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Narrator
Gunsmoke. Brought to you by L and M. Filters. This is it. L and M is best. Stands out from all the rest around Dodge City and in the territory west. There's just one way to handle the killers and the spoilers, and that's with a U.S. marshal and the smell of gun smoke. Gun Smoke Starring William Conrad. A transcribed story of the violence that moves young America and the story of a man who moved with it.
Matt Dillon
I'm that man. Matt Dillon, United States Marshal. The first man they look for and the last they want to meet. It's a chancy job, and it makes a man watchful and a little lone. You got the time, Jester?
Chester
Why, Mr. Dylan, why?
Matt Dillon
I'd just like to know what time it is, that's all.
Chester
Well, yes, sir, I figured that. But I wondered how important it is.
Matt Dillon
Well, it isn't this important, Chester, believe me.
Chester
Well, see, if it was, I could run over to Mr. Hightower's and find out. Mr. Hightower? Yes, sir. His watch broke down and he sent it St. Louis to get fixed. So I give him the loan of mine, but I can still go in and look at it whenever I need to.
Matt Dillon
Oh, well, that's a very good arrangement, Justin.
Chester
Yes, sir. I figured time's a whole lot more important to a man like him than Tis to me. It ain't. But seldom it matters none one way or the other where I'm concerned. You understand?
Matt Dillon
Oh, I surely do. Yes, I do. I understand. Chester. Yeah?
Chester
Why did you unknow, Mr. Dillon? I mean, by what time?
Matt Dillon
You're making me sorry I asked, Chester, but I'm supposed to meet a man at the dodge house at 2:00'. Clock.
Chester
Oh, well, it ain't nowhere as near 2:00 clock yet.
Matt Dillon
Well, how do you know?
Chester
The sun. It lacks 15 minutes of being two o'.
Matt Dillon
Clock. Chester. Yes, sir? Why don't you sell that watch to Mr. Hightower?
Chester
Oh, I wouldn't want to sell that watch. My Uncle Arthur gave me that watch, Mr. Dillon. He got it from a fellow on the COVID Stay out. Don't you come back in this store ever again, Mr. Jonas.
Miss Cullen
Well, don't talk back to me now.
Chester
Now, just get. What's that Indian kid up to now?
Matt Dillon
I told you, he's not an Indian.
Chester
Hey, boy.
Matt Dillon
Hey boy.
Chester
Oh, look at him go. He ain't waiting for nobody.
Matt Dillon
Look, Chester, there'll be a man called Davis waiting for me at the Dodge House. Will you go tell him I'll be along directly?
Chester
Yeah, sure. Oh, hello, Marshall. For a minute there, I thought it.
Matt Dillon
Was that Indian kid back. He ran on down the street, Mr. Jonas.
Chester
You ought to do something about him, Marshall.
Matt Dillon
Oh? Why?
Chester
Well, you heard about them Cheyenne busting out of Fort Dodge yesterday, didn't you?
Matt Dillon
Yeah, I heard.
Chester
Well, Wheedle, they massacre some people around here. Then what'll folks think of that boy running loose?
Matt Dillon
Why should they think anything?
Chester
He's an engine, ain't he? He's a Cheyenne.
Matt Dillon
No, his name's Cullen and he's white.
Chester
The army found him with them engines, didn't they?
Matt Dillon
The Indians stole him from Ms. Cullen eight years ago down on the Medicine River. You know that? I don't know it now.
Chester
I hear it ain't her kid at all. He sure don't look like her.
Matt Dillon
Why did you throw him out of here, Mr. Jonas?
Chester
He was trying to buy ammunition for his Sharps rifle.
Matt Dillon
What? Said Ms. Cullen1.
Chester
Now, you know that's a lie. I'm telling you, Marshall, what with them Cheyenne loose, it ain't safe having a boy like that around. You ought to lock him up.
Matt Dillon
He's not supplying the Cheyenne, Jonas. And don't worry about them. Colonel Honeyman's got two troops out after him. You'll never catch him again.
Chester
And I mean it about that boy, Marshall. You better lock him up before somebody knocks his brains out. Here's a lot of talk about him.
