Inspector West 67-05-04 (101) Battle for Inspector West - Honeymoon Spells Nightmare

Summary

Episode Title: Battle for Inspector West - Honeymoon Spells Nightmare
Podcast: Harold's Old Time Radio
Host/Author: Harolds Old Time Radio
Release Date: March 26, 2025

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Episode Overview

In this riveting episode of Harold's Old Time Radio, titled "Battle for Inspector West - Honeymoon Spells Nightmare," listeners are drawn into a suspense-filled narrative that intertwines the professional duties of Chief Inspector Roger West of Scotland Yard with the personal tribulations of his family life. Based on John Crease's novel and dramatized by Morris Travers, the story unfolds with intense drama, mystery, and unexpected twists that keep audiences on the edge of their seats.

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Main Characters

• Chief Inspector Roger West (Patrick Allen): A seasoned detective at Scotland Yard, known for his dedication and sharp investigative skills.
• Janet West (Sarah Lawson): Roger's supportive and insightful wife, providing a grounding influence amidst the chaos of her husband's career.
• Michael Grant: A charismatic and ambitious businessman engaged to Christine Morley, with hidden depths and connections.
• Christine Morley Grant: Michael's fiancée, whose past holds secrets that resurface during the events of the episode.
• Arthur Morley: Christine’s father, a recently released convict with a criminal history.
• Prendergast Hayden: An enigmatic artist whose presence adds layers to the unfolding mystery.

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Detailed Summary

1. Morning Tensions and Hidden Agendas (00:03 - 04:13)

The episode opens with a tense phone exchange involving Michael Grant, indicating underlying tensions and conflicts. Notably, Michael's disdain is palpable when he reprimands Hayden for anonymity:
“Is that for me, Hayden? … I have a constitutional aversion to people who play funny beggars on the telephone, sir. Good grief, Hayden.” [01:04]

Meanwhile, at the West household, Janet West prepares breakfast for Chief Inspector Roger West and their sons. Their interaction reveals the strains of Roger's demanding job:
“It's no worse for me Than any other copper. The motto of the force these days. Overworked and understaffed. But we go marching on.” [03:16]

Janet expresses concern over Roger's relentless work ethic, suggesting he take a break:
“It wouldn't hurt you to take an hour off once in a while.” [03:40]
Roger, dismissive yet endearing, agrees to a lunch date, signaling a rare moment of personal connection:
“That's a date.” [04:10]

2. The Wedding and Shadows of the Past (04:12 - 08:28)

Chief Inspector West attends the wedding of Michael Grant and Christine Morley. The atmosphere is thick with undercurrents as Roger observes subtle tensions:
“The chap in the shabby gray suit … I wondered if he'd show.” [06:35]

Roger recounts the troubled history of Christine’s father, Arthur Morley, who was convicted of murdering his wife out of jealousy and recently released from prison:
“For murder. Murder? He was sentenced to death for strangling his wife.” [07:32]

Janet muses on the potential scars left by Arthur’s past:
“The girl must have been just a child, about 10. Same age as Scoopy. What became of her?” [08:16]

3. Honeymoon Begins with Unease (08:28 - 15:17)

Michael and Christine arrive at Uplands, a secluded country hotel meant to be the backdrop for their honeymoon. The serenity is deceptive, as subtle hints of impending danger emerge. Christine notices Michael's evasiveness and the ominous presence of a man with an Alsatian dog:
“It was the biggest Alsatian I've ever laid eyes on. What are you doing?” [09:55]

The discovery of a mysterious mask identical to the man's face deepens the mystery:
“Look in there. The face. Don’t you see? That man in the car with the dog. Even the smile.” [12:06]

Michael casually reveals the man's name, Corrosian, hinting at deeper connections:
“His name is Corrosian.” [12:54]

4. The Unfolding Nightmare (15:17 - 22:16)

As the couple settles in, the idyllic setting of Uplands becomes the hunting ground for Corrosian. An attempted assault occurs when Christine is shot while swimming, sparking immediate suspicion:
“Someone took a shot at you. A shot just as you dived.” [25:28]

Chief Inspector West arrives, intertwining his investigation with Michael and Christine's ordeal:
“I doubt that theory, or am I mistaken?” [22:05]

Grant confronts West about inadequate protection:
“I want a damn sight more from you than admiration, West. I want Chris protected every minute of the day. Understand that?” [24:31]

West proposes a daring plan to trap Corrosian at the isolated hotel, leveraging the setting's isolation:
“We couldn't find a more perfect place to lay a trap than this hotel.” [23:29]

