Fibber McGee And Molly 35-11-18 (0032) Lighting the Furnace with Gasoline

Summary

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Podcast Summary: Fibber McGee And Molly 35-11-18 (0032) Lighting the Furnace with Gasoline

Podcast: Harold's Old Time Radio
Host: Harold's Old Time Radio
Episode Air Date: September 26, 2025 (original broadcast: November 18, 1935)
Theme: A classic comedy episode featuring Fibber McGee, Molly, and Silly Watson hilariously attempting to fix their cold furnace—resorting to the dangerous and slapstick idea of lighting it with gasoline. Alongside, there are musical performances and vintage sponsor spots characteristic of 1930s radio.

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Overview

This episode transports listeners to the Golden Age of Radio with a quintessential "Fibber McGee and Molly" story. It revolves around the chaos that ensues when Fibber, with misguided confidence and the help of his handyman Silly Watson, tries to fix a stubborn furnace. Featuring fast-paced banter, elaborate tall tales, and escalating mishaps, the show's warmth and humor offer a nostalgic window into 1930s family entertainment. The episode is enhanced by period-specific musical interludes and live sponsor reads, immersing the audience in a bygone radio era.

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Key Discussion Points & Insights

1. Comic Furnace Repairs in the McGee Basement (03:35 - 16:00, 17:25 - 24:44)

• Introduction to the Problem:

  • The episode opens with Fibber, Molly, and Silly discussing their unheated home.
  • Molly sets the tone:

    "It won't heat. And I'm getting so cold I'll soon be too numb to care." (03:55, Molly McGee)

• Fibber’s Tall Tale:

  • Fibber claims expertise in "fire clay" and tells an outlandish story about being mistaken for a statue after kids pelted him with plaster:

    "Fire Clay McGee, they called me in them days. The finest, fastest furnace fixer from Fresno to Florida!" (05:13, Fibber McGee)

  • The absurdity builds:

    "All I could do was stand there and watch, getting weaker and hungrier all the time. Cheated out of my meals and sleep." (08:30, Fibber McGee)

    • Molly’s retort: "Cheated? Statues ain't cheated, McGee. They're chiseled." (08:40, Molly McGee)

• In the Basement:

  • The group attempts various ways to kindle the fire, mistakenly destroying household items (dress patterns for paper, curtain stretchers for kindling):

    "Why don't you two come upstairs and chop up the piano and the dining room table?" (19:37, Molly McGee)

• The Gasoline Scheme:

  • Fibber’s “brilliant” idea is to use gasoline as a fire starter, brushing off Silly’s warnings:

    "Can you think of any surer way of making her burn?" (21:23, Fibber McGee)

    • Silly’s nervousness provides comic tension:

      "Well, I only think that on account of I think that after you all touch the little match out there gasoline, Boss, you ain't gonna need nothing more today." (22:20, Silly Watson)

    • The expected chaos ensues, culminating in an explosion of soot and confusion (24:18–24:44).

2. The Classic Banter and Running Gags

• Molly’s Sarcasm and Resilience:

  • Molly consistently brings a humorous, practical counterpoint to Fibber’s harebrained schemes.

• Silly Watson’s Literalism and Deadpan Delivery:

  • His confusion and dry responses enhance the episode's slapstick vibes.

3. Musical Interludes and Live Performances (10:23, 15:06, 25:49)

• Kay Donner Sings “No Other One” (10:23 – 12:29)

  • Provides a sentimental break, showcasing live musical talent.

• Rico Marcelli's Orchestra:

  • Features a “Treasure Island” medley and “I Wish I Were Aladdin,” adding charm and nostalgia for listeners.

