope to die.

[Henry Pepper]

Please.

[Carol Ainsley]

I'm delighted. I'm out of my mind. Now, why don't you. Wait.

[Henry Pepper]

One more. One more. What, Professor?

[Carol Ainsley]

Here.

[Henry Pepper]

Ah. Did you send them My. Oh, didn't Henry know?

[Carol Ainsley]

No, he didn't know, but he knows now. They're really lovely, Michael, but you shouldn't go spending your money like this.

[Henry Pepper]

Don't start spending money. My royalties. I'll put her up the bank.

[Carol Ainsley]

Yes, but still, I don't think.

[Henry Pepper]

I've been thinking about you, Carol. You work too hard. No fun, no relaxation.

[Carol Ainsley]

I never felt better in my life.

[Henry Pepper]

They all say just before they collapse. Now, get dressed.

[Carol Ainsley]

What for?

[Henry Pepper]

Why, didn't Henry tell you? Dinner, then the theater. And after that.

[Carol Ainsley]

What did Henry have to do with

[Henry Pepper]

why we arranged for the theater?

[Carol Ainsley]

When did all this take place?

[Henry Pepper]

Yeah, this morning, Ms. Ainsley, just before Michael went shop. Now off you go. Carol, we having all the time in the world.

[Carol Ainsley]

You know I can't do this surgery to Mr. Pepper. He has certain material to get from me. He's working against a deadline.

[Henry Pepper]

Oh, don't mind me. You young folks go right ahead. Thanks, Henry. Yes, yes, I'll just stay here and use my typewriter. We'll have a quiet chat when you get home. Oh, Mike, by the way, how's your singing voice? Singing voice? I don't sing, Henry.

[Carol Ainsley]

Oh, sorry.

[Henry Pepper]

I guess I got you mixed up with a quartet. Now, what did he mean by that.

[Carol Ainsley]

On that laugh?

[Henry Pepper]

Boy, was that an evening.

[Carol Ainsley]

Wow. Henry. Hendrik.

[Henry Pepper]

Oh, thanks, Henry. Well, have a good time. We have a good time. Tell him, Carol.

[Carol Ainsley]

You tell him.

[Henry Pepper]

The theater was wonderful. And then we really started, didn't we, Carol?

[Carol Ainsley]

That's. We did. That we did.

[Henry Pepper]

And the nightclubs. Why, I can't even remember all of them.

[Carol Ainsley]

I can.

[Henry Pepper]

Oh, little Carol's tired. Well, that settles it. Little Carol's going right to her Betty for a full Eight hours. Sorry, Henry. No more work tonight. Oh, you're right, Mike. You two butterflies are going to fold your wings and go.

[Carol Ainsley]

Betty by leave us not be coy.

[Henry Pepper]

All right, my girl. To bed you go.

[Carol Ainsley]

Well, I can't go to bed without my milk. Milk all my life. Would you be a good boy and go get it for me?

[Henry Pepper]

You bet.

[Carol Ainsley]

And warm it.

[Henry Pepper]

Warm it?

[Carol Ainsley]

You bet.

[Henry Pepper]

Milk. Warm milk. You.

[Carol Ainsley]

I hate it. Gives me cramps.

[Henry Pepper]

Say, tell me, how do you really feel?

[Carol Ainsley]

Like an occupied country. I could kill you. Huh?

[Henry Pepper]

I didn't have anything to do with it.

[Carol Ainsley]

Oh, no, Little twinkle toes never had such a time, thanks to you.

[Henry Pepper]

Well, lucky it was the least one pal could do for nothing.

[Carol Ainsley]

That's what I want to talk to you about, this pal business.

[Henry Pepper]

Well, perfectly harmless, actually. I'm just an innocent bike getting the

[Carol Ainsley]

kick of your life.

[Henry Pepper]

Yeah, and so is he. So, you know, that's what you really ought to be worrying about. Well, when a guy like that gets it, a guy who's never been in love before, it's just murder.

[Carol Ainsley]

Oh, and just what do you suggest?

[Henry Pepper]

Well, I'd jet you call Rolf right now if I were you and straighten him out. Of course it's risky. He might clear out.

[Carol Ainsley]

Oh, he won't clear out. You leave that to me.

