Green Lama 49-05-17 (00) The Man Who Never Existed (audition)

Summary

Podcast Summary: Green Lama 49-05-17 (00) The Man Who Never Existed (Audition)
Harold's Old Time Radio
Release Date: March 16, 2025

---

Episode Overview

"Green Lama 49-05-17 (00) The Man Who Never Existed (Audition)" is a thrilling episode from Harold's Old Time Radio, transporting listeners back to the Golden Age of Radio. This episode follows the enigmatic Jethro Dumont, a wealthy American who returns from a decade-long stay in Tibet as the Green Lama—a crusader endowed with mystical powers dedicated to fighting crime. Set against the backdrop of New York City and Mexico City, the story weaves suspense, mystery, and supernatural elements as the Green Lama unravels the truth behind the mysterious death of Professor Harlan A. Hendricks.

---

Key Characters

• Jethro Dumont / Green Lama: The protagonist, a wise and powerful figure with secret abilities aimed at dispensing justice.
• Tulku: Jethro's loyal friend from Tibet, assisting him in his missions.
• Howard Crane: A persistent newspaper reporter from the Daily Gazette with his own agenda.
• Fillmore Merton: Director of the Museum of Primitive Art, harboring dark secrets.
• Marta Hendricks: Daughter of the late Professor Harlan A. Hendricks, seeking answers about her father's death.
• Sergeant Whelan: A diligent police sergeant investigating Professor Hendricks's murder.
• Pancho: A taxi driver in Mexico City with connections to key characters.

---

Plot Summary

Inciting Incident: The Mysterious Death

The episode opens with the Green Lama navigating through a bustling New York City air terminal [01:00]. As he reestablishes himself in America, Jethro Dumont is approached by Howard Crane from the Daily Gazette [01:51]. Crane urgently seeks Dumont's assistance, hinting at a critical situation [02:38].

Investigation Begins: Linking the Past and Present

Dumont learns about the death of Professor Harlan A. Hendricks, found with a bullet through his head and bearing no identification except Dumont's name and phone number [03:42]. Intrigued by the anomaly—Professor Hendricks seemingly never existed—Dumont collaborates with Sergeant Whelan to uncover the truth [04:30].

Encounter with Professor Hendricks's Death: Uncovering Clues

At the morgue, Dumont meets Fillmore Merton, who claims to know Professor Hendricks through correspondence [04:15]. Discrepancies arise as Merton reveals Hendricks's recent discoveries and the lack of official records [04:35]. The plot thickens when it becomes apparent that Hendricks might have orchestrated his own disappearance due to underlying motives [03:19].

Clues and Mysteries: The Significance of Kulkulkan

The investigation points to a stolen Mayan wood carving, the Kulkulkan, a symbol of the Mayan creator god [06:56]. Dumont deduces that this artifact is central to Hendricks's murder, as it was uniquely carved from hickory—a wood unfamiliar to the Mayans—indicating forgery [08:44]. The Green Lama realizes that retrieving the Kulkulkan is pivotal to solving the case [09:04].

Journey to Mexico City: A Race Against Time

With Tulku's assistance, Dumont prepares to travel to Mexico City, believing the murderer is intent on destroying the Kulkulkan [08:13]. Concurrently, Howard Crane, driven by journalistic curiosity, boards a plane to Mexico City under the guise of another story [13:01]. The stage is set for a confrontation where Dumont must outpace Crane to safeguard the artifact [12:06].

Confrontation and Resolution: Unmasking the Culprit

In Mexico City, Dumont encounters Marta Hendricks, who reveals her father's connection to him and her fear following a mysterious warning [14:13]. Together, they track down Howard Crane, who attempts to manipulate the situation for a bigger story [16:08]. The climax unfolds as Dumont confronts Fillmore Merton, now unmasked as the murderer intent on stealing the counterfeit Kulkulkan to cover his illicit activities [19:05]. A tense standoff ensues, culminating in Dumont's swift intervention that ensures Merton's downfall [20:24].

