
Genius of Duke 74xxxx 01 Stepping Into Swing Society
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Mercer Ellington
Hi everybody, this is Mercy Ellington. Welcome to our show.
Hal Jackson
The genius of Duke Hal Jackson here speaking to you on behalf of the Social Security administration and this station, we're extremely proud to present this tribute to one of the giants of American music, Mr. Duke Ellington. With us today is Mercer Ellington, the Duke's son and a well known composer and bandleader in his own right. Talking about and playing some of the Duke's all time great hits. And in just a few minutes, I'll have something to say to you kids who are thinking about your first job. I bet a lot of you are kind of surprised to hear me talking to young people about Social Security. You know, a lot of people have a notion that Social Security is strictly for older people. Well, that's just not so. And I'll be laying it on you in just a little bit. And now to our host for today's show, Duke Ellington's son, Mercer.
Mercer Ellington
Stepping into Swing Society was written in 1938 and I think it was one of the first tunes that made me musically aware of pop's genius. The version you're going to hear was recorded 20 years later in a new arrangement by Luther Henderson. Although under my leadership, most of the musicians are from pop's orchestra and Billy Strayhorn was on the piano. Johnny Hodges and Ben Webster are the sax soloist.
Hal Jackson
The great Duke Ellington said Stepping into Swing Society, played by our host Marcel Ellington and his orchestra. Now then, I've got a word from Social Security for all of you who are thinking about going to work for the first time. Every year there's a whole new crop of young people going out into the job market. Be sure you're well prepared. And being prepared means making certain you have a Social Security card. With more than 90% of jobs today covered by Social Security, you'll need a Social Security card to show to your new boss. He needs your Social Security number so that you can get proper credit for your earnings and start building up your Social Security protection. Then if you become disabled or retire, you and your family can get monthly payments or survivor's benefits for your family. If you die, it takes several weeks to Get a Social Security card. So don't wait until the last minute. Apply now at any Social Security office. Then you'll be all set for your first job. And good luck. Mercer. I sense a good tune on its way up.
Mercer Ellington
Sidney Bashet was one of pop's early influences and inspirations. He heard him the first time in the Howard theater in Washington, D.C. around 1921. The number he dedicated to him in the New Orleans Suite was to have been featured and played by Johnny Hodges, who had learned so much from Bashe. But Johnny died the day before the recording session. So the sax soloist you hear now is the late great Paul Gonzalez.
Hal Jackson
Sa, the one, the only, Duke Ellington and his band. And a portrait of Sidney Bechet from the New Orleans Suite. Like I was saying to you kids that are out there looking for your first job, you should always remember that the first thing your new boss is going to ask you for is your Social Security card. So have it handy. And remember, that little piece of cardboard will help protect both you and your family during your whole lifetime. And if you kids out there have questions about Social Security that you want answered, you just pick up a telephone and call any Social Security office. You'll find a helpful person who can answer any question you have. Now then, back to Mercer Ellington and his closing number.
Mercer Ellington
When Duke Ellington Met My dad was engaged to write the score of Vegas holiday in 1947. He wrote 78 songs, just half of which were actually used in the show. Maybe I Should Change My Ways was one of the big numbers. And this instrumental version is virtually a showcase for Ray Nance's violin.
Hal Jackson
That was Duke Ellington playing maybe I Should Change My Ways. Afraid that's all the time we have for today, but we'll be back this way again very soon. Right, Mercer?
Mercer Ellington
Right, Hal. This is Mercer Allington saying ciao, and we'll see you real soon. And remember, until next time, stay well and stay happy.
Hal Jackson
The genius of Duke has been brought to you by the Social Security Administration and this station as a public service so that you may find out about your rights and benefits under Social Security. If you've enjoyed the show, please join us again next week on this station. Until then, this is Hal Jackson saying, when you think of the future, think of Social Security.
Podcast Summary: "Genius of Duke 74xxxx 01 Stepping Into Swing Society"
Podcast Information:
Mercer Ellington opens the episode with a warm welcome to listeners, setting the stage for a tribute to the legendary Duke Ellington. This episode not only celebrates Duke's musical genius but also features insightful discussions and memorable performances by Mercer and his orchestra.
"Hi everybody, this is Mercer Ellington. Welcome to our show."
— Mercer Ellington [00:30]
Hal Jackson, serving as the announcer, introduces himself on behalf of the Social Security Administration, highlighting the episode’s dual focus on Duke Ellington's music and practical advice for young listeners.
"The genius of Duke... presenting this tribute to one of the giants of American music, Mr. Duke Ellington."
— Hal Jackson [00:43]
Mercer delves into the history and significance of the piece "Stepping Into Swing Society," composed in 1938. He emphasizes its role in shaping his musical awareness and its enduring legacy.
