
Hogans Daughter 1949-07-12 The Television
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Dr. Dennis Black
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Philip Morris Advertiser
It's a wonderful, wonderful feeling to wake up fresh with no cigarette hangover. Yes, you'll be glad tomorrow you smoked Philip Morris today. We live in an age of miracles, the age of communication. And in the neighborhood, in Manhattan where the Hogans live. News travels fast.
Phyllis Hogan
Tom. Tommy?
Tom Hogan
In there.
Mr. Hogan
What do you want?
Phyllis Hogan
Guess what I just heard down the dumb waiters. The Cartmeyers are getting a television.
Mr. Hogan
Well, what do you want me to do about it? Nothing.
Phyllis Hogan
I just thought you'd want to know, that's all. Marvin's over there installing it right now. Oh, Phyllis, darling.
Tom Hogan
Hello, Mom.
Phyllis Hogan
Oh, I'm glad you're home. Guess what?
Tom Hogan
The Carlton Myers are getting a television.
Phyllis Hogan
Oh, you heard?
Tom Hogan
Nine people told me on the way upstairs. Ain't Marvin here? I saw his truck downstairs. I told him he must have dropped in for supper or something.
Phyllis Hogan
He's installing the television. He's right across the hall there.
Tom Hogan
That Marie Cartonmeier's probably giving him plenty of help.
Phyllis Hogan
Imagine having a television. It's like. Like knowing somebody that owns a yacht.
Tom Hogan
All I can say is them that has. Marvin just better remember we got a date for the movies, that's all. Not let himself get carried away by science.
Phyllis Hogan
How did you make out today, dear? What kind of luck did you have?
Tom Hogan
The usual.
Phyllis Hogan
Oh, that's too bad. What about the one in the news? The one that said receptionist wanted?
Tom Hogan
Oh, they ain't looking for receptionists. You go all the way over there and they try to Sell you a course on how to be a receptionist. Oh, maybe I should have took it. Only who's got that kind of money? Anybody that's got that kind of money, why should they want to be a receptionist? $75.75dol you to go to the Catskill.
Mr. Hogan
Television, is it?
Tom Hogan
Oh, Pop, wait.
Mr. Hogan
That's an outrage. That fellow Kaltenmeyer, he can no more afford a television than. Than I can.
Phyllis Hogan
Keep your voice down. Tom will hear you.
Mr. Hogan
Let him hear me. Let the whole world hear me. I want to go on record here and now. The man's a four flesher. I can't stand the fella. Fellow fellas, the way he swells around putting on airs when honest folks have to earn their living.
Phyllis Hogan
Oh, he works for it, I guess, like anybody else.
Mr. Hogan
You call that work? Standing behind the counter, selling meat all day and robbing people blind?
Phyllis Hogan
Oh, I wouldn't say he robs you. He adds on a little, maybe.
Mr. Hogan
Then where does he get it? Tell me that. Buying tele.
Phyllis Hogan
Oh, you better run and wash, Phyllis. If you're gone, a dinner will be ready.
Tom Hogan
Okay.
Mr. Hogan
I noticed they eat pretty good over there, too, Judging by the smell and the howl. I bet they have meat every night of the week.
Phyllis Hogan
Why not? It don't cost them nothing.
Mr. Hogan
And you know why? Because we're paying for it, that's why. And we'll be paying for his television, too. From now on, you stay away from his shop. I don't want you dealing with him, you understand?
Phyllis Hogan
Well, now you're just being foolish. Cotton Myers has the best meat. I tried the most.
Mr. Hogan
I don't care. I will not deal with any butcher that owns a television, and that's final.
Phyllis Hogan
All right, forget it.
Mr. Hogan
Do I own a television?
Phyllis Hogan
Sit down the table. I'll dish up dinner.
Mr. Hogan
Harry Fillet, how about some water here?
Phyllis Hogan
In a minute. I can't do everything at once.
Tom Hogan
Can I help, Mom?
Phyllis Hogan
No, dear. Everything's ready. Just sit down here. You can hand out to your father, but be careful.
Tom Hogan
Yes. Here, pup.
Mr. Hogan
It's hot fish. What kind of food is that for a man? What is it, Friday or something?
Phyllis Hogan
It's perfectly all right and it was cheap today.
Mr. Hogan
I bet they ain't eating fish across the hall. Did you get this from Carton Myers?
