Lux Radio Theatre - Mildred Pierce

Summary

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Podcast Summary: Lux Radio Theatre – Mildred Pierce

Podcast: Harold's Old Time Radio
Episode Date: July 22, 2026
Original Broadcast: Lux Radio Theatre
Starring: Claire Trevor as Mildred Pierce, Zachary Scott as Monty Berrigan
Host/Producer: Irving Cummings

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Episode Overview

This episode presents a radio adaptation of the classic drama Mildred Pierce, based on the novel by James M. Cain and the acclaimed Warner Brothers film. Set in the Golden Age of American radio, the story explores the themes of maternal love, ambition, betrayal, and the devastating consequences of family dysfunction. The Lux Radio Theatre rendition preserves the emotional tension and noir sensibility of the original, with strong performances and a script that delves deeply into the motivations and relationships of its central characters.

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Key Discussion Points & Plot Breakdown

1. Opening and Crime Introduction (00:24 – 03:09)

• Scene: Police investigate the murder of Monty Berrigan at a Malibu beach house.
• Suspects: Wally Fay (friend/café owner) and Bert Pierce (Mildred’s ex-husband).
• Notable Moment:
  • Wally's alibi and nervousness set the whodunit tone.
  • Quote: “There's a man in there on the floor, full of bullets…Only I didn't kill him.”
    — Wally Fay (02:29)

2. Mildred’s Family and Backstory (03:09 – 12:10)

• Mildred is interrogated and relives her troubled marriage to Bert, the uphill struggle as a single mother, the death of her daughter Kay, and her intense love for her remaining daughter, Veda.
• Conflict:
  • Bert accuses Mildred of spoiling Veda and spending beyond their means.
  • Mildred’s love for Veda becomes the guiding force of her life.
• Powerful Exchange:
  • “I'm going to do the best I can for Veda. And if I can't do it with you, I'll do it alone.”
    — Mildred (07:16)

3. Mildred’s Ascendancy & Betrayal (12:10 – 17:24)

• Mildred becomes a waitress to support Veda, facing Veda’s shame and resentment.
• She dreams of opening her own restaurant, seeking help from Wally Fay and Monty Berrigan.
• Character Dynamics:
  • Wally’s unrequited affection for Mildred;
  • Mildred’s pragmatic and ambitious nature.

4. Dealings with Monty Berrigan (13:09 – 20:28)

• Business Transaction:
  • Mildred strikes a difficult deal with Monty to buy a property for her restaurant.
  • Monty soon becomes romantically involved with Mildred.
  • Quote: “As you grow older, Mrs. Pierce, you will find that the only things you regret are the things you didn’t do.”
    — Monty Berrigan (17:59)

5. Success, But At a Price (23:06 – 32:52)

• Business Flourishes:
  • The restaurant thrives; Mildred opens more locations.
• Veda’s Increasing Demands:
  • Veda matures into a selfish, entitled young woman.
  • Mildred’s relationship with Monty sours as he becomes financially dependent and emotionally manipulative.
  • Notable Confrontation:
    • Monty dismisses Mildred:
      “We're through. You can go back to making your pies now, Mildred.” (32:19)

6. Veda’s Marriage Plot and Banishment (32:52 – 36:47)

• Veda fakes a marriage to Ted Forrester, aiming for blackmail.
• Mildred, repulsed by Veda’s cynicism, tears up a payoff check and throws her out.
• Quote: “You’ll never be anything but common... Common like your mother, who took in washing!”
  — Veda (36:11)
• Quote: “Get out of this house. Get out.”
  — Mildred (36:44)

7. Breakdown, Reconciliation, and Second Marriage (40:39 – 46:47)

• Mildred attempts to rebuild her life; after a time away, she returns and reconnects with Bert, her ex-husband.
• She remarries Monty Berrigan (for Veda’s sake), though now as a business transaction.
• Veda eventually returns, at first temporarily, welcomed home by both Mildred and Bert.

8. Tragedy and the Truth of the Murder (47:18 – 54:10)

• Financial Collapse:
  • Monty attempts to sell his share, leading to Mildred’s financial ruin.
• Murder Night:
  • At Monty’s beach house, Mildred confronts him with a gun, wishing to keep Veda away.
  • Powerful Dialogue:
    • “You told him. You promised not to tell... Think what’ll happen. Think what will happen!”
      — Veda (53:10)
• Revelation:
  • In the police station, it’s revealed Veda killed Monty after being spurned by him for a romantic relationship.
  • Mildred had tried to take the blame to save her daughter.

9. Resolution and Aftermath (54:10 – End)

• Bert and Mildred leave together, the implication being that they, despite everything, belong together.
• Mildred’s love for Veda remains tragic and unfulfilled; Veda is taken away by the police.

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Memorable Quotes & Timestamps

• “I’m going to do the best I can for Veda. And if I can’t do it with you, I’ll do it alone.” (07:16, Mildred Pierce)
• “As you grow older, Mrs. Pierce, you will find that the only things you regret are the things you didn’t do.” (17:59, Monty Berrigan)
• “You’ll never be anything but common... Common like your father, who lived over a grocery store. Common like your mother, who took in washing!” (36:11, Veda)
• “We're through. You can go back to making your pies now, Mildred.” (32:19, Monty Berrigan)
• “You did the best you could. Don’t worry about me. I’m really not worth it.” (54:01, Veda, upon arrest)

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Notable Moments

• Restaurant Opening: The rush and excitement of Mildred’s restaurant debut (23:12).
• Veda’s Cruel Rejection: Veda’s scathing condemnation of her mother's sacrifices (36:11).
• The Final Confrontation: The reveal of Veda as Monty’s killer and Mildred’s attempt to shield her (51:21 – 54:01).

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Conclusion & Tone

The Lux Radio Theatre’s Mildred Pierce is a dramatic, emotionally charged exploration of the self-sacrifice, ambition, and heartbreak at the heart of the American family. The performances convey the intensity of resentment, disappointment, and reluctant love between parent and child. This adaptation preserves the punchy, noir-infused dialogue of the film while giving added emotional dimension to Mildred’s plight. It ends on a poignant note of defeat and endurance—the legacy of a woman who tried to do everything for her daughter, only to find herself ultimately alone.

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For First-Time Listeners

This episode is a masterful example of radio drama at its peak, rich with psychological complexity, themes of maternal devotion, and the dark consequences of obsession and betrayal. Even if you haven’t read the novel or seen the film, you’ll find full emotional resonance and a gripping narrative that stands on its own.

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Note:
Timestamps refer to the original audio content, skipping sponsor advertisements and interludes. This summary preserves the original noir tone and sharp dialogue of the adaptation.

Transcript

[Mildred Pierce]

Hey, guys, lady luck here. Are you going on any road trips this summer? I know I'm going to be going on a bunch of road trips. And being that I'm going to be passenger Princess, I love playing on spinquest.com. spinquest has all of my favorite slot games. Live blackjack, live craps. Head on over to Spinquest right now and get yourself a 30 coin pack for just 10 bucks.