[Sponsor/Advertiser]

Hey, it's Ryan Reynolds here from Mint Mobile.

[Henry Pepper]

Now, I was looking for fun ways to tell you that Mint's offer of unlimited Premium Wireless for $15 a month is back. So I thought it would be fun if we made $15 bills, but it turns out that's very illegal, so there goes my big idea for the commercial. Give it a [e-mail] Switch upfront payment

[Sponsor/Advertiser]

of $45 for three months, $90 for six months, or $180 for 12 month plan required.

[Carol Ainsley]

$15 per month equivalent taxes and fees.

[Sponsor/Advertiser]

Extra initial plan term only greater than 50 gigabytes. Me slow when network is busy. See terms.

[Henry Pepper]

Psst.

[Sponsor/Advertiser]

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[Carol Ainsley]

Here you are.

[Henry Pepper]

Your warm milk. Michael Cobb's screen test is an unqualified success. And the ex professor from Buxton College, now known as Anthony street, is the center of Attention at the reception. In Carroll's apartheid, the party is about to break up when Carol drinks an unexpected guest. Yes, Apollo, the senator.

[Carol Ainsley]

Darling, what a wonderful surprise for Aron.

[Henry Pepper]

Washington community meeting in New York.

[Carol Ainsley]

Nickel Anthony Street.

[Henry Pepper]

When? I just stopped by to remind you that Friday is my birthday.

[Carol Ainsley]

I know, dear.

[Henry Pepper]

Tell me, what do you want? I want you to come home for a nice calm weekend.

[Carol Ainsley]

But darling, I'm leaving tomorrow for Hollywood.

[Henry Pepper]

Hollywood?

[Carol Ainsley]

Anthony Street. I've got to see that he gets cold properly launched.

[Henry Pepper]

Can't you just crack a bottle over his head? Henry Pepper. Don't tell me you go to these jaw parties.

[Carol Ainsley]

Well, you two know each other.

[Henry Pepper]

Pepper? Why, he wrote a first rate article about me once. Yes, your daughter's the victim this time, Senator. Really? Well, how long has this been going on?

[Carol Ainsley]

Too long.

[Henry Pepper]

Yeah, days and days. But you collected everything about me in an hour. Well, I changed my methods with the subject. Well, goodbye, Carol. Phone. Meet the hotel.

[Carol Ainsley]

Goodbye, darling.

[Henry Pepper]

I will.

[Carol Ainsley]

Oh, by the way, Mr. Pepper, I don't recall if you were on the list of those invited here tonight.

[Henry Pepper]

Oh, I had to come. Your protege wants to talk to me. About what? Well, here he comes. I'll ask him. Henry. Hello. Say, I've got to talk to you. What's going here? Excuse us, Carol.

[Carol Ainsley]

Just a little second, baby.

[Henry Pepper]

Yes, excuse us. Great party, Carol. Great.

[Carol Ainsley]

Wait.

[Henry Pepper]

The professor was a sensation.

[Carol Ainsley]

Pat, what do you suppose they've got to talk about?

[Henry Pepper]

Oh, forget it. Come on now, say goodbye. And funny thing, Henry. Carol knew all the time how people felt about me. Like the people here tonight and millions of others. I'd become important to them, a part of their lives. And if it hadn't been for Carol, a very perceptive woman. Sheen showed me how to make the most of my life. Henry, why shouldn't I, huh? I mean, if a man has an honest emotion toward a woman, well, why should he conceal it? Your sheer hypocrisy. I'm glad to hear you say that, Henry.

[Carol Ainsley]

Come, come now, boys. The party's over.

[Henry Pepper]

You mean they're all gone now? They've all gone.

[Carol Ainsley]

Well, Mr. Pepper, no more questions to ask me.

[Henry Pepper]

I'll mail you the last installments to Hollywood. You can wire any corrections if you find time at.

[Carol Ainsley]

Oh, why shouldn't I find time?

[Henry Pepper]

Well, you're going to be so busy, Ms. Ainsley. Puts a lot on your hands. Hey, Professor. You said it, Henry.

[Carol Ainsley]

Well, won't you stay and have a little farewell drink?

[Henry Pepper]

No, I never touch it. Bye now.

[Carol Ainsley]

Well, Michael, tomorrow you start the big adventure.