---

Notable Quotes

• Nicole Byer (Advertisement):
  "When it comes to making a statement, treat bold patterns like neutrals. Go wild like an untamed animal." [00:22]

• Tulku:
  "Many have wondered why Jethro Dumont is called the Green Llama... green is one of the six and is the symbol of justice." [01:00]

• Howard Crane:
  "Mr. Dumont, let me talk, please. I may not have much time. I need your help." [02:38]

• Fillmore Merton:
  "I was quite perturbed when I discovered he didn't have it with him. May I trouble you to hand it?" [19:34]

• Jethro Dumont:
  "The Green Llama must reach Mexico City and the Kukulkan before the murderer." [08:58]

• Howard Crane:
  "We both go around sticking our noses in a business that doesn't concern us. I wonder which one of us will live the longest." [12:19]

• Jethro Dumont:
  "If I were to carry a gun... then I too would be guilty of the evil which I fight." [17:22]

---

Insights and Themes

This episode masterfully blends elements of mystery, adventure, and the supernatural, emblematic of the Golden Age of Radio. Central themes include:

• Justice vs. Corruption: The Green Lama's quest symbolizes the battle against corrupt forces, embodied by Fillmore Merton.

• Identity and Deception: Professor Hendricks's fabricated existence and the counterfeit Kulkulkan highlight the complexities of identity and the lengths individuals may go to conceal the truth.

• Legacy and Redemption: Marta Hendricks's pursuit of her father's legacy and Dumont's role in bringing closure reflect the enduring impact of one's actions and the possibility of redemption.

The narrative underscores the importance of wisdom, integrity, and the relentless pursuit of justice, all while maintaining the engaging and suspenseful storytelling that captivated radio audiences of the past.

---

Conclusion

"Green Lama 49-05-17 (00) The Man Who Never Existed (Audition)" stands as a compelling addition to Harold's Old Time Radio collection. Through its intricate plot, memorable characters, and rich thematic undertones, the episode pays homage to classic radio dramas while offering a fresh and engaging experience for both longtime aficionados and new listeners alike.

Transcript

[Nicole Byer]

We interrupt this program to bring you an important Wayfair message. Wayfair's got style tips for every home. This is Nicole Byer helping you make those rooms Flyer today's style tip. When it comes to making a statement, treat bold patterns like neutrals. Go wild like an untamed animal. Print area rug under a rustic farmhouse table. From wayfair.com.

[Jethro Dumont]

Ooh.

[Nicole Byer]

Fierce. This has been your Wayfair style tip to keep those interiors superior.

[Jethro Dumont]

Wayfair. Every style.

[Unknown]

Every home.

[Jethro Dumont]

Om Mani Padme hum. The Green Llama strikes for justice.

[Unknown]

And now we bring you another exciting adventure taken directly from the files of Jethro Dumont, the wealthy young American who after 10 years in Tibet, returned as the Green Lama to amaze the world with his curious and secret powers in this single handed fight against crime.

[Tulku]

I am folk. When Jethro Dumont returned to America from my country, Tibet, to become the Green Llama, it was my duty and pleasure to serve him. Oh, Many have wondered why Jethro Dumont is called the Green Llama. Viethro Dumont is a llama because of his great wisdom and powers of concentration. And the Green Llama because green is one of the six and is the symbol of justice. The story of the Green Lama and the man who never existed began late one afternoon at a major air terminal in New York City. A huge four motor transport was standing at one of the passenger gates and the tall, straight figure of a man was moving through the crowd.

[Howard Crane]

I want a statement, Mr. Dumont. How long are you going to be in town? Are you here for a new case?

[Jethro Dumont]

One question at a time, please. First, I live here, so it's difficult to say how long I may stay. Secondly, I know nothing of a new case, as you call it. Oh, excuse me, please. There's a call for me.

[Howard Crane]

Oh, sure, sure.

[Tulku]

Exhausted one Wait for me.

[Jethro Dumont]

Tulko, my friend.

[Tulku]

Oh, welcome home, Llama Tulko.

[Jethro Dumont]

This is Mr. Howard Crane, Daily Gazette.

[Howard Crane]

I'll talk to you later, Mr. Dumas.

[Jethro Dumont]

Yes, thank you. Come, Tulko.

[Tulku]

My friend, I still don't understand your newspaper men.

[Jethro Dumont]

Frankly, Tulku, I don't always understand them either. Excuse me. This is Jethro Dumont.