5. Rising Tensions and Clifhanger (22:16 - 27:05)

As the tension escalates, Michael becomes increasingly distrustful of West's methods, fearing for Christine's safety:
“When it comes to Chris, nothing doing. The deal's off. West. Chris. Come on out, darling.” [25:53]

An intense argument ensues when Michael accuses West of failure:
“By the time they went racing off over to the shrubbery, Chris could have been shot 10 times over.” [25:38]

Despite mounting pressure, West maintains his composure, urging the couple to cooperate:
“Every single minute, you'll both be protected, Mr. Grant. Leave that to me.” [24:31]

The episode culminates in a precarious situation where Roger must balance his duty with the personal turmoil of the West family, leaving listeners eagerly anticipating the next installment.

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Key Themes and Insights

• Balancing Duty and Personal Life: Chief Inspector West's struggle to maintain his professional responsibilities while nurturing his family relationships.

• Secrets and Deception: The layers of hidden truths in Michael and Christine's past, particularly concerning Corrosian and Arthur Morley, add depth to the narrative.

• Isolation as a Double-Edged Sword: Uplands serves both as a sanctuary and a potential trap, highlighting the vulnerability that comes with isolation.

• Trust and Betrayal: The evolving trust between Michael, Christine, and Inspector West underpins the tension and drives the plot forward.

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Notable Quotes with Timestamps

• Michael Grant expressing frustration:

  “I have a constitutional aversion to people who play funny beggars on the telephone, sir. Good grief, Hayden.” [01:07]

• Janet West on Roger's work ethic:

  “It wouldn't hurt you to take an hour off once in a while.” [03:40]

• Chief Inspector West reflecting on his role:

  “It's no worse for me Than any other copper... But we go marching on.” [03:19]

• Michael confronting West:

  “I want a damn sight more from you than admiration, West. I want Chris protected every minute of the day. Understand that?” [24:31]

• West assuring protection:

  “Every single minute, you'll both be protected, Mr. Grant. Leave that to me.” [24:31]

• Climactic accusation from Michael to West:

  “By the time they went racing off over to the shrubbery, Chris could have been shot 10 times over.” [25:38]

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Conclusion

"Battle for Inspector West - Honeymoon Spells Nightmare" masterfully blends elements of mystery, drama, and personal conflict, painting a vivid picture of the challenges faced by those who serve and protect. As Chief Inspector Roger West grapples with external threats and internal family dynamics, listeners are treated to a compelling story that promises further intrigue and resolution in subsequent episodes. The seamless integration of suspenseful dialogue, character development, and plot twists ensures that this episode stands out as a testament to the enduring allure of Golden Age radio dramas.

Transcript

[Chief Inspector Roger West]

Calling Chief Inspector West. Calling Chief Inspector West.

[Narrator]

Standby for West. A crime file based on John Crease's novel Battle for Inspector west. Dramatized for radio by Morris Travers. Battle for Inspector West Starring Patrick Allen as Chief Inspector Roger west of Scotland Yard and Sarah Lawson as his wife, Janet. Part one honeymoon spells nightmare.

[Hayden]

May the graveyard four, three, seven. Yes? Mr. Michael Grant's apartment. What name shall I say? I'm sorry, sir, but unless I have your name, I'm afraid I.

[Michael Grant]

Is that for me, Hayden?

[Hayden]

Yes, sir, but the gentleman won't give his name.

[Michael Grant]

Oh, won't he? Give me the phone. Hello, Grant speaking. Who's that? No, I do not. And I have a constitutional aversion to people who play funny beggars on the telephone, sir. Good grief, Hayden. That'll be all for the moment. Shut the door as you go out.

[Hayden]

Any good, sir?

[Michael Grant]

What? Yes, I'm still here. I didn't think you would have the gall to come back to England, let alone phone me your congratulations.

[Chief Inspector Roger West]

On what?

[Michael Grant]

Yes, I am. Yes, the wedding's the day after tomorrow. Now, if that's all. You what? Her father? You slimy little. Now get this straight. I know all about her father. And it doesn't matter a damn to her or to me, understand? So if you so much as try any of your rotten yes by the pars, I'm warning you, history won't repeat itself. Next time I'll come with a gun. That's a promise. Swine. The vicious swine.

[Christine Morley Grant]

Roger. Breakfast in the table, Roger.

[Janet West]

This minute, please. I'm dishing up. Oh, Roger.

[Chief Inspector Roger West]

Oh, right. Here, Jan. Smells good.

