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MyFico Announcer
A new phone for Billy, a necklace for Sam. All the while on the lookout for scams. A swipe here and tap there. Better make it go far. Turns out mom didn't know she needs.
Jethro Baker
A new car this year.
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Narrator/Commercial Announcer
Gun smoke brought to you by. L m the modern cigarette that lets you get full exciting flavor through the modern miracle of the pure white miracle.
Jethro Baker
Tip.
Narrator/Commercial Announcer
Live modern smoke. L m. Around Dodge City and in the territory on west, there's just one way to handle the killers and the spoilers, and that's with a U.S. marshal and the smell of gun smoke. Gunsmoke, starring William Conrad. The story of the violence that moved west with young America. And the story of a man who moved with it.
Matt Dillon
I'm that man. Matt Dillon, United States Marshal. The first man they look for and the last they want to meet. It's a chancy job, and it makes a man watchful and a little lone.
Jethro Baker
It's a good thing we packed in all that stove wood, Mr. Dylan. Gonna need plenty of it for morning.
Matt Dillon
Yeah, it'd be a real cold night.
Jethro Baker
Looks like that snow keeps on there. So it's going to be two foot deep on the level and four in the drawers.
Matt Dillon
If you don't take your boots off that stove, you're going to have two feet on the bare ground.
Jethro Baker
Chester, what are you talking about?
Matt Dillon
Well, your soles are starting to smoke.
Jethro Baker
Now take them off. My golly, I thought I smelt something burning in here.
Matt Dillon
Stove's red hot.
Jethro Baker
Well, at least my feet's warm for the first time in two days. Maybe I'll rub my boots with tallow. The leather ought to soak it up real good, being too hot that way.
Kitty
Evening, Matt.
Narrator/Commercial Announcer
Oh, hello, Kitty.
Jethro Baker
Come on, Kitty.
Kitty
Cold out tonight.
Matt Dillon
Well, come over here and stand by the stove and burn with a Chester.
Kitty
Oh, man, I can't stay, Matt. I gotta get back to the long branch.
Matt Dillon
Ah, big crowd tonight.
Kitty
Yeah, but quiet one. Men get sentimental around Christmas time.
Jethro Baker
Oh, I'm that way myself, Miss Kitty.
Kitty
So, my test. I was thinking earlier this evening what it was like when I was a little girl. We used to always.
Jethro Baker
Well, that was a long time ago.
Matt Dillon
Well, why don't you stay a while, Kitty, and let Sam run The place tonight, huh?
Kitty
Well, the boys sort of need me, Matt.
Jethro Baker
Talk with them and laugh with them.
Kitty
Even though they're thinking of somebody else at the time.
Matt Dillon
Well, yeah, I know, but.
Kitty
Well, I don't mind, really. Kind of nice to be needed by somebody. What I was thinking, though, Matt, later, around midnight, maybe the three of us could get together, make some hot run.
Matt Dillon
Maybe it's a good idea, Kitty.
Jethro Baker
Yeah, Doggone. Maybe I can get old Mr. Jonas to rustle up some chestnut.
Kitty
And I'll be counting on it. All right, I'll come here if that's all right. I'd kind of like to get away from the long branch.
Matt Dillon
Okay.
Kitty
Well, how are you, Mr. Baker?
Jethro Baker
Good evening.
Kitty
Well, I better get on back. I'll see you later.
Matt Dillon
All right, Kitty. Come on in, Jethro. You look like you could stand some warming up.
Jethro Baker
Marshall Dillon. Got some trouble out in my place.
Matt Dillon
Oh, what kind of trouble?
Jethro Baker
I've been invaded, attacked on my own property, shot at. Look here at that there hat.
Matt Dillon
That bullet come much closer, you'd have been shot. Not shot at. Who was it, Jethro?
Jethro Baker
A couple coming through in the wagon. They took over my barn and won't let me put a foot inside.
Matt Dillon
Now, what do you mean a couple? A man and wife.
Jethro Baker
How do I know whether they're man or wife or not?
