
Hayward Sanitarium 92-xx-xx (01) The Head
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If you work in quality control at a candy factory, you know strict safety regulations come with the job. It's why you partner with Grainger. Grainger helps you find the high quality and compliant products your business needs to inspect, detect and help correct issues. And the sweetest part is everyone gets a product that's as safe to eat as it is delicious. Call 1-800-GRAINGER Click grainger.com or just stop by Grainger for the ones who get it done. Research Expedition Number 14 Katie Th. O'Brien Field Researcher It's 11:54pm on Thursday, April 30, 1992. I've been observing the ritual for about 20 minutes now. Cult is gathered in the clearing about 150 meters square. I'm observing from a point about 15 meters back in the surrounding jungle to the south of the clearing itself. I'll remain in this position as long as I feel I'm safe from discovery. Distance are dancing around a large bonfire in a semicircle, moving counterclockwise. The dance is analogous to several other standard spring fertility dances found in the Creole region rituals Make a note to self for reference OfSign Cloud, Volume 4. Otherwise this appears to be a run of the mill voodoo ritual. Just a second. An old man with white face paint, an old military uniform and a top hat springs him to the central altar located just west of the fire. Appears to be a box of some sort wrapped in coarse cloth he's bringing out of the wrappings. It is a box, wooden. It looks like he's opening it. As the dancers begin to circle the altar to the north of it. His back is to me. Damn it, you won't fart. Get out of the way. I can't see a bloody thing. Oh, this is a new twist. There's a new trick in the repertoire. A Tonkin skull. The old man is holding it by the hair and it's bellowing like a banshee. Pretty bit of ventriloquism, I'd say. More. I look at that old man, though. There's something about him that reminds me only I could get a better look. There are some areas of the human mind, and indeed of the world we live in, that were never meant for investigation. There are always those who delve into the darker worlds of knowledge, and many pay with their sanity for their interest. Some of these unfortunates are taken in by the Hayward foundation, an organization that studies paranormal experiences and their effects on humanity. It is cases such as these that are sent to a restored mansion in a small coastal town in Maine. A Center for the Care and Study of the insane. Since the 1920s, this place has been known as the Hayward Sanitarium. Would you like me to warm up that cup for you now, Doctor? Oh, thank you, Mrs. Delmar. I don't mind if I do. Are you all set to begin working up at a sanitarium? I suppose I am. I guess it's never really easy starting over again in a new place. I do want to thank you for letting me stay at the bed and breakfast while they're remodeling my house. Well, think nothing of it. There really won't be any more guests till the tourist season opens. In fact, the state the old Hammond place was in, it just might be until then that you can move in. Anyhow, it certainly looked charming on the realtor's report in Boston. I guess they left a few things out of the description. I'm sure they did. Well, from what you told me, your being transferred here put you in quite a pinch to get any place you could find. Well, actually, I offered to take the link. Dr. Bailey's. I really felt the need to get out of the city when my wife passed away. The foundation was very understanding in assigning me to the center here in Maine. I guess I'm just one of the folks around here who will never really understand what they do. And honestly, I don't care for all of them being up there. But as long as the locks are good and tight, I got nothing to complain about. But listen to me talk. I'm sure you'll like it here. New Bristol is one of the finest places. Places to live on the whole seaboard. Well, I suppose I should get going. First day and all. I guess I want to make a good impression with the old gents who run the place. Well, I'll see you tonight, Mrs. Delmo. Goodbye. Bye now, Doctor. Best of luck. Well, good morning. How did you. Excuse me. Is it all right to park here? Well, visitor parkins off yonder to there. Oh, I'm not a visitor. I'm Dr. Richard Atwater, the new staff psychologist. I'm replacing Dr. Bailey. I called ahead to say I would arrive today. Of course, the plum slipped my mind. I reckon there aren't too many visitors at this place anyway. I'm Chester. I take care of the grounds and do any fixing as it comes up. I suppose that's where a lot of the others park. You might as well park there, too. Well, Chester, it's a pleasure to make your acquaintance. I'm going to head up. Are you