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Narrator/Chester
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Commercial Announcer
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Matt Dillon
Dodge City and in the territory on West. There's just one way to handle the killers and the spoilers, and that's with a U.S. marshal. And the smoke smell of gun smoke.
Commercial Announcer
Gunsmoke. The story of the violence that moved west with young America. The story of a man who moved with it. Matt Dillon, United States Marshal. Say there, next time you hear a crackling noise in your kitchen, better get up and investigate. Maybe somebody just couldn't wait for his breakfast of cracklin crisp Post Toasties. And that's a treat you shouldn't miss. Post Toasties, you know. Are the heat good corn flakes? Why, after one taste, I'll bet anything you'll agree with me. Post Toasties is just the best thing that's happened to corn since the Indians discovered it. There's nothing quite like sweet kernel corn flavor when it's toasted right in toasted into crisp fresh corn flakes. Man, oh man, that's Post Toasties Heat Good Cornflakes. Better try them. And now, Gun Smoke starring William Conrad.
Narrator/Chester
You sure are slow with that beer, Doc. I'm ready for another one. You had enough last night, Chester. Matt told me you were still asleep at 9 o' clock this morning. Oh, I was. And it was mighty kind of him not wake me up. Say, are you sure he said he'd be back this afternoon? That's what he told me, so I. Oh, now what in the world was that fella who just came in the door there with Tyler and Short? Oh, him? That's Weed Bindle. He rode in on a mule a couple days ago. Which has the bigger ears, him or the mule? He is funny looking all right. And he acts peculiar too. That's a mighty scrawny mule, Pendle. I seen you on him this morning. Pendle here's kind of scrawny yourself. Short. Maybe some beer would fatten up a little. I'd like some beer all right, but I got no money. Why don't you sell that guitar of yours. Sell my guitar? No, I'd never do that. You must have a nickel at least. Last money I had got stolen. Now, who dares steal money off a tiger like you, Pendle? I was asleep. I started to wake up, but they kicked me in the head. You call that a head? Looks to me more like your neck just growed out and haired over. I ain't very handsome. You sure ain't. Hey, what'd your old lady think of you when she saw you, Pindle? I don't know. She died. Yeah. Laughing, I'll bet. That's enough, Tally. That's too mean. Pindle's a harmless little fellow. Ain't nobody talking to you, Chester. Bartender, three beers. You buying, Tyler? I'm proud too. Fine old soldier like Weed, Pendle. How'd you know I was a soldier? I didn't. Where was you a soldier, Pendle? Third Illinois's Cavalry. Illinois? You was with the Yankees? Well, I never done much. We had hard luck. Never got to see no real Confederates Toll. Just a bunch of ragged tail bushwhackers in South Missouri. They was led by old chicken thief named Klein. Yeah, so there was. Tell me something. Did you ever kill any Klein's men? A few, before I got shot myself. They caught some of them after and hung them. But I never did see a hanging. You never saw a hanging nowhere? I never did. That's so. Well, Bindle, you're in luck. Since we was kinda in the war together, so to speak, I'm gonna show you a hangin. You're about ready, ain't you, Short? My rope's on my saddle. I'll get it and meet you out back. There gonna be a hangin'. A real hangin'. There sure is. You're lucky, Findle. You run into us just in time. What are you talking about, Tyler? Who you gonna hang? It's a kind of surprise, Chester. You can watch too. I hear you know it's against the law to hang people around here. I saw Marshall Dillon ride outtown this morning. When he gets back, it'll be all over. And don't you try to buck me in, Shortchester. You'll die if you do. Come on, Pindle. You don't want to miss it. Sure. What do you suppose they're up to, Doc? And. I don't know, Chesterman. I'd like to find out. Yeah, I guess we'd better. I sure do wish Mr. Dillon was here. I never did think much of Tyler and Short. They play no good. I'm worried, Doc. There they Are. Why, it's Pindle. They got a rope around his neck. Of course, you won't see all the hanging, Pindle. Just the start of it. What are you hanging me for? I ain't done nothing. You was in the 3rd Illinois Cavalry. Well, sure we was. Fighting under that old chicken thief Klein in South Missouri. It's a real pleasure to hang a Yankee like you. But I only done what they told me to. I didn't kill nobody on purpose. All right, now, wait a minute, you two. You've gone far enough. Shoot him, Tyler. You go shooting anybody, and you'll be the ones to end up in a rope. Doc ain't armed. He never is. Go on, Tyler. All right, you can try it. But you're sure gonna have to kill me before you hang anybody. I'll kill you.
Matt Dillon
You'll have to kill Me, too, Tyler.
Narrator/Chester
Mr. Dillon. Now, where'd he come from?
Matt Dillon
Take your rope off that man's neck, Short, and do it quick.