Matt Dillon
Well, I don't want to hear any more of it. That boy's got a hard enough time ahead of him as it is.
Miss Cullen
Mr. Dillon.
Matt Dillon
Yeah? Watch us. Sir.
Chester
That Indian kid, he's starting a fight with some man.
Matt Dillon
Juan.
Chester
Yes, sir. Right in front of the dodge house. And, Mr. Dillon, that little boy's got a knife as long as his arm.
Matt Dillon
Who is that man?
Chester
I ain't never seen him before. But I hear he's been plaguing that boy lately.
Matt Dillon
So the boy came looking for him with a knife, huh?
Chester
See that man's got a knife out now. All right, hold it, mister. Let him alone, please. Move aside.
Matt Dillon
That all right? Drop the knife, mister. Not hardly. Drop it.
Chester
No. His kid's been asking for it. He started this.
Matt Dillon
What's the matter with you? Fighting a boy.
Chester
Sturdy little savage.
Matt Dillon
Grab the boy, Chester. All right, drop the knife.
Chester
He cut me. You saw him. I'll open him up like a melon.
Matt Dillon
No, you won't.
Chester
What's the matter with you, Marshall?
Matt Dillon
I'll keep this knife. And if you hurt so bad, go see Doc.
Chester
You're going to wish you hadn't mixed in this.
Matt Dillon
Am I? All right, I'll take The boy's knife. Justin.
Chester
Here he is.
Matt Dillon
All right, son, come with me. Going to take you home before you kill somebody.
Miss Cullen
This is it. L M filters.
Chester
It stands out from all the rest.
Miss Cullen
Miracles, tears. Much more flavor. L M's got everything. It's the best.
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Matt Dillon
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Chester
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Chester
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Miss Cullen
This is it. L M filters. L M's got everything. It's the best.
Matt Dillon
You want to talk about it, son?
Miss Cullen
Name? Vio Khan.
Matt Dillon
Viho Khan, huh? Does that mean something? The Cheyenne mean white boy. Oh, I see. Well, Riho Khan, you want to tell me why you fought that man?
Miss Cullen
Man talked bad to me. Bit me in mouth, kick me. Different men give me big knife. Then I fight you. Stop. Or I'll kill him, make big coup.
Matt Dillon
You're not a brave Hiho Khan. You're not an Indian. You're white.
Miss Cullen
You gotta remember that Hijo Khan had many Indian brothers.
Matt Dillon
But you're home now. You're living among white men. You have a white mother. You gotta stop thinking like an Indian or you're gonna get into real trouble.
Miss Cullen
Mrs. Cullen Talk hard at Viho Khan for fight no understand.
Matt Dillon
Ah, she'll understand, all right. That's why I came home with you. Now, let's go in and I'll tell her that it wasn't your fault.
Miss Cullen
That you. Dennis, where have you been? Oh, Marshall. Dylan. Come in.
Matt Dillon
Thomas Cummins.
Miss Cullen
Came home with Dennis. Named Vijo Pond. No, Dennis, please. Dennis, let's don't argue that now. And look at you. Where are your shoes? Nowhere shoes. Your shirt. I've made you such nice shirts. You can't run around in nothing but a pair of pants. You'll be the death of me yet, Marshall. No do harm to you. I know that, Dennis. You just don't understand yet, do you? You go to your room now and put on those shoes the soldiers give you. And a shirt, too. A nice blue shirt. I go and take that arrow point out of your hair. Sit down, Marshall.
Matt Dillon
Oh, thank you, ma'. Am.
Miss Cullen
It's not easy, a woman of 40, a widow, raising a boy like that.
Matt Dillon
No, ma'. Am.
Miss Cullen
I know, but I want to. I've got to.
Matt Dillon
What? What do you mean?
Miss Cullen
Ms. Cullen, he's a white boy. Anybody can see that. But he isn't mine, Marshall.
Matt Dillon
What?
Miss Cullen
I knew he wasn't the first day I went to Fort Dodge to see him. He's not my son. But he's the same age and I've given the same name. And I treat him just like he was. No. He won't suffer for lack of a mother's love. I promise that.
Matt Dillon
I'm sure he won't, ma'. Am.
