Hermit's Cave xxxxxx xxx Notebook on Murder

Summary

Podcast Summary: "Hermit's Cave – Notebook on Murder"

Podcast: Harold's Old Time Radio
Episode: Hermit's Cave – Notebook on Murder
Date: October 17, 2025
Host: Harold's Old Time Radio

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Overview

In this episode, listeners are transported back to the golden age of radio with a chilling crime drama titled "Notebook on Murder" from "The Hermit's Cave" series. The story delves into the life of Cora Armour, a nervous and unwell woman who becomes convinced her life is in danger after a frightening nighttime encounter in her home. A murder soon follows, and a secret notebook may hold the key to uncovering her killer. The episode is narrated with suspenseful, atmospheric flair, demonstrating classic radio storytelling with themes of paranoia, betrayal, and justice from beyond the grave.

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Key Discussion Points and Story Breakdown

1. The Initial Disturbance

• [02:04 – 04:14] Cora Armour awakens to noises in her room, believing there’s an intruder. Frightened, she calls for her husband, Hubert, who initially dismisses her claims as a nightmare but agrees to investigate. The couple discovers signs of a break-in: a disturbed rug, disarrayed items, and an unlocked window.
• Quote:
  • Cora: "There was someone standing in my room." [02:51]
  • Hubert: "You said you heard someone go downstairs." [03:06]

2. Police Involvement and Family Dynamics

• [04:29 – 09:10] Officers investigate but find no clues or footprints due to the cement drive. Mrs. Armour’s recent illness and nervous condition become clear. The police suggest she keeps a notebook, noting down unusual occurrences, and advise secrecy, especially from her husband.
• Quote:
  • Detective: "You know, it might be a good thing, Mrs. Armour, if you wrote things down in a notebook. As long as you can't recall things very well." [08:43]
  • Detective: "Not even tell your husband?" [09:06]

3. Entries from the Secret Notebook

• [09:36 – 12:08] Through Cora's secret notebook, we learn of her persistent fears, neighborhood oddities, and Hubert’s odd behavior. Her husband promises she’s safe before leaving for a supposed business meeting, but she’s left feeling vulnerable and alone.
• Quote:
  • Cora (Notebook): "He had funny eyes. I thought he might be the burglar come back again." [09:36]
  • Hubert: "Now listen, there's nothing to be afraid of." [11:47]

4. The Night of the Murder

• [12:08 – 16:50] Cora, under the influence of a sleeping pill, is awakened by unnatural noises and becomes convinced someone is approaching her room. She carefully hides the notebook as per police instructions and prepares to call for help.
• Quote:
  • Cora: "I'm so certain that it was someone coming for me. But what am I going to do?" [14:16]
  • Cora: "Wait, wait. I hear something. There's someone outside my door." [16:50]

5. Cora's Final Moments and Murder

• [17:23 – 18:47] Narration details Cora’s last actions as she hides the notebook. The door opens, a man stands there with a gun, and Cora is shot and killed.
• Memorable Moment:
  • Narrator: “One pleading cry, and then Cora Armour has been shot. Murdered. Will the police be able to find her assassin? The hermit will tell you before the night is done.” [17:24]

6. Hubert Returns and the Aftermath

• [18:47 – 20:47] Hubert returns home, unaware or pretending ignorance, and goes through the motions before discovering Cora’s body. Panic and fear set in as he calls the police.
• Quote:
  • Hubert: "Cora. She's dead. Blood. She's dead. Dead." [20:33–20:36]

7. The Police Investigation and Revelation

• [21:06 – 24:45] The police interrogate Hubert, probing his alibi and timeline. Suspicion mounts. The detective reveals the existence of Cora’s notebook, which exposes Hubert’s contradictory statements and implicates him as the murderer.
• Notable Exchange:
  • Detective: "We know at what time your wife was murdered. She told us." [22:52]
  • Hubert: "What do you mean, she told you?" [22:58]
  • Detective: "When your wife told us at what time she was murdered, she also told us who murdered her." [23:06]
  • Detective: "You built this thing up slowly tonight. ... But you didn't reckon with Cora Armour's notebook." [23:21–23:36]

8. Confession and Justice

• Hubert breaks down, confessing to the crime. The detective explains that Cora's fear of Hubert and her notebook ultimately secured justice, even after her death.
• Quote:
  • Hubert: "I admit it. I killed her. She was a stone around my neck... I hated her. I wanted freedom." [24:41–24:45]
  • Detective: "She wasn't well because she feared you, Hubert. She feared you all the while." [24:47]