Narrator/Chester
Sure, Marshall, Sure. I told you you shouldn't hang me. Oh, we was just fun in the marshal. We wasn't gonna hang you.
Matt Dillon
What's this all about, Short?
Narrator/Chester
Well, he's a Yankee marshal. Killed a lot of us in Missouri during the war. We was gonna scare him and then run him off.
Matt Dillon
Well, you forget about that and forget about the war, too. It's over. The next time I catch you up to anything like this, you're gonna go to jail.
Narrator/Chester
Go to jail over a dumb Yankee who don't own nothing but a skinny mule and a guitar?
Matt Dillon
Get out of here, Short. Now. You too, Tyler.
Narrator/Chester
Okay, Marshal, with this Yankee. Better get out of here, too. Out of dog.
Matt Dillon
Shut up, Tyler. I got moving.
Narrator/Chester
Sure. See you later.
Commercial Announcer
Find.
Matt Dillon
Pendle.
Narrator/Chester
Marshall Dillon's here. He wants to see you. I sure do thank you for letting me sleep in your jail last night, Marshall.
Matt Dillon
Well, you've been sleeping before, Pendle.
Narrator/Chester
With my mule. I always do.
Matt Dillon
I hear you broke. What do you do for a living?
Narrator/Chester
I never did nothing much, Marshall. Just ride around on my mule.
Matt Dillon
What about your guitar? Don't you ever play and take up a collection or something?
Narrator/Chester
Oh, no, Marshall. I wouldn't do that.
Matt Dillon
Why not? Can't you play well enough?
Narrator/Chester
I don't know, Marshall. I never played it for nobody to hear except me.
Matt Dillon
All right, Chester, Take him over to the Texas trail. Maybe Sam can give him a job of some kind.
Narrator/Chester
Well, it wouldn't be steady, would it?
Matt Dillon
Well, I don't know, but why shouldn't it be?
Narrator/Chester
Cause I'll be leaving in a day. Or two.
Matt Dillon
Oh. Where you headed?
Narrator/Chester
Nowhere.
Matt Dillon
Nowhere.
Narrator/Chester
Just ride around on my mule. I always do.
Matt Dillon
Kendall. Where are you from anyway?
Narrator/Chester
I was born San Benito.
Matt Dillon
Oh, on the Rio Grande.
Narrator/Chester
Yes. I left soon after. Took my guitar with me, though. Never did go back.
Matt Dillon
Well, if you're from Texas, how come you fought in the Union Army?
Narrator/Chester
I don't know. One army's just like another, I guess.
Matt Dillon
Well, maybe you're right at that. Chester, take him over to Sam's.
Narrator/Chester
All right, sir. I left my guitar back. I'll go get it. He sure is a Peculiar little fellow, Mr. Dillon.
Matt Dillon
Yeah, pretty helpless, too.
Narrator/Chester
You think Short and Tyler will bother him anymore?
Matt Dillon
Well, knowing them, I believe they'd have hung him yesterday if they could have you tell Sam to let me know if they even start talking to him again, huh?
Narrator/Chester
Yes, sir, I will. They're about the meanest pair of men I ever knew.
Matt Dillon
Yeah, they are. And they'll think of something.
Narrator/Chester
Well, penald said he's leaving in a day or two.
Matt Dillon
I hope that's soon enough, Chester.
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Commercial Announcer
Keep good Corn Flakes. Post Toasties eat good Corn Flakes. Now back to Gunsmoke.
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Narrator/Chester
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Matt Dillon
Sam gave Weed Pendle a job sweeping up the saloon and let him live in a tiny shack out back. He tried to get him to play his guitar, but Pendle wouldn't do it. And we all began to think that he probably didn't even know how. It's hard to believe that anyone as simple as he was could learn to do anything. I looked up Short and Tyler and warned him again to leave him alone. And they didn't. Until one morning a couple of days later. Chester and I had just come out of Delmonico's and we're walking up Front street.
Narrator/Chester
Look at there, Mr. Dillon. Cross the plaza.
Matt Dillon
Yeah, I saw them. Let's go over there, Chester.
Narrator/Chester
Here's Pendle and his mule, all right.
Matt Dillon
Yeah, and Tyler in short, too. I told him to keep away from him.
Narrator/Chester
What are they laughing at?
Matt Dillon
They're laughing, but he isn't.
Narrator/Chester
What do you suppose they've done to him?
Matt Dillon
Now look at his mule, Chester. That's what they've done.
Narrator/Chester
Oh, my goodness, Mr. Dillon. He's lost a ear. I thought Yankees liked their mule that way, Short. At least I always heard they did. I guess there's just no pleasing to some men. Tyler, you shouldn't have done that to my mule. Well, it's the marshal again.
Matt Dillon
Did you men do this?
Narrator/Chester
Now, Marshall, we ain't done nothing to Pendle.
Matt Dillon
Did they do it, Pendle?
