Indictment 1958.xx.xx Grand Slam Heist

Summary

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Podcast Summary: "Indictment 1958.xx.xx Grand Slam Heist"

Podcast: Harold's Old Time Radio
Host: Harold's Old Time Radio
Episode Date: September 10, 2025 (original airdate c. 1958)
Main Theme:
A classic radio crime drama set in New York, following Assistant District Attorney Edward McCormick as he investigates a daring fur heist intricately tied to friendship, betrayal, and a deep undercurrent of human vulnerability.

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Main Storyline Overview

• The episode centers on a sophisticated fur store robbery during inventory, where the thieves display insider knowledge.
• The partners, Monckton and Follinsby, face not just monetary loss but fallout in their decades-long friendship: suspicion, accusation, and heartbreak.
• Special attention is given to the human element—loyalty, heartbreak, and betrayal—as the investigation unfolds, eventually spotlighting secretary Mary Olney and her complicated relationship with one of the suspects.

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Key Discussion Points & Insights

The Heist and Immediate Fallout

• [01:29–03:00] The story opens during a mundane inventory at a furrier's shop, interrupted by a radio baseball game. The atmosphere is tense but familiar, quickly shifting as armed robbers invade, knowing exactly what to steal and when.
  • Notable moment: "They've got guns. Harold, don't do anything. We're insured. No noise." — (C, 02:35)
• [03:53–04:41] Detective Ed McCormick and Tom Russo are called in. It's made clear that the robbers targeted only the most valuable wild mink furs, further hinting at an inside job.
  • Quote: "Only the best. The stick-up men knew just where the wild mink was. Turned up their noses at the ranch stuff." — (E, 04:09)
• The insurance had lapsed just days before the heist, intensifying pressure on the partners and igniting mutual suspicion.

The Tension Between Partners

• [05:02–06:46] Follinsby tries to mediate Monckton’s anger, who accuses him of orchestrating the robbery.
  • Follinsby is clearly shaken but insists his concern is not just the financial ruin but the “loss of friendship—30 years, Mr. McCormick!” (D, 06:30)
• [06:46–07:29] McCormick suggests the partners attempt reconciliation by attending a Yankees game together, hoping to heal emotional wounds and let the investigation proceed.

Break in the Case – The Ballgame

• [07:52–09:04] During the game, Monckton unexpectedly spots one of the robbers in the crowd by his “half nose, half scar.”
  • Quote: "The other one, that's who. The one who went for the furs. There, looking around now, with the beer, there. That one." — (C, 08:46)
• An urgent call is placed to police, setting in motion the apprehension of a suspect at the stadium.

Lineup and Investigation

• [11:13–14:17] Classic police lineup sequence: witnesses struggle to identify the suspect unequivocally, complicated by nervousness and the fact several men in the lineup bear scars.
  • Quote: "We had seven men with scars in the lineup. Follinsby made two false starts and Olney then made Moran. But he's not sure." — (E, 13:13)
  • Olney, the secretary, initially claims to recognize no one: "No sir, I never saw any of those men in my life." — (A, 14:13)

The Emotional Unraveling and the Truth

• [16:23–20:24] The emotional nucleus of the episode: Monckton’s weak heart is pushed to the brink. In the aftermath, Olney is confronted about her ties to the suspect Puggy Moran.
  • Key scene: McCormick reveals Olney and Puggy have been living together under aliases, pressing her for the truth.
  • Quote: "Won't you tell me how he is?" (A, 16:49)
    "Angina, Miss Olney, like a red hot iron through the heart." (C, 16:55)
• Under pressure, Olney confesses her involvement and pleads with Puggy to give up the location of the stolen furs for Monckton’s sake.
  • Quote: "Puggy, whatever happens, I'm still me. Puggy, wherever they send you, whenever you get out, it'll still be me for you." (A, 19:56)
• Puggy, facing a life sentence, agrees to cooperate if McCormick will do what he can for Olney as a witness and possible accomplice.

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Notable Quotes & Moments

• [06:30] D: “I am less concerned over our loss than I am over what has suddenly happened to our friendship. Thirty years, Mr. McCormick. Good times and bad…to have such accusations, such hysteria.”
• [08:07] C: “This loss. We got knocked down. So we stand up and we stretch and we settle down and start all over again.”
• [08:46] C: “You can stand there and ask me who? The other one, that’s who. The one who went for the furs. There, looking around now… That one. Look. I can’t point. Next to the woman…the crazy hat.”
• [14:12] A: “No, sir. I never saw any of those men in my life.”
• [16:49] A: “Thirty years they’ve been together, twenty of them with me. Won’t you tell me how he is?”
• [19:56] A: “Puggy, whatever happens, I’m still me…wherever they send you, whenever you get out, it’ll still be me for you.”