[Inspector Peterson]

Spin Quest is a free to play social casino void where prohibited. Visit spinquest.com for more details. From Hollywood, the Hollywood Radio Theater, Murray, Clare Sahar and Zachary Scott in Mildred Pierce. Ladies and gentlemen, your producer, Mr. Irving Cummings. Greetings from Hollywood, ladies and gentlemen. A mother's love for her children has always been a great subject for drama. And tonight we bring you the unforgettable story of Mildred Pierce, first created by James M. Kane in his famous book and turned into a superior motion picture by the Warner Brothers studios. And as our stars, we have Academy Award winner Claire Trevor and popular Zachary Scott. Now, act one of Mildred Pierce. Starring Claire Trevor as Mildred Pierce and Zachary Scott as Monty. It's only coincidence that a police car happens to be cruising by this lonely stretch of road along the Pacific Ocean not far from Malibu Beach. There's a house on the beach and a man is just leaving. Stay where you are, mister. Good evening, officers. That the way you usually leave a house? Smash a window and jump? I'm an eccentric. Start making sense, mister. Okay, but you're not gonna believe me. Hang on then, Frank. I'll take a look in the house, okay? All right. What's your name? Wally Fay. I own a cafe, Wally's Place, a few miles up the beach. Who owns this house? Man named Berrigan. Look, I'm on the level, see. I, I, I know it's gonna sound awful screwy. You keep saying that, but you don't tell me anything. I, I'm a, I'm a friend of Mrs. Berrigan's. Well, she drops by the cafe tonight. She says, why not drive out here to the beach house? So naturally, I. Naturally. Well, we're in the house and she says something about fixing a drink. But she don't come back, see. So I start looking, only the doors are locked. All the doors. And she's gone. Ran out, huh? Locked the door so you wouldn't chase after her. Yeah, maybe. Or maybe she wanted to get me in trouble. Nice guy like you. Looks like we run into something from. Need any help? Yeah, plenty. There's a man in there on the floor, full of bullets. Yeah. His name's Monty Berrigan. Only I didn't kill him. And I. I don't know who did. Soon as I saw the body, I smashed the window in the house. I'll call headquarters.

[Mildred Pierce]

Mother. Where have you been? What's happened? They won't tell me anything. Who won't tell you anything?

[Inspector Peterson]

Mrs. Baran?

[Mildred Pierce]

Yes.

[Inspector Peterson]

Yes. We're from the police. The inspector would like to see you.

[Mildred Pierce]

Why? What's the matter?

[Inspector Peterson]

If you just come with us, please, Mother.

[Mildred Pierce]

It's all right, darling. Whatever it is, I'll take care of it. What's wrong? Why can't you tell me what's happened?

[Inspector Peterson]

You didn't want to say anything in front of your daughter. It's your husband, Mrs. Baran. He's been murdered. Please sit down, Mrs. Berrigan. I'm Inspector Peterson. I apologize for bringing you down here for nothing.

[Mildred Pierce]

For nothing?

[Inspector Peterson]

Well, we. We know now who killed your husband. Just booking him so you're free to leave, Mrs. Berrigan.

[Mildred Pierce]

Who did it?

[Inspector Peterson]

You're entitled to know. Yes, sir. Bring him in, McNally. He's just in the next room, Mrs. Berrigan.

[Mildred Pierce]

Bert.

[Inspector Peterson]

Hello, Mildred. Here's the man, Mrs. Berrigan. Burt Pierce.

[Mildred Pierce]

Bert. No. I won't let you do this, Mildred.

[Inspector Peterson]

That's all, McNally. Yes, sir.

[Mildred Pierce]

But what about Wally Fay? How do you know he didn't do it?

[Inspector Peterson]

Wally Fay?

[Mildred Pierce]

Yes. I saw him here a few minutes ago when I was waiting.

[Inspector Peterson]

Oh, yes. Fay had no motive, Mrs. Berrigan. Bert Pierce had.

[Mildred Pierce]

He didn't do it. I know he didn't.

[Inspector Peterson]

The murder was committed with this pistol. It belongs to Pierce. That's fact number one. Fact number two, he doesn't deny killing Mr. Berrigan. Seems to think it was a very good idea.

[Mildred Pierce]

Bert didn't kill him. He couldn't. He's too. Too kind and gentle.

[Inspector Peterson]

Kind and gentle? Then why did you divorce him?

[Mildred Pierce]

Because. Because I was wrong. It's taken me four years to find that out, but now I know I was wrong.

[Inspector Peterson]

Four years, huh? Let's see now. Pierce was in the real estate business then, wasn't he?

[Mildred Pierce]

Yes. He and Wally Fay were partners. I married Bert when I was 17. Started a life of cooking and washing and having children. Two girls, Vida and Kay. Only Kay died. Pneumonia. She wasn't quite eight years old.

[Inspector Peterson]

Pneumonia? I'm sorry, Ms. Bergen.

[Mildred Pierce]

Bert used to blame me for spoiling Vida, but I couldn't help it. I see. I had lost one child and I. Well, it was a year after Kay died that Bert and Wally Fay broke up. Wally had the business, and Bert Was out. That you, Bert?

[Inspector Peterson]

Yeah. Well, what package?

[Mildred Pierce]

Address For Peter? Yes. It's for Vita. You know, the piano recital.

[Inspector Peterson]

Where'd the money come from?

[Mildred Pierce]

I'm doing what I'm doing now. Baking cakes for the neighbors. Well, I earned the money.

[Inspector Peterson]

That's right, Mildred. Throw it up to me. That I can't.

[Mildred Pierce]

I'm sorry, Bert, but I don't say half as much as I could with nothing but bills staring us in the face.

[Inspector Peterson]

Maybe you wouldn't have so many bills if you didn't try to bring up that kid like her old man was a millionaire. No wonder she's so fresh and stuck up. Well, one of these days I'm going

[Mildred Pierce]

to haul up if you dare. Did you dare to touch Vita?

[Inspector Peterson]

All right. Trouble with you. You're trying to buy love from the kid, and it won't work. Besides, she plays the piano like I shoot pool.

[Mildred Pierce]

And what if I do want her to amount to something? She's all I've got, Bert. And I'll do anything for Vida. Anything.

[Inspector Peterson]

You can't do her crying for her.

[Mildred Pierce]

I'll do that, too. She'll never do any crying if I can help her.

[Inspector Peterson]

It's not right, Mildred. I'm not smart. I know, but I.

[Mildred Pierce]

Hello? Yes? Oh, yes, he is. It's for you. Maggie Beiderhoff.

[Inspector Peterson]

Yeah, Maggie. Yeah. Well, I, I, I can't talk to you now. I told you not to call me at. Okay. Yeah, yeah, later.

[Mildred Pierce]

That's just time, Maggie.

[Inspector Peterson]

Means nothing to me. You know that.

[Mildred Pierce]

You better run down and apologize.

[Inspector Peterson]

Look, you keep this up, and one of these days I'll call your block,

[Mildred Pierce]

but I'm calling yours once and for all. Look, my child comes first in this house before either of us. Maybe that's right and maybe it's wrong, but that's the way it is. I'm going to do the best I can for Vida. And if I can't do it with you, I'll do it alone.

[Inspector Peterson]

Go ahead and try it. See how you get along without me for a while.

[Mildred Pierce]

Bert, if you see that woman again, you're never coming back here. I mean that.

[Inspector Peterson]

I do what I want to do.

[Mildred Pierce]

Well, then pack up, Bert.

[Inspector Peterson]

All right, I will. About Vita.

[Mildred Pierce]

What about her?

[Inspector Peterson]

Well, when she comes home, maybe you could just tell her that I, I'm.

[Mildred Pierce]

Oh, I. I'll think of something to tell her.

[Inspector Peterson]

Mildred, I'm. Oh, go on.

[Mildred Pierce]

There's nothing more to say. Just go on.

[Inspector Peterson]

That's the man you say is kind and gentle.

[Mildred Pierce]

There's a lot more you should know, Inspector.