[Henry Pepper]

We Do, Carol? Yeah. You and I.

[Carol Ainsley]

Yes, of course, in a way.

[Henry Pepper]

In all ways. Why, there'd be no adventure if it weren't for you.

[Carol Ainsley]

You mustn't underestimate yourself.

[Henry Pepper]

You had the vision. I wanted to make you proud. I did it for you.

[Carol Ainsley]

Well, I am proud. Proud, fit to burst. And really, it's very sweet of you, Michael. And now I've got to do a little package.

[Henry Pepper]

Darryl, I'm trying to tell you something.

[Carol Ainsley]

Well, I'm listening. Really I am. It's just that you.

[Henry Pepper]

I want it always to be you and I. Just you and I. Michael, you're hurting my shoulder.

[Carol Ainsley]

Let me go.

[Henry Pepper]

I can't. I could never let you go, Michael.

[Carol Ainsley]

Oh, the phone. The phone.

[Henry Pepper]

Let me get it.

[Carol Ainsley]

Minutes in bed. I've got to answer it. Hello? Hello? Yes, this is Carol. Oh, Father, it's my father.

[Henry Pepper]

No, not Father. This is Pat.

[Carol Ainsley]

Not really Father. Carol, this is Pat.

[Henry Pepper]

P A T. Pat and I.

[Carol Ainsley]

What? You want me to come over to the hotel now? Of course, darling. Right away.

[Henry Pepper]

I'll go with you, Carol.

[Carol Ainsley]

No, no, no, no. You know, father and daughter. Sort of confidential.

[Henry Pepper]

I can wait outside. You won't hear of it.

[Carol Ainsley]

I might be up the rest of the night. I. I'll see you in the morning. Michael.

[Henry Pepper]

Hello?

[Carol Ainsley]

Pat, for heaven's sake, wake up.

[Henry Pepper]

Who is it?

[Carol Ainsley]

Carol?

[Henry Pepper]

Well, this is Father. What's the matter with you anyway?

[Carol Ainsley]

Pat, I'm at the office. Something urgent's come up. I've got to go to Washington.

[Henry Pepper]

But you're going to Hollywood tomorrow.

[Carol Ainsley]

You're going, Pat. You're going to take Michael to Hollywood.

[Henry Pepper]

I am?

[Carol Ainsley]

There's no alternative. But don't let him know I'm joining you in Chicago.

[Henry Pepper]

Chicago? Okay, you're the boss.

[Carol Ainsley]

Oh, and Pat, get me a train reservation for Washington. Call me back. I'll be right here in the office.

[Henry Pepper]

Dare to.

[Carol Ainsley]

Pepper.

[Henry Pepper]

Yes. I figured you'd be running for your life tonight. This is exactly what you'd run to.

[Carol Ainsley]

What do you mean, running for my life? Well, my father wants to see me. It's very important.

[Henry Pepper]

Won't he be surprised?

[Carol Ainsley]

Look, Mr. Pepper, I said good night to you once. Do we have to go another round?

[Henry Pepper]

Not a hair out of place. My. After that struggle, I thought I'd find you at least a little breathless and pant.

[Carol Ainsley]

Oh, so you knew what was going to happen.

[Henry Pepper]

I had a rough idea. I got to wondering how you'd react. Well, it seems there's no reaction at all.

[Carol Ainsley]

Now, will you please get out of here?

[Henry Pepper]

Still so cool. So Safe and snug behind the big business desk. Well, what did you expect me to do?

[Carol Ainsley]

Stay home and cope with that impassioned St. Bernard?

[Henry Pepper]

Oh, no, no, no, you. You were right. Don't ever put him straight. Don't tell him that you never actually felt anything in all your life. In fact, you don't even know.

[Carol Ainsley]

I feel as much as you or anyone else. Well, it just so happens I don't feel for Michael Cobb.

[Henry Pepper]

Oh, you mean another man could strike a spark beneath that blank, efficient.

[Carol Ainsley]

You can't talk to me that way. Now, once and for all, you can't talk to me that way.

[Henry Pepper]

I never will again. This is possibly the last interview. That is when I learned the last thing I want to know.

[Carol Ainsley]

Keep away from me. What do you mean, the last thing you want to know?