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Crucial Timestamps

• [01:29] — Start of the inventory and setup for the heist
• [02:35] — Robbery in progress
• [04:09] — Investigators discuss the inside knowledge of the heist
• [06:30] — Follinsby on friendship and betrayal
• [08:35] — Spotting the robber at the baseball game
• [10:34] — Move to the police investigation and lineup
• [14:13] — Mary Olney’s ambiguous lineup testimony
• [16:49] — Revealing Mary’s connection to Puggy Moran
• [19:56] — Emotional confession, plea for clemency

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Episode Tone & Style

A blend of gritty police procedural and heartfelt human drama. Dialogue is swift and authentic, blending streetwise detective banter (“Anybody stupid enough to take a piece of an armed robbery with three convictions behind him owes the IQ people 100 points.” — E, 14:45) with tender emotional exchanges. The sound design and overlapping realism with the background of a Yankees game create palpable atmosphere.

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Conclusion

The "Grand Slam Heist" episode of Indictment weaves together elements of classic crime solving with a deeply personal story of friendship, loyalty, and heartbreak. Through authentic police procedure, a twisting lineup, and the unraveling of secret attachments, the episode illuminates the costs of criminal enterprise—not just in dollars, but in damaged relationships and moral dilemmas.

For listeners:
Even without prior context, the episode offers a masterclass in character-driven mystery from the Golden Age of Radio—crackling with tension, empathy, and old-school detective craft.

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Transcript

[Edward McCormick]

Indictment. A formal written charge of crime as the basis for trial of the accused. Indictment. The drama you are about to hear is from New York City and is based on stories of the criminal law with authentic pursuit procedures as detailed by Eliezer Lipski, former Assistant District Attorney of New York. It is the Assistant District Attorney who directs criminal investigations, assembles facts and witnesses, builds the case to adjust indictment.

[Harold Follinsby]

All right, that finishes up the stoves and jackets. Now, Mary, we come to the coats. Taking sheep right down at the top.

[Edward McCormick]

Coats.

[Harold Follinsby]

Mink coast.

[Mary Olney]

Mink. Yes, Mr. Clumsy.

[Harold Follinsby]

Wait a minute, Bill, for heaven's sake.

[Edward McCormick]

You're going to take inventory or you're.

[Harold Follinsby]

Going to listen to the ball game.

[Edward McCormick]

I can do it, though. Where are we? Mink Coats. Fine. Let's go. Oh, no, no, no. Wait. See if Mantle takes this to him all day. Oh, no. They're not going to make him bunt.

[Harold Follinsby]

Oh, no, Bill.

[Edward McCormick]

I take Harold. He lays quiet, man. Wait for it. It's scooped up the throw to first Think. He beats it out. He's safe. All right. That's the game for us. Oh, and he's with the man on base. What is it, Barry? All right, all right. Where were we? Me. Right.

[Harold Follinsby]

Very well. Ranch natural. A dozen. Ranch. Mutation 7. Ranch.

[Edward McCormick]

Mary. See who that is. No showings today. Too late. Inventory. Go ahead, Harry.

[Harold Follinsby]

Branch. Mutation seven.

[Edward McCormick]

Right.

[Harold Follinsby]

Branch Blue is next with four. Mary.

[Edward McCormick]

What is she doing out there? They've got guns, arrows. Don't do anything. We're insured. No noise. The hands up. No fuss. No much. No father. All right. Conference on the mound. Okay. Boston. No, not the vault, mister. No. I beg you, no. Wait a minute. What's the inning?

[Harold Follinsby]

Please, my partner can't be locked in the vault. His heart.

[Edward McCormick]

Sick man.

[Harold Follinsby]

Weak heart.

[Edward McCormick]

What's the inning? What's the score?

[Harold Follinsby]

Top of the ninth. Yankees are up. Tied up.

[Edward McCormick]

Mantle bunded. But I beg you. Shut up and get in. A voir. Pass. One on. Caught just in time. Iron on the outside. Get into the. Please.

[Tom Russo]

If they walk.

[Edward McCormick]

Like any season, in the dirt, go for a natural. For faith's sake. See what I mean? They walk them. I go for the double quad.