9. The Hermit’s Epilogue

• [25:26 – 26:15] The hermit closes out the story, emphasizing the notebook's crucial role in revealing the murderer and delivering a chilling final note to listeners.
• Quote:
  • Narrator: "A notebook which spoke as strongly as if Cora had returned from the spirit world to point her finger at guilty one." [25:26]

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Notable Quotes & Memorable Moments

• Cora’s Paranoia: "I'm so certain that it was someone coming for me." [14:16]
• Police Guidance: "You know, it might be a good thing, Mrs. Armour, if you wrote things down in a notebook." [08:43]
• The Reveal: "We know at what time your wife was murdered. She told us." [22:52]
• Confession: "I admit it. I killed her. She was a stone around my neck... I hated her. I wanted freedom." [24:41–24:45]
• Epilogue: "A notebook which spoke as strongly as if Cora had returned from the spirit world..." [25:26]

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Structure & Storytelling Highlights

• The episode uses classic radio suspense: darkened rooms, creeping footsteps, and a secret diary as a narrative device.
• The tonal shift from skepticism to horror is gradual, echoing the psychological unraveling of both victim and perpetrator.
• The notebook as an evidence device is central—the story’s innovation for its time.
• The Hermit’s narration enhances the atmosphere and gives the tale a haunting closing note.

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Important Timestamps for Key Segments

| Timestamp | Segment / Content | |------------|----------------------------------------------------| | 02:04–04:14| First break-in and Cora’s fear established | | 04:29–09:10| Police investigation, notebook recommended | | 09:36–12:08| Cora’s notebook entries showcase ongoing tension | | 12:08–16:50| Night of the murder; Cora’s growing terror | | 17:23–18:47| Cora is confronted and shot | | 18:47–20:47| Hubert returns, finds Cora dead, calls police | | 21:06–24:45| Police interrogation, notebook revealed, confession| | 25:26–26:15| Hermit’s chilling epilogue |

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Conclusion

"Hermit's Cave – Notebook on Murder" exemplifies the Golden Age of Radio’s power to entwine suspense, personal tragedy, and detective work in half an hour. Through sound and voice alone, the story builds dread and finally delivers poetic justice after a harrowing crime. The notebook, the humble tool of a fearful wife, becomes the voice that brings her murderer to light. This episode offers listeners a taste of vintage radio’s psychological and narrative craftsmanship.

Transcript

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[Hubert Armour]

The mummers in the little theater of the air.

[Detective]

Now the hermit.

[Narrator (The Hermit)]

Ghost stories. Weird stories. And murders, too. The hermit knows of them all. Turn out your lights. Turn them out. Have you heard the story? Notebook on murder. Then listen while the hermit tells you the story.

[Cora Armour]

Who is it? Who's in my room? Someone's in my room. Human. Come to my room. Huber. Hubert. Armor. Where are you? Come here, Hubert. Robert. Burglar.

[Mrs. Armour (Cora Armour)]

What in the world is it?

[Hubert Armour]

Turn on the light by your bed, Cora. There. Now, what's all the racket about? Well, stop crying and tell me what it is.

[Cora Armour]

There was someone in my room.

[Hubert Armour]

Oh, you've been dreaming.

[Cora Armour]

No, no. I woke up, heard. Heard my door creaking open. I could feel it.

[Mrs. Armour (Cora Armour)]

There was someone standing in my room.

[Cora Armour]

And then I heard them run down the stairs. After I called out, hubert, you've got.

[Mrs. Armour (Cora Armour)]

To go downstairs and look.

[Hubert Armour]

Of course I'll look. But you don't think there's going to be anyone in the house after all your screaming, do you?

[Cora Armour]

Oh, Hubert, wait a minute.

[Mrs. Armour (Cora Armour)]

I'm going with you.

[Hubert Armour]

You better stay right in bed, Cora.

[Cora Armour]

No, I'm afraid.

[Hubert Armour]

You said you heard someone go downstairs.

[Cora Armour]

I know, but I won't stay here alone.

[Hubert Armour]

All right, Come on. I think he just had a nightmare. It's a nice way to wake a guy up out of a sound sleep. All the screaming.

[Cora Armour]

Oh, you'd have screamed too.

[Hubert Armour]

Not much. I tried to nab whoever it was.

[Cora Armour]

Look.