[Inspector Peterson]

Go ahead.

[Mildred Pierce]

Well, I dreaded the moment I'd have to tell Vida her father had gone. I was still in the kitchen when I heard her come in. Mother. Oh, in here, darling. How did the lesson go? Very well, I think. I. I saw father down the block. He was crossing the street. He had a suitcase. Vida, look, darling, I. Well, you may as well know it now. Your father and I have decided to separate. He's not coming back? No. No, I don't think so. I can't tell you anymore now. Well, if you mean Maggie Beaterhoff, Mother, I must say my sympathy is all with you. Eda, please. Now, it was just little things. Things like your dress. My dress? It came. Yes, it's up in your room. Oh, Mother. But why didn't you tell me? That night, for the first time in my life, I felt all alone. There was so much to remind me of Bert. How things used to be with us. What great hopes we had. But I didn't have much time to feel sorry for myself. The doorbell rang. It was Bert's ex partner, Wallace Hayes.

[Inspector Peterson]

Believe me, Mildred, I told him a thing or two. Bert must be off his rocker, walking out on a girl like you.

[Mildred Pierce]

You didn't come here to tell me

[Inspector Peterson]

that that's your life. I didn't? With the bird out of the way, I was hoping maybe there's a chance for me, honey.

[Mildred Pierce]

Oh, cut it out, Wally.

[Inspector Peterson]

One of these days you're gonna have a weak moment. I want to be around when it happens.

[Mildred Pierce]

Well, you're pretty sure of yourself, aren't you?

[Inspector Peterson]

Ah, you're not the kind of a gal who can get along by yourself, honey. You're gonna get lonesome. Am I lonesome already, huh?

[Mildred Pierce]

Good night, Wally.

[Inspector Peterson]

Oh, now. Now, look. Oh, well, can't shoot a guy for trying.

[Mildred Pierce]

Mother, did Wally go? Oh, Vida. Yes, he's gone, dear. Is Father gonna marry that Vita Hoff woman? I don't know. But I do know that you should be asleep. Well, I've been thinking. You could marry Wally if you wanted to. That'll be ridiculous. We could have a new car, maybe even a new house. I just hate this house, Mother. I don't like it either, dear, but. Well, that's no reason for marrying a man I don't love. Well, why not, Peter? Oh, I didn't mean it. I didn't. I don't care what we have, just as long as we're together. Oh, darling, be patient. You'll see. I'll get you everything you want, I promise. By baking cakes and pies for our neighbors. Oh, Mother, I feel so sorry for you.

[Inspector Peterson]

So you wanted your daughter to have everything in the world? Well, why not?

[Mildred Pierce]

But no money, no job, no business experience to help me get one. Finally, I took the only job I could get. A waitress. I made a deal with the owner to furnish the pies and pastry. It didn't leave much time for sleep, but it kept the house going. And it paid for Vita's piano lessons and boys, her new clothes. But then came the day when Vita found out. A waitress. My mother a waitress? Oh, I'm so ashamed. Well, I took the only job I could get. Vita. But waiting on tables. Oh, why did you have to degrade us? Maybe now I know my father. Vita, I didn't mean to hurt you. I didn't. Oh, don't you see, darling? I'd never have taken the job if I hadn't wanted to keep us together under the same roof. And besides, if I can learn the restaurant business, I. Well, someday I can open a place of my own. Maybe. Give me time, darling. Oh, I'm sorry, Mother. Oh, I am, really. And if anyone asks me, I can always lie to them. Oh, no. You'll tell them that I'm a waitress. But why? After all, if we're going to have our own restaurant. No, it wasn't quite that easy, Inspector.

[Inspector Peterson]

Oh, I have had no luck lately.

[Commercial Announcer]

Wait.

[Inspector Peterson]

Lady luck.

[Mildred Pierce]

Brixky.

[Commercial Announcer]

I got you.

[Mildred Pierce]

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[Inspector Peterson]

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[Mildred Pierce]

Where prohibited.

[Inspector Peterson]

Visit spinquest.com for more details.

[Mildred Pierce]

A year went by and my restaurant seemed as far off as ever. And then one day, I rushed into Wally Fay's real estate office.

[Inspector Peterson]

Mildred. Well, what do you know?

[Mildred Pierce]

Hello, Wally.

[Inspector Peterson]

Sit down, sit down.

[Mildred Pierce]

I just don't get any ideas you know, this is business.

[Inspector Peterson]

Yeah, yeah.

[Mildred Pierce]

I'm going to open up a restaurant and you're going to help me. Oh, please, Wally.

[Inspector Peterson]

Okay, okay.

[Mildred Pierce]

Well, I found the location I want. It's an old house that hasn't been lived in for years. And it's right near a busy intersection, which means it's good for driving trade. And not another restaurant for three miles.

[Inspector Peterson]

Listen's good. What's the address?

[Mildred Pierce]

35904 Glen Oaks Boulevard.

[Inspector Peterson]

Oh, let me see if I got a listing on it.

[Mildred Pierce]

Oh, Wally, I've got to get that house. You know what the angles are and I don't. But I want that property.

[Inspector Peterson]

Well, list it. All right. Yes. See? $10,000. That means it'll take eight. Owned by the Berrigan estate. Berrigan?

[Mildred Pierce]

You know them?

[Inspector Peterson]

Some old Pasadena plant.

[Mildred Pierce]

Well?

[Inspector Peterson]

Well, it says here that the Berrigan estate has already lost two pieces of property because of back taxes. Relax, honey, and watch little Wally go to work.

[Mildred Pierce]

That's how I met Monty Berrigan, Inspector. Wally and I drove out to see him. He was at the beach house where

[Inspector Peterson]

we found him tonight.

[Mildred Pierce]

Yes. I let Wally do multiple things.

[Inspector Peterson]

And that's our offer, Mr. Barringon. How do you like it? Mrs. Pierce wants to buy the property, but she doesn't want to pay for it. Well, she needs time, Mr. Berrigan. Once the restaurant gets on its feet, you'll get $9,000. I'm asking 10. And you'd settle for eight. It's a very unusual offer, Mrs. Pierce. You think you can make 9,000 clear? And eight.

[Mildred Pierce]

Well, Mr. Berrigan, I've figured very conservatively. Yes, I think I can make it.

[Inspector Peterson]

Now, look at it this way. If the place makes money, you get a thousand dollars more. If it doesn't, you get your property back in much better condition than it is now. No, I'm afraid I'm not interested.

[Mildred Pierce]

Oh, please. Listen, Mr. Berrigan, I'm putting every cent I have into this place. Believe me, I haven't very much. I can't afford to lose any more than you. Look, I have all the information right here in black and white. I know exactly what it will cost and how much I can expect to make. I know I can swing it. I know I can.

[Inspector Peterson]

Very well. It's a deal. What, just like that? Why not take care of the details, Mr. Fay? Well, Mrs. Pierce, how does it feel to be the owner of a white elephant?

[Mildred Pierce]

It feels wonderful.

[Inspector Peterson]

Nice guy, that Barragan. He likes you, honey.

[Mildred Pierce]

Does he? He's good looking.

[Inspector Peterson]

Yeah, but no brains. Now, what about that husband of yours.

[Mildred Pierce]

Bert?

[Inspector Peterson]

Mm. Bert. You're still married to him. You know. Well, what I mean, you. You open the restaurant and voom. Bert's creditors start trying to take it away from you. Just ask a lawyer about community property.

[Mildred Pierce]

Oh, well, I'm seeing Bert on Saturday. He's taking Vita for the day.