[Tom Russo]

McCormick, Ed, Tom Russo, head. I'm up at safe and lops on that 30th street fur heist. Monkin and Follinsville, you know.

[Edward McCormick]

Mm. What's cooking?

[Tom Russo]

Old shoes and cabbages, Ed. The safe and lofts. Men don't like the way it smells.

[Edward McCormick]

What was the haul there, by the way?

[Tom Russo]

That's part of the stink, ed. $90,000 worth of prime furs. Only the best. The stick up men knew just where the wild meat was turned up. Their noses at the ranch stuff seemed to know they'd catch the partners at inventory.

[Edward McCormick]

Inside job, huh?

[Tom Russo]

Insurance complications, Ed. Complications. As far as that goes. Insurance, that is. Moncton. That's one of the partners. Moncton suddenly discovers the other. Follinsby let the insurance lapse. He's blowing his top. A lot of wild charges, Ed. He's in a real.

[Edward McCormick]

All right. Where do I come in? Have these detectives got anything ready for me?

[Tom Russo]

Not yet. Monkton's screaming like a mad dog in the meat house. The boys up here thought you might get something out of them, Ed.

[Edward McCormick]

All right. Bring them down. Too late to catch the night game anyway.

[Harold Follinsby]

You. You have to forgive my partner's hysteria, Mr. McCormick. His entire life is. His entire savings are involved in our company.

[Edward McCormick]

Aren't you an equal partner, Mr. Follinsby?

[Harold Follinsby]

Equal? Yes, of course, equal. A partnership of 30 years standing. But eggs and baskets, you know I have real estate. I beg you, Mr. McCormick. I urge you. If you can induce him to. To adopt some self control.

[Tom Russo]

Mr. Follinsbee means his partner's been accusing him of fingering the job. Mr. McCormick, that's impossible.

[Mary Olney]

It's utterly.

[Edward McCormick]

Please, one thing at a time.

[Mary Olney]

I knew of Mr. Follonsby and Mr. Monkin for 25 years. They'd neither of them do any such thing. Why, they're the closest friends, much less business.

[Edward McCormick]

Ms. Only. Please. In good time. Detective Russo, did Mr. Moncton say anything in your presence to substantiate this claim, this accusation?

[Harold Follinsby]

The efficiency, Mr. McCormick. The efficiency and speed of the operation.

[Edward McCormick]

The robber.

[Harold Follinsby]

The fact of the insurance, which.

[Edward McCormick]

Which by the way, I understand, has been allowed to lapse by you. Is that so?

[Harold Follinsby]

Not for the first time, Mr. McCormick. Ms. Only will bear me out. The company has always in the past allowed us a few days leeway in restoring the policy. Who would expect to be to be caught between expiration and renewal?

[Edward McCormick]

Mr. Follinsbee, I understand your partner is a sick man, presently under physician's care.

[Mary Olney]

He's practically in shock, Mr. McCormack. He wouldn't have said any of those terrible things to Mr. Fontby if he'd realized what he was saying. Of course.

[Edward McCormick]

Of course. You're considerably overwrought yourself. It's been difficult, I suppose, on all of you.

[Harold Follinsby]

You must believe me, Mr. McCormick. I am less concerned over our loss than I am over what has suddenly happened to our friendship. 30 years, Mr. McCormick. Good times. And bad Monckton and Follinsby. And to have such accusations, such hysteria.

[Edward McCormick]

Well, having heard some of the details from the safe and loft detectives, I was going to suggest that. Since there's nothing that can be done until the investigation bears fruit anyway, I was going to suggest that perhaps you and your partner, provided you can persuade him.

[Mary Olney]

I can talk to him, Mr. McCormick. I'm sure I can talk to him.

[Edward McCormick]

Fine. Then you persuade him. In view of what I understand was going on when the robbery took place. To go with his old friend, robbery or no robbery, up to the stadium tomorrow.

[Mary Olney]

The sta.

[Edward McCormick]

Oh, yes. After all, it's the Yankees last home game before the series. Maybe Bob Turley will win his 23rd.

[Mary Olney]

I'll try to persuade him.

[Edward McCormick]

Do I take it that's all right with you, Mr. Follinsby?

[Harold Follinsby]

A ball game. Isn't there something you can do, Mr. McCormick?

[Edward McCormick]

On evidence? Yes. Otherwise. Well, what have I got to go on, Mr. Follinsby? One man did all the talking, and the other had the scar across his nose. And that isn't very much. Enjoy the game.

[Harold Follinsby]

You're sure you're all right, Phil?