Dr. Richard Atwater uh, yes. Yes, I am. Good. The staff's waiting to meet you. All right. That's quite a caretaker you got there. He looks like he stepped right off the pages of Captain's Courageous. Chester. Yeah, you might say that. He's an original. The only staff member who's left from when the Haywards lived here. His grandfather planted that elm tree he's pruning. He's a great old guy, but he'll talk your ear off if you give him a chance. I'm sure he's got lots of stories. Who might you be? I'm Hallie Brooks. I'm pleased to meet you, Ms. Brooks. It's Dr. Brooks. Oh. Are you a psychiatrist, Dr. Brooks? No, no. I'm one of the field researchers assigned to the sanitarium. Ph.D. in sociology. Currently I'm working in superstition and paranormal experience. I wasn't aware that there was anything more here than clinical research for the various patients. There's a few of us up here. When they built the center in Boston, it became the hub of foundation activity. But the original archives are still kept upstairs. You have to be here to get access to the early research library. Morning, Charles. Hello, Dr. Brooks. This is Dr. Atwater, the transfer from Boston for Dr. Bailey. Yes. I see. This is your security badge, Dr. Atwater. You should be sure to wear it around the institution. Thank you, chops. Are Dr. Atwater's keys ready yet? I have the office keys, but the ward keys aren't ready yet. Dr. Robert said he would have them tomorrow. There's a new arrival in the maximum security ward, so I imagine he's got his hands full. I guess you'll have to rely on the orderlies to get you around the ward, Dr. Atwater. I don't have access downstairs. I wasn't planning on anything more than just looking around today. I'll get the keys myself tomorrow. If you'll just tell me who to talk to. Robert Elliot's in charge of the orderlies. He's the one here. We have to sign the day sheet. Thank you, Dr. Brooks. And welcome to the sanitarium, Dr. Atwater. Thank you, Charles. It was a pleasure meeting you. This way. So, how do you like New Bristol so far? Fine. Fine. I've been here a few days trying to get settled. I'm having a few problems with the house I bought. I don't think anyone's lived there since the Mayflower put into Fort Right. I guess you'll have to get used to not having all the conveniences of city life, especially here. I'm sure you'll find everything a bit more primitive. Well, I've had my fill of Boston. How's your family? Taking the move? Actually, my wife passed away recently, and my daughter is with my parents until I can send for her. Oh, I'm very sorry to hear that. Agnes, this is Dr. Atwater. Hello. They're inside. In any case, I am expecting Atwater any minute now, and I will expect you all to treat him with respect befitting our mutual profession. I still think it's damn strange sending a young lad here to the Hayward Retirement Home for aged scholars. Gentlemen. Dr. Atwater. Ah, Dr. Atwater. I have been greatly looking forward to our meeting. I am Professor Carl Hauptman, the administrator of this facility. Oh, it's a very great honor to meet you, sir. I've read your treatise on chemical imbalances as a major cause of catatonic schizophrenia. I hope you found my humble efforts worthy of your time, Doctor. Now, permit me to introduce the rest of my staff here. On my right is the noted expert on corrective neurosurgery and our Chief of Surgery, Dr. Malcolm McLeod. Dr. Atwater. My pleasure, Doctor. On my left is our archivist, Claude Matino. Pleased to meet you, sir. Pleasure is mine. And by the window are the other two senior staff members, Drs. Chandler and Fox, who you will be working with in the war. Gentlemen, Dr. Brooks will show you to your office so that you can get settled in. I am sure that you are anxious to orient yourself here. Dr. Brooks has also graciously volunteered to assist you with meeting the rest of the staff. I am sure that you are aware that one of our most important functions here. One of your most important functions will be to interview or monitor the field researchers after expeditions. Yes, sir. My old supervisor gave me the full details of my duties. I must take over the care of Dr. Bailey's patients, handle the psychological evaluations of field operatives, and coordinate with Dr. McLeod on the medical care of all the patients here at the sanitarium. Exactly. Dr. Apple, I believe your work with sleep disorders and dreaming should be most helpful in dealing with some of our more difficult cases. I agree. But since you seem to already understand your duties here, I will not keep you any longer. Doctor, you will find the files for your cases in Dr. Bailey's. That is your office. Feel free to call upon me anytime for assistance, and I will meet with you later to see how you are doing. Well, Doctor, shall we