House Of Unspeakable Secrets 67-11-27 (1) Code Name Joseph

Summary

Harold's Old Time Radio: "House Of Unspeakable Secrets" Episode 67-11-27 (1) - "Code Name Joseph" Summary

Release Date: February 15, 2025
Host/Author: Harold's Old Time Radio
Genre: Golden Age Radio Drama, Espionage Thriller

---

Introduction

"House Of Unspeakable Secrets" transports listeners back to the thrilling era of espionage and intrigue, reminiscent of classic radio dramas from the Golden Age of Radio. In Episode 1, titled "Code Name Joseph," listeners are introduced to a complex web of deception, secret gadgets, and high-stakes missions set against the backdrop of Hamburg's Hotel Alster Palace. This summary delves into the intricate plot, key characters, and pivotal moments that define this captivating episode.

---

Plot Overview

The episode unfolds in Hamburg, where Major Selby, a British intelligence officer based in London, is attempting to coordinate a critical mission involving Herr Hilaire, a renowned London-based hairdresser with clandestine ties. Herr Hilaire is tasked with retrieving a concealed gadget from Bridget Carls, a prominent figure entangled in the espionage narrative.

As Herr Hilaire navigates the Hotel Alster Palace, he orchestrates a covert meeting with Bridget Carls, using deceptive tactics to conceal his true intentions. The tension escalates when mysterious sightings of "Weber," a supposed drama critic with ulterior motives, complicate the mission. Herr Hilaire employs gadgets like hidden microphones and earpieces to gather intelligence, highlighting the sophisticated spy craft at play.

The plot thickens with Major Selby's instructions, emphasizing psychological manipulation over mere gadgets, showcasing the evolution of espionage tactics. A foggy night in Hamburg serves as the perfect setting for clandestine operations, leading to mistaken identities, forced interactions, and a dramatic encounter on the North Express train to London.

---

Key Characters

• Herr Hilaire (Played by Leslie Phillips): A suave London hairdresser doubling as a covert operative. His expertise in disguise and social manipulation make him pivotal in the mission to uncover vital secrets.

• Major Selby (Voiced by Simon Lack): A strategic British intelligence officer orchestrating operations from London. His guidance underscores the psychological aspects of espionage.

• Bridget Carls: A central figure whose interactions with Herr Hilaire and the hidden gadget are crucial to the unfolding mystery. Her dual role adds layers to the narrative.

• Weber: A deceptive drama critic whose true allegiance remains ambiguous, introducing elements of mistrust and uncertainty.

---

Key Scenes and Discussions

1. Initial Coordination ([01:21] - [04:30]):
   Major Selby contacts Herr Hilaire from London, stressing the importance of retrieving a gadget hidden in Bridget Carls' makeup box.

   "That's exactly. You won't know the difference. Not until it's too late." ([03:15] Leslie Phillips as Herr Hilaire)

2. Encounter with Weber ([07:50] - [12:00]):
   Herr Hilaire interacts with Weber, who poses as a stage electrician but reveals himself as a double agent. The tense exchange highlights the perilous nature of their mission.

   "With the British and Americans it is gadgets. No gadgets. Hidden microphones to wear mirrors." ([10:45] Weber)

3. Foggy Escape and Compartment Mix-Up ([18:20] - [21:00]):
   Amidst a thick fog, Herr Hilaire and his associates attempt a covert escape via taxi and subsequently board the North Express train. A case of mistaken compartment assignments leads to suspicion and a brief altercation.

   "The fog is lifting a little. Yes, we are going a little faster." ([19:55] Leslie Phillips)

4. Train Compartment Conflict ([23:32] - [29:12]):
   Inside the train, tensions rise as Herr Hilaire confronts a perceived threat in his compartment. The discovery of a wounded Bridget Carls, who utters the enigmatic phrase "Code Name Joseph," propels the narrative toward deeper intrigue.