Matt Dillon
Well, maybe they just wanted shelter from the storm.
Jethro Baker
Marshall, I don't care what they want. They took possession of my barn without so much as to buy your leave. I want them through it out tonight.
Matt Dillon
Can't we leave it till morning, Jethro?
Jethro Baker
No, sir. Will Ross ain't spending the night on my property. Will Ross?
Matt Dillon
Yeah. Is your daughter with him? Harmony?
Jethro Baker
Marshall, I ain't got no daughter.
Matt Dillon
Well, you did have until two years ago when she married Ross and you threw them both off the place.
Jethro Baker
For the last time, I ain't got no daughter.
Matt Dillon
You had one for 19 years, Baker.
Jethro Baker
You know me for a man of my word, Marshall. Now I'm telling you this. If you don't ride back out there with me right now and get them two off my property, I'm gonna burn that barn down with them inside it.
Matt Dillon
Just a yes, sir. You better saddle a couple of horses.
Jethro Baker
Free yourself of old fashioned ideas why don't you live in modern day Live.
Kitty
Modern Live, live, live modern Free up.
Jethro Baker
Freshen up your taste Smoke an L.
Kitty
And M.
Jethro Baker
Live modern Smoke modern smoke L and M enjoy full exciting flavor through L&M's pure white miracle tip L.
Matt Dillon
And M draws easier tastes richer Smokes.
Jethro Baker
Cleaner That's why today more people are changing to L than to any other cigarette. So free up, freshen up your taste. Live modern, change to L and M. Make today your big red letter day and start to live the modern way. Live, live, live modern smoke and L and M.
Narrator/Commercial Announcer
It's America's fastest growing cigarette.
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Matt Dillon
7.
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Jethro Baker
A new car this year.
T-Mobile Representative
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Matt Dillon
I don't see any wagons, Ruthro.
Jethro Baker
They hold it inside the barn. Blast them. They're burning the coal oil stove in the tack room. And they got a fire going in the blacksmith forge.
Matt Dillon
Well, it's a cool cold night.
Jethro Baker
Yes, and charcoal and oil cost money. Come on out there, Ross. Got the law with me now, Jethro.
Matt Dillon
If I'm going to handle this, I'll handle it my own way. Now you stay right here. Come on, Chester.
Jethro Baker
Yes, sir. Now don't you go easy on them. I want them to treated like any other criminal. Make mighty good targets again this snow, Mr. John.
Matt Dillon
Yeah, I guess we do with that. The wind dies down, may not turn into a blizzard after all.
Jethro Baker
But I just don't like the idea of walking light into a gun. Who is it? Who's out there?
Matt Dillon
It's Matt Dillon.
Jethro Baker
Told your fire. Will stay back. I'm warning you, Marshall.
Matt Dillon
Just want to talk to you, Will. Now come out.
Jethro Baker
Open the door.
Matt Dillon
It's cold out here.
Jethro Baker
Is old Jethro with you?
Matt Dillon
No, just me and Chester.
Jethro Baker
You can come in alone. Matt, leave your gun out there with Chester. All right, open it up here.
Matt Dillon
Chester. Hang on to this, Young.
Jethro Baker
I just don't like this.
Matt Dillon
We got no choice.
Jethro Baker
All right, hurry up, Matt.
Matt Dillon
Well, welcome home, Will.
Jethro Baker
You took a big chance walking up here like that.
Matt Dillon
I doubt that. You wouldn't have shot anybody in cold blood before. I don't think a man changes that much in two years.
Jethro Baker
Not unless he's pushed hard enough.
Matt Dillon
Maybe. Now, take that gun, Will you said.
Jethro Baker
You just wanted to talk.
Matt Dillon
I do, but not over a gun sight. Now hand it over. No.
Jethro Baker
Now, stay back, Matt.
Narrator/Commercial Announcer
No.
Matt Dillon
Like I said, Will, a man doesn't change that much.
Jethro Baker
No, I guess not. I wouldn't even have shot old Jethro.