Narrator/Chester
I tried to stop him, but Tyler held me. Then they gave me my mule's ear. Marshal. Right here, see?
Commercial Announcer
Yeah.
Matt Dillon
Turn around, both of you. Turn around, I said. Now take their guns, Chester. Yes.
Narrator/Chester
Can't do nothing to us, Marshall. We didn't hurt Kendall.
Matt Dillon
I don't like what you did to his mule.
Narrator/Chester
I got him, Mr. Dillon.
Matt Dillon
Now that you can turn around again. I ought to cut an ear off of each of you, but I can't do that. So I'm gonna do the next best.
Narrator/Chester
Now look here, Marchie.
Matt Dillon
Now, leave him there, Chester. Pendle, I'm sorry about your mule.
Narrator/Chester
He ain't Much of a mule anymore.
Matt Dillon
Well, you better go take care of him. And maybe these two will leave you alone now.
Narrator/Chester
Poor mule. You know what Weed Pendle told me yesterday, Matt?
Matt Dillon
Well, it could have been almost anything, knowing him. Kitty.
Narrator/Chester
No, this kind of makes sense. I asked him if he was ever lonely and he said no. He never stayed anywhere long enough to get to know anybody that well.
Matt Dillon
He's a little strange, all right.
Narrator/Chester
Now, what are they up to?
Commercial Announcer
Who?
Narrator/Chester
Tyler and Short. They just came in with Kendall. Oh, look, Matt. He's got his guitar with him.
Commercial Announcer
Yeah.
Narrator/Chester
Hey, listen, everybody. Hey, listen, everybody. Little Yankee is gonna play his guitar for us. At least he's gonna try, ain't Yankee. Don't shoot my mule. We ain't gonna shoot your mule. Not if you play good enough. Go on, get started, if you know how. They threaten to kill his mule, Mat, you gotta stop him.
Matt Dillon
No, wait a minute, Kitty.
Narrator/Chester
Go on. Feno one, play. All right. Oh, man, that was beautiful.
Matt Dillon
Yeah, he kind of surprised everybody, didn't he?
Narrator/Chester
Tyler and Short don't look so happy about it.
Matt Dillon
No, the crowd's with Findle now.
Commercial Announcer
Good.
Narrator/Chester
You'll leave him.
Matt Dillon
Yeah, they better.
Narrator/Chester
Hello, Yankee. Hello. You've been playing that guitar a long time in there, ain't you, Pindle? They wanted me to. They liked it. Me and Short been waiting to tell you how we liked it too.
Matt Dillon
Yeah.
Narrator/Chester
Let me see that guitar, Pendle. No. You hurt my mule. Give it to me. I got a gun in your belly, Pendle. Don't move. I want my guitar.
Matt Dillon
You can have it.
Narrator/Chester
I just want to sort of tune it for you first. Please. There. Please don't do that. Another thing that's wrong with this guitar. It's a little bit too big for a man like you. But I can make it smaller. There you are, Yankee soldier. Maybe this will learn them. Let's go, Short.
Matt Dillon
Are they both dead, Doc?
Narrator/Chester
Oh, my, yes. Real dead. For several hours, at least. Why, they must have been asleep when it happened, Doc.
Matt Dillon
It looks like Short there struggled a little, I guess Tyler got his first and woke Short up for a minute.
Narrator/Chester
He wasn't awake very long, man.
Matt Dillon
Just long enough to see who was cutting his throat, probably.
Narrator/Chester
Well, he can't talk now. No, I guess I'm all through here. What do you want to do with him?
Matt Dillon
We'll let the hotel worry about him, I guess. It's Weed Pendle I want now.
Narrator/Chester
My, and him such a mild little fellow.
Matt Dillon
Any man can take just so much, Chester.
Narrator/Chester
I sure hate to see poor Pendle hanged for killing These two buzzards, man.
Matt Dillon
Chester, wait for me at the jail, huh? I'll bring him over as soon as I can find him, Sam.
Narrator/Chester
What'll it be, Marshall?
Matt Dillon
Where's Weed, Pendle, Sam? Oh, I just sent him out back.
Narrator/Chester
For a bucket of sawdust.
Matt Dillon
What do you want him for? Short and Tyler got their throats cut early this morning. Good. I guess their smashing his guitar was too much for Pendle.
Narrator/Chester
That so, huh?
Matt Dillon
Oh, there he is now. Bindle, come over here.
Narrator/Chester
Morning, Marshall.
Matt Dillon
Good morning, Bindle. Where was you last night?
Narrator/Chester
I don't know. Here, I guess.
Matt Dillon
You don't know. Now wait a minute, Marshall.
Narrator/Chester
Bindle, where was you after they wrecked your guitar? Well, I sat in the alley awhile. Then I come back here.