[Howard Crane]

Jethro, thank heaven I've gotten in touch.

[Jethro Dumont]

With you, Professor Hendricks. Yes, well, it's been a long time.

[Howard Crane]

Jethro, let me talk, please. I may not have much time. I need your help.

[Jethro Dumont]

Anything you ask, my friend.

[Howard Crane]

I had intended to just disappear. But for martyr's sake, I must fight this. Jethro, I must see you at once. But if anything should happen to me first.

[Jethro Dumont]

Kulkul Khan will tell you I've sent Hendrix. Hendrix? And that's why I thought we'd come straight to the apartment. Tulku. But that's the sixth phone call without getting any hint of where Hendrix was when he phoned.

[Tulku]

May Tulku make humble suggestion?

[Jethro Dumont]

Of course, Tulku. What is it?

[Tulku]

This Professor Hendrix was an old friend of yours. The lamas of Tibet who have gone through the ordeal of silence. And this includes you, Exalted one can use the dukta ritual, which enables one to see with the mind's eye a friend who is at a great distance.

[Jethro Dumont]

Yes, I'll get it. Tuku. Hello?

[Sergeant Whelan]

That's you, Mr. Dumont? This is Sergeant Whelan.

[Jethro Dumont]

Yes, Sergeant.

[Sergeant Whelan]

We just found a guy on the street with a bullet through his head. Oh, There ain't a bit of identification on him anywhere. Except a piece of paper with your name and phone number on it. Know anything about it?

[Jethro Dumont]

I might, but I'd have to see him first. Yeah, that's why I called.

[Sergeant Whelan]

How about meeting me at the morgue?

[Jethro Dumont]

All right. I'll be there in 10 minutes. Sergeant.

[Sergeant Whelan]

Hello, Mr. Dumont.

[Jethro Dumont]

Hello, Sergeant. You remember Tulku.

[Sergeant Whelan]

Oh, yeah. Hiya, Booty.

[Tulku]

Hello.

[Jethro Dumont]

What about this man you found, Sergeant?

[Sergeant Whelan]

Right over here, Mr. Dumont. There, that's him.

[Jethro Dumont]

It's Professor Harlan A. Hendricks. Professor Hendricks was a very well known archaeologist specializing in the primitive ruins of the early Indians of Mexico. Must have been robbed, which is why he was carrying no identification. Still, he needs no identification. He was very famous.

[Howard Crane]

And also very dead.

[Sergeant Whelan]

What do you want?

[Howard Crane]

Nothing from you. My city editor told me to keep an eye on Dumont.

[Jethro Dumont]

I'd get a story.

[Sergeant Whelan]

Crane, did you ever hear of a Professor Hendricks?

[Jethro Dumont]

No.

[Sergeant Whelan]

Well, I guess there's nothing to do but get on the phone and see what else I can dig up on this Hendrix guy. And that makes call number 13. You say the stiff is Professor Hendricks, and he was born in New York City, but the city hall ain't got no record of his birth. You say he used to drive a car here, but the Motor Vehicle Bureau says it never issued a license to nobody with that name. Except for you, Mr. Dumont. Professor Hendricks never existed.

[Jethro Dumont]

Sergeant, the Museum of Primitive Art has been showing some of the professor's discoveries. The director of the museum should know him well enough to identify him.

[Sergeant Whelan]

Yeah, that's a good idea. Let's run up there right now.

[Howard Crane]

I think I'll go along with you.

[Jethro Dumont]

All right, Mr. Crane. Get away.

[Fillmore Merton]

You're hanging it crookedly.

[Sergeant Whelan]

Hey, You.

[Tulku]

It's.

[Fillmore Merton]

What is it?

[Sergeant Whelan]

Who are you?

[Fillmore Merton]

Fillmore Merton, director of this museum. And I don't care for your tone.

[Sergeant Whelan]

Oh, well, that's too bad. I'm Sergeant Whalen, New York Police. This is Mr. Crane.

[Howard Crane]

A liar.

[Sergeant Whelan]

Mr. Dumont.

[Fillmore Merton]

Dumont? Mr. Jeffrey Dumont, the Green Llama?