[Edward McCormick]

Yes, fine. The best medicine in the world. You know, I. I couldn't thank you too much, Hal. A wonderful idea, this ball game. And ashamed. I tell you, if I could forget the things I said yesterday.

[Harold Follinsby]

Skip it, Phil.

[Edward McCormick]

Yeah, well, still it all, uh. 30 fur coats and 800 pelts. Well, I look at it this way. This is the seventh inning stretch. This. This loss. We got knocked down. So we stand up and we stretch and we settle down and start all over again. Yeah, you and I. 30 years we have our health, we. Harold. Harold.

[Harold Follinsby]

What? What is it, Phil? Your heart?

[Edward McCormick]

No. Look down there. Coming into the box. Going into the box. The one with the can of beer.

[Harold Follinsby]

I. I don't see. What is it?

[Mary Olney]

Who?

[Edward McCormick]

You can stand there, ask me.

[Harold Follinsby]

Who.

[Edward McCormick]

The other one, that's who. The one who went first. There. Looking around now with the beer.

[Mary Olney]

There.

[Edward McCormick]

That one. Look. I can't point. Next to the woman. The woman with the hat in the next box. The crazy hatch.

[Harold Follinsby]

You may be right, Phil. He's got a funny nose.

[Edward McCormick]

Funny nose is right. Half nose, half scar. Telephone. Telephone. Behind the grandstand. Hurry, Harold. A telephone. Detective Bowen. Detective Bowen, this is Edward McCormick, Special Bureau, Assistant District Attorney. Yes, Mr. McCormick. That in Manhattan? Yes, that's right. I've just had a call from a fur robbery victim, a Mr. Harold Follinsby. Take that down, please. Follinsby. Got it? Yes, sir. But I. I find him in grandstand seat A77, his partner with him. They've spotted one of the men they think did the heist. Down in front of a. In a front box? Yes, sir. Grandstand seat A77. Where, sir? Where, for Pete's sake, Bowen. Is there any place left but the Yankee Stadium? For that matter, were there ever any real baseball anyplace else in New York? Get over there with a couple of men before the Yankees win. This one, too. Point out the man, Mr. Barnsley, the heavy set. One straw hat next to the dame in the dizzy hat. That's the one. That's the one, all right. Keep it down, Mr. Martin. Keep it down. You sure not. That's him. For heaven's sakes. All right. Okay, Dave, you go up the aisle. Come down the other. Work around the other end of the box in case he makes a break that way. I'll wait for you to get there before I make the grab.

[Harold Follinsby]

Detective, what about you two?

[Edward McCormick]

They want you to go down to Mr. McCormick's office in Manhattan. We'll bring the man in for you to identify.

[Harold Follinsby]

You want us to leave the game right now? Hurry up.

[Edward McCormick]

All right. Of course, of course. Will you tell us what Barrett does? Just about ready, Mr. McCormick. Anytime you are. Waiting for one witness. Sergeant, get the stenographer to note the names and appearances of the lineup, please. Right. Thank you, Mary. We got him. We got him.

[Mary Olney]

Ms. Doom Hampton. Which one?

[Harold Follinsby]

You're the man.

[Edward McCormick]

Cut it out. Now, I warned you gentlemen not to discuss the suspect with each other. Or with Ms. Olney when she arrives. Miss, Only take a seat, please, and listen to me.

[Mary Olney]

Very well.

[Edward McCormick]

All right. In that next room, we've prepared a lineup. The suspect you men claim to have spotted at the ballpark. Blame, he says. Are you going to cooperate, Mr. Moncton? I'm sorry. Go ahead. Suspect has been told to take any place in the lineup he chooses. You'll see upwards of a dozen men in there. They're detectives, clerks, and the officers around here. One or two of them are building workers. I'm gonna ask you to go in there, look at the lineup, then come out here and then tell me or Detective Russo. Nobody else. In a whisper. In fact, I'll repeat that in a whisper. Which of the men in the lineup you recognize as one of those who robbed your place. You understand? Perfectly. Of course. Fine. Now, just a minute. Pardon me. I forgot something. One at a time. Mr. Monkton, go with Detective Russo. Mr. Faunsley, how did I. I've asked you, Ms. Olney. Not to talk to the other witnesses. Now, will you please. That was quick. Mr. Monson. Sit down. Keep your thoughts to yourself.

[Tom Russo]

Tom made him right off the bat. Ed, fifth from the left, Poggy Moran.