[Janet West]

Sit you down?

[Chief Inspector Roger West]

Yes, ma'am. Where are the boys? Hey, Scoopy.

[Janet West]

No, they've already had breakfast. I let you sleep on a bit after the time you got home last night. Your sons are up in the playroom with that train set you gave them last Christmas. You may be Scotland Yard's youngest, smartest chief inspector, but that, if I may say so, Mr. West, was not one of your brighter notions.

[Chief Inspector Roger West]

We all make mistakes. Route the boys out, John. They'll be late.

[Janet West]

Not if they can spin things out long enough so that dad has to give them a lift in the car.

[Chief Inspector Roger West]

Or. Cunning young demons. Marvelous, isn't it? 11 and 10, and as crafty as they make them. Already?

[Janet West]

Well, heredity. Well, out. After all, they have a copper for their father.

[Chief Inspector Roger West]

Ready for tea anytime you like.

[Janet West]

Here you are. I've sugared it for you.

[Chief Inspector Roger West]

Oh, thanks.

[Janet West]

I wish you didn't have to work so hard.

[Chief Inspector Roger West]

It's no worse for me Than any other copper. The motto of the force these days. Overworked and understaffed. But we go marching on.

[Janet West]

Yes, but even so, you. No need to drive yourself quite so much, darling. If what you're after is to finish up being the Yard's youngest Assistant Commissioner as well, there's still lots of time. Surely Sir Guy Chatworth can stay put in his office for a while yet, can't he?

[Chief Inspector Roger West]

As long as he likes. Oh, that's no job for me, Jan. I'm not cut out to be a desk bound policeman. Any more tea in the pot?

[Janet West]

Yes, course, it's all the same. It wouldn't hurt you to take an hour off once in a while. Today at lunchtime, for instance. It just so happens that I'm going to be in the West End. There's an exhibition of American paintings at the Markham Galleries and I think it would be nice if you took me out for lunch. Roger, I don't believe you're even listening.

[Chief Inspector Roger West]

That's a date.

[Janet West]

What?

[Chief Inspector Roger West]

For lunch.

[Janet West]

Oh, well, talk about a girl having the wind taken out of her sails. Here was I, all set for a battle.

[Chief Inspector Roger West]

Meet me outside St. Catherine's Church, 12 o'clock. After that, we'll go on to lunch.

[Janet West]

Lovely. What on earth will you be doing outside St. Catherine's don't tell me the vicar's had his fingers in the poor box.

[Chief Inspector Roger West]

Nothing poor about the parishioners in that district, my dear girl. Now, I'll be there because, well, I'd like to take a look at a wedding.

[Janet West]

You look at a wedding? What's come over you? It was as much as you could do to be in time for your own.

[Chief Inspector Roger West]

It's a far cry from the marriage of an impecunious, newly appointed detective constable to the knot that's being tied at noon today for Michael Grant, Esquire, no less.

[Janet West]

Michael Grant, Son of the millionaire Sir Mortimer Grant?

[Chief Inspector Roger West]

That's right. The big business bigwig. A chairman of half a dozen huge companies on the board of a dozen others.

[Janet West]

Yes, of course. His name's always in the papers.

[Chief Inspector Roger West]

And young Grant hits the headlines nearly as often as his father. In the same line of country. All off his own bat, they say. He's well on the way to his own first million and with no help from dad.

[Janet West]

Oh, really? And who's the lucky girl?

[Chief Inspector Roger West]

Her name's Christine Morley. Very pretty by all accounts. About 10 years younger than he is.

[Janet West]

And just why precisely are you so interested in this wedding?

[Chief Inspector Roger West]

Oh, call it idle curiosity. And just what is that intended to mean? May I ask.

[Janet West]

I've been married to you for 12 years, Chief Inspector west. And the day you do a thing like this out of purely idle curiosity, what's the time?

[Chief Inspector Roger West]

Good Lord, half past eight. I'll have to be off. And if those monsters of ours want to live, to the school. Well, they better hurry. A Scooby fish, a Jan Love, in front of St. Catherine's at 12.

[Janet West]

Right.

[Chief Inspector Roger West]

Martin, Richard. Come on, you two, downstairs and at the double.

[Christine Morley Grant]

Oh, what a crowd. Here. Mind you pushing, if you please.

[Chief Inspector Roger West]

Oh, sorry. I'm looking for someone.

[Christine Morley Grant]

Oh, listen, they're coming.

[Chief Inspector Roger West]

John. Over here. John.