[Inspector Peterson]

Just remember, honey, no divorce, no restaurant. I don't want to even talk about it, Mildred. Not now. Where's Vita?

[Mildred Pierce]

She's getting dressed. She'll be down in a minute. Bert, it's for her sake. I've got to think of her future.

[Inspector Peterson]

Vida thinks you're wonderful. Doesn't she? Well, I'll have to know a lot more about this deal with Wally Fay. It's pretty obvious you mean a lot to Wally Fay.

[Mildred Pierce]

I can't help it if you believe everything he tells you. Bert, listen, I've put everything I've got into this restaurant. I've got a big loan from the bank that's got to be paid off. Suddenly everything's starting to take shape. Well, I've worked hard and long, and I'm going to get that door.

[Inspector Peterson]

No. No, you're not.

[Mildred Pierce]

There's very little you can do about it.

[Inspector Peterson]

If you don't mind, tell Vida I'm waiting for her.

[Mildred Pierce]

Not a very pleasant story, is it, inspector?

[Inspector Peterson]

So you filed for divorce?

[Mildred Pierce]

Yes, and I quit my job. Spent every minute at the restaurant trying to help speed things along. Then one Sunday morning, I had a visitor.

[Inspector Peterson]

Where do you find the energy, Mrs. Pierce?

[Mildred Pierce]

Well, the silent partner. Come in, Mr. Berrigan.

[Inspector Peterson]

I decided I've been silent long enough. I came by to check up on my investment. Well, it's wonderful. I'd never recognized the old place. But today's Sunday. Why don't you get out of here?

[Mildred Pierce]

Oh, I'd love to, but I'm awfully busy. Look, isn't the bar nice?

[Inspector Peterson]

I've got a nice bar, too, at the beach house. I also have an ocean.

[Mildred Pierce]

Why should people come here to eat and go someplace else for a drink? That's why I put the bar in

[Inspector Peterson]

getting back to my ocean. Let's have a swim and forget all about our investment.

[Mildred Pierce]

No, no, I couldn't possibly.

[Inspector Peterson]

As you grow older, Mrs. Pierce, you will find that the only things you regret are the things you didn't do.

[Mildred Pierce]

You win, Mr. Barragan.

[Inspector Peterson]

I'll drive you home. Pick up your bathing suit. And if your daughter would like to come along.

[Mildred Pierce]

Well, that's very nice of you, inviting Vida. She'd love to come. Oh, she would, but she's away for the day.

[Inspector Peterson]

Well, I'm beginning to think Vita's a very understanding daughter.

[Mildred Pierce]

Ah, this is wonderful. You know, I can't even remember the last time I relaxed like this. Now, tell me, you live here all the year round?

[Inspector Peterson]

Oh, no, no. I have the old family mansion in Pasadena, complete with iron deer on the front lawn and the ghosts of my ancestors. I moved down here in the spring.

[Mildred Pierce]

Oh, must be wonderful.

[Inspector Peterson]

Yes, but lonely. How about a drink?

[Mildred Pierce]

Oh, no, thanks. You know, it's none of my business, but I think you drink too much.

[Inspector Peterson]

I know. I do too much of everything. I. I'm. Spoiler.

[Mildred Pierce]

Monty Berrigan. That's an unusual name.

[Inspector Peterson]

I'm an unusual fellow.

[Mildred Pierce]

Varragan Spanish, mostly.

[Inspector Peterson]

A little Italian thrown in.

[Mildred Pierce]

And just what do you do, Mr. Berrigan?

[Inspector Peterson]

I loaf. Oh. In a highly decorative and charming manner. You know, you're very beautiful when you smile. Mildred, look at me. I'm not very impressionable. I lost my awe of women at an early age. But ever since you first came here, I. I thought of nothing but what I'd say to you when we met again. Now I can't say anything. You take my breath away.

[Mildred Pierce]

Do I? I. I like you, Monty. You make me feel. Oh, I don't know. Warm and.

[Inspector Peterson]

And wanted? Beautiful.

[Mildred Pierce]

Yeah.

[Inspector Peterson]

My heart's beating like a schoolboy's. I've fallen in love, Mildred. I've fallen in love with you. And that was when, Mrs. Berrigan? Three years ago.

[Mildred Pierce]

Yes. And now Monty's dead. And you think Bert killed him. You're wrong. Inspector,

[Inspector Peterson]

In just a moment, act two of Mildred Pierce. With our American servicemen in many countries around the world, they have a wonderful opportunity to observe new customs and traditions. What might have seemed strange before is becoming pretty familiar to them. For instance, the business of greeting someone. In Europe, the handshake is almost universal. And usually it's one good, solid shake instead of a continuous pumping. In certain Pacific islands and among the Eskimos, two people rub noses when meeting. In other localities, sniffing or smelling of an acquaintance is the approved form of recognition. In Japan, the bow represents the courteous greeting. Well, all this might sound strange, but as our servicemen have observed, it's simply the custom of the country. We use the handshake, of course, and the salute between men in service, but between really close friends, relatives and members of the immediate family. A kiss is not considered bad conduct, even in public. It's not that we're any more affectionate. We simply show our affection in this way. But to many people around the world, this form of greeting is unusual, to say the least. They just simply wouldn't do it any more than we would rub noses simply because it's not one of their customs. The same is true with other customs and traditions. Of all countries, a way of doing things may be different, but the ideals are the same. Whether it's greeting a friend, preparing a meal, observing a religious principle, there's no right or wrong way of doing it. It all depends upon the customs of the people where you live. And it's by observing these customs that our servicemen are helping to maintain goodwill with other people in other lands. Now, our producer, Mr. Cummings. Act two of Mildred Pierce. Starring Claire Trevor as Mildred and Zachary Scott as Monty. With Joy Terry as Feeder and Hal March as Wally. A few hours ago, Marty Barragan was murdered. The police are holding two men under suspicion, Wally Fay and Bert Pierce. With a case against Pierce building stronger and stronger. So you think Pierce is innocent, Mrs. Berrigan? Well, we don't. Now, you were telling me about Monte Baragon. How he fell in love with you three years ago.

[Mildred Pierce]

Well, it's hard to remember the next few weeks, inspector. So much was happening, Monty and the opening of my own restaurant.

[Inspector Peterson]

Your restaurant?

[Mildred Pierce]

Well, it wasn't all mine. Not really. Wally Fay had worked very hard, and I cut him in for a third. And since I hadn't paid for the property, Monty owned another share, a sort of partnership. We were swamped with business that opening night. It was long past midnight before we closed the door.

[Inspector Peterson]

Well, what do you know? She's finally coming out of the kitchen.

[Mildred Pierce]

Give me a chair, Wally, before I fall down. Hello, Monty.

[Inspector Peterson]

Well, you're a great success, if you can say that.

[Mildred Pierce]

A month from now, maybe I'll believe it.

[Inspector Peterson]

I've been getting acquainted with your daughter here.

[Mildred Pierce]

And guess what, mother? Mr. Berrigan promised to take me to the races.

[Inspector Peterson]

Only if your mother comes along.

[Mildred Pierce]

Well, I'd love to. Wally, do me a favor.

[Inspector Peterson]

Just name it, honey.

[Mildred Pierce]

Take Vida home. Home? Oh, Mother, anyone would think I was a child.

[Inspector Peterson]

I, I I figured on taking you home.

[Mildred Pierce]

Please, Wally. You should see the kitchen. They'll be washing dishes for another hour

[Inspector Peterson]

and I wind up with a Girl Scout.