Phyllis Hogan
Never mind. Here, Phillips. Don't touch the plate.
Laverne
It's hot.
Mr. Hogan
Sells us fish while he eats lamb chops.
Phyllis Hogan
No, it's all right. It's nice, fresh halibut.
Mr. Hogan
Fresh? He probably fished it out of the Gowanus Canal.
Tom Hogan
Oh, Pops, honest. How can anybody be yeah, Tom, behave.
Phyllis Hogan
Now, or we'll make you go eat by yourself.
Marvin Gaffney
Television. You must come right over and see my television.
Tom Hogan
He ain't even asked, he. Yet, Pop.
Mr. Hogan
Well, he better not, because I won't go. I'm opposed to the stuff. I'm opposed to the whole idea. It ruins your eyesight. It takes up room. It takes up your time. It destroys conversation. I wouldn't have one of them if you give it to me.
Phyllis Hogan
Now, look here. Before you start thinking about buying a television.
Mr. Hogan
Who's thinking about buying?
Phyllis Hogan
I'm getting my kitchen linoleum first. You understand?
Mr. Hogan
Who is thinking about.
Phyllis Hogan
I just want to make things clear. The kitchen linoleum comes first.
Mr. Hogan
I don't know what you're talking about, woman. We can't afford a television. You know that.
Phyllis Hogan
I know it, but do you?
Mr. Hogan
Why, I wouldn't have one of them things in the house.
Phyllis Hogan
Well, I just want to be sure. I notice you always manage to drop down to Amira's bar whenever they're showing the fight.
Mr. Hogan
That's because I like fights, woman, not because I like television.
Phyllis Hogan
Phyllis, darling, it is such a hot night. Your father and I was thinking that maybe we'd go down the street for some ice cream. Why don't you come?
Mr. Hogan
Yeah, why don't you come along?
Tom Hogan
I'm waiting for Marvin.
Phyllis Hogan
Oh, but it's getting too late for the movies. And Marvin's evidently tied up over there.
Mr. Hogan
Sure, a little. That'll do you good.
Marvin Gaffney
Why don't you come?
Tom Hogan
I told you, Papa. I'm waiting for Marvin. Well, you're just about. Oh, I'm gonna too. Pretty soon I'm gonna stop waiting and start getting mad.
Phyllis Hogan
Oh, Phyllis, you're being so silly. You know, why don't you go fetch him? Find out what's keeping him.
Tom Hogan
I know what's keeping him. It's that Marie Kartenmaier.
Phyllis Hogan
Then go after him.
Tom Hogan
I'd rather die rather than step one foot into her apartment.
Marvin Gaffney
All right, then. Throw a rock in with a note tied to it. Marvin, come out of there.
Tom Hogan
Very funny.
Mr. Hogan
Yeah.
Marvin Gaffney
It seems our jokes are not appreciated.
Mr. Hogan
Well, cakes, we'll bring you back some cream, Phyllis.
Narrator
Maybe it'll cool you down.
Tom Hogan
Well, you needn't bother. I couldn't eat any anyway. It would choke in my mouth.
Marvin Gaffney
All right, all right. What flavor would you like?
Tom Hogan
Choc.
Phyllis Hogan
He's got us going. That must be their television.
Mr. Hogan
Sounds just like a radio to me. A bum radio.
Phyllis Hogan
How would you know? They tell me you got to see television to appreciate it.
Mr. Hogan
Oh, indeed.
Marvin Gaffney
Well, I'VE seen it.
Mr. Hogan
And if you want to know what I think of it. Oh, here's Marvin.
Marvin
Hello, Mr. Hogan. Is it all right if I come in?
Marvin Gaffney
Well, maybe you better throw your hat in first. I hope you've thought of a good excuse, that's all.
Phyllis Hogan
Hello, Marvin. Phyllis is waiting, Tom. Come along.
Marvin Gaffney
I think I'll just stick around for.
Mr. Hogan
Hello, Phil.
Marvin
Gee, I'm sorry about the movies, Phil. Matter of fact, I clean forgot about it. But I wouldn't have been able to go anyway on account of business.
Tom Hogan
Oh, that's quite all right, Marvin. I wouldn't have been able to go either, owing to a headache.