[Jethro Dumont]

Yes, I'm the Green Llama.

[Fillmore Merton]

Well, well, you know, I've always followed your exploits in the press with keen interest.

[Sergeant Whelan]

All right, now, just a minute. This is a police inquiry. Mr. Merton.

[Fillmore Merton]

Kindly speak when you're spoken to.

[Howard Crane]

You.

[Marta Hendricks]

You.

[Jethro Dumont]

You. You.

[Howard Crane]

Policeman.

[Jethro Dumont]

I think you better answer the sergeant's questions, Mr. Merton. This is a very serious matter.

[Sergeant Whelan]

Yeah, you bet it is. Now, Merton, you ever hear of a guy named Hendricks?

[Fillmore Merton]

Harlan Andrew Hendricks? Well, of course. He quite recently discovered a Maya temple in Mexico with some extremely rare pieces of Maya wood carving in a perfect state of reservation. Now, we've been having an exhibit.

[Sergeant Whelan]

I do not want a lecture. Just tell me when you saw Hendrix last.

[Fillmore Merton]

Oh, I never saw him.

[Sergeant Whelan]

Well, how do you know him?

[Fillmore Merton]

By correspondence, of course. In fact, I had a letter from him only yesterday. I'm leaving tonight to visit him at his excavation near Mexico City.

[Sergeant Whelan]

You mean you didn't know that Hendrix was in New York City?

[Fillmore Merton]

Oh, that's quite impossible.

[Sergeant Whelan]

Well, somebody murdered him here this morning.

[Jethro Dumont]

Oh, dear.

[Fillmore Merton]

This is such a frightfully upsetting day. First the robbery last night, and now the robbery.

[Sergeant Whelan]

What robbery is that?

[Fillmore Merton]

Well, it's just that someone broke in and made off of one of our best pieces from the Mayan exhibit belonging to Professor Hendricks.

[Jethro Dumont]

What was stolen, Mr. Merton?

[Fillmore Merton]

A piece of Mayan wood carving. A very fine cococann. Now, cococann was.

[Jethro Dumont]

Of course. I remember. Cool. Coolcan was the great Mayan creator God and was usually represented as a feathered snake.

[Fillmore Merton]

Yes, yes, of course.

[Jethro Dumont]

That's it. And you say it was stolen last night?

[Fillmore Merton]

That's right, Mr. Dumont.

[Sergeant Whelan]

Well, under the circumstances, Mr. Martin, I guess you won't need to make your trip to Mexico.

[Fillmore Merton]

Oh, there will still be details to work out concerning another exhibit of the things he's already uncovered. I suppose I can still make arrangements with the professor's daughter in Mexico.

[Sergeant Whelan]

Oh, he's got a daughter there. What's her name?

[Fillmore Merton]

Ms. Martha Hendricks, I believe.

[Jethro Dumont]

One moment. Has it occurred to you, Sergeant, that the entire answer to the murder of Professor Hendricks might be in Mexico?

[Sergeant Whelan]

Okay. I'll have the Mexican cops see what they can get out of the girl. You coming, Mr. Dumont?

[Jethro Dumont]

I don't think so, Sergeant. I think I will go home and meditate about murder. Oh, Makaruga, lift aside the veil so that the Green llama may see the road to justice, Exalted one. Yes.

[Tulku]

The trial of the Sungo, if prolonged, is dangerous, even for so advanced a llama as you.

[Jethro Dumont]

You learn only a little, Tulko. As you know, the trial of the Sungo will only permit the location of an object. By concentrating on the Kukulkan, I saw a great excavation. And lying on a desk somewhere near there was the Kulkulkan.

[Tulku]

An excavation? Then it must be the one in Mexico where Professor Hendrix worked.

[Jethro Dumont]

Yes, I think so. I believe Hendrix mailed the Kulkulkan to himself. It is this wooden figure, Tulku, which in some ways holds the solution to the murder.

[Tulku]

Then the murderer will wish to reach the Kukulkan and destroy it.

[Jethro Dumont]

Yes. So the Green Llama must reach Mexico City and the Kukulkan before the murderer.

[Tulku]

It is written that each man's home is furnished with his own secrets. Therefore, much earlier, I took the liberty of packing your suitcase and making one reservation on the plane for Mexico City.