   "You have someone with you?" ([25:50] Bridget Carls)
   "I can hear Joseph speaking to Bridget." ([28:19] Leslie Phillips)

---

Notable Quotes

• Herr Hilaire on Espionage Tactics:

  "This is dynamite. What's the message?" ([14:07] Leslie Phillips)

• Major Selby on Spy Psychology:

  "With us it's double Bluff on double, double." ([12:30] Major Selby)

• Bridget Carls on Herr Hilaire's Elegance:

  "You have that sort of elegance." ([24:01] Bridget Carls)

• Herr Hilaire's Assurance:

  "I won't let you out of your sight. Trust me." ([21:45] Leslie Phillips)

---

Character Analysis

• Herr Hilaire: Exhibits charm and intelligence, adept at navigating social settings to achieve his objectives. His dual role as a hairdresser and spy underscores the theme of hidden identities.

• Major Selby: Represents the strategic mind behind operations, emphasizing psychological warfare over brute force. His instructions guide the mission's delicate maneuvers.

• Bridget Carls: A complex character whose interactions suggest deeper connections and secrets, pivotal to the mission's success and the episode's suspense.

• Weber: Introduces ambiguity and tension, embodying the unreliable ally trope common in espionage narratives.

---

Pivotal Moments

• Gadget Retrieval: The mission to extract the hidden gadget from Bridget Carls' makeup box is central, symbolizing the quest for critical intelligence.

• Train Compartment Drama: The confined setting of the train compartment amplifies suspense, leading to unexpected alliances and confrontations that drive the plot forward.

• "Code Name Joseph": The revelation of the code name introduces a larger, possibly global conspiracy, hinting at future plot developments.

---

Conclusion

"Code Name Joseph" sets a high bar for "House Of Unspeakable Secrets," blending classic radio drama elements with intricate espionage storytelling. Through its rich characters, suspenseful plot twists, and strategic use of dialogue, the episode captivates listeners, leaving them eager for the unfolding saga. The integration of notable quotes and meticulous plot progression ensures that both aficionados of old-time radio and new listeners find the narrative engaging and immersive.

---

Final Thoughts

"House Of Unspeakable Secrets" successfully revives the charm of Golden Age radio dramas while infusing it with modern narrative techniques. Episode 1, "Code Name Joseph," promises a series filled with mystery, depth, and the timeless allure of spy thrillers. As the story progresses, listeners can anticipate further explorations of loyalty, deception, and the relentless pursuit of truth within the shadowy realms of espionage.

Transcript

[Stamps.com Advertiser]

Work takes up most of your time. That's why you should use stamps.com to save time with your mailing and shipping. Stamps.com will simplify your postage needs and add valuable time back into your workday so you have flexibility to focus on more important things. Stamps.com can handle your mailing and shipping needs with rates up to 88% off. UPS and USPS send invoices, checks, certified mail, packages and anything else you need to keep your business running. With stamps.com if you sell online, connecting with every major marketplace and shopping cart is easy. Plus, you can schedule package pickups through their dashboard and automatically see your cheapest and fastest shipping options from different carriers. With Stamps.com's Rate Advisor add more flexibility to your workday. With Stamps.com go to Stamps.com program to sign up for a special offer. No contract. Cancel anytime. That's stamps.com program.

[Leslie Phillips]