Marvin
Oh, well, that's good. Hey, you hear about me selling the television to old man Kaltenmaier? How about that, Mrs. Hogan?
Phyllis Hogan
Oh, I think that's wonderful, Marvin.
Marvin
Yeah, the first one I ever sold up to now I've been strictly installation. But I walk into his shop yesterday to get a half a pound hamburger for mom. And I say to him, give me a half a pound of hamburger. That's all I said to him is give me a half a pound of hamburger. And right out of a clear sky he says to me, do me a favor. Ask your boss what kind of a deal will he make me on a television. Boy, I was so excited I forgot the hamburger.
Tom Hogan
In case you're interested, the last complete showing begins at 9:05, Marvin.
Phyllis Hogan
Yeah.
Marvin
So right away I seen the opportunity. I told the boss I got this customer lined up, only I wouldn't tell him who. So she's got to give me credit for the sale. Smart. I'm getting out of installation right away, Phil. I'm getting into. That's where the dough is. Boy, those commissions. Besides, I think I got a knack for it. After all, I walk into a guy and say, give me a half a pound of hamburger. And right away he signs on a dotted line. I guess they can't resist me, huh?
Tom Hogan
The movie started already, Marvin.
Marvin
Yeah, we never would have made it. Hey, how about it, Mr. Hogan? You wouldn't want to buy a television? I can make you a real good deal. Marvin Gaffney, the demon salesman.
Phyllis Hogan
The linoleum comes first.
Mr. Hogan
Young man, if I ever had any intention of buying one of them things.
Marvin
Oh, no kidding. They ain't so expensive now. 250 a week is all, including the financing. That's for the giant 8 inch screen. And just think, you get 118 weeks to pay.
Phyllis Hogan
As I said before, Tom, I think we better be going.
Marvin
No kidding. How about it?
Mr. Hogan
Now listen, do you See that piano there?
Marvin
Yeah.
Mr. Hogan
We were 11 years paying for that. It's one of the finest instruments made. All complete with player attachment and everything. It's not one of these so called grands either.
Marvin Gaffney
That's an upright.
Mr. Hogan
Why, you can't buy a piano like that today. And now that we own it, does anybody play it? They do not.
Phyllis Hogan
I've told you, Tom, it's out of tune.
Mr. Hogan
How can it get out a tune where nobody plays on it? It just sits there. No, sir. Before I go signing up for another darn fool thing like that, I'm good. Come on, Kate.
Phyllis Hogan
Goodbye, Marvin. See you later, Phyllis.
Marvin
Yeah, goodbye. Gee. Gee, I'm sorry if you had to get sore, Phil, but could I help it? Hey, why don't you come on over to the Carlton Myers and watch that television? I got it coming in. Great. They're getting a nice image. No kidding. Marie's got a whole gang coming up to look at it. We'll have a lot of fun. How?
Tom Hogan
Marie and me don't happen to be speaking, if you remember.
Marvin
Oh, why do you want to be like that? Marie is willing to forgive and forget if you are.
Tom Hogan
It ain't up to Marie to forgive and forget. It's up to me and I ain't gonna.
Marvin
Oh, why do you have to?
Tom Hogan
Furthermore, Mr. Marvin Gaffney, I'd like to ask you one question. And that is, how long does it take to hitch up a television anyway? How long have you got the nerve to tell me it takes?
Marvin
Well, it takes you all kinds of times depending.
Tom Hogan
Because I happen to know to my certain knowledge that you've been over there since quarter past five.
Marvin
Listen, television ain't simple. If you want to know. I know to begin with. There's the antenna. That's a headache. I'm up on the roof wrestling with the darn thing and the dame is up there hanging out her laundry and the wind is blowing and I'm getting slapped in the face with a wet sheet every two seconds. And she's standing there watching me and telling me if I get her laundry dirty, well, I'm going crazy. Then I have to run the cable down the side of the building.
Tom Hogan
I ain't particularly interested in you running down the side of the building, Marvin. What I would like a straight answer to is my question. Are you going to choose between Maria, me? Because the time has just about come.
Marvin
I ain't even looked at Marie all evening. I'm crawling behind furniture. I got my head in a cabinet. How could I? Well, okay, if that's the way you're gonna be okay. Gosh, I'd give you a nice, polite invitation to come over and look at somebody's television. If you don't want to go, Marvin.