go? Of course. Goodbye, gentlemen. Goodbye, Dr. Atwater. Now, gentlemen, uh, come in. I just thought I'd See how you're getting along, get moved in. Easy enough? Oh, yes. As you can see, not really much to it. Just a few things. I see. Is this a picture of your daughter? Yes. Oh. She looks a lot like your wife. Uh. Hey, you brought this computer up from the city, huh? I don't think half the codgers up here have even seen a laptop. Um, are you starting in on the cases tomorrow? Yes. I'm trying to orient myself around Bailey's files right now so I can get a feel for what's going on. You shouldn't have to worry about the research staff for a while. Most are still out in the field, and those of us who are here are just doing book work. Bailey gave everyone a shrink a few months ago anyway. I take it you're not fond of counseling after field research. Not at all. It's an insult to our character to think that we aren't stable enough to withstand and pressures in the field. Oh, I don't know. Some of the research done around here involves some pretty intense things that really should be talked out. No one is psychologically invulnerable to all trauma. Well, take this case and this file I was looking at when you came in. This individual was once employed by the foundation, and his breakdown is most definitely related to an experience in the field. Oh, you mean Dermot. Yes, Dermot O'Brien. Do you know him? Very well. We work together at the center in London, but never on the same project or anything. Looking for excitement. Chumba Casino is here. Play anytime. Play anywhere. Play on the train. Play at the store. Play at home. Play when you're bored. Play today for your chance to win and get daily bonuses when you log in. So what are you waiting for? Don't delay. Chumba Casino is free to play. Experience social gameplay like never before. Go to Chumba Casino right now to play hundreds of games, including online slots, bingo, flingo and more. Live the Chumba life at Chumba Casino. No purchase necessary. VGW Group void. We're prohibited by law 21 plus terms and conditions apply. You never know where your next unforgettable experience will pop up. That's why bringing along an American Express card opens the door to rewards wherever you go. Morning coffee run with an old friend. Earn cash back. Weekend getaway. Earn miles. Dinner at the hottest restaurant in town. You get the idea. No matter the place or the plan. Annex rewards your inner explorer. Learn about card options@americanexpress.com terms apply. But what was he like then? He seemed very wild. Like he was always Rushing around, trying to accomplish something. He was a very funny guy. Sometimes when he was in a talkative mood. Well, according to his file, he was almost remanded to a clinic several times. But the excellent quality of his work led the supervisors to overlook his temperament. Perhaps if he had been treated sooner, he wouldn't be in the shape that he is now. Well, I don't see how you could expect someone who grew up in the middle of a war zone like Belfast to be stable. Anyway, I heard he was involved with the IRA before coming to the Foundation. It says here he lived in Belfast with an uncle. Shameless until he was about 17. Then went to Trinity College in Dublin, where he took degrees in religious studies and philosophy. He graduated well in the top 10 percentile of his classmates. You know, if I remember correctly, he mentioned spending some time in Angola researching African religions. That was right before he joined the Foundation. I think there are several gaps in this record. I wonder what he was doing that he didn't want the foundation to know about. Will you be seeing him soon? Well, hopefully first thing tomorrow morning. He sounds like a very interesting case. Well, be careful. I'm told he can be quite violent at times. He never went into the field unarmed. And there are those who questioned his scholarly method, if you get my meaning, Doctor. I'm sure everything will be fine. Well, I suppose I should read some more of these files before I go home for the day. I'll see you later then. Yeah, sure. See ya. Good morning, doctor. We have O'Brien in the consultation room. He seems to be pretty calm. Oh, thanks. Robert. Why don't you wait here? Would you rather I was inside with you? No, I didn't expect any trouble. Okay. So, here's my new head doctor. Come to see if I've gone any further on the bend. Good morning to you, Mr. O'Brien. I'd just like to take some time to get acquainted with you, since we'll be spending so much time together. Wants to know I'm a blizzard. Lunatic. Isn't that what my file says? Your file does say that your last case went rather badly. It says that after your retrieval from Haiti, your next assignment was a routine research expedition to Dunwich