Matt Dillon
I figured that.
Jethro Baker
We didn't aim to stop here, Marshall. We was trying to make Dodge and the storm come down on us.
Matt Dillon
A man takes shelter where he can.
Jethro Baker
I wouldn't even ask him for a drink of water. Now, that's the way he treated us when we got married. But we didn't have no choice.
Matt Dillon
Where's Harmony, Will?
Jethro Baker
She's an attack room. It's warmer there. I made up a bed for her with some straw and some blankets.
Matt Dillon
A bed?
Jethro Baker
You better go talk to her, Marshall. She'll be right glad to see you after all this time.
Matt Dillon
All right, Chester.
Jethro Baker
Yes, sir.
Matt Dillon
Come on in. I'll be right back.
Jethro Baker
All right, sir. How you been making out? Well, not too bad.
Matt Dillon
Harmony.
Kitty
Who is it?
Matt Dillon
Matt Dillon.
Kitty
Matt.
Matt Dillon
Now, what's going on here, young lady?
Kitty
Oh, everything. Matt, we're in trouble. Real trouble.
Matt Dillon
What's wrong? You sick?
Kitty
I reckon you might call it that. It'll be any time now. I think I. I was gonna.
Matt Dillon
Oh, well, now, look, don't you worry, Harmony. I'm gonna get some help out here right away. Everything's gonna be all right now.
Narrator/Commercial Announcer
I'll be right back.
Jethro Baker
Get out of my barn, off my property, Ross. And take that woman of yours with you.
Matt Dillon
Jethro, I told you to stay outside.
Jethro Baker
I'll remind you these are my own premises, Marshall.
Matt Dillon
We'll worry about that later. Chester, go get Doc out here fast.
Jethro Baker
Well, what'll I tell him? Is Ms. Harmony took down, sir?
Matt Dillon
Not exactly, no.
Jethro Baker
What?
Matt Dillon
Just got riding, Chester. My. Yes, sir.
Narrator/Commercial Announcer
Happy holidays from L and M. And.
Jethro Baker
Here'S how to say it to your friends, Give modern. Give L and M holiday cartons. L M. Holiday cartons are gay, handsome. A gift that says both you and your friends know how to live modern day. Live modern day.
Kitty
Live, Live, Live modern.
Narrator/Commercial Announcer
Free up.
Jethro Baker
Freshen up. Your teeth taste smoking.
Kitty
L M.
Narrator/Commercial Announcer
Remember when you smoke L.
Jethro Baker
And M You always get full, exciting flavor through the L M miracle tip. L M draws easier, tastes richer, smokes cleaner. That's why today more people are changing.
Narrator/Commercial Announcer
To L and M than to any other cigarette.
Jethro Baker
So smoke L M and remember your friends appreciate your gift of L M Holiday carton.
Kitty
Live modern smoking element. Oh, man. Oh, man, I'm scared.
Matt Dillon
Now, you just take it easy, Harmony. Now, Will and Chester are going to be back any minute now and they'll have Doc with them. Don't worry, it won't be much longer.
Kitty
Oh, they've just got to. Oh.
Matt Dillon
It'S gonna be all right, Harmony. Good.
Kitty
Chester have gone alone. Why did you have to send Will with him?
Matt Dillon
Well, if he'd stayed here, Harmony, your father and him would have been at each other's throats.
Kitty
Where's Pa?
Matt Dillon
He's out there keeping the forge burning, heating up some water. He's looking sicker by the minute.
Kitty
Why didn't it have to happen here? That. Oh.
Matt Dillon
Oh, Harmony, take it easy.
Kitty
If I only had something to hold onto. Maybe if. If you'd give me your hand.
Matt Dillon
Here, Here, take my hand.
Kitty
Oh, here.
Matt Dillon
There you go. There you go. There you go.
Kitty
You know, Baby's first look at the world ought to be all love and joy. Not. Not like this, with Pa hating us like he does.
Jethro Baker
I'm not, Harmony. He does. He does.