Tom Hogan
Oh, you don't have to be a sore. Listen to him over there. Go on. Enjoy yourselves. Don't mind me, Phyllis.
Mr. Hogan
All I want here is.
Phyllis Hogan
Where'd Marvin go?
Tom Hogan
Back where he come from.
Mr. Hogan
Good. That means more ice cream left for the rest of us, eh, Phyllis?
Tom Hogan
Just listen to that racket.
Mr. Hogan
Yeah. Must have quite a crowd.
Tom Hogan
The whole gang's there. Marvin, Dot Mahaffey, our boyfriend. And Walter Bean and Russ folger and Danny McLennan and the Cooley, as I saw them all come in.
Mr. Hogan
Well, because they got a television. What?
Phyllis Hogan
You could be over there too, you know, darling, if you wouldn't be so stubborn.
Marvin Gaffney
All right, all right.
Mr. Hogan
Let her alone.
Marvin Gaffney
I. I don't blame her.
Mr. Hogan
I wouldn't go over there myself. You're right, Phyllis. Keep away from him, huh?
Tom Hogan
Pop, what's wrong with us? Wait.
Marvin Gaffney
What do you mean?
Tom Hogan
Oh, other people get televisions, and they have fellas and jobs. Why don't anything nice ever happen to us?
Marvin Gaffney
Why let things happen to us?
Mr. Hogan
There's.
Marvin Gaffney
Well, there's your mother there. She's pretty nice. And we've got this ice cream here and lots of other things that they.
Mr. Hogan
Don'T recall at the moment.
Phyllis Hogan
Phyllis, if it's Marvin you're worrying about, I wouldn't give it another thought.
Tom Hogan
Oh, mom, she's got him in her clutches, and I just can't do a thing. She's just destroying him. He ain't even like Marvin anymore, or else he wouldn't be doing this to me. I don't know what it is about me and Marvin, Mom. When he's around, I don't seem to care. But when he ain't, it's just I don't.
Phyllis Hogan
Oh, why don't they shut up?
Mr. Hogan
By golly, we don't have to sit here and listen to that. We'll show them we can have a party too. Right here. We'll give them some real music. Come on, Phyllis, Kate, gather round the piano here. Hand me one of them player roles, Kate. Oh, hey, now, wait there. There's one on it. Well, pump her up and away we go we'll show him who can have fun. We'll make Marvin wish was here with us. I wouldn't be surprised if he had the whole gang over here. Sing, Phyllis. Sing. King when the red pig robin comes Bop, bop, bop and along along there be no more Shouting when he starts robbing it.
Narrator
Back to Hogan's daughter in a moment. In the meantime, remember this.
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Dr. Dennis Black
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Philip Morris Advertiser
We return now to Hogan's daughter and her problems. Her chief problem right now seems to.
Narrator
Be the young lady across the hall. But Hogan's daughter is not one to.
Philip Morris Advertiser
Take this sort of thing lying down. That, perhaps, is why we find her now lunching with her friend and confidant, laverne, at the Gypsy Tea Shop.
Tom Hogan
Gee, I'm sure glad you thought of coming to this place, laverne. Because if any girl ever needed to get their tea leaves read, it's me.
Laverne
Well, you just gotta get a hold of yourself, Phyllis. Believe me, no fella is worth at least of all Marvin.
Tom Hogan
Well, it ain't just Marvin. I mean, a girl can lose her confidence. You know, I was thinking maybe I'd go away someplace and start a whole new life. Well, how could you do that?
Marvin
To have intake.
Tom Hogan
I know. I read in a magazine someplace about some woman she was having a tough time with various husbands, so she just chucked the whole thing and went out west and took up horseback riding and came to solve her problem.
Laverne
Well, honest, Phyllis, I don't know what you're talking about.
Tom Hogan
Oh, yeah, you wouldn't understand, laverne. I guess it's kind of hard to explain. I was thinking maybe if I just cut my hair off, you know, just cut it all off, maybe I'd look different or something.
Laverne
It'd be different, all right. But would it be good?
Tom Hogan
Yeah, I know. Then I was thinking maybe I'd get something of them harlequin glasses. You know, real wild with gold or diamonds all around. Only not real, of course. And then they got something that's made out of neon. Like maybe they'd look good on me. You think so? That ain't too expensive.
Laverne
You know what I think? I think you're getting stir trays eating your heart out over this fellow.