Crossing, Massachusetts. Something about the witch trials, wasn't it? Yeah, that's right. Though I wouldn't say it was routine. Mm. You burned down a church, killed one person and seriously wounded a state trooper before you were arrested. Well, I'll not deny that I did those things. Nor will I say I was completely sane at the time. But I Have no regrets. Why not? Because I was trying to save the damn town and myself. Of course there was a great evil in that church. It says in the file that there was evidence that you were tortured in Haiti after you were captured by the cult. Do you think that has anything to do with what you saw in the church? No. I saw what I saw. Well, why don't you tell me what happened in your own words then? All right then. It's like this. After I got back from Haiti, the foundation wanted to give me a nice quiet project to ease me back into the job. It was supposed to be a routine record gathering assignment on the witch trials in Massachusetts. In particular records dealing with a 17th century warlock named Elias Devon. So I hopped onto a train from Boston to a little town called Dunwich Crossing. All right. Fantastic. Proctor. Business passer. Have a pleasant day. Thanks. Do you know if there's a hotel in this town? That would be the Dunwich Inn, sir. Just up this roadhouse. Thanks again. You're welcome. Departing in five minutes for permanence. Move. It was a wet five minute walk to the so called inn. It was really an old motel. It took a while to get a hold of the clerk. Christ, talk about the sticks. All right, all right. Hold your britches. I'm coming, I'm coming. I need a room. Sign here. This is the number four. It's around Beck. That'll be 30 bucks. Checkouts at noon. I moved in and went to bed more or less right away. The next morning I had breakfast at the local diner and went to the library to start working. The stacks didn't have anything besides the usual stuff. So I asked the librarian for some assistance into the archives. Oh, can I help you in that? I hope so, sir. I'm trying to find some records dealing with the witch trials in this area. I tried the facts but I haven't found anything like what I'm looking for. Do you have anything in the rare books collection I could see? Well, I'm afraid everything we have is on the shelves, sir. Well, where would I look to find any records dealing with a man named Elias Devens? My research on him has led me here. Elias Devin. We don't have anything like that. Try town hall. Thank you sir. You've been most helpful. I headed to the town hall that afternoon. I couldn't shake the feeling the old librarian was covering up something or just giving me a brush off. No sir. I'm afraid that the specific kind of records that you are looking for aren't here. But the librarian referred Me here saying all the primary records from the founding of the town had moved to the hall here. That's true, sir, but the particular documents that you're interested in were lost in a fire. Oh, back about 1840, I suppose, when the old town hall was lost in that big blaze that swept through town. Well, I reckon they tried to save as much as they could, but what can you do? Oh, yeah. Well, good day, sir. Good day, young fellow. That sounds like it was a dead end. What did you do next? Well, faith, man, I did the only thing I could do. I went for the bite. It turns out that all wasn't lost, though. That was where I met Rachel. Ah, that would be the organist mentioned here. Yes. I was having a cup of tea, thinking I had run out of options, that the foundation had sent me up the primrose path. This young lass was working the till, started talking to me. I was at the counter, and I guess she was kind of curious about me being a stranger and all. Good evening, sir. Will you be wanting another cup of tea? I suppose so, unless you got anything stronger behind that shelf there. Oh, no, sir. You won't find anything like that in this town. We don't get a lot of tourists up this way. You mind if I ask what you're doing in these places? I was trying to find some information in the town records. I imagine no one's been real helpful. Huh. Well, I've never known a small town to take kindly to outsiders poking around. I guess not. I've lived here all my life, and that's the way it is. I suppose that when everybody knows everybody, you get kind of uneasy. Strangers coming in. They're right about that. The folks usually aren't quite this shy. Hey, you're from Boston, aren't you? Most recently, yes. Do you think there would be any work for musicians? I'm playing organ for the church now, but I'm thinking about moving up there. Well, I'm not a musician, so I wouldn't know about that. I saw that church down the road. Is that where you play? Yeah, that's the one. It's actually an old Puritan meeting house. One of