The House of Unspeakable Secrets Leslie Phillips in Ernest Dudley's eight part comic strip thriller episode one code name Joseph Hotel Alster Palace Gundorfen Hotel Alster Palace, Hamburg. Major Selby here, speaking from London. Yes, is Mr. Hilaire there? Herr Hilaire? No, no. He has gone to the opera. In his braided cards. In the very widow. Oh, yes, yes, I see. I'll phone again half an hour. Very good, Herr Major. I will give Herr Hilaire your message. What a voice. No wonder old Hamburg's gone wild over Bridget car. Yes, even from the side of the stage. Sounds marvellous from the side. The front. Any way you like, Mr. Hilaire. She's very sexy. But then of course, you know all about that. Well, I am. But now is our chance to get along to our dressing room. Come on. You sure it'll be all right? Eric, what's the matter? The man there in the state box. What about him? Look how he's staring at Fraulein Kaz. Every man in the theater's staring at her. Not the way he is. Who is he? He's gone. So? Yes, he'd let go also. Come on. Make sure no one's in there who should be there. A dresser was in the wings. Come on then. No one here. They have to work fast. Should I turn the key? But suppose someone comes in? Always say I am an electrician here. I'm mending a fuse. Yeah, how about me? You should worry. The famous hairdresser Hilaire from London. But I'm supposed to be waiting for Bridget at the hotel. Intimate little supper in her suite, of course. Well, that's Part of what I was sent to Hamburg for. And I thought it was because she would allow no one but the great Hilaire touch a hair of her head. That's true as well. Anyhow, this little gadget we're looking for, where has she hidden it? Her makeup box. Very cunning. Yes. The side of the box pulls out. Thought I heard someone. What do we do? They've gone. Now I know what a cold sweat feels like. You have to learn to expect it. I'm learning. Don't disturb her makeup. You just pull the side out. There you are. The little gadgets. I can tell so much. You've got the replica to put in its notes. Of course. Here it is. Good they are. That's exactly. You won't know the difference. Not until it's too late. You take the other. I can play it back at the hotel. Too bad if it is Leicester time. Music. Listen. He stopped. I look as if I am fixing this. Right. You fuss over that way. Right. Anyone here? You are looking for Ms. Cowles. Gutenhavan. This is Frolinka's dressing room. It is her name on the door. So, my name is Weber, drama critic for the Hamburger Zeitung. I am the stage electrician there. There's trouble with his life. We saw you watching the show. You saw me? You were in the stage ball. This is Herr Hilaire, Frankarl's hairdresser. The famous hairdresser from London. Of course, Herr Hilaire. It has been in the papers. You are staying at the same hotel as Fraulein Kaus? Yes. You are a Fenishfer. You have known Frulein Karls long? Since she came to London a year ago. That was before her South American tour. Yes, that was also a triumph. Rio de Janeiro, for example. Yes. So Frolein Carles is on the stage. I will return later and hope she will see me. I'm sure she will. What is he after? I don't know. I did not like the bit he got in about Rio de Janeiro labor. Did he call himself on the Hamburger Zeitung? I will check up on him. But wouldn't he expect us to do that? He could be trying the double bluff. Ah, you don't know much about German agents, do you? This is the first time I've been quite so involved. We go in for psychology so much, the stuff runs out of our ears. Really? With the British and Americans it is gadgets. No gadgets. Hidden microphones to wear mirrors. And now the Russians. When in doubt, sudden death. But with us it's double Bluff on double, double. Bluff on double, double. But let's get out of here. I can phone that newspaper from the stage door. I'll get back to the hotel and the best of British luck. Is that not how you say it? Well, sometimes. Here we are. No one using the stage doorman's phone. Look outside. There's a bit of a fog coming up. It seems pretty bad. Can I help you? Meinheer? I want to use your telephone. Give me the directory. Here you are. I'm wondering how I'll get back to my hotel. Better look out for a taxi. Yeah, I'll do that. Don't go yet. I shan't be a minute. Telephony. I'll tell you what I found out. I'd like to know if he really is an imposter. Ah, here's the number. Hamburger Zeitl. What a fog. I'll never get a taxi in this. I'm sorry, so sorry. This fog. Nurse. I beg your pardon. Hello. Ah, there you are. I've spoken to the paper. Their drama critic is Kol Weber. But he happens to be in Berlin. Berlin? You mean not here in Hamburg at all? And the question is, where is this one from? Where? Yes. And who? Who? Here's