[Edward McCormick]

This is all monkey business. It's the man. I'd know him anyway. Quiet. Who's next?

[Tom Russo]

Mr. McCormick?

[Edward McCormick]

Mr. Falathy. Go ahead and remember.

[Harold Follinsby]

Understood? Understood.

[Edward McCormick]

And what happens next? If he's the man, we'll well talk to him. You ought to know, Mr. Monckton, that whatever identification you may make is still a long way from a conviction. To say nothing of the fact that he may decide to work for a recommendation from this office by cooperating.

[Mary Olney]

I don't understand what you're talking about.

[Edward McCormick]

We want the name of his accomplice, Miss only. The firm wants its furs back. Now, all together.

[Tom Russo]

Sit down, Mr. Mr. F. Ed. Not so good. We had seven men with scars in the lineup. Hollandsby made two false starts and only then made Moran. But he's not sure. Not too sure.

[Edward McCormick]

The man who let the insurance lapse.

[Tom Russo]

That's it.

[Edward McCormick]

All right, Miss Only come with me, please. Detective Russo, stay with these people.

[Tom Russo]

Yes, sir.

[Edward McCormick]

All right, all of you, one step forward. Put on your hats. Take off your hats. You, third from the right. You face this way. Pick up your hat. All right, all of you, left profile. Turn right. Right profile. Turn. Okay. Face front. Thank you, detective. Ms. Only.

[Mary Olney]

Yes, sir.

[Edward McCormick]

Come over here, please. Anyone there you know?

[Mary Olney]

No, sir.

[Edward McCormick]

Nobody?

[Mary Olney]

No, sir. I never saw any of those men in my life.

[Edward McCormick]

Thank you, Miss only. Thank you very much. All right, gentlemen, that's all. Detective, bring that man back to the witness room while we give the results to the stenographer. Now, you three just contain yourselves for a moment. Do not converse among yourselves. Tom. Yeah? The girl drew a blank. Girl? She's 40.

[Tom Russo]

If she's a day yet trying to look 24.

[Edward McCormick]

Never mind about that. How smart is Puggy Moran?

[Tom Russo]

Anybody stupid enough to take a piece of an armed robbery with three convictions behind him? Oh, if the IQ people 100 points. What's your idea, Ed?

[Edward McCormick]

Well, I pretended in there that the girl had recognized him. Suppose we turn the positive one loose on Puggy Moncton. Yeah. You think Puggy will give? It's your case. Well, what else have we got? Mr. Moncton? Yes. Yes. Right. Right. Will you come with me, please? Into the next. That's the one. Look at that face. That's the one. Well, Puggy, what do you say? Drag a guy out of the ball game with bearer up? Last home game before the series. You got a knife? All right, Puggy. You play your cards right and you'll be back playing shortstop on the north wing team at Ossining. Very funny. Very funny. What's the charge? What's the rap? Mr. Monckton, let me introduce you to Puggy Moran. Old time heist man. Been in the safe and loft business longer than you've been in the furlough. A liar. I swear to my dying day, he was the man. Listen, Mr. Moran. I don't want your life. Think of mine, Mr. Monkton. $90,000. The death blow to myself. Please, family, prison, trial, whether or not. Mr. Moncton. Please give me back my furs. Be human. You're killing me. I beg you, Mr. Moncton. That's a great act. Put him on the TV. Man's got a bad heart. It's no act.

[Harold Follinsby]

Your coon bucket.

[Edward McCormick]

All right, Mr. Monkton, we'll take care of you. Russo, Tom, get Dr. Licktheim on the double. He's up in part four testifying. Phil, what have they done to you? Get out of there, both of you. Hurt yourself?

[Mary Olney]

All right, Miss.

[Edward McCormick]

Only drink this.

[Mary Olney]

What is it?

[Edward McCormick]

What is.

[Mary Olney]

How's Mr. Monkton?

[Edward McCormick]

It's just water. Now calm yourself. You. You think a lot of Mr. Monkton, don't you?

[Mary Olney]

30 years they've been together, 20 of them with me. Won't you tell me how he is?

[Edward McCormick]

Angina, miss. Only like a red hot iron through the heart. You've known him a long time. You know how he takes things.

[Mary Olney]

Oh, dear.

[Edward McCormick]

Lloyd.

[Mary Olney]

Don't let anything happen. Don't let it happen.

[Edward McCormick]

Going to happen sooner or later, Mary. Might as well be now.

[Mary Olney]

What are you saying?