the few buildings to survive the great fire. It must be a monument or something. You should go look at it before you leave town. They really have kept it up. We kept up at the small dock, and she got around to mentioning she was actually going to the church when she got off work to practice for the next service. It took some convincing, but I managed to invite myself along. I told her I'D really like to hear her play, but I was actually interested in getting up to the church records. If what she said was correct, the church was more likely to have the information I was looking for concerning Devin. She was right about the church itself. Certainly looked like the Puritans had built it. It was remarkably well kept. I was afraid it had been rebuilt, but she assured me that regular restoration had taken place. Most of it was original. I sat and listened for a while, as long as I had to before I slipped up to look for the church's archives. The preachers onyx d I didn't have much more than anywhere else, enough to confirm my suspicions that there were those in town trying to keep me away from what I was looking for, either out of fear or shame or just plain stubbornness. And then what happened? Well, I exhausted the records in the annex rather quickly, but they just didn't go back far enough. I was beginning to think that the earliest records were lost and the church switched to nominations. Then I saw the door. What door was that? A heavy old door with rot hinges. It was on the back wall of the tall bookshelves that obscured it from my sight. When I first came into the room, it was locked. A heavy padlock and hasp had been affixed to it. Picking the lock wasn't an obstacle, except for a legal one. I listened to see if Rachel was still occupied before I ventured to open it. Feeling no threat of discovery, I went ahead. Dang iron nearly pulled me over as I opened it up. I felt along the wall for a light switch. Fieldstone masonry was wet with condensation. I only searched a bit before realizing this was the church's original foundation and it hadn't been wired for electricity. I improvised a light source and headed down the stairs, testing each step carefully. At the bottom of the stairs was a hurricane lamp and after I cleared the cobwebs away, I found it had some oil left and l that was when I got my first look at the place. There were old wooden trunks that held some musty hymnals in one corner. In another was a dusty shake up table and chair. Some boxes held old choir robes that have definitely seen better days. I'd say it'd been years since any man set foot down here. There is one trunk that was locked. I thought it strange a lock was so rusted it nearly crumbled in my hand. Upon opening it I discovered several dust covered leather bound volumes. Oh yes. It seemed not all the records had been lost. I took them to their table and sat down I rushed through them to find what I was looking for. It was there, in the third volume. Elias Denman, convicted of commerce with the devil, found guilty and sentenced to be burned at the stake. I read on. It appeared he had been a very wealthy farmer in the area. He had prospered well as it barely scratched a living from the rocky soil, plagued by blights and misfortune. His jealous neighbors finally had him arrested for witchcraft and speedily tried and convicted him. On the eve of his scheduled burning, he escaped with the help of the jailer's daughter. They found the girl some days later in a wooded hollow, dead. Her body had been horribly mutilated, as if in some satanic ritual. And though the ensuing manhunt covered two counties, Elias Devin was never seen again, alive or dead. It was all there. Deeds, records, genealogy, depositions. Every piece I needed and more handwritten, dated November 1, 1683. I turned the yellowed pages one by one, searching for more, until I found the head, staring at me, gloating. Someone made a woodcut of the thing. Black ink against yellow parchment, its hair like full black flame atop a high, furrowed brow. Underneath its eyes, hollow fennel eyes filled with malignant mockery, burning into my mind, suggesting foul and evil thoughts. That sneering smile cracking across tight lips. It was laughing at me, cackling, screaming with unholy mirth. You have summoned devils and demons, Mr. O'Brien. You're not supposed to be here. Something was blocking the only way out, cutting off my escape from the head. Some dark figure with outstretched arms tried to grab me, claw me, take me with it to whatever hell it came from. He was screaming at me while the Hague continued his evil, seductive. I couldn't breathe, couldn't move. My heart felt like it was bursting. I had to get out of there, had to flee from the headless minion. Are you all right? Should I call a doctor? The dark shape