[Mrs. Armour (Cora Armour)]

Careful, Hubert. The burglar may have a gun.

[Hubert Armour]

I can't find a light switch. Here in the living room.

[Mrs. Armour (Cora Armour)]

I'll get it. What? Look. The rug is kicked up. Someone was in here. And look, the things on the table have all been disturbed.

[Hubert Armour]

Yeah.

[Mrs. Armour (Cora Armour)]

Hubert, where are you going?

[Hubert Armour]

To look through the house.

[Mrs. Armour (Cora Armour)]

Oh, wait for me, Hubert. This dining room window, I see it.

[Hubert Armour]

Well, by George, it came in through.

[Mrs. Armour (Cora Armour)]

The dining room window.

[Hubert Armour]

It should have been locked.

[Mrs. Armour (Cora Armour)]

I thought it was. I haven't had these windows open for ages. Not since I've been home.

[Cora Armour]

Well, I'll be where Are you going?

[Hubert Armour]

Why? To phone the police. There sure has been someone in this house.

[Officer Hal]

Looks like they used this window for entrance and escape. All right. Hal. Find any footprints outside the window?

[Detective]

No, not a darn one.

[Officer Hal]

Maybe they didn't use the window.

[Detective]

Well, there's a cement drive outside this window. It's possible they could have stepped on the cement, both entering and leaving.

[Officer Hal]

We'll take fingerprints of the window. Now, let's see, a few questions. You were the only one who heard the noise, Mrs. Armour?

[Mrs. Armour (Cora Armour)]

Yes, I heard the door to my bedroom open slowly, then close, and then someone running downstairs.

[Officer Hal]

And the first thing you heard?

[Hubert Armour]

My wife screaming.

[Officer Hal]

How far is your room from hers?

[Hubert Armour]

Just across the hall.

[Officer Hal]

Are you a sound sleeper, Mr. Armour?

[Hubert Armour]

Well, I guess so. I rarely wake up during the night.

[Officer Hal]

And you, Mrs. Armour?

[Mrs. Armour (Cora Armour)]

I don't sleep so well, you see. I've been ill in the hospital.

[Cora Armour]

I'm not well at all.

[Detective]

Now.

[Hubert Armour]

Cora. Everything's all right. My wife had a nervous breakdown recently, officer. Oh, I see.

[Officer Hal]

Well, just a few more questions and then we'll let you go back to bed. Any valuables in the house?

[Hubert Armour]

No valuables exactly. I usually have quite a bit of money on me.

[Narrator (The Hermit)]

Why is that?

[Hubert Armour]

I don't bank anymore. Cash, my salary checks and what I don't put into bonds, I use to pay bills.

[Officer Hal]

How about tonight?

[Hubert Armour]

All the money safe in my room.

[Mrs. Armour (Cora Armour)]

How do you know, Hubert, Silly.

[Hubert Armour]

I looked when you yelled burglar.

[Officer Hal]

Who knows that you carry a good sum of money around with you?

[Hubert Armour]

Armor? Oh, I don't know. Some of the boys around the office, I guess. I may have mentioned it in the bar.

[Officer Hal]

They got those fingerprints, Hal. All set. We won't disturb you anymore tonight. Obviously. There's no one here now. They didn't get anything this time and they may not disturb you again.

[Mrs. Armour (Cora Armour)]

I hope not. It was awful. My nerves can't stand it.

[Detective]

Go back and get a good night's rest. That is, what's left of it. You won't have any visitors again tonight. Good morning, Mrs. Armour. Remember me?

[Mrs. Armour (Cora Armour)]

Oh, yes. You're one of the policemen who was here last night.

[Detective]

Mind if I come in? I'd like to ask you a few questions.

[Mrs. Armour (Cora Armour)]

No, come in. I was just out in the kitchen finishing up the breakfast dishes.

[Detective]

Well, then we'll go out there. I can talk to you while you work. Did you sleep after we left?

[Mrs. Armour (Cora Armour)]

Well, yes, sir, I did. And, you know, this morning I can't remember much of what happened last night, that's all. But I don't remember things. Well, at all? Not since I've been sick lots of times. Things are foggy with me.

[Detective]

How long were you in the hospital, Mrs. Almont?

[Mrs. Armour (Cora Armour)]

Let's see. It was. Well, it was a long time. Over a month, I guess.

[Detective]

What brought on your illness, Mrs. Almont?

[Mrs. Armour (Cora Armour)]

Well, sir, I don't know exactly.