[Janet West]

Excuse me. Do you mind if I get through? Oh, Roger, I'm sorry. I'm not too late. Oh, man.

[Chief Inspector Roger West]

No, no, all's well.

[Christine Morley Grant]

Oh, there they are. Oh, Lord, there they are.

[Janet West]

Oh, Roger, she's a lot more than pretty. She's beautiful. A perfectly lovely bride. And no wonder she looks radiant. He's a very handsome man. Roger, you're not looking for nothing.

[Chief Inspector Roger West]

Staring at by the door of the church jam, just behind all the photographers. The chap in the shabby gray suit.

[Janet West]

With the hat down over his eyes.

[Chief Inspector Roger West]

I wondered if he'd show. Yeah.

[Christine Morley Grant]

Why?

[Janet West]

Who is he?

[Chief Inspector Roger West]

Arthur Morley. Father of the bride.

[Janet West]

Her father. Oh, look, there they go. It's the car.

[Chief Inspector Roger West]

And he's gone, too. Disappeared in the crowd.

[Janet West]

But, Roger, what on earth.

[Chief Inspector Roger West]

I'll tell you over lunch. Come on. It was. Oh, yes, well over 13 years ago. I was still a new boy at the Yard, but I remember it. And this should interest you. Arthur Morley was a painter of sorts. Portraits, mostly.

[Michael Grant]

Yes.

[Janet West]

But, Roger, why was he skulking outside the church? Her own father.

[Chief Inspector Roger West]

Why wasn't he giving the bride away? Good reason, Jan. He's just out of prison a little over a month ago. Oh, have another glass of wine. It's not bad, is it?

[Janet West]

What was he in for?

[Chief Inspector Roger West]

For murder. Murder? He was sentenced to death for strangling his wife.

[Christine Morley Grant]

Roger.

[Chief Inspector Roger West]

Oh, careful. Nearly knocked that glass over.

[Janet West]

His own wife?

[Chief Inspector Roger West]

Yes.

[Janet West]

Why did he do?

[Chief Inspector Roger West]

Was a quarrel over another man. The trial was a short one. The prosecution proved Morley was unreasonably jealous and with no justification. But he got a reprieve.

[Janet West]

They commuted the sentence and now he's out. 13 years when it happened. The girl must have been just a child, about 10. Same age as Scoopy. What became of her?

[Chief Inspector Roger West]

As I remember, she went to some distant relatives. Judging by the look of it today, I'd say there are no lifelong scars there, or anything of that sort. Wouldn't you, Jan?

[Janet West]

Well, she certainly looked happy enough. I hope she is really happy. If anyone deserves it, she does. After all that.

[Christine Morley Grant]

Michael.

[Michael Grant]

Yes, darling?

[Christine Morley Grant]

Let's not bother with the car radio, shall we?

[Michael Grant]

Anything you say. Mrs. Grant.

[Christine Morley Grant]

Mrs. Grant. Mrs. Michael Grant. Darling, are you planning to drive all the way to Devon non stop?

[Michael Grant]

Of course not.

[Christine Morley Grant]

Then where are we staying the night?

[Michael Grant]

You'll find out.

[Christine Morley Grant]

Tell me.

[Michael Grant]

Wait and see, Chris.

[Christine Morley Grant]

No, I won't wait.

[Michael Grant]

Chris.

[Christine Morley Grant]

Oh, I hate unexpected things. Surprises and all that sort of nonsense. I got over that once and for all when I was still a child.

[Michael Grant]

Sweetheart, I'm sorry. I should have remembered.

[Christine Morley Grant]

Then tell me where we're making for.

[Michael Grant]

Into the wilds of darkest Dorset. I've chosen the place specially. I came across it years ago and I've always meant to go back. It's called Uplands, a country hotel, but it's more like a club. Tennis court, swimming pool, the lot. And all miles from anywhere.

[Christine Morley Grant]

It sounds lovely. Hey, Michael, watch out.

[Michael Grant]

That damn fool. What do they think? He can't pass on this bend. It's.

[Janet West]

My God.

[Christine Morley Grant]

Oh, Michael, be careful.

[Michael Grant]

It's all right, Chris.

[Christine Morley Grant]

Oh, you just missed the hedge by inches.

[Janet West]

Sorry, Michael.

[Christine Morley Grant]

Did you notice the man in the back?

[Michael Grant]

Yes, I saw him.

[Christine Morley Grant]

Turned and looked at us. He was smiling such a strange, strange smile. Well, I know it sounds silly, but it was quite frightening. Or perhaps it was the dog sitting beside him. Did you see it?