[Henry Pepper]

I mean the other 90%. Up to now, I've only seen 10% function. But I've looked for something more. And if I could find it, I have an idea I might be interested.

[Carol Ainsley]

Let me go. All this sort of thing can't happen to me twice in the same night.

[Henry Pepper]

After all, you look like a woman. Your skin glows, your eyes shine. And here's a man very much taken with you, standing very close by. But what's your next impulse, Ms. Ainsley? Why do you get in his arms? Isn't it like this? And then what? Well, the next natural, compelling thing is a kiss. Isn't it like. No, I guess I. Well, that winds up the biography. Good night.

[Carol Ainsley]

Hello?

[Henry Pepper]

Oh, yes, Pat, the ticket.

[Carol Ainsley]

Oh, thank you. No, no. I'll be back from Washington on Monday. Right back behind my big, fat business desk.

[Henry Pepper]

But the nicest birthday prison of all is the fact that my daughter's here. Thank you, dear.

[Carol Ainsley]

Well, you asked for it, darling. But I thought you were going to

[Henry Pepper]

Hollywood, Carol, with that fool, the Othello.

[Carol Ainsley]

As a matter of fact, I was. But what are my plans compared to Dad's?

[Henry Pepper]

Somehow this worries me. Dinner is served, Senator. And the telephone call for you, Miss Sarah. Long distance? She's not here now.

[Carol Ainsley]

It may be important, dear. You all go ahead. I'll only be a minute.

[Henry Pepper]

Well, I'll just be. I didn't want to disturb you until I was sure.

[Carol Ainsley]

Talk sense, Pat. Sure as what?

[Henry Pepper]

Anthony street has disappeared. He never even got on the train path. I told him you couldn't make it, so I went after the baggage and when I came back, he was gone.

[Carol Ainsley]

But he can't just disappear. Too many people know what he looks like.

[Henry Pepper]

Oh, Carol.

[Carol Ainsley]

Michael.

[Henry Pepper]

Michael, Carol. I just had to with the American Express Platinum card, I can unlock experiences like no other. Since I'm always booking my next trip, I'd love that. I can earn points on travel. Plus I get a resi benefit. So, you know, I'm hitting the restaurants everyone's talking about. And you can find out your welcome offer after you apply, which could be as high as 175,000 points for experiences like no other. There's nothing like Platinum. Learn more@american express.com Explore Platinum Terms Apply Psst.

[Sponsor/Advertiser]

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[Carol Ainsley]

Like this. Everyone in the country expected you to take the plane for Hollywood. You're disappointing millions of people. Are you listening?

[Henry Pepper]

I haven't seen you since last. Last night.

[Carol Ainsley]

Is that an answer?

[Henry Pepper]

What would I be going to Hollywood for without you?

[Carol Ainsley]

Why, I said I'd be out there.

[Henry Pepper]

I can't wait. Carol, I don't want any part of this career unless it includes you.

[Carol Ainsley]

Oh, now, that's very sweet of you, but. But now isn't the time to talk about it.

[Henry Pepper]

Why not?

[Carol Ainsley]

Well, because father's waiting. Dinners, I mean. And the first thing you've got to

[Henry Pepper]

do is to go to California. Without you, Carol?

[Carol Ainsley]

Michael, you're being positively childish.

[Henry Pepper]

I'm walking on eggshells.

[Carol Ainsley]

I'm in love. But I. I'm all wrong. I. I can't even bake. You should marry a nice, dirty home buddy. A bucks and buckson. A bucks and bucks. A girl from Buxton.

[Henry Pepper]

You mean you don't care?

[Carol Ainsley]

Of course, I. Well, I mean, I'm very fond.

[Henry Pepper]

I knew it.

[Carol Ainsley]

Well, Michael, now we must lose our heads. I must have time to think.

[Henry Pepper]

I'll give you till tomorrow noon. And a quick, simple marriage.

[Carol Ainsley]

What was that? They're going off in my head.

[Henry Pepper]

What now, Ben? Some gentlemen senators in the newspapers. They want to see Anthony Street. Yeah, but that's absurd. Mr. Street's on his train going to Hollywood. Senator, we know he's here. Somebody recognize him? Reporters. Now, listen, tell him that you came

[Carol Ainsley]

down here for a last minute conference, that you're leaving by plane tomorrow for the coast.