[Detective]

Were you unhappy?

[Mrs. Armour (Cora Armour)]

Yes, sir, I was.

[Narrator (The Hermit)]

What about.

[Mrs. Armour (Cora Armour)]

Hubert? Got so he didn't pay any attention to me.

[Officer Hal]

That's so.

[Detective]

Stayed out a lot nights?

[Mrs. Armour (Cora Armour)]

Yes, he did. He was never home. But since I've been in the hospital, he's been wonderful to me. Kind and good and home every night.

[Hubert Armour]

Oh.

[Detective]

Came to his senses, did he?

[Mrs. Armour (Cora Armour)]

Yes, sir. There's been a great change in Hubert.

[Detective]

That's good.

[Mrs. Armour (Cora Armour)]

Yes, I. I feel like I can get well now. Of course, the burglar coming has upset me. Coming into my room like that and standing there in the darkness. Hubert says if it wasn't for that window being open in the dining room, we might just think of it as a bad dream I had.

[Detective]

Well, Mrs. Armour, we're going to keep an eye on the house and we want you to help us.

[Mrs. Armour (Cora Armour)]

All right. What do you want me to do?

[Detective]

If you see any strange persons hanging around here in the daytime or night, you call the 4th street station and report it. Now, here's the telephone number. Or anything strange that happens, you remember and tell us.

[Mrs. Armour (Cora Armour)]

Sure, I will, the best I can.

[Detective]

You know, it might be A good thing, Mrs. Armour, if you wrote things down in a notebook. As long as you can't recall things very well.

[Mrs. Armour (Cora Armour)]

What should I write down?

[Detective]

Oh, anything odd that happens. And what's more, Mrs. Armour, you keep this notebook a secret, just between you and me. Think you could do this?

[Mrs. Armour (Cora Armour)]

Why, sure, I guess so.

[Detective]

Not even tell your husband?

[Mrs. Armour (Cora Armour)]

I could keep it from him.

[Narrator (The Hermit)]

Good.

[Detective]

Now, let's see. Suppose you keep these notes under the mattress of your bed. Only you and I will know that they're there. Write down anything you want to and keep it for me.

[Mrs. Armour (Cora Armour)]

There was a peddler at the door this afternoon. He had funny eyes. I thought he might be the burglar. Come back again? Didn't let him in. He went to Mrs. Joyce's next door. She didn't let him in. E. Hubert read to me tonight about a burglary on the south side of town. This burglar got in through a window, too. The basement window. He took money and silverware. We haven't got any good silverware. It's 15 minutes to 12 midnight. I just woke up and I'm scared, awful scared. I'm writing in this notebook because I've sort of got accustomed to doing it and it steadies my nerves a little. I've been writing in it for a couple of weeks now, but the policeman called. Hal hasn't been around to see it. Maybe it's because I haven't called or had anything to tell him. But I'm scared tonight. It was at supper that Hubert said.

[Hubert Armour]

You aren't frightened of burglars anymore, are you, Cora?

[Mrs. Armour (Cora Armour)]

Sometimes I'm afraid of him coming back again.

[Hubert Armour]

Oh, fiddlesticks. There won't be any more disturbance after all this time has passed.

[Mrs. Armour (Cora Armour)]

I hope you're right.

[Hubert Armour]

Of course I am. Anyhow, I have to go out tonight.

[Mrs. Armour (Cora Armour)]

Oh, Hubert.

[Hubert Armour]

Now don't cloud up and cry, baby. No one's going to hurt you. What's more, we'll see that all the windows are locked and the doors.

[Mrs. Armour (Cora Armour)]

Why do you have to go out, Hubert?

[Hubert Armour]

A buyer boss asked me to see him tonight.

[Mrs. Armour (Cora Armour)]

I'm afraid, terribly afraid.

[Hubert Armour]

Now listen, there's nothing to be afraid of. Before I go, I'll see that you're safely tucked in your bed. Well, you were complaining before supper about being tired. So you can take a little sleeping pill and go to bed early. Then I'll lock all the doors and you'll be as safe as a bug in a rug. What's more, I'm going to be home early. I told the boss I couldn't leave my wife for too long a time.

[Mrs. Armour (Cora Armour)]

So Hubert got me all fixed up. And after taking the pill, I did fall asleep. But a little while ago, something must have woke me up. It's exactly 12 and Hubert isn't home yet. I know because I just called out and he didn't answer me. It must have been about 10 or 15 minutes ago that I woke up and heard something outside my room. Footsteps.