Marvin Gaffney
What is this?
Laverne
I left a guy.
Tom Hogan
Oh, you don't know him, Louine. He's got a whole other side to him.
Laverne
He must have.
Tom Hogan
He's got a couple of sides I never even saw before. I wish I hadn't.
Laverne
Well, all I know is it wasn't like this when you were working at Costa.
Tom Hogan
Yeah, but I was working then. Now all I do is I. I think about Marie Cottonmire over there entertaining him with her television all the time.
Laverne
Yeah, with the lights down, probably.
Tom Hogan
Well, you have to with television.
Laverne
Oh, well, forgetting. Forget the both of them. You know, I tell you something. I ain't said anything about this to anybody because I wouldn't want it to leak out and maybe get me fired before I'm ready to go.
Phyllis Hogan
I wouldn't count.
Laverne
Yeah, but I've been getting set up with custards. I think I've got a line on a new. Yeah, this is very confidential, but I know this fellow that's very close to a fellow that's with the phone company. Now, this ain't with the phone company, this job. But it's going to be available, doing secretarial work. And if it works out and I get it right, maybe when I've been there a couple of weeks and something else opens up, I can.
Mr. Hogan
What?
Marvin Gaffney
Slide you in.
Tom Hogan
Oh, Laverne. Oh, gosh, I always wanted to be a secretary to somebody. Oh, if you can do that, I'll try.
Laverne
But in the meantime.
Tom Hogan
Now, you keep your mop. She, Laverne, I'd be so grateful.
Laverne
Oh, forget it. Hey, when do we get our fortunes told here?
Tom Hogan
Oh, let's not bother with our tea leaves, Laverne. Let's just pay the check and get out. Yeah, I better.
Laverne
Old snoopy old doc.
Tom Hogan
Now, this time I'm absolutely going to pay for those.
Laverne
Oh, no, you're not.
Tom Hogan
I am, too. I can't have lunch with you anymore.
Laverne
Don't you want to tell.
Tom Hogan
Ah, now, Laverne, honestly, me asking you and they your tail all the time.
Marvin Gaffney
Oh, say, Kate.
Phyllis Hogan
Yes, Tom?
Marvin Gaffney
If I should go out later.
Phyllis Hogan
Where are you going?
Marvin Gaffney
Nowhere. But if I should. Yeah, and if Marvin should come around.
Phyllis Hogan
Why would Marvin be coming around?
Marvin Gaffney
No reason. There is no reason that I know.
Dr. Dennis Black
Up.
Marvin Gaffney
But if he should. Yeah, it's all right. Let him in.
Phyllis Hogan
Why would he want to come in? What are you and Marvin up to?
Marvin Gaffney
Oh, nothing. Nothing at all. Nothing at all. I. I just happened to see him this morning and well. Well, I can't see any sense in spending a whole lot of money on linoleum when we may be moving out of here someday. Now, with television, you can take that with you. You can enjoy it anywhere. And besides, I think Phyllis should have one.
Phyllis Hogan
Oh, it's finished.
Marvin Gaffney
I felt sorry for her. Besides, if we want to marry her off, we've got to give her some of the social advantages. We've got to keep up with the Joneses a little.
Phyllis Hogan
You mean the Carlton Meyer?
Marvin Gaffney
All right, all right. You see how the boys are flying over there like bees to a honey pot? I think we should do the same for Phyllis. So I did it.
Phyllis Hogan
And what did you use for money, may I ask?
Marvin Gaffney
Well, what does anybody use? Me own good name.
Marvin
Oh, that.
Marvin Gaffney
I paid $7 down or something like that. And sign the paper.
Phyllis Hogan
For how long?
Marvin Gaffney
For a certain time, it says on the paper. As a matter of fact, and this is very interesting, I didn't get a bad deal. Not a bad deal at all. Marvin's boss was able to make me a special proposition on a set that had just been repossessed. I guess that means they came for it.
Phyllis Hogan
How big is it? Where in the world are we gonna put it?
Marvin Gaffney
Well, I didn't actually see it. It hadn't come into the shop yet. But they tell me it's a very good one.
Phyllis Hogan
Oh, Tom.
Marvin Gaffney
Oh, now, don't be feeling that way, Kate. Well, I've been thinking it over, and there's a lot of advantages to telling. Why, think of the money you save just on the ball games and fights you don't go to. It'll pay for itself in no time. And then it's. It's educational.