[Jethro Dumont]

Tulku, my friend, I don't know what I'd do without you. You always anticipate what I'll do long. Tulku.

[Tulku]

Someone visits our humble home without benefit of d. That was the warning bell from the window in the north bedroom.

[Jethro Dumont]

We must welcome our guest. Tulku, turn out the lights.

[Tulku]

It is truly written that darkness makes the best armor for the unarmed man.

[Jethro Dumont]

I'll stand by this door, and you take that one. Tulku.

[Tulku]

It is done.

[Jethro Dumont]

Money. Put me whom. Tulku, are you all right?

[Tulku]

Yes, exalted one. But Tulku is most embarrassed. I reached for him, but managed to get only his gun.

[Jethro Dumont]

Oh, it's all right, Tulku. It was enough to make him fail.

[Tulku]

And having failed once, my llama, he will try again.

[Jethro Dumont]

Well, Mr. Merton, I was hoping this would be the plane you were taking. Mind if I join you, Mr. Dumont?

[Fillmore Merton]

Well, this is a surprise. I had no idea you were going to Mexico.

[Jethro Dumont]

I decided rather suddenly.

[Fillmore Merton]

Well, then this must mean that you're going to do something about the death of poor Professor Hendrix. I'm so glad. Tell me, Mr. Dumont, do you believe there is a connection between his death and the theft of the Kulkulcan from our museum?

[Jethro Dumont]

Yes, I believe there is a connection. I think that Professor Hendricks might not have been murdered if the Kulkulcan had not been stolen. Oh, dear me.

[Fillmore Merton]

I realize, Mr. Dumont, that I'm not the athletic type. But if there's Anything I can do to help you while we're in Mexico, I should happy to do so.

[Jethro Dumont]

Thank you, Mr. Merton. However, I don't think it's necessary. And it might be dangerous. Oh, earlier this evening, someone entered my apartment and fired several shots at me before escaping. Obviously, the murderer is on his way to Mexico to destroy what he thinks is the only clue to his identity. Perhaps to kill again. He may even be on this plane.

[Fillmore Merton]

Why, I believe you're trying to frighten me, Mr. Dumont. Well, after all, Mr. Dumont is only you and me.

[Unknown]

And, well, if you work in quality control at a candy factory, you know strict safety regulations come with the job. It's why you partner with Grainger. Grainger helps you find the high quality and compliant products your business needs to inspect, detect and help correct issues. And the sweetest part is everyone gets a product that's as safe to eat as it is delicious. Call 1-800-GRAINGER Click grainger.com or just stop by Grainger for the ones who get it done.

[Fillmore Merton]

Surely, Mr. Dumont, you're not suspecting me? Please, I.

[Howard Crane]

What's the matter, Merton? You choke on a cool, cool con?

[Jethro Dumont]

Well, Mr. Crane, what are you doing here?

[Howard Crane]

I'm just going along for the ride.

[Fillmore Merton]

Oh, dear. I. I feel quite ill. I. I hope you gentlemen will excuse me. Perhaps the stewardess has a remedy for air sickness.

[Jethro Dumont]

There must be a pretty big story involved if your editor is sending you to Mexico.

[Howard Crane]

Same old story. Of course, it'll be a bigger story if I should hit on the answer before the green llama does.

[Jethro Dumont]

How did you know I was going to Mexico City, Mr. Cr?

[Howard Crane]

Well, you know how it is. In a way, your racket and mine are alike. Oh, we both go around sticking our noses in a business that doesn't concern us. I wonder which one of us will live the longest.

[Jethro Dumont]

Mr. Dumont.

[Sergeant Whelan]

No, Mr. Dumont.

[Fillmore Merton]

I have a taxi, if you'll care to share him. I'm going to the Toledo Prosado.

[Jethro Dumont]

No, thank you. I have reservations at another hotel. Have you seen Mr. Crane?

[Howard Crane]

Well, I believe he was telephoning the.

[Fillmore Merton]

Last time I saw him.

[Howard Crane]

Taxi, senor. This way, senor. Taxi. Already very clean, very cheap, very nice. You get in, see?