[Edward McCormick]

I'm asking. You've known Mr. Moncton 20 years. Who was it helped to break his heart? I'm asking you now. How long have you known Puggy Moran? Get the pictures. In order to help you further your education while you're serving in the Armed Forces usafi, the United States Armed Forces Institute, is now offering a series of telecourses, courses of study on film conducted by qualified high school and college teachers. In addition to their classroom experience, these teachers are familiar with the special problems of film or television instruction. But the USAFI telecourses have not been produced solely for military television stations. They can be shown anywhere on a standard 16 millimeter projector. So if you are interested in enrolling in one of these excellent filmed courses, find out what courses are being offered. Then enroll with USAFI and let a telecourse be your guide. Go Ahead, Puggy. Get yourself in deeper with every lie you tell. What are you going to say when I put a witness on the stand to testify you've been living with Mary as Mr. And Mrs. Frank Mercer at the west side Hotel for the last three months. No comment. All the witnesses you like. Dime a dozen, you pay. And the hotel register to prove it. Signed in the same Spencerian handwriting. Come clean, Puggy. You're dead. The girl had nothing to do with it. She talked, Puggy. Never. She looked me in the eye in a lineup. I seen her shake her head. She never seen me. She never made me. You're pulling a fast one, Puggy. I'll tell you the truth. And I'll expect no more, no less from you. You're right. Mary only didn't identify you right then. You got nothing.

[Harold Follinsby]

No eyes and she don't shut up.

[Edward McCormick]

Only. Only when her old boss went to the brink of death because of you and the other stick up man. Only then, Puggy, did she come through. Oh, no. Oh, yes. Enough to earn you 30 to life as a fourth offender. You don't believe it. Still ask her for yourself. Mary. Mary. You heard the previous conversation outside?

[Mary Olney]

Yes, sir.

[Edward McCormick]

Was what I said the truth?

[Mary Olney]

Yes, sir.

[Edward McCormick]

Will you do now what you said you would of your own accord?

[Mary Olney]

Yes, sir. Puggy. Whatever happens, I'm still me. Puggy. Wherever they send you, whenever you get out, it'll still be me for you.

[Edward McCormick]

So what are you doing to me, McCormick?

[Mary Olney]

Puggy, he only wants you to tell where Mr. Munson can get his furs back. Buggy. I never knew it would have kill him. The ferns and the other man. You have to tell him who he was. Don't care about me. I don't care about.

[Edward McCormick]

I've got to warn you again, miss. Only as an accomplice. What you're saying now may be used against you.

[Mary Olney]

I don't care. I don't care. I care about Puggy. He has to help you. You said if he'd cooperate. You said if he'd come clean, you'd talk to the court for him.

[Edward McCormick]

Set straight. Set straight, McCormick.

[Mary Olney]

You heard her, Puggy. You have to. Otherwise it's a life sentence. Puggy. Puggy. It'll be all right, Mr. McCormick. Let me tell you everything. Then you'll see he isn't a bad man, Mr. McCormick. He's a wonderful man. 20 years I knew them. Slaved for them, worked for them. And never, never any kindness. I was only another office machine, typewriter, adding machine, billing machine. And merry only. But this for the first time in my life. This man was kind to me. Can't you understand, Mr. McCormick? He was kind to me. Oh, Puggy. Go ahead. He knows.

[Edward McCormick]

McCormick. A deal. Nothing. Not for me. For a girl. As a cooperative witness, I'll do my best for her. A rap? No promises, but maybe a lesser plea might be granted by the court.

[Mary Olney]

I'll wait for you. Plug your way. It'll be me for you, whenever, whatever.

[Edward McCormick]

No matter you.

[Tom Russo]

I believe you, Da.

[Edward McCormick]

I. For the girl. I. I gotta go along with you. It's your stenographer. One thing. Yes? You got a newspaper? Radio? Anything? I mean, what did the yogi do? Our side won. The story you just heard was drawn from New York City and based on stories of the criminal law as detailed by Eleazer Lipski, former Assistant District Attorney. The names of all persons and places were changed. Indictment is written by Alan Sloan, produced by Nathan Kroll and directed by Paul Roberts. Nat Poland has starred as Edward McCormick. Jack Arthur is heard as Tom Russo. Also in the cast were Martin Blaine, Joseph Boland, Grace Matthews, Bernard Grant, Joseph Julian, Roger De Koven and Sam Gray. This is Dick Noel inviting you to listen next week at the same time for another indictment. Indictment has come to you through the worldwide facilities of the United States Armed Forces Radio and Television Service.