4. Vintage Sponsor Segments and Real-Time Testimonials

• Johnson’s Wax Products (02:31, 12:29, 13:25, 27:18)
  • Lively sponsor reads are interwoven with the comedy, promoting “Glo Coat” as the easy solution for sparkling floors.
  • Mrs. Wright adds credibility with her direct testimonial:

    "It took only a few minutes to do the whole floor. And it was so easy to apply. Why, it didn't seem like any work at all." (13:25, Mrs. Wright)

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Notable Quotes & Memorable Moments

• The Statue Story:

  • "After they finally flung all my special plaster onto me, that pack of kids left." (07:22, Fibber McGee)
  • “Finally they hauled me away to an art museum and put me onto a pedestal right next to the Venus de Milo.” (08:45, Fibber McGee)
  • "I did. They threw the case out of court... they claimed my testimony wasn't reliable. Said I'd been plastered for two weeks." (09:45–09:50, Fibber McGee)

• On Lighting the Furnace:

  • “We better build a fire in here so we can see how she draws.” (17:56, Fibber McGee)
  • “What are we gonna use for kindling the fire, boss?” (18:48, Silly Watson)
  • “Can you imagine that?” (23:33, Silly Watson, in response to the failed fire-lighting)

• Final Chaos:

  • Molly returns to a smoke-filled house, incredulous:

    “Heavenly Days what's happened out there?” (24:18, Molly McGee)

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Timestamps for Key Segments

• [03:35]: The furnace problem is discussed; Fibber’s expertise is questioned.
• [05:01] – [09:50]: Fibber’s statue/furnace tall tale.
• [10:23 – 12:29]: Kay Donner sings “No Other One”.
• [13:25 – 14:27]: Mrs. Wright’s testimonial for Johnson’s Glo Coat.
• [17:25 – 24:44]: The attempt to fix the furnace cascades into slapstick disaster involving gasoline.
• [24:18 – 24:44]: Aftermath of the explosion; soot, confusion, chaos.
• [25:49]: Marcelli and his men perform “I Wish I Were Aladdin”.

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Original Tone & Language

The episode is rich in wordplay, deadpan delivery, and musical asides typical of 1930s vaudeville-influenced radio. The humor is family-friendly, relying on exaggerated characters, misunderstandings, and the ever-present threat of household disaster, all softened by warm camaraderie.

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Conclusion

This episode offers a delightful immersion into radio’s golden age, perfectly balancing slapstick antics, breezy banter, and live music. Fibber’s harebrained furnace fix amplifies the show’s theme of good-natured domestic chaos, while the sponsor spots and musical numbers provide authentic historical flavor.

For newcomers: This summary brings you the heart of the episode—its comedy, music, and memorable characters—without the era's ads or formalities, making classic radio feel as fresh and funny as ever.

Transcript

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[Radio Announcer / Narrator]

Good evening, everybody. You are now listening to WLS, the voice of Prairie Farmer Chicago. Good evening, everyone. The makers of Johnson's Wax let loose another lively load of laughter and lyrics with Rico Marcelli's orchestra, Kay Donner, Hugh Studebaker and Marion and Jim. As those sapient citizens, Bibber McGee and Molly Marcelli and his men begin the broadcast with fine and Dandy. Wrap it up, Ra.

[Fibber McGee]

Sam.

[Radio Announcer / Narrator]

When you hear Marcelli's sparkling music, just remember that you can have sparkling floors and linoleum without any work of rubbing or buffing. Just try Johnson's Blow Coat, the easy to use liquid floor polish that shines as it dries. And once again, we wend our way to Wistful Vista via the wireless. And we find River Magee and Molly talking to their more or less handyman, Silly Watson.

[Fibber McGee]

I guess we better get down to the basement and fix that furnace. You know anything about boilers, Sill?

[Silly Watson]

Why?

[Fibber McGee]

I said, you know anything about furnace boilers?

[Silly Watson]

Yes, sir. What do y' all think is the matter with the furnace boiler?

[Fibber McGee]

What?

[Molly McGee]

Silly.

[Silly Watson]

I say, what's the matter with this old furnace boiler?

[Fibber McGee]

It won't heat.

[Molly McGee]

Oh, there you are. In words of one syllable, it won't heat. And I'm getting so cold I'll soon be too numb to care.

[Fibber McGee]

Beautiful, but none.