an angel. Where from? Moscow. Not so loud. I thought I heard. Hey, listen. What? Weber, or whatever his name is. He was hiding there, listening. I bumped into someone in the fog. It must have been Weber. Perhaps he only heard that. We know he's a phony dramatic critic. I hope you're right. You must get back to your hotel. You want a taxi in this fog? We will get you one. This I have to see. Taxi. There you are. Taxi. How did you do that? It did nothing. Hotel Ouster palace, please. In you get. Aren't you going back to the theater? No, I think I will come with you. They can manage with Alfred for half an hour. But I'll be all right. Of course, of course. Well then all the same. Accidents can happen in fog. He's driving slowly enough. It wasn't the driver I worry about. You mean the fake flavor? That and just a sixth sense. Ah, and you've been in this game as long as I have. I haven't noticed anything playful about it so far. The fog is lifting a little. Yes, we are going a little faster. Hamburg fog is patchy always. It's the river and the lakes. But I was going to say there are compensations. Compensations? About this job? Yes, Fraulein Cows, for example. Now you do let your imagination goes you ahead to tell you the truth, I can't help feeling I played her a dirty trick. She'd have done the same to you, I suppose. All the time. Because she happens to be a very attractive woman. Pretty. You must learn it doesn't appear to be sentimental. Not in this dirty business. I'm sure I shouldn't have told you. You'd be wiser to keep your feelings to yourself. I remember. Be too bad if Major Selby got to know about them. Selby? It slipped out. It's a name I'm not supposed to mention. Selby, the big brain in London. You know as well as I do. And that's the sort of question you don't ask. Okay, forget it. It was just natural curiosity to. That's fine. Who is va There. See him? Yes. Yes, it is. I'll stop the taxi and follow him. Halton. Halton. You go on to the hotel. Y. All right. See you later. Yes. Must not lose him in the fog. Good luck. All right, driver. Hotel alone. Good. Novant Care Hilaire Gooden Archipelag. There are two messages for you. Oh, her. Major Selby called you from London. Major Selby? He will phone again. He said unt Herr Weber was asking vapor. When was this shut? No, he said he would let for you here. But I do not see him anywhere. I don't see how you could. He was sitting over there. He must have got tired waiting. Hope he's not gone up to your room. So do I. I will phone up to you if you return. You will be in your room? I suppose so, yes. And you put Major Soy through. Of course. Thank you, Jack. Sure. Hey there. Close the door. There's a draft. Eric. How did you. How did you get up here? Sorry if I startled. I was just wondering if Weber might be waiting for me. Weber? Yes. They told me downstairs that he called. Did you lose him in the fog? Yes, but you don't have to worry about him. Let me see the gadget, please. What? From Bridget? Carl's dressing room. Why? You're afraid I've lost it? It would be too bad for you. Ah, you have it. I think I should check it before you take it on to London. You mean make sure it isn't a lot of Leichter Tann music? No. See, I just plug in this earpiece, touch this tiny button and it's playing back. Okay. Major Selby is phoning me. I can't hear. This is dynamite. What's the message? I can actually hear Joseph's voice. I. I can hear him speaking to Bridget. Cars. Joseph Himself. His own voice? Yes. Is it really? Who is Joseph? He is in Rio de Janeiro. She met him there. Bridget Carls. Joseph. It's a code name you do not know. Joseph. Rio de Janeiro. Code name? You mean Major Selby has not told you? Major Selby? Ah. You are new to all this. Perhaps. Perhaps he thinks it best that you do not know too much. Well, he's phoning me. Look. The fake Weber. He asks about Bridget in Rio de Janeiro. I told you, you don't have to worry about Weber. He is unimportant. No. All right. We are all unimportant. Little cogs. Big wheels. Quickly worn out, easily replaced. This little gadget, you do not let it out of your sight. Trust me. You're going. I have checked. It is okay. You won't wait for the Major's phone call? I mean, he might like a word with you. It is not necessary. That'll be him now. You better wait. Hello? Oh, my sleeper. Oh, yes. Bridget. It isn't him. I can hear that. Hello? You have someone with you? No, no. Bridget, at least, I mean, I hear you speak with them. You have got a woman. No, I haven't. Really. I hear you speak with her. No, really. You're not a woman, are you? Say something. Sound like a waiter. So get to care if you swap all the wifi here. Yeah, thanks. Did you hear that, Bridget? The waiter asking me to. Whatever it was. Okay.

