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Narrator
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Leonard Feather
The Voice of America presents Jazz Club USA the Voice of America presents the first in a new series of programs designed to bring you jazz at its best. And here's your commentator and host, well known jazz critic and composer, contributor to Esquire, Metronome and other magazines, Leonard Feather. Greetings and modulations friends. This is your host, Leonard Feather inviting you to join our ringside table at Jazz Club usa. In these highlights from the treasury of jazz, you're going to hear every kind of music that's identified by the word jazz and that includes Dixieland swing, boogie woogie, bebop and whatever else comes along. Here and there we'll tell you the story about the men who make this music. And as an extra feature, you're going to hear jazz as it's being performed in the nightclubs, the theaters, hotels throughout the United States, wherever jazz is played. So it won't be just recordings, but also on the spot performances of jazz at its best. To start off our first show in a swinging mood, let's play a number recorded during a broadcast. When Count Basie joined forces with the Benny Goodman Orchestra for a number entitled Mad Boogie.
Phil Napoleon
Sa.
Ruth Kraus
It.
Leonard Feather
Next we bring you our exclusive preview of the week, a record that hasn't yet been released. A few weeks ago, Duke Ellington made some records because featuring a new singer, the recording session finished 20 minutes early and Duke decided to make use of the extra 20 minutes of studio time. Well, during that time, he and his arranging partner Billy Strayhorn recorded four completely ad libbed piano duets and here is one of them, a famous Ellington hit, the Sea Jam Blues. So that was The C Jam Blues, the latest one with Duke Ellington and Billy Strayhorn at the pianos. You know, some of the top American jazz stars have been experimenting lately with the idea of recording a jazz performance with a background of strings and wood.
Stiles MacKenzie
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Narrator
American Giant makes great clothing, sweatshirts, jeans and more right here in the U.S. visit american-giant.com and get 20% off your first order with code STAPLE20. That's 20% off your first order at american-giant.com code STAPLE20WINS.
Leonard Feather
The latest soloist to try this idea, and very successfully, I think, is Dizzy Gillespie. You'll hear Dizzy's trumpet and his vocal in this very unusual arrangement written by Johnny Richards of the traditional spiritual number Swing Low, Sweet Chariot. You think I'm playing the wrong record? No, it really is Dizzy Gillespie. But this time he has a background of 10 strings, no saxes or trumpets, four woodwinds, rhythm and conga drums.
Ruth Kraus
Coming for to bury me home I.
Leonard Feather
Looked over Jordan and what did I see Coming for to bury me whole.
Phil Napoleon
Oh, upon the wind Rangers coming after.
Leonard Feather
Me.
Ruth Kraus
Swing low Swing Carrier Coming for to carry me home Swing low Swing.
Leonard Feather
Common for to carry A few nights ago, we took the Voice of America microphone down to a famous home of jazz in New York's Greenwich Village. The place is called Cafe Society. It's a small, intimate nightclub where such great stuff stars as Teddy Wilson, Mead, Lux Lewis, Billie Holiday and many others made musical history a few years ago. But when we recorded down there recently, the orchestra was led by a great veteran of jazz, trumpeter Phil Napoleon. And here he is.
Phil Napoleon
Good evening, ladies and gentlemen. Welcome to Cafe Society downtown. It's showtime. We'd like to start. My name, by the way, is Phil Napoleon. The band, the Memphis Five. We'd like to start with an old Dixieland favorite. And I hope you like Marlenberg, Joyce SA.
Stiles MacKenzie
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Leonard Feather
Looking at the bandstand, I can see that the drummer, Tony Spargo, is about to take a solo on the kazoo. That's really not a musical instrument, but a sort of modern version of the old Coleman Page paper idea that children like to play with.
Phil Napoleon
And now, ladies and gentlemen, Cafe society downtown here in the heart of Rent Village in New York City at 2 Sheridan Square proudly presents what we think is one of the finest little gal singers we've heard in a long time. I'm sure you're going to like. And let's welcome Ms. Ruth Kraus.
Ruth Kraus
Like magic has beginning smell oh like magic that you live so well Eyes of fingers helping down my behind Same old witchcraft when your eyes meet Same old angles that I feel inside when the elevator starts right Round and round I go Round and round I go Like a leap holding the tide I do that way what can I do I am name and I'm afraid I'm afraid can put out the fire for your love I waited for the mayfat fade out me created for the down and down I go down and down I go In a spin Loving the spin I'm in Under the black magic color I took my way what can I do I hear your name and I'm aflame I'm a flame with sight can pull out the fire for your love I have waited for the ma created for every time you leave me far down and browner I go down and brown I go In a spin Loving the spin I'm in Under the black magic color love underbaddle Black magic color under battle Black magic color under battle like magic.
Phil Napoleon
And now, ladies and gentlemen, Cathy Society downtown here in New York City is so proud to present what we think is one of the greatest groups of the kind in the country today. I'm sure you'll agree, asking where that man played at the piano, that one and only Errol Garner.
Leonard Feather
I'd like to point out for you listeners that this is actually the Errol Garner Trio, the other two members being John Simmons on bass and Shadow Wilson on drums. And they're playing.