Kitty
He hates us willingly. Boasts.
Matt Dillon
Well, maybe not as much as he puts on.
Kitty
Oh, Matt. Oh, you're right, I think.
Matt Dillon
What do you mean?
Kitty
Oh, it's not going to be much longer. It's.
Matt Dillon
Oh, just take it easy.
Kitty
If Doc doesn't get here, you'll. You'll stay with me? You'll help me, won't you, Matt?
Matt Dillon
Well, sure I will, Harmony, but I'll do what I can. But he'll get here, though. Doc always makes it.
Kitty
I hope so. I hope so, man. But I'm afraid.
Jethro Baker
Oh, say, Lord, what's all this fuss about?
Matt Dillon
Oh, Doc, thank goodness.
Jethro Baker
It's a fine time of night to drag a man out in the snow. Yeah, put in my bag, rat. I can't see why you didn't plan this thing at a decent hour, young lady.
Kitty
Doc, I'm scared.
Jethro Baker
Oh, scared? Fiddlestick's not a thing to worry about. Women were having young UN's long before you and me was even born.
Kitty
Laurie, please.
Jethro Baker
Oh, well, now, then, you just settle back here and you quit working. I'll tell you when it's time to hurry.
Matt Dillon
Doc, do you mind if.
Jethro Baker
Well, now, Matt. Well, you're as wide as a she.
Matt Dillon
Oh, well, Doc.
Jethro Baker
Oh, you thought you was gonna have to take over by yourself, huh? You go on out there and you tell that old buzzard out there to heat up some more water. He hasn't got half enough.
Matt Dillon
All right, Doug.
Jethro Baker
And then stay out from underfoot. Me and Harmony's got some work to do. Go on now.
Kitty
Get.
Jethro Baker
Howdy, young fella. Welcome to the. My gracious, it is cold, Mr. Dillon. Top snowing, though. Clear as a bell. There you are, Mr. Beecher. Better put some more wood on that forager gas. It's burning down pretty low. And so is my wood pile. It's a full waste trying to heat a barn in midwinter. I'll cut enough to make it up for wheelies. One thing sure, Jethro. We ain't going out beholden to you. You always was a fine one to talk. Mostly. I can back it up. You didn't with Harmony. We don't need your old man's farm, you said. We'll have us one twice as big, you said. We run into bad luck. Yeah, sure you did. And you come crawling back with your tail between your legs. Not to you, we didn't. We got caught here tonight by accident. Bad luck. Accident. That's all you was born for. Guess what I told Harmony when she defied me and up married you. That so? Now, you listen to me, Jethro. That's enough.
Matt Dillon
Settle down, both of you. Well, I didn't give you back your gun just to have you start another argument.
Jethro Baker
I'm sorry, Marshall. I. I'm just kind of on edge, I reckon. Well, ain't no wonder when a man's got a new little boy less than an hour old. And the rich get richer and the poor have young UN's.
Matt Dillon
Jethro.
Jethro Baker
Shut up, Marshall. I'll remind you that all of you are trespassers on my property.
Matt Dillon
I thought we'd settle that. I'm here because you called the law in, right? Remember? Man, you sure ain't done nothing for some circumstances. Jeff, they'll leave as soon as your daughter's able to.
Jethro Baker
You can count on that. I ain't got no daughter, Marshall.
Matt Dillon
Well, anyway, while they're here, you're going to keep the peace.
Jethro Baker
There ain't no law against talking.
Matt Dillon
There is if a talk leads to violence. Just remember that Harmony and Will don't like putting up with you any better than you like putting up with them.
Jethro Baker
Real high and mighty, ain't they? And without a rough over their heads.
Matt Dillon
A lot of folks might figure that makes you look worse Than them.
Jethro Baker
Now, what kind of talk is that, Marshall?
Matt Dillon
With a ranch this size, a big house on it, and a man your age trying to work it all by himself while his own kin roamed the countryside? Some folks might figure a man like that's got a lot of meanness in him.