Miss Cullen
Why did you bring him home, Marshall?
Matt Dillon
You heard about the Cheyennes? The band he was taken with?
Miss Cullen
They'd broken out of Fort Dodge.
Matt Dillon
Now the boys heard it too. Miss Cullen.
Miss Cullen
Why do you say that.
Matt Dillon
Ma'?
Chester
Am?
Matt Dillon
You own the Sharps rifles.
Miss Cullen
Mine, yes. It was Mr. Collins. Very one he died fighting with on the Medicine River. But why?
Matt Dillon
Dennis tried to buy ammunition for it today.
Miss Cullen
What?
Matt Dillon
Mr. Jonas thinks he's planning to help those Indians.
Miss Cullen
But how? What could he do?
Matt Dillon
I don't know. But until they're rounded up again, a lot of people in Dodge are gonna be pretty jumpy. Some of them have already caused trouble for the boy.
Miss Cullen
They have?
Matt Dillon
He got into a fight with a grown man today. Annie cut him up some.
Miss Cullen
No.
Matt Dillon
Wasn't his fault, Ms. Cullen. But that's the sort of thing that can happen more and more.
Miss Cullen
If you're saying I should give him up, I won't. He needs his own people. He needs a mother, just like my own boy needs one. If he's still alive somewhere.
Matt Dillon
All I'm saying, ma', am, is that you gotta keep him here at the house till that scare about the Cheyenne is over. If you let him run around town, I'm gonna have to lock him up for his own protection.
Miss Cullen
Mr. Dillon?
Matt Dillon
That's Chester.
Miss Cullen
Come in, Chester.
Chester
Thank you.
Miss Cullen
Well? It's Colonel Honeyman.
Chester
I'm sorry to intrude, ma'. Am. Hello, marshal. Colonel, I. I'd like to talk to the boy, Mrs. Cullen.
Miss Cullen
Talk to.
Matt Dillon
Is there something wrong, colonel?
Chester
You know who Little Wolf is?
Matt Dillon
He's chief of the Cheyenne on a Darlington reservation, isn't he? They were. Darlington.
Chester
I just had word they've broken out and are headed this way. 300 of them.
Matt Dillon
Ah, I see.
Chester
Obviously, they're coming to meet the Indians who escaped Fort Dodge yesterday.
Miss Cullen
What does this have to do with your wanting to talk to Dennis, Colonel?
Chester
I want him to tell me where their Pointer rendezvous is.
Miss Cullen
How would Dennis know?
Chester
Well, Indians scatter when they're being pursued, Mrs. Cullen. They secretly regroup at a given point later, and every man, woman and child of knows well in advance where that point is.
Miss Cullen
But Dennis isn't. I'll call him. Dennis. Dennis, you'll call Viocon. Please, son. It's Dennis now. Come in here. Colonel Hunterman wants to talk to me.
Matt Dillon
Hello.
Chester
Hello, boy.
Miss Cullen
Soldier want to talk with me?
Matt Dillon
Yes.
Chester
Tell me, do you know Little Wolf?
Miss Cullen
Little Wolf? Chief.
Chester
Good chief he was.
Matt Dillon
Maybe.
Chester
But he's done a bad thing now.
Miss Cullen
No.
Chester
He left reservation. He's going to join Long Knife.
Miss Cullen
Long Knife? My chief. Dennis, don't say that.
Matt Dillon
Let him talk, Ms. Cullen.
Miss Cullen
Long knife escape?
Chester
Yes. He and the others you were with burned their barracks at Fort Dodge and killed three soldiers.
Miss Cullen
Vijo can't know.
Chester
I'm sure you do. And you also know where Long Knife is meeting Little Wolf and his people. If.
Miss Cullen
If, If.
Chester
If you tell me, you'll save lives, Viho Khan not only of those soldiers, but of of those of your people too.
Miss Cullen
Can.
Matt Dillon
Please, Ms. Cullen.
Chester
Tell me. Vio calm.
Miss Cullen
Dennis. Not no meeting place.
Matt Dillon
Hell, you can't beat it out of him, Colonel. No.
Chester
Well, I'm sorry to have bothered you, Mrs. Cullen.