[Molly McGee]

What was that, Magee?

[Fibber McGee]

I says you're beautiful, but. Come, Silly, we better get on downstairs and get started. See you later. Molly.

[Molly McGee]

Later, nothing. I'm going right along with you.

[Fibber McGee]

You see, silly, this here job of furnace repairing is a job that calls for judgment and precision. Ain't no job for amateurs.

[Silly Watson]

Yes, I think so.

[Fibber McGee]

I'll do the thinking, Sil.

[Molly McGee]

You'll try anything once, won't you, McGee?

[Fibber McGee]

You bet. Oh, is that so? Now listen here. Now, Sil, I'll explain this here boiler to you. Yeah. Now, this here gadget down here toward the base of the boiler, silly, is a cinder roller. You take the big clinkers and you.

[Molly McGee]

Put them through them rollers is nothing of the kind. That's the wringer off me washing machine.

[Fibber McGee]

Oh, well, some furnaces has got equipment onto em like that. Now wait, I open the door. Now take a look inside there, Sil. Right there is where you'll find the trouble.

[Silly Watson]

Yes, I'm looking.

[Fibber McGee]

What do you see?

[Silly Watson]

Nothing.

[Fibber McGee]

Nothing good. What'd I tell you, Molly? Ain't nothing wrong on the inside of it. Except maybe the fire clay has cracked off my exhaust.

[Molly McGee]

The what?

[Fibber McGee]

The fire clay. All boilers, Molly, is coated inside with a special kind of plaster. Kind of a clay that resists heat. I used to be a kind of an expert on the fire clay myself. Fire Clay McGee they called me in them days. Fire Clay McGee. The finest, fastest furnace fixer from Fresno to Florida. You want to hear about it, silly?

[Silly Watson]

No.

[Fibber McGee]

Well, sir, this here was away back in 19. Oh, yes or no? No, 1905 it was.

[Radio Announcer / Narrator]

Yes.

[Fibber McGee]

No, no, 1903. Or was it 5?

[Silly Watson]

Why, let's see.

[Fibber McGee]

They had to shoot old Bruno for killing the Neighbor's sheep in 1902. Oh, the poor dog. What you mean dog? Old Bruno was my uncle once removed. Well, I guess twas 1905 at that. I was just mixing up a batch of my patent McGee non crack fireproof fire clay one day into a big barrel. Getting it to the right consistency. I says I was getting it to the right consistency.

[Silly Watson]

Oh, yeah, there, you gotta do that.

[Fibber McGee]

Well, sir, this here fire clay was just about right like a thin plaster, when all of a sudden a bunch of tough kids come along. When my back was turned, they started throwing gobs of this here fire clay plaster at me. After, I finally thought they'd had enough fun, so I started to chase them. But shucks, I couldn't move a foot at their plaster had dried on me so fast and so hard. I was just powerless to move my feet and legs. And when they seen that, they just laughed, spit to bust and kept on pelting me, gob after gob. Of that there plaster hit me smack, splash, smack dab on the shoulders, the arms, the neck, on the face, till I was completely covered up with that fast hardening clay.

[Silly Watson]

How y' all get your breath, Mr. McGee?

[Fibber McGee]

Well, by breathing real quick and winkin fast, I kept my nostrils and eyes from closing up, but my mouth was sealed shut.

[Molly McGee]

And to think I wasn't there.

[Fibber McGee]

Well, sir, after they finally flung all my special plaster onto me, that pack of kids left.

[Molly McGee]

The mud pack?

[Fibber McGee]

Yes. You listening to this silly? Why, I says, you getting the benefit of this here talk.

[Silly Watson]

Yes, if there is any benefit I get.