[Bridget Carls]

Chana.

[Leslie Phillips]

I am sorry I sound jealous.

[Bridget Carls]

But you are so attractive.

[Leslie Phillips]

I am phoning from my dressing room.

[Bridget Carls]

Just to say I will not be long.

[Leslie Phillips]

You are waiting for me? Oh, yes. I will hurry as quick as I can. In an hour's time. I must go now.

[Bridget Carls]

They are calling me off feet.

[Leslie Phillips]

As in you, dear. I'm sorry about that. Do not apologize. Well, I will be on my way. But the other call should be through any minute. I will not wait. Good night. Good night. A very, very good night. What does he mean by that? Hello? Hello? Yes? Major Selby for you from Dr. Oh, thank you. That you? Yes.

[Stamps.com Advertiser]

These days work is in trouble. We've outsourced most of our manufacturing to other countries. And with that, we sent away good jobs and our capability to make things. American Giant is a clothing company that's pushing back against this tide. They make all kinds of high quality clothing and activewear, like sweatshirts, jeans, dresses, jackets, and so much more right here in the usa. So when you buy American Giant, you create jobs in towns and cities across the country. And jobs bring pride, purpose. They stitch people together. If all that Sounds good to you. Visit american-giant.com and get 20% off your first order when you use code STAPLE20 at checkout. That's 20% off your first order at american-giant.com with promo code STAPLE20.

[Leslie Phillips]

You need parts. O'Reilly Auto Parts has parts. Need them fast. We've got fast. No matter what you need, we have thousands of professional parts people doing their part to make sure you have it. Product availability just one part that makes O'Reilly stand apart. The professional parts people. Oh, oh, oh. O'Reilly Auto Parts. I can hear you very clearly. You might be next door. Of course you can hear me very clearly. This is a special call. I'm reaching over by radio wavelength so no one can tap us. Oh, safer than a scrambled job. Now listen, you've got to get out. Get out? But I've only just got here. Oh, by the way, Eric's just gone. Eric? He's checked it. Checked what? The gadget. You know I've got it. You've got it? That's what I sent you the Hamburg for. And don't damn well lose it. I won't. Or it's a chop chop. That's why you've got to move fast. Now, this very minute. Yes, from the hotel. From Hamburg, you idiot. Get out. Oh, all right. I can't see why. Wardrobe. And you'll see it in the wardrobe. Get out. That's an order. Get out. Now look in the wardrobe. What's he talking about? Who's there? Herr Hiller? Yes. I. I don't speak German. No, we are from Hamburg. Sea aging Police. Yeah, Zee sin wahafte. Hey, you will come with us. Oh, will I? Zeedin vahate. What is all this? Mort. Mort who? Ach, Mort. Murder. Murder. You're out of your mind. What are you doing? We must find the body. You won't find it in the wardrobe. I just looked. Well, what I mean is, why should you think there's a body in here anywhere? Douglas. Knocking. What did I tell you? We will look into bathroom. Young Wol. We won't find a body in there either. In there? What store? You know nothing. I told you there wasn't a. Eric Mort stabbed to a death. Eric. Why did you get it? Me? I didn't kill him. He mustn't come and meet Dr. Polytecha. You will come with us to police headquarters. Well, I know nothing about this. You know enough. You killed him. Come. But I must some mistake. Besides, I have a supper engagement. You can tell your story at cid. We have A car downstairs. You are under arrest. Why are you driving so fast? It's dangerous in this fork. My colleague is used to it. The ME I'm thirsty. I didn't realize the station was all this way. We're not taking you to the police. Stationary, lad. What? What do you mean? You're up to some trick. Don't hurt your deck. Like it? You are in safe hands. Arrested for a murder I haven't done. Driven by a maniac through a foggy night somewhere. I don't know. We are just arriving at the railway station. Railway station? The fog has stopped all flights from the airport. But where am I going? We will see you safe aboard the Nordic Press en route for London. Our orders are to get you out of Hamburg. Pass. You mean all this is in aid of some plan? We know nothing. We obey. That is all. You didn't believe I killed Eric at all. The CID are taking care of that. Aren't you and your friends. Cid? But you're the cid. Special department. Ah, der Holt Panholz. Yeah, we are. The railway station. It's better than the police station, I suppose. I will see you to the train. Thank you. And thanks to your friend for the most uncomfortable drive I've ever had. Auf Wiederseheim, Hilaire. Auf Wiedersehen. We must hurry. We have only a few seconds. Follow me. The North Express is already here. Right. There will be someone on the train. Oh, they see that you are taken care of. Oh, you understand? Thanks. So, auf Wiedersen. You're off. Alfredo Zane. And thank you very much. I suppose. And I will not forget to give Frulein Guard your message that you were called away. Oh, leave it to me. I will show you to your compartment. Mr. Hillel. Eric. But I thought you were not trouble to think he can so easily proceed. But. But just now I saw you in the bathroom. Dead. I told you. It is all part of the game. Don't you play a bit rough? One has to think quickly, act quickly. Me, Major Sobey and you are in this together. You were in a trap. We got you out of it. Leave it at that and forget it never happened. I see. Don't ask me questions because I won't get any answers. This is your compartment number Kate set. First class. Well, that's something. You didn't have time to pack. So you'll find everything you need for the night. Thank you. Pajamas, dressing gown, toothbrush. What else do you do? Stage electrician, murdered bodies, sleeping car attendant. Very versatile. One becomes used to doing any jobs. Come along to the dining car when you're ready. Or perhaps you'd like to rest a little. It has been quite an exhausting evening. Evening. So if there's anything you want, press the button. Thanks. Okay, Mr. H. Thank you, Ellie. Vber what the. Yes, it's v. Take the integrity. But this is knife is real. What the. Why you. The window's going on. You said he wasn't important. It was va v hurt Came at me with a knife. I never saw him get on the train. But he just got off during the fight. I. I got him into the corridor. Fell against the window, you see. And it was open? Yes. I don't suppose he'll come back. No, but there's a draft. He'd better get back into your compartment. What happened? I was half asleep. The door opens. I thought it was. It was. Oh, well, he nearly got me. Right. He did not. My luck was in. Well, I of know a bit of judo. Judo? An expert? I'm only a beginner. You don't know your own strength. I can't believe it's happened. It happened. I suppose he must have been killed. Probably broke his neck. Oh, poor devil. I fill your wash basin. You have a wash and brush up. Oh, thanks. Then come along and eat. And a good bottle of win steak Meinha. It was not overdone? It is to your satisfaction? Very good, thanks. And the wine is the right temperature? Excellent, excellent, like. Everything all right, Mr. Hiller? Fine, Eric, thanks. Quite got over there that little shot? Yes, yes, very good. I'll be around.