[Mildred Pierce]

Wally, will you please not refer to me as a. Good night, darling. Good night, Mother. And I trust we may meet again soon, Mr. Barragon.

[Inspector Peterson]

Very soon, I trust. So, Vida. Get going, small fry. That's a very cute youngster, Mildred.

[Mildred Pierce]

No youngster anymore.

[Inspector Peterson]

Well, it's been quite a night. My white elephant may turn out to be solid gold.

[Mildred Pierce]

Oh, Monty, would You excuse me for a minute? I've got to check tomorrow's menu.

[Inspector Peterson]

Now, don't you? Everest.

[Mildred Pierce]

Bert.

[Inspector Peterson]

I didn't mean to bust in on you. They let me in the back way.

[Mildred Pierce]

Oh, this is Mr. Berrigan, my husband.

[Inspector Peterson]

I've heard a lot about you, Mr. Beers. If you don't mind, I'd like to speak to Mildred. Well, I try to lose myself at the bar.

[Mildred Pierce]

What is it, Bert?

[Inspector Peterson]

It's about the divorce. Didn't have it. Oh, you were right. You can get along without me.

[Mildred Pierce]

Fine. Oh, Bert, I never thought it would end like this.

[Inspector Peterson]

Who knows how anything's gonna end? Well, all the luck in the world.

[Mildred Pierce]

Thank you.

[Inspector Peterson]

Leaving so soon, Mr. Pierce? I think I'd better. Oh, but doesn't this call for a drink? You know, in the Barragan family, there's an old Spanish proverb. One man port. Well, I. I guess that means you don't want to drink. I apologize. What's going on, everyone? It's bluff here. And we're driving through the states in the Bluff Mobile. And the best thing that we can do is play our favorite casino style games on Spin Quest. They have over a thousand games, including live dealer blackjack and craps. With tons of slots and unlimited options. You can get a $30 coin pack for just $10. For new users sign up today. Go to spinquest.com right now. Now Spinquest is a free to play social casino void. Where prohibited. Visit spinquest.com for more details. Forget whatever plans you have this weekend because you're staying at home and playing on Spinquest. And there's never been a better time to sign up than right now. New users get $30 coin packs for just $10. All the table games you love, with hundreds of slot games and real cash prizes. That's at SP spinquest.com S P-I-N Q U-E S-T.com Spin Quest is a free to play social casino void.

[Commercial Announcer]

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[Inspector Peterson]

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[Mildred Pierce]

Monty hadn't meant to be that nasty, inspector. He seemed genuinely sorry for that little incident with beer tour. Maybe I just thought he was sorry because I was in love with Monty.

[Inspector Peterson]

You still haven't given me one reason why Burt Pierce isn't the murderer. In fact, you've given me a very good reason why he is. He had the motive, Mrs. Barragan. Jealousy. Excuse me, inspector. This report just came in. Oh, thanks. Pardon me, Ms. Barragan. Mm? You sure of this information? Well, you know Charlie, sir. I'll tell him to Keep on it. Yes? Who's Ida Cohen, Mrs. Berrigan?

[Mildred Pierce]

Oh, she's my business manager.

[Inspector Peterson]

She tells us you phoned her from your office late last night and asked where Mr. Berrigan was. She says you seemed quite upset.

[Mildred Pierce]

Oh, well, it was just a business matter.

[Inspector Peterson]

Well, tell me something else. Why did you take Wally Fay to the beach house? Did you know that Berrigan was lying there dead?

[Mildred Pierce]

No. No, I didn't.

[Inspector Peterson]

Then you were at the beach house. Why didn't you tell us that before? And why did you run away? Because you knew Berrigan was dead?

[Mildred Pierce]

No.

[Inspector Peterson]

And why were you trying to pin the murder on Fay? I think you better tell me the truth now.

[Mildred Pierce]

I did it. I killed Monty Barrigan.

[Inspector Peterson]

You? But why? Your restaurant was a success. You were in love with him. You married him. You.

[Mildred Pierce]

I didn't marry him until much later. But at the time, too many things were uncertain. But the restaurant was a success. I opened others. In three years, I built up five restaurants. Everything I touched made money, and I needed it. I needed a pavita. She was a young lady now with expensive taste. And several boyfriends. One in particular. Ted Forrester. One night, Monty and I joined them for a round of the night.

[Inspector Peterson]

The handsomest couple on the floor, Mildred. Vida and Ted.

[Mildred Pierce]

Yeah. She likes him, Monty. A lot, I think.

[Inspector Peterson]

Who wouldn't? We've got a million dollars.

[Mildred Pierce]

What's the matter?

[Inspector Peterson]

Nothing. Just run out of jokes, I guess.

[Mildred Pierce]

No, tell me what's wrong.

[Inspector Peterson]

I've had a little bad luck, Mildred. I won't be able to afford many more evenings like this.

[Mildred Pierce]

You need money. Why didn't you tell me?

[Inspector Peterson]

It's not quite that bad. Not yet.

[Mildred Pierce]

Monty, I. I want you to take this cash, Mildred.

[Inspector Peterson]

Please. Oh, you.

[Mildred Pierce]

You've been awfully good to us. Now, please take it.

[Inspector Peterson]

All right. I want it distinctly understood that it's only a loan.

[Mildred Pierce]

Oh, yes. At first it bothered Monty to take money from me, and it became a habit with. After a while, Wally Fay found out about it.

[Inspector Peterson]

The accountant told me. $2,000 in six weeks. What's the idea, Mildred?

[Mildred Pierce]

We owe Monty a great deal.

[Inspector Peterson]

We paid him awfully long ago. Now, look, baby, I'm in business with you. But keeping began in monogrammed shirts isn't my idea of business.

[Mildred Pierce]

You've done all right. And when you opened up that cafe at the beach, I didn't ask to be cut in, did I?

[Inspector Peterson]

I can do what I want with my own money.

[Mildred Pierce]

And so can I.

[Inspector Peterson]

Look, look, when you walked out on Bert, it was okay with me. But now you followed For a guy who's a worse foul ball than Bert ever thought of being. He's no good, Mildred. He'll bleed your dry.

[Mildred Pierce]

Suppose I happen to be in love with him.

[Inspector Peterson]

Okay. Okay. I guess I finally know just where I stand.

[Mildred Pierce]

That's right. Now you know. Do I dare come in? Oh, I d. I wish you would. Things are getting a little out of hand here.

[Inspector Peterson]

I hate all women.

[Mildred Pierce]

Laughing boy seems burned at the edges. A small green eyed monster. Wally Jealous? Doesn't sound like Wally. No profit to it. Well, I just told him I was in love with him. Auntie Barragan, Are you? I thought I was once, but not now. Mildred, I know I shouldn't say this. If this is about Monty, I agree with you. It's Beta. She's been borrowing money. From whom? Anybody who'd give her any. Waitresses mostly. They're scared to say anything. You know how it is. See that they're paid back, Ravenson. I'm sorry I had to tell you, Milton. I don't blame Vida and Tom a couple of times. Monty was with her. Well, I brought the statement you wanted. Oh, yes. Now, about the Laguna beach unit. Hello, everybody. Oh, hello, Vida. On, Monty. Well, come in.

[Inspector Peterson]

Big business conference?

[Mildred Pierce]

Just a teeny one. It can wait. I'll go.

[Inspector Peterson]

So. I wish I could get that interested in work.