Ruth Kraus
It. It's.
Leonard Feather
That was the Errol Garner Trio playing Lover, recorded during the visit of Jazz Club USA to Cafe Society. And now Phil Napoleon's group returns to play a number that was originated and popularized by the old Bob Crosby Band, a famous Dixieland special called South Rampart Street Parade. Now it looks as though we will have to close the doors on our first edition of Jazz Club usa. But next week at the same time, we'll be bringing you some more new music, including another preview of an unreleased record, as well as some great in person performances from one of the leading New York jazz clubs. And until then, may we remind you that if there's any particular artist you'd like to hear on Jazz Club usa, any questions you want to ask about the American musical scene, just drop us a line. Write to Jazz Club USA, Voice of America New York 19 this is your host, Leonard Feather, bidding you the best of tempos. Until next week.
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Podcast Summary: Harold's Old Time Radio – Jazz Club USA #01
Episode Title: Jazz Club USA #01 - 1950-12-24
Release Date: March 22, 2025
Host: Leonard Feather
The inaugural episode of Jazz Club USA sets the stage for a deep dive into the rich tapestry of jazz music. Hosted by the esteemed jazz critic and composer Leonard Feather, the program aims to showcase the diverse genres within jazz, including Dixieland swing, boogie-woogie, bebop, and more. Feather promises listeners an immersive experience, blending classic recordings with live performances from iconic jazz venues across the United States.
Leonard Feather [00:54]: "Greetings and modulations, friends. This is your host, Leonard Feather, inviting you to join our ringside table at Jazz Club USA."
Feather tantalizes jazz aficionados with an exclusive preview of an unreleased recording featuring the legendary Duke Ellington and his arranging partner Billy Strayhorn. During a 1950 recording session for a new singer, the duo seized an unexpected 20-minute window to craft four impromptu piano duets. This segment includes the storied performance of "The C Jam Blues," highlighting their improvisational prowess.
Leonard Feather [04:44]: "Here is one of them, a famous Ellington hit, The C Jam Blues. You know, some of the top American jazz stars have been experimenting lately with the idea of recording a jazz performance with a background of strings and wood."
Exploring the innovative boundaries of jazz, Feather introduces a remarkable rendition of the traditional spiritual "Swing Low, Sweet Chariot" by the iconic Dizzy Gillespie. This performance is notable for its unconventional arrangement, featuring a backdrop of ten strings, woodwinds, rhythm section, and conga drums, eschewing the typical brass and saxophone ensemble.
Leonard Feather [09:17]: "You think I'm playing the wrong record? No, it really is Dizzy Gillespie. But this time he has a background of 10 strings, no saxes or trumpets, four woodwinds, rhythm and conga drums."
Performance Highlights:
Taking listeners into the heart of New York's vibrant jazz scene, Feather narrates a live session recorded at the famed Cafe Society in Greenwich Village. This intimate nightclub has been a crucible for jazz legends like Teddy Wilson, Billie Holiday, and Lux Lewis. In this episode, the spotlight shines on Phil Napoleon and his band, the Memphis Five, setting the tone with a cherished Dixieland classic.
Leonard Feather [12:11]: "When we recorded down there recently, the orchestra was led by a great veteran of jazz, trumpeter Phil Napoleon. And here he is."
Phil Napoleon [13:00]: Welcomes the audience with enthusiasm:
“Good evening, ladies and gentlemen. Welcome to Cafe Society downtown. It's showtime.”
The program introduces Ms. Ruth Kraus, a captivating vocalist whose performance captivates the audience with enchanting melodies and heartfelt lyrics.
Phil Napoleon [19:17]: "Here we have one of the finest gal singers we've heard in a long time. Let's welcome Ms. Ruth Kraus."
Ruth Kraus [19:53]: Sings a mesmerizing piece filled with lyrical grace and emotional depth, leaving a lasting impression on listeners.
Highlighting exceptional musicianship, the episode features the Errol Garner Trio, comprising Errol Garner on piano, John Simmons on bass, and Shadow Wilson on drums. Their rendition of "Lover" exemplifies the trio's seamless interplay and Garner's virtuosic piano skills.
Leonard Feather [24:04]: "This is actually the Errol Garner Trio, the other two members being John Simmons on bass and Shadow Wilson on drums. And they're playing."
As the first episode draws to a close, Feather teases future content, including previews of unreleased recordings and more live performances from top New York jazz venues. He encourages listeners to engage with the show by suggesting artists or topics of interest, fostering a community of jazz enthusiasts.
Leonard Feather [28:35]: "Next week at the same time, we'll be bringing you some more new music, including another preview of an unreleased record, as well as some great in-person performances from one of the leading New York jazz clubs."
Notable Quotes:
Conclusion
The debut episode of Jazz Club USA successfully marries historical jazz recordings with vibrant live performances, creating a nostalgic yet fresh auditory journey. Through Leonard Feather’s expert guidance and the showcased talents of jazz luminaries, listeners are invited to immerse themselves in the enduring legacy and evolving landscape of American jazz.