[Chief Inspector Roger West]

No, Michael.

[Christine Morley Grant]

It was the biggest Alsatian I've ever laid eyes on. What are you doing?

[Michael Grant]

We're taking a shortcut.

[Christine Morley Grant]

You might warn me next time you decide to make a sharp turn like that.

[Michael Grant]

Sorry, sweetheart. I just thought it'd be a nicer run through the lanes and it'll save some mileage. Besides, I could do with a drink. So the sooner we reach our destination, the better.

[Chief Inspector Roger West]

Achievement Spector West. Well, it's been quite some time, Pearly. Huh? Come off it, old lad. I couldn't mistake that whiskey fight old voice of yours if I was half deaf. There's something I can do for you. The other way around. Right. I'm listening, Pearly. Is that straight up, 22 carat? Yes, of course I believe you. So he's back in England, is he? You're right, Pearlie. I am interested in anything and everything about that gentleman. What's that? Young Grant? I shouldn't think so after what happened before. I don't see Mr. Grant coming to us for protection or anything else. Oh, keep your ears flapping, Pearlie, and see what else they pick up. Good man. Bye now. West here. I'd like to see the Assistant Commissioner as soon as possible. When will he be free? All right. Yes, I'll be in my office for the rest of the day.

[Michael Grant]

Well, Mrs. Michael Grant, this is it. The bridal chamber. Every modern comfort, as madam can see. Now, that's the bathroom. The door in the corner. It's a shared bathroom, actually. It connects through to the room next to this, but just to ensure our privacy, I've taken both rooms.

[Christine Morley Grant]

No expense spared. I knew what I was about, didn't I? Marrying a big businessman. Oh. What time do they start serving dinner here?

[Michael Grant]

Oh, seven o'clock onwards.

[Christine Morley Grant]

Oh, marvelous. Lots of time for me to unpack.

[Michael Grant]

We shall unpack. I insist on sharing all the chores. I'll open the bags and you can hang up the things.

[Christine Morley Grant]

You call that sharing? Well, let's see how much room there is in this wardrobe.

[Michael Grant]

Chris, darling, what in the world?

[Christine Morley Grant]

The face. Look in there. The face.

[Janet West]

What?

[Michael Grant]

Chris, it's just a party mask on a hanger.

[Christine Morley Grant]

But it's his face. Don't you see? That man in the car with the dog. Even the smile. The same smile, by thunder.

[Michael Grant]

A painted mask. Painted specially. And a damn professional job.

[Christine Morley Grant]

Michael, what does it mean?

[Chief Inspector Roger West]

What does it mean? A swine.

[Christine Morley Grant]

You know what it means. You must know. I've never seen that face in my life. Till today.

[Michael Grant]

Sweet, aren't you? You're shaking. Come and sit down.

[Christine Morley Grant]

Michael, answer me. You know that man, don't you?

[Michael Grant]

Yes, Chris, I know him.

[Christine Morley Grant]

Who is he?

[Michael Grant]

His name is Corrosian.

[Chief Inspector Roger West]

Yes, sir. Corrosion back in England?

[Sir Guy Chatworth]

Sure, Roger.

[Chief Inspector Roger West]

According to Pearlie Willis, when it comes to that sort of information, I'd yet to have Pearly let me down.

[Sir Guy Chatworth]

Shut that damn window, will you?

[Chief Inspector Roger West]

Yes, sir.

[Sir Guy Chatworth]

There are times behind this desk, Roger, when I feel like tossing the job of Assistant Commissioner straight back into the Home Secretary's lap. This is one of them.

[Chief Inspector Roger West]

I want him, sir. I want to get Corrosion.

[Sir Guy Chatworth]

Sit down and relax, Roger.

[Chief Inspector Roger West]

I'm not in a relaxing mood, sir. For years he's had his hands in every kind of vice and crime. Nothing has been too low or too dirty for him to get mixed up in. We've always known it and we've never been able to do a thing about it.

[Sir Guy Chatworth]

Not for want of trying, you know.

[Chief Inspector Roger West]

No, of course we've tried. And what good's it been? We've set traps enough time and again. And he slipped through them all. Every one of them.

[Sir Guy Chatworth]

What's brought him back to England? The Grant business, you think?

[Chief Inspector Roger West]

Could be, but I doubt if that's the only reason, why not.

[Sir Guy Chatworth]

If it hadn't been for young Grant, Corrosion wouldn't have cleared out of the.