[Bridget Carls]

I wonder, might I sit here?

[Leslie Phillips]

Yes, yes, of course.

[Bridget Carls]

Thank you. I'm not disturbing?

[Leslie Phillips]

Not at all.

[Bridget Carls]

I prefer not dining alone.

[Leslie Phillips]

Oh, yes, you're English.

[Bridget Carls]

For a moment I thought you might be French perhaps.

[Leslie Phillips]

Oh, really?

[Bridget Carls]

You have that sort of elegance.

[Leslie Phillips]

My mother is French.

[Bridget Carls]

I expect that.

[Leslie Phillips]

Explain.

[Bridget Carls]

I don't understand you.

[Leslie Phillips]

It's all right, madame. I speak English.

[Bridget Carls]

I would like some cons. And could I have a mushroom omelette?

[Leslie Phillips]

Mushroom omelette? Thank you, madam.

[Bridget Carls]

Rather a bold not knowing their language. Do you speak German?

[Leslie Phillips]

I'm afraid I don't.

[Bridget Carls]

You speak French?

[Leslie Phillips]

Of course. I weird.

[Bridget Carls]

I have a feeling I've seen you before. Perhaps at some party in London.

[Leslie Phillips]

I don't know.

[Bridget Carls]

You go to many parties?

[Leslie Phillips]

Few.

[Bridget Carls]

Red bore you. Maybe people bore you.

[Leslie Phillips]

No, no, no. I like meeting people. If I didn't, I wouldn't be much use in my job.

[Bridget Carls]

What do you do?

[Leslie Phillips]

I'm a hairdresser. I have my salon in Berkeley Square. Of course.

[Bridget Carls]

You are Hilaire. My friends rave about you.

[Leslie Phillips]

Thank you.

[Bridget Carls]

My name is Caress. Oh, I've been promising myself I will come and see you one day.

[Leslie Phillips]

Your hair is quite lovely, if I may say so.

[Bridget Carls]

No, not really. But I'm sure you could work wonders.