Jethro Baker
I told her what to expect if she married this feller.
Matt Dillon
Man might tell somebody most anything when he's mad, General, but it's plain stubbornness that makes him stick to it.
Jethro Baker
Afterwards, they come sneaking into my barn like bandits. Marshall didn't even knock on my door. Now you're saying I ought to go crawling to him.
Matt Dillon
I didn't tell you what you ought to do.
Jethro Baker
Well, it comes to that, though, and I ain't doing it. Don't worry, Jethro. We don't want no part of your ranch, and it ain't being offered to you. I worked mighty hard to make this place look like what it is. A little peace and quiet out here.
Kitty
Wouldn'T do the patient any harm, you know.
Jethro Baker
How is she, Doc? Is she gonna be all right? She's fine, and so's a young infant. She'll live to have a dozen more. And he'll grow up and probably come to a bad end, like being a marshal or a country doctor. Oh, now, young lady, I'll be back in the morning. You get yourself some sleep.
Kitty
All right, Doc, but would you tell my PA that if you got any.
Jethro Baker
Telling to do, you do it yourself?
Kitty
Paul.
Jethro Baker
Well, answer, you old coot.
Matt Dillon
She's talking to you.
Jethro Baker
Yes, what is it, Paul?
Kitty
Would you come in here and say howdy to your grandson?
Jethro Baker
Grandson?
Matt Dillon
Did.
Jethro Baker
Did she say my grandson? Of course he's your grandson. Well, I hadn't thought of that. My grandson.
Matt Dillon
Now, wait a minute. I don't know, Jethro. You're just got through claiming you didn't even have a daughter.
Jethro Baker
Confounded Marshall, you're trying to put words in my mouth. Of course, I got a daughter and a grandson. And as fine a boy as you could ask for. Will.
Matt Dillon
What?
Jethro Baker
Well, I'd. I'd be much obliged to you if we could shake hands and kind of forget about things. Well, I can't see no reason not to, Jethro.
Matt Dillon
Good.
Jethro Baker
Good. Now, come on, Will. Let's look him over. By golly, a grandson. Oh, look at him. Crazy old fool. Young un's, born every day. It's nothing to get all worked up about. Oh, you fool him, Doc.
Matt Dillon
Eh? Eh, Nobody.
Jethro Baker
Well, what are we gonna do? Head back to town?
Matt Dillon
Might as well, Doc. You know they'll probably have some ups and downs yet, but I guess the four of them will be able to work it out.
Jethro Baker
They'll spoil that kid rotten.
Matt Dillon
Well, turned out to be a fine night after the snow quit, didn't it?
Jethro Baker
Look at those doggone stars.
Matt Dillon
Say, Doc, why don't you come by the office when we get in town? Kitty will be there and we thought we'd have a little something to drink and sit around a while and talk. Oh, that sounds fine.
Jethro Baker
Yeah, hold on. It's pretty near 4:00 clock in the morning, Mr. Jones.
Matt Dillon
That's right, Chester.
Jethro Baker
Well, Miss Kitty won't still be waiting up.
Matt Dillon
You want to bet?
Narrator/Commercial Announcer
In a moment. Our star, William Conrad. Just one person can make the mistake that causes an accident. Pedestrian, passenger or driver. Any one of us can go into the kind of solo mistake that spells trouble on the road. It can happen even though we know better. Most drivers know how their cars operate and what the traffic rules are. We know that speed kills and that alcohol and gas make a bad mixture. Yet an impulse sometimes takes over. We show off, act defiant or let off steam. We take the gamble. That figures in the majority of accidents today. Don't be sorry later. Be sure now. Drive with courtesy and care. Use posted signs and signals. They were placed there for you to know the road ahead. Keep in mind that just one person can cause an accident when a dangerous impulse takes over behind the wheel. It's what psychiatrists call emotional immaturity. Whatever your age on the road, grow up and live. Remember, careless driving is kid stuff. And now, William Conrad.