[Chief Inspector Roger West]

Country at all, admittedly. But look at the fact, sir. Corrosion was blackmailing sir Mortimer grant. We don't know why and probably never will. Now, the old boy wouldn't come to the police, but he told his son. So young Grant goes off on his own, breaks into corrosion's Mayfair apartment, Leaves the place looking as if a tornado had hit it, and gets away with whatever it was corrosion had on his father.

[Sir Guy Chatworth]

Nice. And some other incriminating stuff along with it, obviously. Hence corrosion's hasty departure. He was scared young grant might give us the evidence to send him up for a nice long stretch.

[Chief Inspector Roger West]

But Grant didn't give it to us, did he?

[Sir Guy Chatworth]

And now corrosion comes back, and not.

[Chief Inspector Roger West]

Just to get grant. There has to be more to it than that, sir. Look, we know corrosion's kept on operating here by remote control, as it were. Why bother to come back at all? Unless there's more behind it. A lot more, if you ask me.

[Sir Guy Chatworth]

Such as what, for instance?

[Chief Inspector Roger West]

I wish I knew. I wish there was even an inkling. What I'd like at this stage is a chat with Mr. Michael Grant. But since he's on his honeymoon, we'll just have to wait.

[Sir Guy Chatworth]

Waiting isn't always a bad thing, Roger. Let us run with patience the race that is set before us.

[Chief Inspector Roger West]

Paul.

[Sir Guy Chatworth]

Epistle to the Hebrews, if I remember correctly.

[Michael Grant]

And that's about it, Chris. I burned everything I found in corrosion's flat, including the stuff he was using to blackmail my father. But, of course, corrosion doesn't know I burned it.

[Christine Morley Grant]

We've been left quite a legacy, haven't we? By our fathers.

[Michael Grant]

Darling.

[Christine Morley Grant]

Oh, it's all right. I don't mind talking about it. Whatever your father did, he could hardly have a worse past than mine. You just told me Carozzi. And tried to blackmail you about it before our wedding.

[Michael Grant]

I shouldn't have told you that.

[Christine Morley Grant]

Oh, don't be silly, darling. If we're going to have secrets from each other, what's the point of it all?

[Michael Grant]

Well, there's no point in staying here any longer, that's quite certain. These bags can go back in the car, and so do we. We're getting out, Chris. Now, Michael, I brought you here to uplands because after that phone call, I was absolutely certain corrosion wouldn't know about this place. Well, he's proved me wrong, hasn't he?

[Christine Morley Grant]

So we run away. Michael, that's no way for us to Begin by running. I won't let you do it, darling. Chris, come here. Close up, darling. Nothing's going to spoil this honeymoon, I promise you that. And that was just a sample. Now, you finish your drink. And then while I get into one of my brand new dresses for dinner, you can take a stroll in the grounds and check up on what this uplands of yours has to offer.

[Chief Inspector Roger West]

I beg your pardon?

[Michael Grant]

What the devil?

[Chief Inspector Roger West]

You.

[Hayden]

Oh, no, not the devil, my dear sir. Hardly in such tranquil surroundings. Must apologize if I startled you. I only meant to trouble you for a light, if that were possible.

[Michael Grant]

Oh, certainly.

[Narrator]

Thank you.

[Hayden]

A charming spot, upland, don't you agree?

[Michael Grant]

I certainly do. Though I've only just arrived here, really.

[Hayden]

But so have I, Mr. Michael Grant. My name is Prendergast. Yes, Mr. Grant, this place is a positive haven. Rural beauty and serenity, where one can escape completely from the strife and the turmoil of the outside world, leaving behind the vortex of violence. You know, I never really feel safe these days.

[Janet West]

Do you?

[Michael Grant]

Oh, yes. Quite often.

[Hayden]

Then you're a very fortunate man, Mr. Grant. Personally, I find the present state of the world creates an atmosphere of never ending anxiety and concern. Even danger. Personal danger.

[Michael Grant]

Aren't you exaggerating, Mr. Prendergast?

[Chief Inspector Roger West]

Am I?

[Michael Grant]

Perhaps.

[Hayden]

Perhaps it may have become something of an obsession with me. I see violence and danger everywhere one turns. It may, of course, have something to do with one's occupation. In my case, the placid nature of my work seems only to highlight the violence and insecurity all around one.

[Michael Grant]

And what is your work?

[Hayden]

Oh, I'm an artist, Mr. Grant. I paint.

[Chief Inspector Roger West]

Do you know?