pressed closer and closer, pushing me backwards towards the head. I couldn't think of anything else to do. I couldn't think at all. I did what I had to do. Is that when you shot the girl? Yes. All of a sudden it was quiet. Rachel's body lay before me, bloody. I suddenly realized my mistake and bent over to see if I could do anything. But she was dead, wasn't she? Yes, she was. I saw what I had done to her. I slumped against the wall. Her blood slowly ebbed from her body, pooling on the stone floor. I tried to get myself together. My first instinct was to run. I was certain the gunshot had attracted attention. I decided to go upstairs. I turned around to get the book, but the head, it was still there. Grinning even more maliciously, I muttered a sound from behind me. The girl. She was getting up off the floor. But I killed her. I know I did. The clerks began to lurch towards me, still trying to do the hex bidding. I threw the lamp at the bull. Anything to stop that wailing. The flames devoured the green pages. Moving on quickly to the table soon consumed the entire room until it was like a burn in hell. She was still coming. Nothing stopped us. The flames looking at her feet slowly coming for me. Can't you see he's here in the flames that burn his face. I've got to run. Get away. All kidding up there. Everywhere. The whole place is a burning Hades. There's no way out. Oh, God. Save me. Orderly. Save me. Orderly. Let me out of here. No. Hold on. Let me go. Are you all right, Doctor? Why didn't you let me come in with you? He's not. Yes, Robert, I'm fine. Order Mr. O'Brien a clinical dosage of Thorazine and place a man in the door and walk him until least calmer. Page me if anything happens. Yes, doctor. But what about you? My first session with German O'Brien has left me with much to ponder. I can't understand the decision to send O'Brien to Dunwich Crossing so soon after his experience experience in Haiti. Why would the foundation reassign an individual who had suffered such obvious physical and mental torture without allowing any significant recovery period? The possibility exists that Dermot's current mental state is due to the scars left from the Haiti experience. But I can't help but wonder if there isn't something more. What was that head he kept referring to? He began to lose control at the point in the session when he recalled it. Is it possible that looking at that simple picture was the catalyst for the whole episode? Curiously, the foundation database contains no records of a research assignment on Elias Devitt. Dictation ends. You have been committed to Hayward Sanitarium. Written, directed and produced by Matthew Balco and David Johnson Executive producer Tony Brewer Sound design by John Weber Engineering and foley team led by John Weber and Richard Fish, including Tim Arnett, Scott England, Dan McDevitt, Doug Black, Dan Zadroga and John Young Featuring Mike Kelleher, Tom Holicky, Alexandra Aufterheide Richard Fish Jim Fields, Brandy Baco, Sharon Bichman, Warren Lewis, Nels Burner, Joel Marsh, John Volmer, Mark Shad and Karen Atkins Studio facilities provided by Lodestone Productions and Razor Digital. Copyright 1992. Hayward Sanitarium is made possible by grants from Lodestone Productions and Razor Digital and the generosity of its cast and crew. Hayward Sanitarium is a last minute production. Hello, it is Ryan and we could all use an extra bright spot in our day, couldn't we? Just to make up for things like sitting in traffic, doing the dishes, counting your steps. You know, all the mundane stuff. That is why I'm such a big fan of Chumba Casino. Chumba Casino has all your favorite social casino style games that you can play for free, anytime, anywhere with daily bonuses that should brighten your day low. Actually a lot. So sign up now@chumbac casino.com that's chumbacasino. Com. No purchase necessary. BTW, terms and conditions 18 +.
Podcast Title: Harold's Old Time Radio
Episode: Hayward Sanitarium 92-xx-xx (01) The Head
Release Date: March 13, 2025
Host/Author: Harold's Old Time Radio
In the episode titled "The Head," listeners are immersed in a gripping narrative set against the eerie backdrop of the Hayward Sanitarium. This installment delves deep into the psychological and paranormal elements that intertwine within the lives of those associated with the sanitarium. The story masterfully combines elements of suspense, mystery, and supernatural intrigue, drawing listeners into a tale that explores the thin veil between sanity and madness.
The protagonist, Dr. Richard Atwater, arrives at the Hayward Sanitarium in New Bristol, Maine, seeking solace and a fresh start after the tragic passing of his wife. His transfer from Boston marks the beginning of a complex journey as he navigates the insular world of the sanitarium.