Matt Dillon
I'll go with you, Colonel. Ms. Cullen, will you remember what I said?
Miss Cullen
I'll keep an eye on him.
Matt Dillon
Fine.
Chester
Goodbye, miss. Car.
Miss Cullen
Yes.
Chester
That was a waste of time.
Matt Dillon
Well, what are your plans now, Colonel?
Chester
Plans? Marshall, I was down to half strength when Long Knife broke out. And now with two troops after him, I haven't enough men left for the post fatigue detachments, let alone to scout the country.
Matt Dillon
You want civilian help?
Chester
No, no, It'd only end in a massacre of some kind. I'll have to do the best I can.
Matt Dillon
Well, good luck. Yeah.
Chester
That boy could have helped. You better keep a close watch on me, Marshal. Let's get back to the fort, Sergeant.
Matt Dillon
Yes, sir.
Chester
Mr. Dillon.
Matt Dillon
Yeah, what, Chester?
Chester
I've been thinking. If the army left them Indians alone in the first place, they wouldn't be in all this trouble.
Matt Dillon
Yeah, but that's not for us to decide. All right, let's go.
Miss Cullen
We're.
Chester
Now, Kitty, how about you?
Miss Cullen
More coffee? No, thanks, Doc.
Chester
You Matt?
Matt Dillon
Yeah, I think I'll have some, Doc. Just a little bit.
Miss Cullen
You know that coffee is three parts chicory and one part.
Chester
Why, that's why it needs a little cream, Kitty. It softens it a bit. Kind of hard on the cream. Yeah. We should have gone up to my office. I'd have made us some real coffee.
Matt Dillon
Why didn't you ask us up to supper?
Chester
Oh, so I said coffee, not a whole meal.
Miss Cullen
Oh, I'd have cooked it. Duh.
Chester
Oh, yeah, on that stove of mine. You would have.
Miss Cullen
Yeah. You know, I learned to cook on an open fire.
Chester
You did not.
Miss Cullen
Out in the prairie in a fireplace. We couldn't afford a stove. In fact, we couldn't afford much of anything we couldn't pick up off the ground.
Chester
Well, you're rich now. Oh, sure.
Matt Dillon
I miss colors. What's the trouble?
Miss Cullen
He's gone, Marshall.
Matt Dillon
What?
Miss Cullen
Dennis. Dennis. He's gone.
Matt Dillon
Gone where?
Miss Cullen
I don't know.
Matt Dillon
Well, where did you see him last?
Miss Cullen
After supper, we ate early. And then I had a talk with him. I told him how much I love him and how I need him. And then I told him about how people in Dodge feel right now until things changed and he'd have to stay at home. Well, he didn't say much, but he went to his room and I sat out on the porch for a while. Then I heard a noise out back, and when I looked, he was gone.
Matt Dillon
Maybe he's just wandering around somewhere.
Miss Cullen
No, he's gone.
Matt Dillon
Well, how do you know?
Miss Cullen
Long Knife. My chief. Dennis, don't say that.
Matt Dillon
Let him.
Miss Cullen
He took that marshal, so that is. No, he took his horse too. He's gone to join the Cheyenne Marshall, and you've got to go after him right now.
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Matt Dillon
There was no way to pick up the boy's trail that night. But next morning, Chester and I rode out after him. We tracked him all that day, all the next southeast into the Gypsum Hills country. The land was different down there. Dotted with buttes and cut by narrow, winding canyons. This was ambush country and ideal for what Colonel Honeyman called a rendezvous point. We traveled slowly, eyes open, ready for trouble. And then finally, the trail led down into a rocky canyon. And at the bottom, we found the boy crouched over a small fire.
Chester
He acts like he's waiting for us, Mr. Dillon.
Matt Dillon
I wish he'd waited somewhere more open. I don't like being boxed up down here.
Chester
I got kind of a spooky feeling too.
Matt Dillon
Yeah. All right, let's leave them here, Chester.
Little Wolf
All right?
Miss Cullen
Sure, Marshall. Make long ride. Catch van now.
Matt Dillon
You travel fast, son.
Miss Cullen
White lady. Sen. Marshall.