[Fibber McGee]

Good. Well, sir, there I stood, powerless to move a muscle, that there plaster getting harder and harder all the time. That was on a Tuesday. On Saturday morning, a feller come by with his gal and he sees me. Hot dog says he look, baby, he says, whoever done that statue knew what they was doing. You bet you says she real and fazusedic. It's good, all right, but is it art? And he says, sure, it's art. You can't tell what it means, can you? Finally, a crowd move all complimenting the fellow that had posed that their perfect figure of a man. Ah, then the reporters come, and all over the world, newspapers come out saying the finest sculpture ever sculpt discovered in the backyard of a boiler plant. Mysterious statue, a work of unknown genius, all stuff like that. All I could do was stand there and watch, Getting weaker and hungrier all the time. Cheated out of my meals and sleep.

[Molly McGee]

Cheated? Statues ain't cheated, McGee. They're chiseled.

[Fibber McGee]

Well, sir, finally they hauled me away to an art museum and put me onto a pedestal right next to the Venus de Milo.

[Molly McGee]

Now, listen, don't tell her. She put her arm around you.

[Fibber McGee]

There I had to stand day after day, millions of people staring at me.

[Silly Watson]

Why didn't you all wink at somebody?

[Fibber McGee]

Boy, what say?

[Silly Watson]

I say, why didn't y' all wink Them little old eyes yawn at somebody?

[Fibber McGee]

Oh, I did. Twice. First time I caught a man's eye and winked, and he just says, I George, ain't that statue lifelike? Second time I winked at a gal and she slapped my face and broke two fingers on her right hand. Well, sir, one day, just as my strength was leaving me, I give one supreme effort, leaned forward and strained every muscle under the plaster and crash onto the floor. I fell, smashing that fireplay coat and off into a million pieces. I was saved. Was no time till they had me in the hospital nursing me back to health.

[Silly Watson]

Why didn't you all sue that Museum, boss.

[Fibber McGee]

Sue. I did. They threw the case out of court.

[Molly McGee]

On what grounds, McGee?

[Fibber McGee]

Shucks. They claimed my testimony wasn't reliable. Said I'd been plastered for two weeks. Come on. There.

[Radio Announcer / Narrator]

Well, now. Now that fibber has vacated his pedestal, we have a real work of art to offer you. Our melodious model, Ms. Kay Donna. Who sings and sings like no other one. All right, Kay.

[Kay Donner]

No other one yes. No other one can ever do what you do when you do what you do Kissing me oh, no other one yes. No other one can ever make me like to like you like I'd like to constantly talk about arresting with an 18 carat thrill I don't have to make three guesses when I'm thinking of someone who can fill the bill there's no other one yes no other one can ever make me want you want to say who do you love in a great big way no other one no other one There isn't any other one can ever do what you do when you do what you you do Kissing me There's no other one there's no other one can ever make me like you like you like I'd like to constantly talk about those sweet caresses with an 18 carat spin I don't have to make we get to swear Thinking of someone who can feel the feel no other one there's no other one can ever make me want you Won't you say who do you love in a great big way There better be no other one There'd better be no other one.

[Radio Announcer / Narrator]

Thank you, Kay. Thank you, friends. That was Kay Donner singing no Other One. And it might well be the theme song for Johnson's Glow Coat. For among floor polishes there's no other one that can give you the lasting beauty and protection that Johnson's Gloat Apple.

[Fibber McGee]

I got a riddle for you. Why is that there stratosphere balloon like a coat at Johnson's Gloat. Give up. Well, sir, the wear and tear of 74,000ft don't mean nothing.

[Radio Announcer / Narrator]

Well, well, that's the height of something or other. Well, folks, you know how I like to talk about Johnson's Gloat, the Marvelous no Rubbing floor polish made by the makers of Johnson's Wax. Well, it seems I've been challenged by a young woman who says she knows more about gloat than I do. Because she's been using it on her own kitchen linoleum for several years. She's here in the studio tonight. Won't you step over here, Mrs. Wright? You're at liberty to say anything you please about glucose.