Mr. Hogan
Besides, it brings the whole world into your living room.
Phyllis Hogan
We want it there. I'm cleaning up all day as it is.
Marvin Gaffney
Well, think of Phyllis, then. Think of her.
Phyllis Hogan
Oh, well, I knew I was never going to get that linoleum anyways. When's Marvin bringing it?
Marvin Gaffney
Any minute. No, that's why I thought maybe I better mention it to you.
Phyllis Hogan
Oh, thanks. Yes.
Tom Hogan
Come on.
Phyllis Hogan
Oh, Phyllis, Phyllis, you'll never guess what half art.
Mr. Hogan
Hold on, hold on.
Marvin Gaffney
Let me tell her.
Tom Hogan
My goodness. Everybody's trying to talk at once.
Marvin Gaffney
Well, let me first.
Phyllis Hogan
All right, go ahead.
Marvin Gaffney
Well, Phyllis, we got a little surprise for you. We're getting a television.
Tom Hogan
Oh, that's wonderful, Pop. Mom, I had lunch with laverne, and guess what.
Marvin Gaffney
Well, now, that's a fine way. I said we got a television.
Tom Hogan
Yeah, Pop. Well, mom, laverne knows a fella that knows a fella. Well, it's all very complicated. He ain't with a phone company, but this friend of his is, so it must be important. And I got a good chance to be a secretary.
Phyllis Hogan
Secretary?
Tom Hogan
Yeah, yeah, it's a secretarial position. It ain't subtle or anything, but I understand those things pay pretty good.
Marvin Gaffney
That's wonderful, Phyllis.
Mr. Hogan
I'm proud of you.
Tom Hogan
Well, of course, it's just a chance, you know, but who's had a chance lately?
Marvin Gaffney
What did I tell you? I knew this was going to happen. We've not only got a television, but now we can even afford it.
Mr. Hogan
No other hogan can make that claim. Wait till cotton my ears about this. I bet I get a bigger screen than he has, too.
Tom Hogan
Gee, you're smart, Marvin. Knowing where all them wires go and everything.
Marvin
Oh, it's easy once you know how. No, it ain't. It's darn complicated.
Mr. Hogan
Out of the way.
Laverne
They.
Marvin Gaffney
Hey, Phyllis.
Mr. Hogan
What are you trying to do, crawl.
Marvin Gaffney
Into the box with him?
Tom Hogan
No, I'm just trying to see what he's doing.
Marvin Gaffney
He knows what he's doing. I hope that's okay.
Marvin
She's helping me, Mr. Hogan.
Tom Hogan
Am I really, Marlon?
Marvin Gaffney
Sure you are.
Tom Hogan
Oh, you're probably just saying that.
Marvin
No, I mean it. Now, I can just get this.
Tom Hogan
I held a thing before, you know.
Laverne
When you told me.
Marvin
Yeah, that's right, you did.
Tom Hogan
I guess girls are usually probably more trouble than they are help, huh?
Marvin Gaffney
You said it.
Tom Hogan
Am I being a trouble to?
Marvin
No, you're a big help.
Tom Hogan
Oh, that's good. How are we doing, Marvin?
Marvin
Getting it.
Tom Hogan
That's good.
Marvin
Boy, that last job, though. I thought I'd go crazy before I was done.
Tom Hogan
What do you mean?
Marvin
That Marie. What about Marie won't let you alone for five minutes. Don't you want to take your tie off? Wouldn't you like a glass of water? Don't you want to do this? Don't you want to see if that only lets you do your work?
Tom Hogan
Oh, well, some girls probably just don't understand about men, Marvin. I guess they don't understand men like to be let alone sometimes.
Marvin Gaffney
What are you two gambing about there?
Mr. Hogan
How long is that going to take?
Marvin
I think I got her, Mr. Hogan.
Mr. Hogan
We'll turn it on.
Marvin
Okay, now you just let her warm up first.
Mr. Hogan
Come in here, Kate. Come in and look at this. Turning it on.
Phyllis Hogan
I don't see nothing.
Mr. Hogan
Well, it's good to warm up first, woman.
Marvin
Yeah, you have to tune it too.
Mr. Hogan
You have to tune it.