[Jethro Dumont]

All right. You sound as persistent as a cab driver from Brooklyn.

[Howard Crane]

This Brooklyn I am not knowing. But I, Pancho, drive the best taxi in all Mexico City. Perhaps in the world, senor.

[Jethro Dumont]

Take me to the Imperial Hotel, driver.

[Howard Crane]

Senor, Hablo de micorasona. Speak from the heart. The Imperial Hotel is not for a gentleman such as Yourself, perhaps, but I'll.

[Jethro Dumont]

Be the best judge of that. You just take me to the Imperial driver.

[Howard Crane]

See, senor? But Pancho is your friend. In all Mexico City, there is only one hotel at which the senor will be happy. So muy pronto. I am taking you to el capital. Believe me, Senor Dumas, you will live to thank him. Senor Dumont is here.

[Jethro Dumont]

Ah.

[Howard Crane]

Welcome to El capital, Senor Dumont. We have your reservation. The room is with you.

[Jethro Dumont]

Reservation? But who made it for me?

[Howard Crane]

But you did, senor. I myself took the call.

[Jethro Dumont]

Oh, I see.

[Howard Crane]

Your room, senor, is six or nine.

[Jethro Dumont]

Panziote clerk. Where'd the taxi driver go?

[Tulku]

Oh, no, senor.

[Howard Crane]

Taxi drivers, they are here today, gone tomorrow.

[Jethro Dumont]

Yes, but they seldom go without being paid.

[Howard Crane]

Perhaps he will remember later and return, senor. In the meantime, your room awaits you. We, the El capital, senor, are proud to have as our guest the great and celebrated Llama Verde. I trust your stay here will be pleasant, senor.

[Jethro Dumont]

I thought they'd have someone waiting up here for me, but I never thought it would be such a pretty girl.

[Marta Hendricks]

You are Mr. Dumont, aren't you?

[Jethro Dumont]

Yes.

[Marta Hendricks]

I'm Marta Hendricks. My father was Harlan Hendricks.

[Jethro Dumont]

Do you have any proof of your identity?

[Marta Hendricks]

I'm afraid I don't understand. Why should you ask me that?

[Jethro Dumont]

How did you know I would be here?

[Marta Hendricks]

Why, my father often spoke of you as his friend. He once told me that if I needed help to call you. And he gave me your phone number in New York.

[Jethro Dumont]

I see.

[Marta Hendricks]

When I learned that my father was dead, I called. And your friend Tulku said you were on your way here.

[Jethro Dumont]

I see. I'm sorry, Mata, if I seem suspicious.

[Marta Hendricks]

Mr. Dumont, I'm frightened. Just before I came over here to wait for you, someone called and told me to leave Mexico.

[Jethro Dumont]

How long ago did you receive the phone call?

[Marta Hendricks]

Oh, 30 or 40 minutes ago.

[Jethro Dumont]

That was about the time I was at the airport. Mata, did a package arrive today for you or your father from New York?

[Marta Hendricks]

Why, yes. There was an airmail package addressed to dad, but I didn't open it. I didn't know.

[Jethro Dumont]

Then where is that package?

[Marta Hendricks]

At Dad's office, out at the excavation.

[Jethro Dumont]

Marta, I think that package is the key to your father's murder. We have to get it before the murderer does. Come on.

[Howard Crane]

Senor. Senorita.

[Jethro Dumont]

Oh, Pancho.

[Howard Crane]

I knew the senora would soon be looking for the best taxi driver in all Mexico City. I am at your service.

[Marta Hendricks]

Hello, Pancho.

[Jethro Dumont]

Marta, do you know this man?

[Marta Hendricks]

Yes. Pancho was Dad's saber taxi driver.

[Howard Crane]

Yes, yes, senor. We are all friends.

[Jethro Dumont]

Then perhaps we can clear up the reason why you practically kidnapped me at the airport.

[Howard Crane]

It is of simplicity, senor. The Senor Hendricks was murdered. No. The Senor Green Llama wishes to catch the murderer. No. The Senor Green Lama is well known. Even the most ignorant peon here knows of his greatness. And he makes reservation at the hotel in Mexico City. Perhaps the murderer tried to kill the Senor Green Llama too.