[Mrs. Wright]

Well, I'm delighted to, Mr. Wilcox. You know, when I started housekeeping, not so many years ago, I worked so hard trying to keep my kitchen linoleum clean. Really, it was pathetic. No matter how often I scrubbed it, that floor was dirty looking most of the time. And then one day when I was feeling particularly tired and discouraged, a neighbor of mine dropped in and told me about Johnson's Roco. Well, I ordered some that very day. And I can't tell you what a difference it made in the looks of that linoleum. It took only a few minutes to do the whole floor. And it was so easy to apply. Why, it didn't seem like any work at all. And 20 minutes after I had put go coat on the floor, it was perfectly dry. And the linoleum had a grand bright polish. Now my floor stayed clean and shining with practically no effort on my part. I have more time to rest and enjoy life. Believe me, I'm a real booster for Johnson's Glo coat. And any woman who is tired of floor scrubbing should certainly try it. Oh, I guess I forgot to mention that you don't have to do any rubbing or buffing when you use Glo coat.

[Radio Announcer / Narrator]

Thank you, Mrs. W.R. treasure Island. A grand number in four tempos. Marcelli plays it as a foxtrot. A Viennese waltz, a tango, a Roomba. Take it, Rico.

[Kay Donner]

I sailed away to treasure.

[Radio Announcer / Narrator]

And my.

[Kay Donner]

Heart stood still When I landed on the sil shore I looked for gold on Treasure island and I found that gold when you gave your golden dove.

[Fibber McGee]

To me.

[Radio Announcer / Narrator]

Now, if our engineer, Mr. Harold Stonewall Jackson, will switch us back to 79 Wishful Vista, we'll find Fibber McGee and Molly and Silly Watson all ready to go on with their furnace fixing down in the McGee basement.

[Molly McGee]

Well, McGee, you won't accomplish anything by standing there looking at it.

[Fibber McGee]

Oh, now, Molly, I was just figuring out the right way to get at this here problem. No use rushing in and getting it all balled up. Let's see now. Say, you know what we better do?

[Molly McGee]

Yes. Turn off some of your hot air and get some in the furnace.

[Silly Watson]

What do we better do, Bo?

[Fibber McGee]

We better build a fire in here so we can see how she draws. That way we can tell better. What's the matter?

[Molly McGee]

Well, McGee, that's the first idea you've had today.

[Fibber McGee]

Well, you'll have to admit, when I get them, they're hot. Don't you get it, Molly? Build a fire.

[Molly McGee]

A hot idea ain't funny, McGee.

[Fibber McGee]

Okay, now get to work, both of you. Yes.

[Silly Watson]

Shall we use these here papers?

[Fibber McGee]

Yep. Tear them up and crumple them, Tilly, so as he can get.

[Molly McGee]

Here, here, here. You can't use those papers.

[Fibber McGee]

Huh?

[Molly McGee]

Those are me dress patterns.

[Fibber McGee]

What's the matter with you, silly? You ought to have better sense than that.

[Silly Watson]

Well, I didn't think it was no good, boss, on account of the old full of little holes.

[Fibber McGee]

Moths have been at em. Probably use them newspapers there, boy. Yes.

[Silly Watson]

What are we gonna use for kin in the fire, boss?

[Fibber McGee]

What say?

[Silly Watson]

I say, what we gonna use for kinling? Little old fire.

[Fibber McGee]

Oh, kindling. Let's see now. Oh, yes. Take the hatchet and chop up them long sticks over there. Yes, I'll get the paper all set in the grate. Case.

[Silly Watson]

You little old Texas plum full.

[Fibber McGee]

Of nails, Mr. McGee. Well, well, don't dull a hatchet on them, Phil.

[Molly McGee]

Hey, wait a minute, Phil. McGee. What's he chopping up, huh?

[Fibber McGee]

Oh, them long sticks with the nails in them.

[Molly McGee]

Yes.

[Fibber McGee]

Oh, it's just some old lengths of molding that was left.

[Molly McGee]

Oh, for heaven's sake, silly. You're chopping up me curtain stretchers.

[Fibber McGee]

Curtain stretchers.

[Molly McGee]

Look at them. They're ruined.