[Mildred Pierce]

You were probably frightened by a. At an early age. Mother, look. Look what Monty gave me for my birthday. This necklace. Isn't it gorgeous, Darling, it's beautiful. And there's something else for your birthday out the window there. I hope you like it, Vida. Oh, Mother, not a car. Oh, it's just gorgeous. You happy? Am I?

[Inspector Peterson]

Well, how about me, young lady? After all, I picked it out, you know.

[Mildred Pierce]

Oh, Monty. The two nicest presents I ever got. Come on, let's go for a drive.

[Inspector Peterson]

Nothing I'd like better.

[Mildred Pierce]

Oh, Monty, I'd like to talk to you.

[Inspector Peterson]

Fine. Run along, Vita. Dent your fenders alone.

[Mildred Pierce]

Oh, well, I'll see you later at the club. Be careful, darling. Thanks a million, Mother.

[Inspector Peterson]

What's the matter, Mildred?

[Mildred Pierce]

I want you to stay away from Vita.

[Inspector Peterson]

Why? Have I suddenly sprouted two heads? Or is that Ted Forrester boy been complaining to?

[Mildred Pierce]

It isn't funny. Vida's not 18 and spoiled rotten.

[Inspector Peterson]

What's that got to do with me? Kids at that age, they're all thoughtless.

[Mildred Pierce]

I blame it on the way she's been living. I blame it on you.

[Inspector Peterson]

I don't think you understand Vida very well. She's not like you, Mildred. You'll never make a waitress out of Vida.

[Mildred Pierce]

You can't help looking down at me because I cook food and sell it and make a profit. Which, I might point out, you're not too proud to share with me. I.

[Inspector Peterson]

Take it easy.

[Mildred Pierce]

You're interfering with my life and worst of all, with my plan for Vita.

[Inspector Peterson]

And I won't stand for it, and that's that. You want Vita and your business and a nice, quiet life. And the price of all that is me. You can go back to making your pies now, Mildred. We're through.

[Mildred Pierce]

Oh, just a minute, Monty. You've had expenses taking Vida out here.

[Inspector Peterson]

If this isn't enough, I always wondered how it felt to take a tip. Thanks. Just mark the account. Paid in full.

[Mildred Pierce]

I saw nothing of Monty for over a month, Inspector. And suddenly, Vita was spending all her time again with a forester boy.

[Inspector Peterson]

The one with a million dollars?

[Mildred Pierce]

Yes. The restaurant business was falling off. Nothing drastic, but enough to keep me constantly on the job. One afternoon I. I had a caller. Ted Forrester's mother. I'm sure you want me to get to the point, Mrs. Pierce. Yes, of course. It's simply this. Somehow your daughter has the idea that. Well, I can understand it. Any girl wants to get married, but Ted has no such thing in mind. I want that made perfectly clear. Just a minute. You mean they're engaged? Vida and your son? Yes. Well, why should Peter want to marry Ted if he doesn't want to marry her? I'm not a mind reader, Mrs. Pierce. But if you or this girl employ any more tricks. Trying to blackmail my son into marriage. Trying to what? I'll prevent this marriage. I shall prevent it any way that I can. I don't think you need worry, Mrs. Forrester. Having you and my family is a pretty dismal prospect. Good afternoon, Mother.

[Inspector Peterson]

Yeah, what's up, Mildred? Vita and I were going to take a drive.

[Mildred Pierce]

Wally, do you mind? This is private. I think I know what's bothering you. Well, Wally knows all about it. Wally knows that you're talking about getting married. Getting married? I am married, Mother. What? Ted and I were married on my birthday. I'm sorry, but it's done. What? Why didn't you tell me? Oh, I wanted you so many times, but you're always so busy. Besides, I was afraid. Afraid of me? Oh, Mother, I've been so miserable. I made a mistake and I. I didn't know how to tell you. You. You don't love Ted, is that it?

[Inspector Peterson]

Yeah, that's right, Mildred. She made a mistake. The only thing to do is an annulment. That's the clean, quick way to handle a situation.

[Mildred Pierce]

I suppose it is, but. Well, can it be done quietly?

[Inspector Peterson]

Oh, you just leave it to me, Mildred. Uncle Wally still knows all the angles.

[Mildred Pierce]

You should have seen Mrs. Forrest's face when Wally told her lawyer. Oh, Mother, you'd have died. When Wally told their lawyer, Floss that the annulment was going to cost them $20,000, you asked for money. Well, of course I asked for money. They wanted the annulment, didn't they? And the publicity. How could you do such a thing? How could you? And I got the money, see? A nice big check. Oh, I'll have to give Wally part of it. But there's still enough money. That's what you live for, isn't it? You'd do anything for money, wouldn't you? Even blackmail. Oh, for heaven's sake, Mother, grow up. Yes, it's about time I did. All right, Peter. From now on, things are going to be different. I'll say they're going to be different. Why do you think I went to all this trouble? Why do you think I want money so badly? All right. Why? With this money, I can get away from you, Peter. From you and your fried chicken and your kitchens and everything that smells of grease. I can get away from this house and its cheap furniture and away from this town and. Stop it. I'm seeing you for the first time in my life. You're cheap and horrible. Do you think just because you made a little money you can get a new hairdo and some expensive and turn yourself into a lady? But you can't, because you'll never be anything but common. Common like your father, who lived over a grocery store. Common like your mother, who took in washing. With this money, I can get away from everything that makes me think of this place. And you give me that check. Oh, not on your life. I said give it to me. Oh, you're tearing it up. Yes, I'm tearing it up. Now get out of this house. Get out.

[Inspector Peterson]

We'll hear Act 3 of Mildred Pierce shortly. Make a friend and you make an ally. There's a thought for you to keep in mind, as many another American has. Recently, the Institute of International Education in Los Angeles, California, opened an office for its new affiliate, the center for International Students and Visitors. When foreign visitors sponsored by public or private groups visit Los Angeles, the center provides them with help in seeing and learning the American way of doing things. It's been found that, for the most part, visitors would rather see how Americans live rather than how they make money. Within a recent two months period, the center was host in one way or another to a Finnish publisher, a French director of police, a Malayan journalist, a United nations delegate from India, a director of education from Iceland, a German lawyer, a Korean editor and an Austrian composer. Visitors usually stay from two days to three weeks, and when they return to their own countries, they take with them a clear and honest picture of how Americans live, thanks to an organization which has dedicated itself to the spreading of world amity, an organization which has discovered that by helping others, you help your country. We pause now for station identification. The curtain rises on Act 3 of Mildred Pierce, starring Claire Trevor as Mildred, Zachary Scott as Monty, with Joy, Terry as Veda, and Hal March as Wally.

[Commercial Announcer]

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[Inspector Peterson]

It's almost dawn now, but the lights still burn brightly in Inspector Peterson's office as Mildred Pierce continues her story.

[Mildred Pierce]

I had said some awful things to my daughter. I had driven her away. I went away for a while, too, but not far enough. Something kept pulling me back. Finally, I gave in and came home. But no sign of Vida. Not even a letter. Mexico, huh? So that's where you've been. People still eating in restaurants, Ida? Not enough of them. I'm glad you're back. Seeing anyone I know? Vida, for instance. Why don't you forget her? I can't. She's still my daughter and I want her back personally. Vita's convinced me that alligators have the right idea. They devour their young. Hello?

[Inspector Peterson]

Hello, is Mildred there? This is Burt Pierce again.

[Mildred Pierce]

Oh, just a moment. Your ex husband. He's been calling every day for two weeks. There. Hello, Bert. I just got back this morning.