[Henry Pepper]

With you.

[Carol Ainsley]

What? Oh, yes. Yes, that's anything. Anything. It's all Right, dad. Let them in. Mr. Street's here, gentlemen. But, Carol, I'll leave you here with Mr. Street. Come along, dad.

[Henry Pepper]

But, car, I don't want to. Well, Mr. Street, why the change in plan? Well, it's nothing, really. Just that Ms. Ainsley and I. Yes, Mr. Street? Well, we. Oh, I don't think she'd mind if I tell you confidentially, gentlemen, Ms. Ainsley and I are engaged. Well, the date hasn't been set yet, but I hope for the near future.

[Carol Ainsley]

Getting everything you wanted, gentlemen?

[Henry Pepper]

Oh, this is wonderful, Ms. Ainsley. Congratulations.

[Carol Ainsley]

Yeah, this would be great in the pot. Thank you so much for dropping by. Good night. Well, now, dinner's waiting. Michael, come along in. I'll meet Dad's friends.

[Henry Pepper]

Ah, dad,

[Carol Ainsley]

We'll have coffee in the living room, then. Oh, and bring the cake. You've got to cut it, dad. It's your birthday.

[Henry Pepper]

Well, if you'll turn off the radio. Stop calling. Turn it up. Blow out the candles and make a wish. It's amazing how wishes come true. Dad. What did you call me?

[Carol Ainsley]

Oh, come on. No, no, no. Take a deep breath.

[Henry Pepper]

And we interrupt our musical program to bring you an item of social Importance from Washington, D.C. announcement was made tonight at the home of Senator Ainsley of the forthcoming marriage of his daughter Carol to Anthony street, author of the Whirlwind and former professor at Buxton College. Did you hear what I heard, Michael? Program.

[Carol Ainsley]

How did. Have you any idea how this happened? The police. Turn off that radio.

[Henry Pepper]

Well, darling, I spoke to the press, of course, but in the strictest confidence. You don't mind, Carol? When's the wedding?

[Carol Ainsley]

Tomorrow. Tomorrow?

[Henry Pepper]

Good evening, Carol. Senator Peppa. What are you doing here for me? I'm the best man. Of course, darling. I phoned Henry before I left New York. I told you I'd arrange for everything.

[Carol Ainsley]

Pepper, I want to talk to you.

[Henry Pepper]

Me?

[Carol Ainsley]

Now, Pepper. Alone. All right, Pepper, say it. You think I engineered this wedding in cold blood, don't you? But I took the easiest way to get Michael Cobb to Hollywood.

[Henry Pepper]

Well, I think it's very touching, this spontaneous romance.

[Carol Ainsley]

Well, I want you to know I had nothing to do with it. I. I said I'd think about it, so I had to tell him something.

[Henry Pepper]

Sure. With the whirlwind hanging in the balance.

[Carol Ainsley]

Naturally, I should know better than try

[Henry Pepper]

to talk to you. Well, then why do you?

[Carol Ainsley]

Because I do care what you think when it comes to something as well as. As important as this.

[Henry Pepper]

Look, I see no real problem here. Mike has to go to Hollywood. Too many people Expect it now, if marriage is the way to get him there, then marriage it ought to be.

[Carol Ainsley]

Now, you wait a minute.

[Henry Pepper]

You'll be Mrs. Whirlwind for as long as it takes to get him settled. And then you'll be off to Reno and back to your job in New York while he stays put and earns you 10%.

[Carol Ainsley]

I see. And while I'm waiting for him to get settled.

[Henry Pepper]

Oh, he won't even know the difference. He's never been in love before. He doesn't know what a really 100% woman is like. He won't even. Hey, where are you going? Now, wait a minute. I'm not.

[Carol Ainsley]

Listen, everybody, I've got an announcement to make. There isn't going to be a wedding. Long wedding. Is that clear? I don't want a wedding. Nobody can make me have a wedding. I'm sorry. Michael, you're a handsome young man and you have talent and a fine profile. But it won't be you if I fail to set you straight. Because I hated to lose you as a whirlwind. I'm sorry. You can hate me for it. You can walk all over me, anything but marry me. That's where a woman draws the line.