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[Mrs. Armour (Cora Armour)]

There would be one step and then a long pause and then another. For a minute I was so scared I couldn't even breathe. Somehow I just seemed to know that whoever was coming down the hall was coming to my room. And for me, for a few seconds I couldn't move, just sort of paralyzed with fear. And then I got brave enough to reach out and turn on my bed lamp. The person must have been real close to my room when the light went on. There was one more step and then they stopped. Officer Hal, as true as I'm writing, they stopped right outside my door. I heard a board creak. Then all was very, very still for almost years, it seemed. And then I heard, very quietly, as if someone was tiptoeing footsteps leaving my room. The light has frightened them away. Oh, I'm so certain that it was someone coming for me. But what am I going to do? I'm too truly afraid to go downstairs and phone for the police. I'm going to call out to Hubert again.

[Cora Armour]

Hubert. Hubert.

[Mrs. Armour (Cora Armour)]

No, Hubert isn't home yet. Or perhaps. Perhaps whoever has come into this house has done something to Hubert.

[Cora Armour]

Hubert. Hubert. What if. What if they've killed by Hilbert? Oh, writing in this notebook doesn't give me strength enough to leave my room and find out.

[Mrs. Armour (Cora Armour)]

Wait, wait. I hear something. There's someone outside my door. I know it. Someone just moved outside my door. I'm going to hide this notebook under the mattress like you told me to do. And then I shall scream out the window for help.

[Cora Armour]

Oh, no, don't.

[Narrator (The Hermit)]

Don't. Just. After Cora Armor puts a notebook under the mattress, she goes to the window, opens it and is ready to scream for help. The door to her bedroom opens and she calls out in terror. She sees a man standing there with a gun in his hand. One pleading cry, and then Cora Armor has been shot. Murdered. Will the police be able to find her assassin? The hermit will tell you before the night is done. We hear A key turned in the door. The door unlocks, swings open and closes. Then the light switch is clicked on. Hubert Armor stands in the hallway of his home. He steps over to the mirror hanging on the wall. He looks himself over carefully, brushes his hair with his hands. Now he looks at the stairs leading up to Cora's room. He pauses for a few seconds. Then he walks into the living room, turns on the lamp beside his chair, sits down from his pocket, takes the early morning edition of the paper. He scans it, dropping the paper all around his chair. Now he rises, turns off the lamp, walks into the hall. He calls Cora's name.

[Hubert Armour]

Cora. Cora, you awake?

[Narrator (The Hermit)]

Naturally, there's no answer for Cora lies murdered in her bedroom, a large red stain soaking the carpet on the floor. The blood is dripping. Slowly, slowly, a crimson pool is collecting there. Hubert calls again.

[Hubert Armour]

Cora. Cora, I'm home.

[Narrator (The Hermit)]

And now he looks about him into the darkened room leading off from the hallway. Now there's a startled look of apprehension, fear on his face as he begins to mount the stairs.

[Hubert Armour]

Cora, are you awake?

[Narrator (The Hermit)]

Hubert pauses outside the door, just as the murderer did only a little time before. He listens. And now his hand reaches out for the doorknob.

[Hubert Armour]

Cora.

[Cora Armour]

Cora.

[Hubert Armour]

She's dead.

[Cora Armour]

Blood. She's dead. Dead.

[Hubert Armour]

Operator, get me police headquarters, please. Hello, Police headquarters? This is Hubert Armour, 97864 Crawford Street cup at once. Hurry. It's my wife.

[Detective]

She's been murdered.

[Officer Hal]

All right, Armor. Suppose you tell your story over again just as you told it before. And you left the house when?

[Hubert Armour]

At 7:30, officer.

[Officer Hal]

And where did you go then?

[Hubert Armour]

I went directly to the office where I was to meet Mrs. Davis.

[Officer Hal]

Was she there when you arrived?

[Hubert Armour]

Oh, yes, sir. She was waiting in her car outside the office building.

[Detective]

And this was approximately at what time?

[Hubert Armour]

Well, I think it must have been about 8 o'. Clock.

[Detective]

8 o'.

[Mrs. Armour (Cora Armour)]

Clock.

[Detective]

Mrs. Davis will be able to verify this?

[Hubert Armour]

Oh, yes, of course, Officer. Well, why are you grilling me so carefully? That isn't going to help us find out who killed my wife.