[Silly Watson]

Oh, no, ma', am, they ain't ruined much. I just chopped off a couple little pieces of me, though, ma'. Am.

[Molly McGee]

Oh, is that so? Why don't you two come upstairs and chop up the piano and the dining room table?

[Fibber McGee]

We don't need that much kindling, ma.

[Molly McGee]

Well, you don't. Well, now, I'm real glad to hear that.

[Silly Watson]

Is this here little old box good for the chopper? Please, ma', am, let's see it.

[Molly McGee]

Yes, go ahead. That's all right. Now, is that all the paper and kindling you'll need?

[Fibber McGee]

You needn't look for no more, Molly.

[Molly McGee]

Who is going to? I just wanted to be sure you wouldn't use that porch furniture for your fire.

[Fibber McGee]

Why, shucks, Molly, don't be like that. We know what we're doing, don't we, Sil?

[Silly Watson]

What?

[Fibber McGee]

I says we know what we're doing, don't we?

[Silly Watson]

Well, I guess you all know what I'm doing, but I don't know what you all are doing.

[Molly McGee]

Try and use some sense, McGee. I'm going on up.

[Fibber McGee]

Hey, Molly, when you get upstairs, open up the furnace drafts, will ya, Chucks? We'll have her roaring fire in here in no time if she's working. Okay, now hurry up with that there kindling, boy.

[Silly Watson]

Yes, all right. She's right along Boy.

[Fibber McGee]

Oh, I had me a cow, a big brown jersey her milk was good but her temper was lurzy hi ho.

[Silly Watson]

The farmer in the dell tell you it, boss. Enough, Kenley?

[Fibber McGee]

Yeah, I guess. Say, this here paper is kind of damp, ain't it?

[Silly Watson]

Yes.

[Fibber McGee]

I'll tell you what son. I run up to the top of the stairs and get that big five gallon can.

[Silly Watson]

Yes, but, but, but that. That's gasoline, boss.

[Fibber McGee]

Well, what in chunk did you think? I thought it was buttermilk. I'll go on and get it.

[Silly Watson]

But, but y. Y' all ain't going to pour that dead stuff on this here little old fire you bought.

[Fibber McGee]

Can you think of any surer way of making her burn?

[Silly Watson]

No, sir.

[Fibber McGee]

Well then run up and get it.

[Silly Watson]

Yes, but that's pretty powerful stuff.

[Fibber McGee]

And oh, I had a gyra his.

[Kay Donner]

Name was Harlow he got in the.

[Fibber McGee]

Quincy and he couldn't swallow with a.

[Kay Donner]

Hay nutty, nutty and a razzmat.

[Fibber McGee]

Let's see now. Plenty of paper kindling. Ah, there we are. And we'll just wash her good with the gasoline and. Hey there. You coming, silly?

[Silly Watson]

Yeah. So here he is, Bo.

[Fibber McGee]

Okay, hand her here. I'll build a real bang up fire here quick to flash.

[Silly Watson]

Yes, and what I'm afraid of.

[Fibber McGee]

Shucks, we want a fire, don't we? Here, hold the cap of the spout. I'll just dash some of this here gasoline on and. Oh, I had a horse in his name. Hey, where you going there boy?

[Silly Watson]

Well, I just happened to think. I mean, I guess you ain't gonna need me no more today, I guess.

[Fibber McGee]

What makes you think that, silly?

[Silly Watson]

Well, I only think that on account of I think that after you all touch the little match out there gasoline, Boss, you ain't gonna need nothing more today.

[Fibber McGee]

Oh, with you silly. Don't be so dad. Radit nervous. Never heard of a cigarette lighter blowing up, did you? Now then a little more over in the corner there.

[Silly Watson]

Yeah, but, but boss, you. You already put on about 2 gallon already.

[Fibber McGee]

What if I did? Got to get the fire started, ain't we? Hey, what's your teeth catting for? You catch and call that.

[Silly Watson]

Yes, I guess I. I think I better go home and see a doctor while I got time, boss, but.