Marvin
It too, for both audio and video.
Mr. Hogan
Yeah, you have to tune it. Look at that woman.
Marvin Gaffney
Look there.
Mr. Hogan
Television.
Marvin
What did you say?
Mr. Hogan
There you are, Phyllis. It's all yours. Call up your friends, invite them over. Tell them it's open house.
Tom Hogan
Not tonight, Pop.
Marvin Gaffney
What's that?
Mr. Hogan
I can't hear you.
Tom Hogan
I said not tonight.
Mr. Hogan
I can't hear what you're saying. Is there a way to turn that thing off?
Marvin
Yeah, sure.
Mr. Hogan
We'll turn it off now.
Marvin Gaffney
What's that?
Tom Hogan
I said not tonight, Pop, please.
Mr. Hogan
Well, why not? We just bought the thing. We just got it going. How about all them young people that have been over at Kaltenmayer's every evening watching his television? Tell them to come over here for a change.
Tom Hogan
Oh, they went roller skating, Pop.
Marvin
Yeah, they got sick of looking at television.
Marvin Gaffney
Sick of it.
Marvin
I was going with them, but then this job came up and Anyway, Phil and me, we thought we were.
Tom Hogan
We were thinking of going back movies.
Mr. Hogan
Going to the movies?
Marvin Gaffney
What do you want to go to.
Mr. Hogan
The movies for when you got a.
Marvin Gaffney
Television right in your own house?
Tom Hogan
Well, it ain't the same.
Marvin Gaffney
What ain't the same about it? You can get movies right there on that screen.
Mr. Hogan
Ain't that so, Marvin?
Tom Hogan
Well, yeah, but it ain't the same puppet. It just ain't the same.
Marvin
She means it ain't going to the movie.
Marvin Gaffney
Now listen, you sold me that thing and if you think I'm going to have it just sitting there like the piano, well, you can take it back.
Mr. Hogan
You can just take it back. Go on now, get it out of here. I don't want it. I won't pay another cent on it.
Marvin
Well, gee, I don't know if I can do that, Mr. Hogan. Boss was pretty sore when Mr. Carlton Meyer sent it back.
Marvin Gaffney
That's Carlton Myers, television. That one there.
Marvin
Yeah. He decided he didn't want it either.
Marvin Gaffney
Well, what the heck would I want.
Mr. Hogan
With a television if Carlton Meyer ain't got one? Get it out of here.
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Phyllis Hogan
Tom, the time has come.
Marvin Gaffney
For what?
Phyllis Hogan
Well, I don't like to keep aft about this, but we got to make up our minds. Are we going to take a vacation this year?
Marvin Gaffney
Oh, I suppose so.
Tom Hogan
I know where I'd like to go. I mean, if I really had my choice. I think I'd like to go to Bermuda. It's beautiful. Down there. I saw some pictures of it once. It's an island, mom, you know, and the whole thing is made out of coral. Imagine, a whole island made out of jewelry, practically. But I guess there's no use thinking about Bermuda. Everybody down there rides a bicycle. I don't know how.
Philip Morris Advertiser
Just talk. The Hogans are going on a trip, all right, but it will be a long way from Bermuda. You'll hear all about it if you listen again next week to Hogan's Daughter. Until then, friends, remember this. If you're tired of cigarette hangover, call for the one cigarette that gives you a milder, fresher, cleaner smoke. Yes, from now on. Good night, Johnny. Next Tuesday, same time, same station, when Philip Morris again will present Shirley Booth as Hogan's Daughter. Written by John Wheaton and Sam Moore. And don't forget to listen to Horace Heights original Youth Opportunity program next Sunday over all these same stations. Until then, smoke a pipe.
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In our story tonight, Hogan was played by How Howard Smith. Betty Guard was Hogan's wife.
Narrator
And Marvin was played by Everett Sloan.
Philip Morris Advertiser
The music was under the direction of Bernard Green. All names and characters used on this program are fictitious. Any similarity to persons living or dead is purely coincidental. This is Ken Roberts saying good night for Philip Morris.
Narrator
This is NBC, the National Broadcasting Company.