[Inspector Peterson]

You all right?

[Mildred Pierce]

Yes, I'm all right.

[Inspector Peterson]

How about dinner?

[Mildred Pierce]

Dinner?

[Inspector Peterson]

I'd like to see you, Mildred. Or would you rather I didn't?

[Mildred Pierce]

No, I'd be glad to see you, Bert. You can pick me up at the house at 7:30.

[Inspector Peterson]

Thanks.

[Mildred Pierce]

I don't know why, Ida, but it's going to be nice in Bert again.

[Inspector Peterson]

I thought you might like this place, Mildred. A little noisy, but since our friend Wally failed.

[Mildred Pierce]

I still don't know why you insisted on coming here.

[Inspector Peterson]

I thought it was a good idea at the time. Now I'm not so sure.

[Mildred Pierce]

What does that mean?

[Inspector Peterson]

Look over there under the spotlight.

[Mildred Pierce]

It's the.

[Inspector Peterson]

She's a dancer. Here. I'm sorry I did it like this, Millard. I, I, I just didn't know how to tell you. Where are you going?

[Mildred Pierce]

I'm going to get beat out of here. I guess that means I better find Wally first,

[Inspector Peterson]

Mildred. Well, sit down, Sit down. How is the trip?

[Mildred Pierce]

Sometime I'll tell you all about it, Wally. Right now, I'm going to take Beta home.

[Inspector Peterson]

All Vita know that?

[Mildred Pierce]

No, but I'm hoping you're going to help me.

[Inspector Peterson]

Oh, not me, honey. But I'll give you a little advice. If you want Vita to do anything for you, better hit her over the head first.

[Mildred Pierce]

Where do I find her?

[Inspector Peterson]

Her dressing room's right straight down the hall.

[Mildred Pierce]

Well, quite a surprise, Mother. What can I do for you? Vita, I want you to come home. Really, Vita, it isn't easy for me to beg like this. You must think I'm on a string. Go away. Vita. Come back. Vita. Oh, no, darling. Look, we'll have the house redecorated. We'll get all new furniture, a new piano. Oh, you'd like it. I know. Would I? No, Mother. I want a little more than that. I want the kind of life that Monty Berrigan taught me, and you won't let me have it. I'm sorry for all the trouble I've caused you, but I'd only start all over again. You know how I am mudded. If. If I could give you the kind of life Monty taught you, would you be willing to come home then? But you couldn't, could you? Drop it again sometime, Mother. I'll be here. There was just one thing left for me to do, Inspector. I had heard that the old Berrigan mansion in Pasadena was now up for sale.

[Inspector Peterson]

Oh, now, look, Mildred. You can't be serious about buying this old buyer.

[Mildred Pierce]

You're not a very good salesman, are you, Monty? You here alone?

[Inspector Peterson]

Well, somebody has to be here to show the place. Need I add that I'm broke?

[Mildred Pierce]

What about the beach house?

[Inspector Peterson]

The only thing I haven't lost. You don't want to buy this antiquated tomb. You'd be out of your mind.

[Mildred Pierce]

Oh, I don't know. A little remodeling would do wonders.

[Inspector Peterson]

You're not fooling me. I remember too well. I remember how it was with us once, and so do you. Something neither of us can forget.

[Mildred Pierce]

Then you can do me a great kindness if I can. Ask me to marry you.

[Inspector Peterson]

Why?

[Mildred Pierce]

Is that the best you can do to show your enthusiasm?

[Inspector Peterson]

You went to considerable trouble to get rid of me once. Naturally, I'm a little startled.

[Mildred Pierce]

I have a good reason for wanting you to marry me, Vida. Why Vida?

[Inspector Peterson]

Your reason for doing anything is usually Vida.

[Mildred Pierce]

What's your answer?

[Inspector Peterson]

Monty, I told you once that you were the only woman in the world for me. I loved you then. I love you now that I can't afford you. Mildred. All I have left is pride and a name. I can't sell either of them.

[Mildred Pierce]

Sorry, but we can still.

[Inspector Peterson]

No. I won't go on taking tips from you. Of course, if I owned a share

[Mildred Pierce]

in your business, how much of a share would your pride require, Monty?

[Inspector Peterson]

Don't put it that way, Milton. Mildred, I'm not enjoying this.

[Mildred Pierce]

How much of a share?

[Inspector Peterson]

I think I can leave that up to you, Mildred.

[Mildred Pierce]

It's a deal. Monty sold one Berrigan. We were married a week later, and I set about restoring the old Berrigan Mansion to the show place that it once was. Soon now, I'd be ready for another talk with Vida. But before that happens.

[Inspector Peterson]

I shouldn't have stopped by, Mildred. But I'll only be a moment.

[Mildred Pierce]

No. I'm so glad you came, Bert.

[Inspector Peterson]

Mildred, I got a lot of nerve asking this, but are you really in love with Monty Berrigan?

[Mildred Pierce]

No, not exactly. But we understand each other.

[Inspector Peterson]

And now maybe Vida will come back.

[Mildred Pierce]

I know you think I'm a fool, Bert, but I can't help it.

[Inspector Peterson]

I brought you a wedding present, Mildred.

[Mildred Pierce]

A wedding present?

[Inspector Peterson]

Out there on the terrace.

[Mildred Pierce]

But what's out there that I. Vida. Bert, did you ask Vida to come with you?

[Inspector Peterson]

No. No, she called me up. She tried to pretend it was something else, but I finally got the truth out of it. She wants to come home now.

[Mildred Pierce]

Go and get her and I'll change, Mother. Really I will. I promise. I. I'll never talk to you like that again. Oh, I said some nasty things myself, darling. If only we can try. Trust each other. I don't believe it.

[Inspector Peterson]

I simply don't believe it.

[Mildred Pierce]

Oh, Monty. Hey.

[Inspector Peterson]

Tears of joy at seeing me again, I hope.

[Mildred Pierce]

Of course.

[Inspector Peterson]

You look lovely, Prodigal. About time you came to see us.

[Mildred Pierce]

See you, but I'm staying. I'm the new star, Border. Wonderful.

[Inspector Peterson]

Just don't call me Father.

[Mildred Pierce]

For the next few weeks, I was happier than I'd been in years. The restaurants were running in, but with Vita back, it didn't seem to matter. I planned a wonderful party for her, Inspector. It. It took place last night.

[Inspector Peterson]

Yes, so I understand.

[Mildred Pierce]

Only I wasn't there. A sudden meeting came up at the office. The accountants and a lawyer named Hopkins. At 11 o' clock, we were still at it.

[Inspector Peterson]

I've told you A dozen times, Mrs. Barragan, in simple language, you owe my clients money. If you resist, you'll be forced into bankruptcy. It's as simple as that.

[Mildred Pierce]

I haven't a century. Bready cash. So I guess that's that. Any ideas, Wally?

[Inspector Peterson]

Well, you can still manage the restaurant.

[Mildred Pierce]

Well, that's very nice of you, Wally. Stealing the business right out from under me and letting me run it for you.

[Inspector Peterson]

Listen, I've got to put up the dough to keep us out of court. You've been bleeding this business dry so you can live the way you have since Vita came home. You said so yourself.

[Mildred Pierce]

I know, I know.

[Inspector Peterson]

The creditors want your hide and I can't stop them. Not anymore. I can't still be all right. If Monty hadn't forced the issue.

[Mildred Pierce]

What Monty got to do with it?

[Inspector Peterson]

He wants to sell his share of the business. I got to go along with him or I'm out too. You didn't know?