[Fibber McGee]

Give me a match for you. Go and say. Hey, quit leaning against that smoke pipe, boy.

[Silly Watson]

It's all right, Boss. It ain't hot, Rattit.

[Fibber McGee]

I know it ain't hot but it's loose. Liable to come apart. At the least bump and we'll have soot around Here. A foot deep. Give me a match.

[Silly Watson]

Yes. No, sir, I ain't got a match.

[Fibber McGee]

Chucks, you got some right behind your ear there, boy. Hand me one. Oh, never mind. I got one. Here we go.

[Silly Watson]

Yes, I'm afraid so.

[Fibber McGee]

Oh, shucks.

[Silly Watson]

Can you imagine that?

[Fibber McGee]

What else? Better pour the rest of this here gas on.

[Silly Watson]

There.

[Fibber McGee]

Give me another match, boy.

[Silly Watson]

Gas. Here you is. And here I go.

[Fibber McGee]

Hey, silly. Come back here, silly. Shucks. That feller. Go out that door and down that alley. Shucks, just superstitious. Now, where'd I put that dead red match? Oh, yeah. Oh, shucks. Can you beat that? Well, I'll get this lit if it takes me all day. Ah, now then, this'll do the trick.

[Molly McGee]

Heavenly Days what's happened out there?

[Kay Donner]

Where are you?

[Molly McGee]

I can't see a thing for the suit, silly. Sylvius. Where's Magee? What's happened to her? Silly, don't stand there coughing and rolling your eyes. Answer me.

[Fibber McGee]

Molly.

[Molly McGee]

Don't you know me? It's River Magee, your husband.

[Fibber McGee]

It Sam.

[Rico Marcelli]

I wish I were Aladdin how lucky I would be I drop my little lamp and wish that you would fall in love with me I wish that I would winkle who slept for 20 years imagine 20 years to dream of you Would that be heavenly if I could cast a magic spell When I feel blue I'd wave my wand and call for wonderful you but if I were certain we'd never, never part I would wouldn't want to be Aladdin I wouldn't want to be Rip Van Wiggle Just want to be the only one in your heart I wouldn't want to be Aladdin I wouldn't want to be a winkle I just want to be the only one in your heart.

[Radio Announcer / Narrator]

That was Martelli and his men playing I Wish I Were Aladdin with that Arabian night Charles Levere rubbing the piano lamp. And incidentally, that's where the magic of today has it all over the wizardry of yesterday. You don't have to do any rubbing or buffing to work a magical change in the appearance of your floors. All linoleum. Just try using Johnson's Glo Coat and see how much easier your housework will be. Glo Coat is a remarkable liquid polish that requires no rubbing or buffing. You merely spread a little Glo coat lightly over the surface with a soft cloth or the long handled Glo Coat applier. Let it dry for 20 minutes and your floor will sparkle like new. With a polish that resists dirt and dust. You'll Save yourself hours of work over a period of time. And you'll win the reputation of being a wonderful housekeeper if you use Johnson's Glow Coat, the new no rubbing floor polish made by the makers of Johnson's Wax. And let me remind you that it's very economical to try Glo Coat in the larger size cans. You can save as much as one third by ordering the larger sizes from your dealer. You're cordially invited back to see fibber and Molly McGee on their Johnson Jamboree.

[Fibber McGee]

At NBC on next Monday with Harlow and me and Molly. That's three with admission free.

[Molly McGee]

Fibber McGee.

[Radio Announcer / Narrator]

Well, well, come back with us next Monday night at this same hour when we understand that Fiber and Molly are going to have a nice old harvest home party. And until then, we remind you that just as the best housekeepers use Johnson's Wax and Johnson's Blow Coat to keep their houses clean and shining, so the most particular car owners keep their cars sparkling with Johnson's Auto Wax and Cleaner. This is Harlow Linoleum Wilcox speaking. Always underfoot. Good night.

[Fibber McGee]

It.

[Radio Announcer / Narrator]

This is the National Broadcasting Company Money.