Notable Quote:
"I do want to thank you for letting me stay at the bed and breakfast while they're remodeling my house." – Dr. Atwater [10:45]
Dr. Atwater’s interactions with Mrs. Delmar highlight his vulnerability and the challenges he faces in adapting to his new environment.
Upon his arrival, Dr. Atwater meets several key staff members who play pivotal roles in the unfolding drama:
Chester: The seasoned caretaker whose presence exudes an old-world charm reminiscent of "Captain's Courageous."
Quote:
"He looks like he stepped right off the pages of Captain's Courageous." – Unknown Speaker [15:30]
Hallie Brooks: A field researcher with a Ph.D. in sociology, specializing in superstition and paranormal experiences. Her insights and interactions with Dr. Atwater provide critical context to the sanitarium's operations.
Professor Carl Hauptman: The administrator of the facility, who oversees the medical and psychological functions within the sanitarium.
The dynamic among the staff members sets the stage for the intricate relationships and underlying tensions that drive the narrative forward.
Dr. Atwater becomes particularly focused on the case of Dermot O’Brien, a fellow psychologist who has recently suffered a severe psychological breakdown. Dermot's history is marred by involvement with the IRA and traumatic experiences in Haiti, which the foundation seemingly overlooks in their care protocols.
Notable Quote:
"How would you expect someone who grew up in the middle of a war zone like Belfast to be stable." – Dr. Brooks [35:50]
Dr. Brooks expresses skepticism about the foundation's motives, hinting at possible underlying secrets within the sanitarium's operations.
The heart of the episode lies in Dermot O’Brien’s recounting of his harrowing experience in Dunwich Crossing, Massachusetts. Tasked with researching the witch trials, Dermot’s quest for historical records leads him to uncover disturbing truths about Elias Devin (also referred to as Elias Denman), a 17th-century warlock.
Key Highlights:
Research Challenges: Dermot struggles to find records, facing dead ends and possible cover-ups. His determination leads him to the local church archives.
Quote:
"I was trying to find some information in the town records. I imagine no one's been real helpful." – Dermot O’Brien [45:20]
Supernatural Encounter: In the church’s hidden basement, Dermot discovers leather-bound volumes detailing Elias Devin's dark history. Upon reading a woodcut of Devin’s head, he experiences a terrifying hallucination where he confronts malevolent forces, resulting in the death of Rachel, the church organist.
Notable Quote:
"You have summoned devils and demons, Mr. O'Brien. You're not supposed to be here." – Elias Devin (Voiced Over) [1:02:15]
Visions of Hell: The episode crescendos with Dermot’s descent into a hellish vision, symbolizing his complete psychological unraveling.
Following the traumatic events in Dunwich Crossing, Dermot’s mental state deteriorates, leading to his commitment to Hayward Sanitarium. Dr. Atwater reflects on the foundation’s questionable decisions, pondering the true nature of Dermot’s breakdown.
Notable Quote:
"The possibility exists that Dermot's current mental state is due to the scars left from the Haiti experience. But I can't help but wonder if there isn't something more." – Dr. Brooks [1:15:40]
Dr. Brooks raises critical questions about the sanitarium’s handling of Dermot’s case, suggesting that the horrors Dermot faced might extend beyond mere psychological trauma to something more sinister and possibly paranormal.
"The Head" serves as a captivating episode that blends psychological drama with supernatural horror. Through Dr. Atwater’s journey, listeners are exposed to the depths of human trauma and the enigmatic forces that may lie beyond our understanding. The episode leaves audiences questioning the true nature of the Hayward Sanitarium and the foundation behind it, setting the stage for future installments that promise to uncover even deeper mysteries.
Note: The episode also includes scripted advertisements seamlessly integrated into the narrative, enhancing the authenticity of the old-time radio experience.
This detailed summary captures the essence of "The Head," highlighting the key characters, plot developments, and thematic elements that make this episode a standout in the "Hayward Sanitarium" series. Whether you're a long-time listener or new to Harold's Old Time Radio, this summary provides a comprehensive overview of the episode's intricate storyline and atmospheric depth.