[Leslie Phillips]

Nothing will give me greater pleasure. Madame's consomme.

[Bridget Carls]

Thank you.

[Leslie Phillips]

Danke.

[Bridget Carls]

You're on your way back to London?

[Leslie Phillips]

Yes.

[Bridget Carls]

Must be thrilling for you to have built yourself up into such a success.

[Leslie Phillips]

I really owe so much to my mother. Really? Yes. Oh, she's been wonderful.

[Bridget Carls]

I was reading about you in one of the glossy magazines. Didn't you call your salon the House of unspeakable Secrets?

[Leslie Phillips]

Yeah. Journalists will say anything for sensational story.

[Bridget Carls]

No, but you do garden any secret. The secret is feminine beauty. And your clients must often take you into their confidence. Almost as much as if you were their doctor.

[Leslie Phillips]

You're exaggerating, you know.

[Bridget Carls]

They tell you things they wouldn't tell their husband or their lovers. Society women, film stars, politicians and VIPs wives.

[Leslie Phillips]

Oh, I don't know.

[Bridget Carls]

You're not a bit like a hairdresser, are you?

[Leslie Phillips]

No, no.

[Bridget Carls]

Charming without being flashy. So quiet and unassuming. And. Well, I. I'm sure you're very, shall we say, virile.

[Leslie Phillips]

Well, I am.

[Bridget Carls]

Am I embarrassing you?

[Leslie Phillips]

No, no, no. It's just that your. Your soup is getting cold.

[Bridget Carls]

I've forgotten about it. Anyway, it's nice talking to you. Oh, Madame, I haven't begun my soup yet.

[Leslie Phillips]

It is not that There is some trouble about your sleeping compartment.

[Bridget Carls]

My sleeping compartment?

[Leslie Phillips]

The attendant says would you come and see him? That there's some mistake.

[Bridget Carls]

But what mistake can there be?

[Leslie Phillips]

Well, it is that you've been given the wrong compartment. You are K11?

[Bridget Carls]

Yes, that's right, Caleb.

[Leslie Phillips]

But if you could just speak with the attendant. Oh, all right. What a nuisance.

[Bridget Carls]

Will you forgive me? I won't be a mom.

[Leslie Phillips]

I'll order you some fresh soup.

[Bridget Carls]

Thank you.

[Leslie Phillips]

More consumer? Yeah, I get some freshly hot.

[Bridget Carls]

Thank you.

[Leslie Phillips]

Oh, what has happened? What? Eric? It was a beautiful blonde who was sitting here. You saw her? One could hardly miss. I saw her sit at your table, though there were others. Empty. There's some mix up over her sleeping compartment. She should be back by now.

[Bridget Carls]

K11.

[Leslie Phillips]

What is it? Her number? K11 next to me. Yours is K10. Just occurred to me perhaps there's some mistake over mine. No, you're K10. Definitely. I better go and see what's going on here. I'll come with you. This is compartment K11. K11. That's it. Is she in? Not at home. It's locked. It's locked. She's in and it's all right. Mouse is stuck. Not here. Where is she? Let's look in yours. What? She may have made a mistake. Mistake? Come on, miss. Level. Hey. Quick, get her down. Look, I'll take away. Yeah, yeah. You hold your thing. It's your dressing, uncle. It isn't mine. I mean. I mean, lift the higher. Yes. Is she safe? Yes. How bad darkness is that? Leia is flat.

[Bridget Carls]

All right?

[Leslie Phillips]

Yeah. Is she. Is she dead? No, no, she's alive. You sure? Her pulse is going. We were just in time. She's almost gone. Breathing nearly stopped. Try the kiss of light, yeah? What? Try the kiss of light. Come on. Yeah, all right. Breathe hard. Yeah. Hard breath. Wonderby. She's breathing. Yes. I think she's kissing me back. I expect she's enjoying it. You. You. She's trying to speak. Speak. Y What did she say? I can't quite catch, but.

[Bridget Carls]

Y. Y.

[Leslie Phillips]

What does she say? She's saying Yosef. In episode one of the House of Unspeakable Secrets, Hilaire was played by Leslie Phillips Selby by Simon Lack and.