[Hayden]

Usually portraits. But I'm hoping to try my hand at some landscapes while I'm here. Well, I must be getting back. Thank you for a most delightful chat, Mr. Grant. A most agreeable encounter, I'd say, out of one.

[Michael Grant]

Goodbye, Mr. Prendergast. So you paint, do you? And usually portraits. More wine, Chris?

[Christine Morley Grant]

Not another drop. And that was a wonderful dinner, Michael. What's next on the program?

[Michael Grant]

Well, there'll be dancing if you feel like it. Or we might take a short stroll in the moonlight.

[Christine Morley Grant]

That sounds perfect. And it's a beautiful evening, by the look of it.

[Michael Grant]

Right, then we'll finish our coffee and I say, I wonder if that young couple at the next table have the same idea. See, they're just leaving, hand in hand.

[Christine Morley Grant]

I was right. It's a lovely evening.

[Michael Grant]

I was right, too, about that couple. There they go along the path, through the shrubbery.

[Christine Morley Grant]

That looks like an interesting walk. Suppose we follow their example. But of course, we'll keep it a nice discreet distance. Where on earth does this path lead, darling? Oh, it twists and winds so much.

[Michael Grant]

It comes out overlooking a meadow. And beyond that there's an orchard. The moon's so bright you'll be able to see.

[Christine Morley Grant]

I should think we're being discreet enough, wouldn't you say?

[Michael Grant]

Couldn't possibly be more, sir. Not a sign of the other couple. Good Lord.

[Christine Morley Grant]

Oh, Michael.

[Michael Grant]

It came from up ahead there. Come on, Chris.

[Christine Morley Grant]

Oh, Michael. That was a girl screaming.

[Michael Grant]

Hurry, Chris. Here, grab my hand.

[Christine Morley Grant]

Michael. There she is, under that bush.

[Michael Grant]

Fainted. I think she is still breathing. But where's the man? I can't.

[Janet West]

Oh, Michael.

[Michael Grant]

My God.

[Christine Morley Grant]

Oh, he's through the blood.

[Michael Grant]

Don't look, Chris.

[Chief Inspector Roger West]

Turn away.

[Michael Grant]

Michael, he's dead. He's been savaged like. Like a sheep by a wire.

[Christine Morley Grant]

Oh, look. Look, down there at the edge of the orchard. You see a man beside him, Michael, by his side, a dog.

[Michael Grant]

An Alsatian dog.

[Christine Morley Grant]

But, Michael, darling, you must tell the police what we believe. Oh, you should have told them last night as soon as they arrived. But at least they're still here in the hotel. Oh, look, go down now, darling, and tell.

[Michael Grant]

No. The devil's that.

[Chief Inspector Roger West]

Come in, Mr. Grant. Well, my name's West. Roger West. Chief Inspector, Scotland Yard. May I have a word with him?

[Michael Grant]

Oh, all right. Come in.

[Chief Inspector Roger West]

Thank you.

[Michael Grant]

I didn't know anyone from the Yard was here.

[Chief Inspector Roger West]

I arrived about an hour ago. The Dorset police asked for our help. I'd like to ask for yours.

[Christine Morley Grant]

Won't you sit down, Inspector?

[Michael Grant]

Oh, this is my wife.

[Chief Inspector Roger West]

Yes, of course. We were outside St Catherine's yesterday. My wife and I both thought you looked wonderful.

[Christine Morley Grant]

Thank you. I suppose you're here because of the.

[Chief Inspector Roger West]

What happened last night? Yes. I've talked with the local inspector. I've got the whole picture. Including a report about a car which was seen on the road not far from uplands at about 9 o'clock last night. A chauffeur driven car with a passenger and an Alsatian dog. The theory seems to be that the dog was a man killer and broke away from his master. So, an accident. Tragic, but an accident.

[Michael Grant]

But you doubt that theory, or am I mistaken?

[Chief Inspector Roger West]

No, you're not mistaken, Mr. Grant. I'm not altogether satisfied that in this instance, accident is the right word. What's your opinion?

[Michael Grant]

I think you're right.

[Chief Inspector Roger West]

Then you'd say the dog was set onto that poor lad. In other words, Mr. Grant, murder.

[Michael Grant]

And I think it happened to the Wrong man, Inspector. I believe it was an attempt to murder me.

[Chief Inspector Roger West]

Thank you. That's what I'd hoped you'd say. I was afraid you wouldn't. And to be honest, I had no idea as to how I could possibly drag it out of you.

[Christine Morley Grant]

You knew?