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Harold's Old Time Radio – Episode Summary
Title: Hogan's Daughter
Original Air Date: July 12, 1949
Episode Title: The Television
Release Date: January 29, 2025
In this engaging episode of "Hogan's Daughter," listeners are transported back to 1949, a pivotal time when television was beginning to make its mark in American households. Through the lens of the Hogan family, the show explores the societal and familial impacts of this nascent technology. The episode delves into themes of tradition versus modernization, generational conflicts, and the allure of new gadgets disrupting established norms.
The Hogan family—comprising Mr. Hogan, his wife Phyllis, and their son Tom—resides in a bustling Manhattan neighborhood. The tranquility of their routine life is upended when their neighbor, Marvin Gaffney, announces the installation of a television. This development sparks a series of discussions and conflicts within the Hogan household, highlighting differing perspectives on technological advancement.
Initial Reaction: Phyllis is excited about the television, viewing it as a status symbol and a gateway to modern entertainment. In contrast, Mr. Hogan is vehemently opposed, fearing it will erode family interactions and traditional values.
Community Influence: Marvin Gaffney becomes a central figure as he champions the benefits of television, attempting to persuade the Hogans and others in the neighborhood of its merits. His enthusiasm represents the broader societal push towards embracing new technologies.
Family Dynamics: Tom finds himself caught between his mother's openness to change and his father's resistance. Additionally, Tom's interactions with Laverne, his friend, reveal his own aspirations and the influence of television on his future prospects.
Climactic Confrontation: Tensions peak when Marvin invites the Hogans to experience his television firsthand. Mr. Hogan's staunch refusal and emotional outburst underscore the deep-seated fears surrounding technological disruption.
Mr. Hogan: Embodies traditional values and skepticism towards new technology. His resistance is not just about the television but symbolizes a broader fear of change. For example, at [03:02], he declares, "Television, is it? That's an outrage," emphasizing his strong opposition.
Phyllis Hogan: Represents openness to modernization and the benefits it may bring. She contrasts sharply with her husband, advocating for the television's potential to enhance their lives. At [02:25], she enthuses, "Imagine having a television. It's like knowing somebody that owns a yacht."
Tom Hogan: The younger generation's bridge between old and new. Torn between his parents' viewpoints, Tom's character development reflects the internal conflict many faced during this era of technological transition.
Marvin Gaffney: The neighbor and advocate for television, symbolizing progress and the persuasive power of new technology. His interactions aim to sway the Hogans, representing the seductive nature of innovation.
Laverne: Tom's confidant, providing insight into the social implications of television and its impact on personal relationships and career opportunities.
Resistance to Change: Mr. Hogan's disdain for television mirrors the societal resistance many felt towards new technologies that threatened established ways of life.
Generational Divide: The contrasting views between Phyllis and Mr. Hogan highlight the generational tensions that arise when introducing groundbreaking innovations.
Impact on Family and Social Interactions: The introduction of television raises questions about its effect on family dynamics, communication, and community cohesion.
Economic and Social Mobility: Tom's potential secretarial job opportunity linked to the television industry underscores the broader economic shifts driven by technological advancements.
Cultural Shifts: The episode captures a moment of cultural transformation, illustrating how technology can influence aspirations, lifestyles, and societal norms.
Mr. Hogan [03:02]:
"Television, is it? That's an outrage. That fellow Kaltenmeyer, he can no more afford a television than I can."
Phyllis Hogan [02:25]:
"Imagine having a television. It's like... knowing somebody that owns a yacht."
Marvin Gaffney [07:26]:
"Hey, you hear about me selling the television to old man Kaltenmaier? How about that, Mrs. Hogan?"
Tom Hogan [10:08]:
"I ain't particularly interested in you running down the side of the building, Marvin. What I would like a straight answer to is my question."
Phyllis Hogan [28:32]:
"I know where I'd like to go. I mean, if I really had my choice. I think I'd like to go to Bermuda."
"Hogan's Daughter: The Television" masterfully encapsulates the anxieties and excitement surrounding the introduction of television in American homes. Through the Hogan family's experiences, the episode poignantly portrays the challenges of balancing tradition with progress. It invites listeners to reflect on how technological advancements shape personal relationships, community dynamics, and societal values. As the Hogans navigate their differing perspectives, the episode underscores the transformative power of innovation and the enduring struggle to adapt to change.
Credits:
Written by John Wheaton and Sam Moore
Performed by Shirley Booth (Phyllis Hogan), Howard Smith (Mr. Hogan), and Everett Sloan (Marvin)