[Henry Pepper]

I wish you all the luck in

[Carol Ainsley]

the world, Michael, no matter what you decide. You can go back to Buxton, or you can go to Hollywood, or you can just plain go.

[Henry Pepper]

What a woman. May I come in? You usually do. Look, it's all right, Carol. It's going to be all right. I can't help it. I'm balding you. Carol, I know it's tough to smash this whirlwind business.

[Carol Ainsley]

I don't care anything about that. But everything else. You standing there and all the terrible things I said to Michael.

[Henry Pepper]

Well, they had to be said.

[Carol Ainsley]

Poor Michael. He'll never be the same.

[Henry Pepper]

Now. Don't you believe it. He'll go back to Buxton, a celebrity, and people will come from miles around to sit at the feet of Professor Cobb. He'll grow old and happy doing the job that he was meant to do.

[Carol Ainsley]

You think so?

[Henry Pepper]

Of course. He's always right.

[Carol Ainsley]

Well, I'll admit you've called the turns on everything so far, Carol. Oh, I'm terribly sorry, Michael.

[Henry Pepper]

Has it ever occurred to you, Carol, that the whirlwind is vitally important to some 80 million people?

[Carol Ainsley]

Why, yes.

[Henry Pepper]

And wouldn't you say that that matters far more than the personal feelings of any one individual?

[Carol Ainsley]

Yes. Yes, I would.

[Henry Pepper]

I would, too. Carol, I am not going to let my public down. I'LL be leaving for Hollywood tomorrow. Good night, Carol. Henry.

[Carol Ainsley]

Back to Buxton? You certainly missed a boat on that one, Henry.

[Henry Pepper]

Well, you know, whirlwind's unpredictable.

[Carol Ainsley]

Pepper, how about a deal? You're talented and intelligent. I think I might be able to do something for you.

[Henry Pepper]

Oh.

[Carol Ainsley]

Oh, you'd have to sign a contract,

[Henry Pepper]

however, Ainsley, I. I might be interested on my own terms, of course.

[Carol Ainsley]

Oh, for instance?

[Henry Pepper]

Well, for instance, no screen test.

[Carol Ainsley]

No.

[Henry Pepper]

No options.

[Carol Ainsley]

Really.

[Henry Pepper]

And no 10%.

[Carol Ainsley]

What?

[Henry Pepper]

Now this is strictly 50. 50.

[Carol Ainsley]

50. 50.

[Henry Pepper]

Well, you better make up your mind. It's a long term contract and exclusive. Well, take it or leave it.

[Carol Ainsley]

I'll.

[Henry Pepper]

Well, I. Oh, I'll take it. Russell and Robert Cummings. Welcome back. Rob, how many performances of Wonderful Town did you do in New York?

[Carol Ainsley]

Oh, about 500, Irving. But it wasn't as strenuous as some pictures I've made. For instance, never wave at a whack.

[Henry Pepper]

Why not?

[Carol Ainsley]

I said never wave at a whack.

[Henry Pepper]

Well, I heard you. My answer is, you wave at your friends, I'll wave at mine. Rob, you remember the picture Roz made at RKO before she left for Broadway? It also starred Paul Douglas and Mary Wilson.

[Carol Ainsley]

It's a sort of a play on words. Never wave at a whack.

[Henry Pepper]

Why didn't she use Lux soap?

[Carol Ainsley]

The wax was neat. And I can guarantee you that she

[Henry Pepper]

used Lex soap called the Wave and the Wacky.

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[Carol Ainsley]

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[Carol Ainsley]

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[Henry Pepper]

Evening. Buyer's remorse. Buy a new car. I'll be moving in. Let's get started.

[Carol Ainsley]

Sorry, I think there's been a mistake. I bought it from Carvana.

[Henry Pepper]

You what?

[Carol Ainsley]

Yeah, Great price.

[Sponsor/Advertiser]

I even have seven days to love

[Carol Ainsley]

it or return it.

[Henry Pepper]

So there's no.

[Carol Ainsley]

No, no Buyer's remorse.

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[Henry Pepper]

I guess I'll let myself out. Congratulations. I mean it.

[Carol Ainsley]

Buyers rejoice. Buy your car today on Carvana.

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[Henry Pepper]

Com.