Matt Dillon
Ms. Cullen's mighty worried about you, soldier.
Miss Cullen
He worried too.
Matt Dillon
No, colonel Honeyman didn't send me.
Miss Cullen
He follow?
Matt Dillon
No, he didn't follow.
Chester
What's he yelling about?
Matt Dillon
Look over there, Chester. Over. What?
Chester
Oh, my goodness. Indians. There must be 20 of them.
Matt Dillon
Don't move.
Chester
Oh, I ain't about to.
Matt Dillon
Yeah, they're warriors. Every one of them.
Little Wolf
My name Little Wolf.
Miss Cullen
That's the chief.
Chester
Colonel Honeyman said it was meeting him Cheyenne that busted out of Fort Dodge.
Matt Dillon
Yeah. And the boy knew where they were meeting all the time.
Little Wolf
You tell Vihaan soldiers not follow.
Matt Dillon
The soldiers are hunting for you, Little Wolf. But they're not with us.
Little Wolf
Say Little Wolf can believe Marshall.
Matt Dillon
You can believe me. We came alone. We came to take the boy back home.
Little Wolf
No like life with white men.
Matt Dillon
He'll get used to it. He belongs with his own people. Little Wolf.
Little Wolf
Little Wolf say all men free. Vi Hokan must make own choice.
Matt Dillon
He's too young. He doesn't know what's best for him.
Little Wolf
If he make mistake. His mistake. Boy never become man. Other people make choice for him.
Matt Dillon
Little Wolf, this boy's not an Indian. He's white. And if he stays with you and Long Knife, you know what'll happen to him.
Little Wolf
He live like Indians.
Matt Dillon
He'll die like an Indian too. The soldiers are after you. And sooner or later they'll find you. And when they do, there'll be a big battle. And many of your people will die. Perhaps a boy will die with him.
Miss Cullen
Vi Ho Khan not afraid.
Matt Dillon
You're white. Viho Khan. You're not an Indian. This is not your fight.
Miss Cullen
White people treat Viho Khan bad. Kick, beat, call names. Mrs. Khan no understand. Viho Khan Nobody understand.
Matt Dillon
Well, it takes time. Viho Khan.
Little Wolf
Boy decide you want to come with Cheyenne. You no stop.
Matt Dillon
We'd have a hard time. 2 against 20.
Little Wolf
If you fight, we kill you.
Matt Dillon
Look, son, before you decide, you remember these Indians are poorly armed. Probably a lot of them are sick. When winter comes, many will die. And the soldiers will get to rest.
Miss Cullen
Soldier not like Indian Soldier get tired, go back. Indian go north. Powder River. Home. Hunt, fish again. White people not my people. Viho Khan stay with Indian.
Little Wolf
Vihaan decide leave now. Maybe someday come back. Great Chief.
Matt Dillon
Not with the army chasing him.
Little Wolf
Medicine River Vihaan.
Chester
Did you hear what he said?
Matt Dillon
Yeah. Medicine River. Vi Ho Khan. Madison River. White boy.
Chester
Ain't that where Ms. Cullen lost her son?
Matt Dillon
Yeah.
Chester
Then he is her boy after all.
Matt Dillon
Yeah. She didn't recognize him. He must have changed a lot.
Chester
You going to tell her?
Matt Dillon
No, Justin. No, I'm not going to tell her.
Narrator
And now our star, William Conrad.
Matt Dillon
Thank you, George. You know what I like about L Ms. Is they're mild and mighty easy on the draw. When you get right down to it, no filter stacks up with L&M's. Pure white miracle tip for quality or effectiveness. Darn good smoke. See for yourself. L and M stands out from all the rest.
Narrator
Gun Smoke produced and Directed by Norman McDonald. Stars William Conrad as Matt Dillon, US Marshal. Special Music for Gunsmoke was composed and conducted by Rex Corey. Sound patterns by Bill James and Ray Kemper. Featured in the cast were Sam Yog, Virginia Craig, Joseph Kern, Harry Bartel, John Dana and Ralph Moody. Marley Bear As Chester, Howard McNear as Doc and Georgia Ellis is Kitty. Stop. Start smoking with a smile with Chesterfield. Smoother, cooler, milder Chesterfield. Put a smile in your smoke and just give em a try.