[Officer Hal]

Go on with your story.

[Hubert Armour]

Well, I suggested to Mrs. Davis that we drop into the Greenbrier Club to discuss her insurance policy. And she agreed?

[Officer Hal]

Yes, go on.

[Hubert Armour]

So we left her car standing near the office and she got into mine. We drove to the Greenbrier Club.

[Detective]

The doorman took care of your car?

[Hubert Armour]

Yes, sir. And he'll remember that? Well, you can check all of this, but I'm telling you, we will go on. Well, there isn't any more to tell. We sat there and talked. Had A bite to eat.

[Officer Hal]

What time did you leave the club?

[Hubert Armour]

A little after 10, I think.

[Officer Hal]

Then what did you do?

[Hubert Armour]

Well, I took Mrs. Davis over to her car, then I drove straight home, put the car in the garage.

[Detective]

What time did you get home, Mr. Armor?

[Hubert Armour]

I didn't look at my watch, but it must have been a little after 11.

[Officer Hal]

But you didn't call us about the murder of your wife until 20 minutes after midnight. Why was that?

[Hubert Armour]

I didn't know my wife was murdered, officer. I called out to her when I came home, but she seemed to be sleeping. She'd taken a sleeping pill before I left tonight, so naturally I thought she was still asleep.

[Officer Hal]

So what did you do then?

[Hubert Armour]

I went into the living room with a paper, sat there and read a while, all the while, until I went upstairs and discovered my wife's murder. I don't know what time it was. I called you.

[Detective]

We know. And we know other things, Hubert Armour. We know at what time your wife was murdered. She told us.

[Hubert Armour]

What do you mean, she told you?

[Detective]

She told us just as much as if she were alive now.

[Hubert Armour]

I don't understand what you're driving at.

[Officer Hal]

No.

[Detective]

And when your wife told us at what time she was murdered, she also told us who murdered her.

[Hubert Armour]

Who?

[Cora Armour]

Who did it.

[Detective]

You were very clever, Hubert Armor. From the very start, when you planned this crime. When you called us here to hunt for a burglar who was no one but yourself. That's a lie.

[Officer Hal]

You built this thing up slowly tonight. You carefully accounted for your time up till 11 o'.

[Detective]

Clock.

[Officer Hal]

The remainder of your alibi was weak. It might have been strong enough if Cora Armor had not left us a notebook on crime.

[Hubert Armour]

What?

[Detective]

I asked her to keep a notebook to tell me all the strange things that happened in this house. She did. She kept it faithfully. Midnight tonight. You. According to her own writing. We're not home. She called out you, but you didn't answer. But you were here. You came in. You crept to the door of her room. You lost your nerve. You came back at midnight, shot her, left the house to dispose of the gun, returned, sat down on your chair and looked at a paper. Then went upstairs to look in her room and to report her murder. Yes, Armor, you had it all planned very carefully. But you didn't reckon with Cora Armour's notebook.

[Mrs. Armour (Cora Armour)]

There's someone outside my door. I know it. Someone just moved outside my door. I'm going to hide this notebook under the mattress like you told me to do, and then I shall scream out the window for help.

[Detective]

You heard the scream, didn't you, Hubert Armor? You heard it.

[Hubert Armour]

No, no, I didn't.

[Officer Hal]

You heard the scream, all right. She made it. When you opened the door, when you lifted the gun to fire on her, she didn't scream.

[Detective]

She just called out.

[Hubert Armour]

Don't.

[Mrs. Armour (Cora Armour)]

Please.

[Hubert Armour]

I admit it.

[Detective]

I killed her.

[Hubert Armour]

She was a stone around my neck.

[Mrs. Armour (Cora Armour)]

Nagging.

[Hubert Armour]

Never. Well, I hated her. I wanted freedom.

[Detective]

She wasn't well because she feared you, Hubert. She feared you all the while. It was fear that sent her down to a sanitarium. In her heart, Cora Armor feared death at your hands. And yet without her notebook, you might have gone free of the crime of murdering her.

[Narrator (The Hermit)]

And thus did a notebook kept by a woman right up until the second of her death bring a murderer to justice. A notebook which spoke as strongly as if Cora had returned from the spirit world to point her finger at guilty one. Yes. Turn on your lights. Turn them on. I'll be back. Pleasant dreams.

[Detective]

All characters, places and occurrences mentioned in the Hermit's cave are fictitious, and similarity to persons, places and occurrences is purely accidental.

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