Matt Dillon
Yeah, that's right. He was so broke up about his guitar, I didn't want to leave him alone. So I took him up and let him sleep on the floor of my room. That right, Bindle? Well, go on, tell him now.
Narrator/Chester
Sure, Sam. That's right.
Matt Dillon
Are you trying to alibi for him, Sam? I know Marshall Dillon, but I care about him.
Narrator/Chester
Some people care about me.
Matt Dillon
Who, Pendle? He's just talking, Marshall. Who cares about you, Pendle? Tell me.
Narrator/Chester
Those men.
Matt Dillon
What men? He means some of the boys that was here when he come back with his busted guitar, Marshal. They just told him how sorry he was, that's all. I see. They liked his music, didn't they?
Narrator/Chester
Yes, they did. They liked to hear me play.
Matt Dillon
Who was in here then, Sam? Well, now, Marshal Dillon, you know how it is. I'm busy pouring drinks and I don't pay no mind to who's here and who ain't. I? I couldn't rightly say it all. Okay, Sam. I guess I can't beat the truth out of you.
Narrator/Chester
Oh, now, Marshal Dillon, who cares about Tyler and Short? Dodger is better off without him.
Matt Dillon
There's a law against murder, Sam, and it's the same for everybody. I'll be back later.
Narrator/Chester
What are you going to do now, Mr. Dillon?
Matt Dillon
Well, I've done all I can, Chester. The whole town's just plain quit talking. Nobody knows anything.
Narrator/Chester
Well, I guess they're all trying to protect Pendle.
Matt Dillon
Yeah, they are. That he didn't do it.
Narrator/Chester
Well, who did then?
Matt Dillon
Well, if I could prove who did it, Chester, I'd have him in jail. Say, come over here.
Narrator/Chester
Well, I declare, Mr. Dillon, it looks to me like he's leaving town.
Matt Dillon
I told him he could go.
Narrator/Chester
He looks funnier than ever on that one eared mule. Yeah.
Matt Dillon
Now, Dodge treated Pendle pretty rough.
Narrator/Chester
He sure did. Poor little fellow. Looks kind of empty like that. He's guitar, don't he?
Matt Dillon
Well, maybe you'll find another one somewhere. Anyway, they sure like to hear him play in this town. A couple of the boys in particular, I guess. Yeah, they liked it just fine.
Commercial Announcer
Say, Mother, want to see your small fry eat a better breakfast than ever? Well, may I suggest that you dish him up some sugar crinkles to start with? Sugar crinkles, you know, make breakfast more fun than a circus. Sugar Crinkles is the Sugar Rice treat that's just right sweet. It's high time to forget the sugar coated cereals that seem too sweet to you and those others that don't seem sweet enough to the kids. Just pour out crisp, golden sugar crinkles and see how just right sweet a sugar coated cereal can be. Just right sweet. Be sure to get several packages of sugar crinkles because they're great for snacks. Kids love them that way. Kids love them anyway. Try Sugar Crinkles and you'll love them too. Remember, new Sugar Crinkles is the Sugar Rice treat that's just right sweet. Gunsmoke under the direction of Norman Macdonald stars William Conrad as Matt Dillon, U.S. marshal Tonight's story was specially written for Gunsmoke by John Meston with music composed and conducted by Rex Corey. Featured in the cast were Vic Perrin, John Dainor, Lawrence Dobkin and Harry Bartel. Harley Bear as Chester, Howard McNear as Doc, and Georgia Ellis as Kitty. Special guitar effects by Al Hendrickson. Ken Peters speaking. Join us again next week as Matt Dillon, U.S. marshall fights to bring law and order out of the wild violence of the west in Gun Smoke. Gun Smoke was brought to you tonight by Post Toasties and Sugar Crinkles.
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Narrator/Chester
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Narrator/Chester
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Podcast: Harold's Old Time Radio
Episode Date: October 30, 2025
Original Broadcast: December 26, 1953
Starring: William Conrad as Matt Dillon
This classic "Gunsmoke" radio episode unfolds in Dodge City, centering on Weed Pendle, a mild, peculiar drifter with nothing but a scrawny mule and a treasured guitar. When two town bullies target him for his wartime past and his outsider status, tensions escalate to cruelty and violence. Marshal Matt Dillon, with the help of Chester and others, tries to protect Pendle, but tragedy and frontier justice soon collide. The episode explores themes of cruelty, compassion, isolation, and the breaking point of the human spirit.
On Vengeance and Limits:
Pendle’s Nature:
Rare Kindness:
On Justice in Dodge:
"The Guitar" stands as a powerful episode exemplifying the hard edges and flashes of compassion that defined the golden age of radio westerns. The story’s melancholy arc—an outsider bullied to the brink, responding with unexpected dignity and possible violence, and the tacit complicity of a weary community—leaves listeners pondering justice, mercy, and the human need for belonging.