[Jethro Dumont]

No.

[Howard Crane]

So Pancho and Senorita Hendricks fix him up at another hotel and fool the murderer. Just like the great Senor Felipe Marlo I hear on the radio. He's clever, no?

[Jethro Dumont]

He's clever. Yes. Marta, do you have a car?

[Marta Hendricks]

Yes.

[Jethro Dumont]

Good. Pancho, you can drive us to where Ms. Hendrix keeps her car. And then you can do something else for me. I want you to go to the Imperial Hotel, where the murderer will expect me to be staying. Aha. If anyone phones me, you tell them that the Green Llama has gone to the Hendricks excavation.

[Fillmore Merton]

Okay.

[Marta Hendricks]

We'll park here. Dad's office is down in the excavation, but we'll have to walk down.

[Jethro Dumont]

Good motto. Is Pancho reliable?

[Marta Hendricks]

I. I think so.

[Jethro Dumont]

Well, either way, the information should reach our man.

[Marta Hendricks]

You think the murderer will follow you out here?

[Jethro Dumont]

I'm sure of it. He came to Mexico City to get that package, and he won't feel safe until he's destroyed it.

[Marta Hendricks]

Sound as if you knew who the murderer is.

[Jethro Dumont]

I think I do. But that's not proof. And of course, on the surface, he has a reason for coming, which seems logical. Marta, is there any reason why there should be a light in your father's office?

[Marta Hendricks]

No.

[Jethro Dumont]

Then the murderer must already be here.

[Marta Hendricks]

Shouldn't we go back to the police?

[Jethro Dumont]

No. By that time he'd get away.

[Marta Hendricks]

But he'll be armed. Do you have a gun?

[Jethro Dumont]

No, Marta. If I were to carry a gun, were to shoot even a criminal, then I too would be guilty of the evil which I fight.

[Marta Hendricks]

Look, the light went out. He may have heard it.

[Jethro Dumont]

All right, keep quiet now and stay behind me.

[Howard Crane]

Here we are.

[Marta Hendricks]

I got him.

[Howard Crane]

Recovered. I've got him.

[Jethro Dumont]

Turn on the light, Mother.

[Howard Crane]

Crane. Don't worry. I can explain everything.

[Jethro Dumont]

I'm sure you can.

[Marta Hendricks]

Who is he?

[Jethro Dumont]

Jethro, this is Mr. Crane, a newspaper man who seems to have taken up a sideline.

[Howard Crane]

I told you I can explain everything.

[Marta Hendricks]

I look stuck on the floor. Jethro, that's the package that arrived this.

[Jethro Dumont]

Morning and was leaving tonight. If Mr. Crane had had his way Open it, Mother.

[Marta Hendricks]

It's the Koku Khan.

[Jethro Dumont]

Yes, it's had quite a history in the past few days. Why did you want to steal it, Crane?

[Howard Crane]

I. I came out here to see if I couldn't dig up a few extra angles on the story. I recognized this thing as that Kulkul Khan you and Merton were talking about. I thought I'd take it along on the chance it might lead to something, that's all.

[Jethro Dumont]

You didn't know that Hendrix had mailed this to himself?

[Howard Crane]

That means Hendrix stole it from the museum, Jethro.

[Marta Hendricks]

Is he accusing my father?

[Jethro Dumont]

I'm afraid your father did steal the Kulkulkan from the museum Martyr. But since it really belonged to him, I don't suppose it really was stealing.

[Howard Crane]

But why did he steal it then? And what was this business about no identification?

[Jethro Dumont]

Hendrix said something to me on the phone about intending at first to disappear. I think he went around erasing his own identity. He had a reason for feeling disgraced and intended to vanish. Then, because of Marta, he decided to fight. That's why he was killed.

[Marta Hendricks]

And this carving of the kulkulcan is a clue?

[Jethro Dumont]

Oh, yes, the kulkulcan. Intricately carved out of hickory, a wood which the Mayans never knew.

[Marta Hendricks]

Hickory.

[Jethro Dumont]

Yes. This is a very clever copy of the original Kulkulkan your father sent to New York. You see, someone was copying his discoveries and selling them as the real carvings.

[Marta Hendricks]

Jethro, this man.