[Chief Inspector Roger West]

Let's say I had a shrewd notion, Mrs. Grant. That amounts to the same thing in my job. Now, Mr. Grant, how long have you known that Corrosion was back in England?

[Michael Grant]

So there you are. That's it. The whole story, Chief Inspector. Now you know as much as Chris and I do. I've told you everything, Mr. Grant.

[Chief Inspector Roger West]

You've been frank with me. I'll pay you the compliment of returning that frankness. We can't touch Corrosion for what he's done in the past. And we've no idea what he's really up to at the moment. But he's not back in this country purely for revenge. He's not such a fool, however, because he's obviously out for revenge as well. It could be our chance to nail him, with your help.

[Michael Grant]

What exactly are you driving at?

[Chief Inspector Roger West]

We couldn't find a more perfect place to lay a trap than this hotel. It's isolated, miles from anywhere. We can check on anyone coming and going without any trouble at all. And there's a definite draw here for corrosion, isn't there, Mr. Grant?

[Michael Grant]

You want me to. West, for God's sake, we're on our honeymoon.

[Chief Inspector Roger West]

I haven't forgotten that. But we'll never get a better chance. I want to get him, Grant. I want him badly. If you're willing to help, Michael.

[Michael Grant]

Chris, you're not to worry. It's out of the question. We're getting in the car and we'll head for Devon. Or straight to the Riviera, if you like.

[Christine Morley Grant]

No, darling. Don't you remember what I told you last night about running away? Of course we must stay, mustn't we, Inspector?

[Chief Inspector Roger West]

There's no question of compulsion, Mrs. Grant. It can only be your decision.

[Christine Morley Grant]

Will stay.

[Chief Inspector Roger West]

Thank you. And I'd like you to know that I admire you both very much indeed.

[Michael Grant]

I want a damn sight more from you than admiration, West. I want Chris protected every minute of the day. Understand that?

[Chief Inspector Roger West]

Every single minute, you'll both be protected, Mr. Grant. Leave that to me. I'll make all the arrangements that are necessary.

[Michael Grant]

Not sorry to have the fool to ourselves, are you, darling?

[Christine Morley Grant]

Not a bit. And the water's marvelous. The swim is just what we needed. Feels a bit odd to have it under police supervision, though.

[Michael Grant]

They're keeping at a Suitably respectful distance. And apart from me, they're your only audience for the new bikini.

[Christine Morley Grant]

I think I've had about enough, though, Michael. What I'd like now is a good hot bath and a nice cup of strong tea. Right.

[Michael Grant]

Tell you what. I'll race you the length of the pool and we'll pack it in.

[Christine Morley Grant]

Only if you give me a start.

[Michael Grant]

I'll do even better. You can take a racing dive off the edge of the pool and I won't start till you've got halfway. Go on out to get. Okay, all set. Off you go.

[Janet West]

Chris.

[Christine Morley Grant]

Chris, what's wrong?

[Michael Grant]

Thank God. Over here, quickly. Chris, someone took a shot at you. A shot just as you dived. For a minute I thought. Come on. I have a few well chosen words to say to Mr. Chief Inspector West. You call that protection? West? Chris might have been lying at the bottom of that pool with a bullet in her.

[Chief Inspector Roger West]

The important thing is that she's not, Mr. Grant. She's taking a bath safe and sound behind that door.

[Michael Grant]

No thanks to you or those idiots of yours. By the time they went racing off over to the shrubbery, Chris could have been shot 10 times over. West, when I agreed to play decoy for corrosion for you, I wasn't banking on anything like this. When it comes to Chris, nothing doing. The deal's off. West. Chris. Come on out, darling.

[Chief Inspector Roger West]

Now, Grant, calm down. I realize how you feel about.

[Michael Grant]

Do you suppose it was your wife? Chris, out of that bathroom. We're leaving here right away. Chris, you're here. Answer me. Chris, open the door. Chris, are you all right?

[Chief Inspector Roger West]

Grant, that bathroom connects with the room next door, doesn't it? Come on, down the corridor. You've got the key to this other room, of course. Right. Use it.

[Michael Grant]

It's not locked. But, West, I locked it myself.

[Chief Inspector Roger West]

Now, this other door to the bathroom. Hurry, man.

[Michael Grant]

It's not locked either. Chris. Dun. West.

[Chief Inspector Roger West]

The room's empty. She's go.

[Narrator]

You've been listening to Patrick Allen and Sarah Lawson in the first part of Battle for Inspector west by John Creasy. Listen to Terror Full of Pride. The next episode of John Fawcett Wilson's production of Battle for Inspector.