Matt Dillon
You know, the frontier. Callahan was pretty proud and he'd fight anyone who had bad to say of his horse, his hat or his settle. And next week, it's because of an old spotted hound dog that two men nearly die. And that was the West.
Narrator/Commercial Announcer
Gun Smoke, produced and directed by Norman McDonald, stars William Conrad as Matt Dillon, U.S. marshal. The story was specially written for Gunsmoke by Les Crutchfield with editorial supervision by John Meston. The music was composed and conducted by Rex Corey, sound patterns by Tom Hanley and Bill James. Featured in the cast were Ralph Moody, Vic Perrin and Virginia Gregg. Harley Baer As Chester, Howard McNear as Doc and Georgia Ellis as Kitty. Join us again next week for another story of the Western frontier. When Matt Dillon, Chester Proudfoot, Doc and Kitty, together with all the other hard living citizens of Dodge, will be with you once more. It's America growing west in the 1870s. It's gun smoke.
Kitty
Sam.
T-Mobile Representative
Guys, thanks for helping me carry my Christmas tree.
Jethro Baker
Zoe, this thing weighs a ton. Drew Ski, lift with your legs, man.
Narrator/Commercial Announcer
Santa.
Kitty
Santa, did you get my letter?
Jethro Baker
He's talking to you, Bridges. I'm not.
T-Mobile Representative
Of course he did.
Jethro Baker
Right, Santa, you know my elf Drew Ski here. He handles the nice list. And elf, I'm six' three. What everyone wants is iPhone 17 and at T Mobile you can get it on them. That center stage front camera is amazing for group selfies. Right, Mrs. Claus?
T-Mobile Representative
I'm Mrs. Claus much younger sister. And AT T Mobile, there's no trade in needed when you switch. So you can keep your old phone.
Jethro Baker
Or give it as a gift.
T-Mobile Representative
And the best part, you can make the switch to T Mobile from your phone in just 15 minutes.
Jethro Baker
Guys, my side of the tree is slipping.
Narrator/Commercial Announcer
Timber.
Jethro Baker
The holidays are better. AT T Mobile switch in just 15 minutes and get iPhone 17 on us with no trade in needed. And now T Mobile is available in US cellular stores with 24 monthly bill credits for well qualified customers plus tax and $35 vice connection charge credit engine balance due if you pay off earlier. Cancel Financing Agreement 256g 830 Eligible for in a new line $100 plus a month Plan with auto paypal taxes fees required. Check out 15 minutes or less per line.
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Host: Harold's Old Time Radio
Episode Air Date: December 30, 2025
Original Radio Broadcast: December 23, 1956
Episode: "Beekers Barn"
Summary Prepared By: [Podcast Summarizer AI]
This episode transports listeners back to Dodge City with Gunsmoke, the trailblazing radio Western, in a story steeped in themes of family estrangement, harsh winter hardship, and the hope of reconciliation. Marshal Matt Dillon, Chester, and Kitty become involved when long-standing conflicts between Jethro Beeker and his estranged daughter Harmony, along with her husband Will Ross, come to a head in the middle of a snowstorm—and the arrival of a new baby forces everyone to revisit old wounds and grudges.
The episode masterfully combines Gunsmoke’s hallmark frontier grittiness with a heartfelt holiday theme. The dialogue is plainspoken but emotionally rich, with William Conrad’s Matt Dillon providing grounded, compassionate authority. Underneath the Western brusqueness, there’s warmth, humor, and moments of poignant vulnerability—especially surrounding the birth of Harmony’s child.
"Beekers Barn" encapsulates why Gunsmoke remains a classic of radio drama: it weaves together rugged Western storytelling with timeless human drama. Listeners are left with a sense of hard-earned reconciliation, comfort amid hardship, and hope—universal themes that resonate far beyond Dodge City’s frontier streets.
Recommended for:
Fans of classic radio drama, Westerns, holiday tales, and stories of forgiveness and family healing.
Listen for:
Fine acting, rich atmosphere, and an emotional payoff that makes this Gunsmoke Christmas episode a perennial favorite.