[Jethro Dumont]

No, Marta, Crane isn't the murder. He's just a newspaper man with too much curiosity. But I know who the murderer is, and I have known for some time.

[Howard Crane]

Yes, yes.

[Fillmore Merton]

The so clever green llama who knows all and sees all. Oh, don't move any.

[Marta Hendricks]

Mr. Merton. What are you.

[Jethro Dumont]

I was wondering when you'd get here, Mr. Merton. I knew you had to try to get this counterfeit carving because it was the clue to your whole scheme. When Professor Hendricks took this from the museum to prove what you'd been doing, you killed him. But he'd already mailed it here.

[Fillmore Merton]

Yes, dear me.

[Tulku]

Yes.

[Fillmore Merton]

I was quite perturbed when I discovered he didn't have it with him. May I trouble you to hand it.

[Howard Crane]

Over now, Mr. Dumont? Why don't we just slap that gun out of his hand, please?

[Fillmore Merton]

I'm an Excellent shot, Mr. Crane.

[Howard Crane]

Why, you are.

[Fillmore Merton]

Obviously, I must kill the three of you, but I. I must say that I feel quite faint at the thought.

[Howard Crane]

I'll bet.

[Jethro Dumont]

Mr. Merton, look at me.

[Fillmore Merton]

Now, please, Mr. Dumont, I will definitely not give you time to do any of those Weird Tibetan things.

[Jethro Dumont]

Look at me.

[Fillmore Merton]

I shall fire at the first sign. Really?

[Jethro Dumont]

I will near home.

[Fillmore Merton]

Come any closer to me.

[Jethro Dumont]

Green light strike.

[Fillmore Merton]

Don't you come?

[Howard Crane]

Oh, boy, that's some right you packed to mind. He sounds like a light.

[Marta Hendricks]

Jethro, are you all right?

[Fillmore Merton]

He fired right at you.

[Jethro Dumont]

Yes, I'm all right, Mata. And the murder of your father is brought to justice.

[Howard Crane]

And all because of this little hunk of wood. Boy, what a story.

[Jethro Dumont]

Yes. He was trapped by the feathered serpent God. Just as Hendrix must have known he would be when he said, ask Kulkul Khan.

[Howard Crane]

You call me Senor Pancho.

[Jethro Dumont]

No. What made you think I called you?

[Howard Crane]

I heard you say, ask Kukulkan. That is me, Senor Pancho. Kukulkan. What Senor Henry's name is when he first come here.

[Jethro Dumont]

You.

[Marta Hendricks]

Yes. Dad named him Kukulkan because he thought Pancho brought him luck in finding this excavation.

[Jethro Dumont]

Then maybe Hendrix meant Pancho when he said, ask Kulkul Khan. But what did he mean by that, Pancho?

[Howard Crane]

The Senor Merton. Senor Hendricks told me how this one was ruining his good name with the little wood carvings.

[Jethro Dumont]

Why didn't you tell me this before, Pancho?

[Howard Crane]

You did not ask, Senor.

[Jethro Dumont]

Well, the next time I'll know better. Pancho, I think I'll let you deliver Mr. Merton to the police.

[Howard Crane]

It will be the great pleasure, Senor Green Lama. The Senor Merton hired me to bring him out here. And then, before I could warn you, he struck me over the head with my own ranch. Senor, this is the big insult.

[Marta Hendricks]

Jethro, must you go back to New York so soon?

[Jethro Dumont]

I'm afraid I must, Marta.

[Marta Hendricks]

But how can I ever thank you? You've been so wonderful.

[Jethro Dumont]

Oh, I've only done that which the Green Llama must continue to do.

[Marta Hendricks]

Jethro, there's no reason for me to stay in Mexico now. Maybe I'll come to New York.

[Jethro Dumont]

Yes, why don't you? Until then. Goodbye, madam. The Green Llama strikes for justice.

[Unknown]

The Green Llama, starring Paul Freeze, is produced and directed by Norman McDonald. Tonight's story was by Jethro Dumont, as told to Richard Foster. And William through Tulku, is played by Ben Wright. And the special music is by Richard Arant. This is Larry Thor speaking. And this is cbs, the Columbia Broadcasting System.