Chester
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Matt Dillon
Sa.
Podcast: Harold's Old Time Radio
Episode Date: October 2, 2025
This installment of Gunsmoke reflects on the fraught identity and divided loyalty of a young boy named Dennis—called Viho Khan (“white boy”) by the Cheyenne—who is physically white but raised among Native Americans after being abducted years earlier. The story explores prejudice, belonging, and the impossibility of simple answers during rising tensions between settlers and the Cheyenne, culminating in a tense choice for the boy: remain with his birth people or return to those with whom he was raised.
“What with them Cheyenne loose, it ain't safe having a boy like that around. You ought to lock him up.”
(Mr. Jonas, 04:41)
Ms. Cullen, a white widow, reveals privately to Dillon the bittersweet truth that Dennis is not her biological son, despite her treating him as such:
“But he isn’t mine, Marshall. … I've given the same name. And I treat him just like he was. … He won’t suffer for lack of a mother’s love. I promise that.”
(Ms. Cullen, 11:04)
Town suspicion intensifies as Dennis tries to buy ammunition, fueling rumors of collusion with the Cheyenne.
Colonel Honeyman seeks Dennis’ insight, believing he knows the Cheyenne meeting point and hoping to prevent bloodshed. The Colonel stresses the seriousness of the situation:
“Every man, woman and child knows well in advance where that point is.”
(Colonel Honeyman, 13:42)
Under questioning, Dennis (Viho Khan) denies knowledge, torn between worlds.
“Dennis. He’s gone to join the Cheyenne, Marshall, and you’ve got to go after him right now.”
(Ms. Cullen, 19:00)
Dennis is found with Cheyenne warriors led by Little Wolf.
There, he confesses his pain:
“White people treat Viho Khan bad. Kick, beat, call names. Mrs. Cullen no understand. Viho Khan nobody understand.”
(Dennis/Viho Khan, 24:29)
The philosophical core comes from Little Wolf:
“All men free. Viho Khan must make own choice. … If he make mistake, his mistake. Boy never become man [if] other people make choice for him.”
(Little Wolf, 23:46, 23:56)
Marshal Dillon tries to convince Dennis:
“You’re white, Viho Khan. You’re not an Indian. This is not your fight.”
(Marshal Dillon, 24:25)
Dennis chooses the Cheyenne, believing he won’t be accepted by whites; his words underscore the tragedy:
“White people not my people. Viho Khan stay with Indian.”
(Dennis/Viho Khan, 25:16)
“She didn’t recognize him. He must have changed a lot.”
(Chester, 26:15)
“No, Chester. No, I’m not going to tell her.”
(Marshal Dillon, 26:27)
On Prejudice:
“If the army left them Indians alone in the first place, they wouldn’t be in all this trouble.”
(Chester, 16:53)
Theme of Identity:
“You’re home now. You’re living among white men. You have a white mother. You gotta stop thinking like an Indian or you’re gonna get into real trouble.”
(Marshal Dillon, 09:09)
Ethical Dilemma:
“Little Wolf say all men free… If he make mistake. His mistake. Boy never become man. Other people make choice for him.”
(Little Wolf, 23:46, 23:56)
Tragic Irony:
“He is her boy after all.”
(Chester, 26:12)
“No, Chester. No, I’m not going to tell her.”
(Marshal Dillon, 26:27)
The episode blends classic Western tension and morality with authentic sorrow and empathy for all sides. Marshal Dillon is stern but compassionate, Chester is earnest and honest, Ms. Cullen’s love is both generous and heartbreaking, while the Cheyenne are depicted with dignity amid tragedy. The language is direct, emotional, and spare—perfect for radio drama.
“Indian White” is a moving, tragic episode focusing on questions of identity, belonging, and the profound costs of cultural conflict. In presenting Dennis’ impossible choice between the family who lost him and the tribe that raised him, Gunsmoke presents a nuanced perspective on adoption, tribal ties, and the emotional wounds of western expansion, leaving the listener with a sense of loss and deep humanity on all sides.