"Stepping into Swing Society was written in 1938 and I think it was one of the first tunes that made me musically aware of pop's genius."
— Mercer Ellington [01:34]
He explains the unique arrangement recorded 20 years later by Luther Henderson, noting the collaboration with prominent musicians from Duke's orchestra:
Mercer's leadership brought together these jazz luminaries, showcasing the piece's timeless appeal and musical complexity.
Throughout the episode, Hal Jackson interjects with informative segments about Social Security, targeting young listeners entering the workforce for the first time.
At [04:34], Jackson emphasizes the importance of obtaining a Social Security card, highlighting its necessity in the job market:
"With more than 90% of jobs today covered by Social Security, you'll need a Social Security card to show to your new boss."
— Hal Jackson [04:34]
He further explains the benefits tied to Social Security, such as:
Jackson urges listeners not to delay applying for their Social Security cards to ensure they are prepared when securing their first job.
"And if you become disabled or retire, you and your family can get monthly payments or survivor's benefits for your family."
— Hal Jackson [04:34]
Later, at [07:18], he reiterates the critical nature of the Social Security card:
"That little piece of cardboard will help protect both you and your family during your whole lifetime."
— Hal Jackson [07:18]
Jackson concludes his segments by encouraging listeners to reach out to Social Security offices for any queries they might have.
In [05:33], Mercer Ellington pays homage to Sidney Bechet, an early jazz influence who left a profound impact on Johnny Hodges. He recounts hearing Bechet for the first time at the Howard Theater in Washington, D.C., around 1921.
"Sidney Bechet was one of pop's early influences and inspirations. He heard him the first time in the Howard theater in Washington, D.C. around 1921."
— Mercer Ellington [05:33]
Mercer discusses how Johnny Hodges was deeply inspired by Bechet, to the extent that Hodges was originally slated to perform a dedicated number in the "New Orleans Suite." Tragically, Hodges passed away the day before the recording session, leading to Paul Gonzalez stepping in as the sax soloist.
"The number he dedicated to him in the New Orleans Suite was to have been featured and played by Johnny Hodges... so the sax soloist you hear now is the late great Paul Gonzalez."
— Mercer Ellington [05:33]
This tribute underscores the intergenerational influence and the enduring legacy of jazz greats within Duke Ellington's circle.
At [10:29], Mercer Ellington introduces "When Duke Ellington Met," a piece composed in 1947 for the score of "Vegas Holiday." He notes the prolific nature of Duke Ellington's work during this period, with 78 songs composed, although only half were featured in the show.
"When Duke Ellington Met My dad was engaged to write the score of Vegas holiday in 1947. He wrote 78 songs, just half of which were actually used in the show."
— Mercer Ellington [10:29]
He highlights "Maybe I Should Change My Ways" as one of the standout numbers, describing the instrumental version as a showcase for Ray Nance's violin prowess.
"Maybe I Should Change My Ways was one of the big numbers. And this instrumental version is virtually a showcase for Ray Nance's violin."
— Mercer Ellington [10:29]
This segment illustrates Duke Ellington's versatility and the collaborative spirit of his orchestra, bringing together talented musicians to create enduring jazz masterpieces.
As the episode draws to a close, Hal Jackson delivers a final reminder about the importance of Social Security, reinforcing the earlier messages aimed at young listeners.
"When you think of the future, think of Social Security."
— Hal Jackson [14:19]
Mercer Ellington bids farewell with a heartfelt sign-off:
"This is Mercer Ellington saying ciao, and we'll see you real soon. And remember, until next time, stay well and stay happy."
— Mercer Ellington [14:11]
The episode concludes with both hosts expressing gratitude and anticipation for future broadcasts, leaving listeners with a blend of musical inspiration and practical life advice.
Notable Quotes:
"Stepping into Swing Society was written in 1938 and I think it was one of the first tunes that made me musically aware of pop's genius."
— Mercer Ellington [01:34]
"With more than 90% of jobs today covered by Social Security, you'll need a Social Security card to show to your new boss."
— Hal Jackson [04:34]
"Sidney Bechet was one of pop's early influences and inspirations."
— Mercer Ellington [05:33]
"Maybe I Should Change My Ways was one of the big numbers. And this instrumental version is virtually a showcase for Ray Nance's violin."
— Mercer Ellington [10:29]
This episode of "Harold's Old Time Radio" offers a rich tapestry of Duke Ellington's musical legacy intertwined with valuable life lessons for young listeners. Mercer Ellington's insightful commentary, combined with Hal Jackson's practical advice, provides a meaningful listening experience that honors the past while addressing the present.