[Mildred Pierce]

No.

[Inspector Peterson]

You married him. I didn't. Let's go, Hopkins.

[Mildred Pierce]

As soon as they left, I called the house. Ida answered the telephone. But Marty isn't here, Mildred. He drove off about 20 minutes ago, just after the party broke up. Then let me speak to Vida. Well, Vita's gone too. I think some of them went over to the Adams for a dip in the pool. If you want. No, no, it's not too important. Thanks, Ida. There was a gun in the office safe. It had belonged to Bert. I hadn't wanted it around the house. I had a hunch where Monty would be. Inspector. The beach house. He was alone when I got there.

[Commercial Announcer]

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[Mildred Pierce]

killed him.

[Inspector Peterson]

You're lying, Mrs. Berrigan. We know you weren't alone in the house with him. We have proof of that now and of a few other things. Yes, sir. You can Bring her in, McNally. We better slant on you all. Now, Mrs. Berrigan, you were the key. I had to put the pressure on you. Well, the key turned, Peter. The sergeant will tell you where they found her. They picked the girl up at the airport. Took her off a plane headed for Arizona. She didn't like it very much.

[Mildred Pierce]

I don't understand, Mother.

[Inspector Peterson]

Your mother just told me everything. Why did you kill him?

[Mildred Pierce]

You told him. You promised not to tell you. You promised you'd help me get away. Peter, don't say any more.

[Inspector Peterson]

It doesn't matter now. That's all we needed to hear. Ms. Fierce, you were already at the beach house with Barragan when your mother arrived there. Isn't that right?

[Mildred Pierce]

Let her alone. I didn't know Vita was there. I expected Monty to be alone. There was a record on the phonograph. They didn't hear me come in.

[Inspector Peterson]

Hello, Milton. Well, we weren't expecting you.

[Mildred Pierce]

I'm glad she's here. Monty, I've got something to tell you. Mother, I love Monty. He's going to divorce you and marry me. No, Vita, he isn't. Oh, there's nothing you can do about it. I can do this much about it.

[Inspector Peterson]

Mildred, use your head. Shooting me won't solve anything.

[Mildred Pierce]

It would solve a lot of things, but I can't do it. I just can't.

[Inspector Peterson]

Mildred, wait a minute.

[Mildred Pierce]

I'll let her go. I put down the gun and walked out of the room. I could hear their voices as I went out toward the car.

[Inspector Peterson]

You think I'm going to marry you? You're crazy.

[Mildred Pierce]

But you love me. You told me you love me.

[Inspector Peterson]

After a few drinks, I say a lot of you.

[Mildred Pierce]

Listen to me, Monty. I didn't hear the rest. I was starting the car and the noise of the motor, But then I heard the shot. I rushed back into the house. He said horrible things. He told me to get out. He laughed at me. The gun was there, and I. I didn't mean to because. You've got to help me, Mother. I've got to get away before they find him. I can't get you out of this.

[Inspector Peterson]

Peter.

[Mildred Pierce]

What are you going to do? Who are you Phone. Give me the police. Oh, no, Mother, no. Think what'll happen if they find me. Think what will happen. I don't care anymore, Vita. Yes, you do. You do care. It's your fault as much as mine.

[Inspector Peterson]

Police headquarters. Sergeant. Murder.

[Mildred Pierce]

You've gotta help me.

[Inspector Peterson]

Get off.

[Mildred Pierce]

Help me, Mother.

[Inspector Peterson]

Just this one place. Headquarters.

[Mildred Pierce]

I'll change. I promise I will. I'll be different.

[Inspector Peterson]

Hello? This is police headquarters. Joe. You tried to help him.

[Mildred Pierce]

I drove aimlessly for 10 or 15 minutes. Then on the road I passed by Wally's Cafe. Suddenly I had a wild idea.

[Inspector Peterson]

A wild idea to frame Wally Fay?

[Mildred Pierce]

No, not that exactly. I knew you'd see through a frame up, but it might take hours. By that time, Peter would be on a plane and I could tell you the truth.

[Inspector Peterson]

Not this time, Mrs. Barrigan. This time your daughter pays for her own mistake. Okay, McNally, take her downstairs.

[Mildred Pierce]

Mother. I'm sorry, Rita. I did the best I could. Don't worry about me. I'm really not worth it.

[Inspector Peterson]

Oh, see that Faye and Burke Pierce are released. Well, we could use some fresh air in here. It looks like a nice morning out there. You can go now. We'll call you when we want you. You know, Mrs. Berrigan, there are times when I regret being a policeman. Well, they're booking the girl. Inspector, you told McNally to release the others? Yeah. Hey, come here. Frank, take a look out the window. Pierce and Mrs. Barriger together? Yeah. Maybe that's where they belong. Together. In a moment our stars will return. Make a friend and you make an ally. There's a thought for you to keep in mind, as many another American has. Not so long ago, the city of Port Angeles, Washington adopted a five month community improvement plan. A plan designed to teach a community how to improve culturally, economically, socially and spiritually. The plan was such a success that the United States State Department brought over eight people from the little town of Rosenheim in Bavaria to see how the plan worked. At first the Germans were suspicious. But their suspicions gradually disappeared as they recognized the Americans genuine friendship. For three months they lived in various parts Angeles homes, learning about American democracy. They visited schools, worked in groceries, hospitals, welfare offices and on the local paper. By comparing ideas, both the Germans and their hosts discovered that they were working for the same ideal. To advance the principles of freedom, tolerance and brotherhood. When they finally left for home to teach others how typical Americans really lived, it was a Rosenheim lawyer who best expressed their gratitude and appreciated appreciation when he said, I had no notion of American life since I thought that usually both husband and wife worked, that children were poorly brought up, that there was no family life in our sense of the word. I've come to the conclusion that it's a religious motive that makes the American people so willing to help not only individuals but whole nations toward freedom and recognition of human rights. Yes, like so many other Americans, the good people of Port Angeles had learned that by helping others, you help your country. Now here's Mr. Cummings with our star. And we invite them forward for a curtain call. Claire Trevor and Zachary Scott.

[Mildred Pierce]

Now, Irving, do you have an exciting story for next week?

[Inspector Peterson]

You certainly do. It's a recent 20th Century Fox screen hit. The shocking drama of a pickpocket who discovers he's accidentally stolen some vital information wanted by both the government and the Communists. It's Pick up on south street and we'll have three outstanding stars. Sparkling Terry Moore, that fine actor Stephen McNally. And superb Thelma Ritter in her unforgettable role. It certainly was a thriller.

[Mildred Pierce]

Good night, Pete at Fort Ord. Chuck and Don. Good night.

[Inspector Peterson]

Good night. This is a wonderful, wonderful evening. The Hollywood Radio Theater is produced by Mr. Irving Cummings. Our orchestra is under the direction of Rudy Schrager. This is Ken Carpenter inviting you to join us next week at this same time for another presentation of the Hollywood Radio Theater. Hollywood Radio Theater is a presentation of the United States Armed Forces Radio and Television Service.

[Commercial Announcer]

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[Mildred Pierce]

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[Mildred Pierce]

Sleep number mattresses are designed to respond to your body and shift with your

[Commercial Announcer]

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[Inspector Peterson]

Sleep now with McDonald's. Wake up to a $4 breakfast meal deal. Wake up to a sausage McMuffin or sausage biscuit to hash browns and wake up to a hot coffee. Get your $4 breakfast meal deal. Limit time only. Prices and participation may vary. Prices will be higher for delivery.