Jeff & Lucky 39-09-27 (Audition) 01

Summary

Podcast Summary: Harold's Old Time Radio – Episode "Jeff & Lucky 39-09-27 (Audition) 01"

Title: Jeff & Lucky 39-09-27 (Audition) 01
Release Date: May 21, 2025
Host: Harold's Old Time Radio
Description: Delving into the Golden Age of Radio, this episode transports listeners to a bygone era where families gathered around the radio to enjoy captivating shows like The Shadow, Dragnet, and more. This particular episode introduces the dynamic duo, Jeff and Lucky, in a thrilling narrative filled with suspense, humor, and unexpected camaraderie.

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1. Setting the Scene

The episode opens with an atmospheric depiction of a nighttime scene on the outskirts of a bustling city. A freight train struggles up a steep grade, its rhythmic chugging setting a tense yet melodic backdrop.

Narrator (00:31): "As our story begins, it is night time, and on the outskirts of a big city, a long freight train, which has been puffing its way laboriously up a steep grade, is starting to pick up speed."

An introduction to the main characters unfolds as Olin Soule, an elegantly dressed gentleman, abruptly enters a boxcar, catching Lucky, a rugged and street-smart individual, off guard.

2. The Unlikely Encounter

Lucky and Olin engage in a witty and tense exchange, establishing their contrasting personalities and hinting at underlying tensions.

Lucky (01:26): "Hey, who are you? Oh, hello."

Olin Soule (02:01): "Well, I'm sorry you don't approve of my clothes, but after all, do clothes make the man?"

Their conversation delves into suspicions about each other's intentions, with Lucky questioning Olin's presence and the contents of his suitcase.

Lucky (02:14): "Now lookit here. If you got that suitcase full of stolen ice or something, you better get out of here fast. I don't want nothing to do with no crooks."

3. Building Suspense and Character Backstories

As tension mounts, both characters reveal snippets of their pasts, enriching their backstories and motivations. Lucky shares his disillusionment with factory work, while Olin hints at a mysterious past.

Lucky (07:33): "Oh, let's see. Kind of hard to figure. Well, anyway, ever since I quit my job."

Olin Soule (04:35): "But my dear fellow, I assure you I'm not. Of course, you understand. I had to tip the boy and that had me worried for a minute because I didn't have a dime."

4. The Unfolding Action

The plot thickens when the train slows down unexpectedly, raising alarms that they might have been spotted by the brakeman searching for "stiffs." This prompts a swift decision to act, leading to a thrilling sequence where Lucky instructs Olin to jump off the moving train.

Lucky (09:56): "Plenty. This ain't no regular stop. It means they may have spotted us."

During the chaos, Lucky manages to juggle their escape while Olin, nicknamed "Fancy Pants," struggles with his cane and the mysterious brown envelope hidden in his suitcase.

Olin Soule (12:12): "I've got to slit the lining of the suitcase. Yes, yes. There happens to be a little brown envelope secreted in there, huh?"

5. Climactic Confrontation

Perched precariously on the roof of the speeding freight train, Jeff (formerly Olin) and Lucky face the imminent threat of being caught. Their improvisational teamwork highlights their contrasting yet complementary skills.

Lucky (13:02): "Wouldn't you know it? We picked a couple of icebox cars without no bumpers."

Olin Soule (14:16): "Why? Because there are persons who'd like very much to get a hold of it, Lucky."

6. Revelation and Intrigue

The episode reaches its zenith as Olin reveals the significance of the brown envelope, hinting at a larger conspiracy or mission at hand.

Olin Soule (14:35): "The envelope contains, well, one might say, the fate of a nation and the fate of a beautiful lady."

This revelation sets the stage for future episodes, promising deeper mysteries and heightened stakes for the duo.

7. Conclusion and Tease for Future Episodes

As the train scene concludes, the narrator leaves listeners on a cliffhanger, emphasizing the unresolved tensions and unanswered questions about Jeff and Lucky's partnership.

Narrator (15:03): "And so we leave Jeff and Lucky perched precariously on the top of a speeding freight train. ... Search me, but be sure to tune in tomorrow for another amusing interlude with Jeff and Lucky the gentleman and the hobo."

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Notable Quotes with Timestamps

• Lucky (00:00): "Step into the world of power, loyalty and luck."
• Olin Soule (02:05): "Do clothes make the man?"
• Lucky (07:33): "I quit my job. I was employee number 2875, putting leg number 59x on bathtub number 676."
• Lucky (09:54): "Wait a minute, this train's slowing down."
• Olin Soule (14:35): "The envelope contains, well, one might say, the fate of a nation and the fate of a beautiful lady."

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Insights and Themes

• Contrasting Personalities: The dynamic between Lucky and Jeff underscores classic archetypes—Lucky as the streetwise hustler and Jeff as the refined gentleman. Their interactions explore themes of trust, identity, and survival.

• Mystery and Suspense: The presence of the brown envelope and the imminent threat from the brakeman inject a sense of urgency and mystery, driving the narrative forward.

• Humor in Tension: The witty banter and humorous exchanges provide levity amidst the suspense, reflecting the storytelling style of old-time radio where comedy often coexists with drama.

• Transformation and Partnership: The evolution of their relationship from suspicion to tentative partnership highlights themes of redemption and the power of unlikely alliances.

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Conclusion

"Jeff & Lucky 39-09-27 (Audition) 01" masterfully captures the essence of Golden Age radio dramas, weaving a tale filled with suspense, humor, and rich character development. Through engaging dialogue and strategic use of tension, Harold's Old Time Radio offers listeners a nostalgic yet fresh narrative experience. As the story of Jeff and Lucky unfolds, it promises exciting developments and deeper mysteries in forthcoming episodes, making it a must-listen for enthusiasts of classic radio storytelling.

Transcript

[Lucky]

Step into the world of power, loyalty and luck. I'm gonna make him an offer he can't refuse. With family. Cannolis and spins mean everything. Now you want to get mixed up in the family business. Introducing the [e-mail] test your luck in the shadowy world of the Godfather slot.

[Jeff]

Someday I will call upon you to.

[Lucky]

Do a service for me. Play the Godfather now at champacasino.

[Jeff]

Com welcome to the family.

[Lucky]

No purchase necessary VGW Group void where prohibited by law 21/ terms and conditions apply.

[Jeff]

Presenting Olin Soule and Bill Boucher as Jeff and Lucky. Written by Mildred hark and Noel McQueen. As our story begins, it is night time, and on the outskirts of a big city, a long freight train, which has been puffing its way laboriously up a steep grade, is starting to pick up speed. Inside one of the boxcars stands a shabbily clad figure rolling a cigarette. He has only just managed to swing aboard and the accelerating chug, chug of the engine is music to his ears. Now he strikes a match and is startled as the flaring light reveals an elegantly attired gentleman knock five feet away from him, sitting nonchalantly on a suitcase.

[Lucky]

Hey, who are you? Oh, hello.

[Olin Soule]

Are we sharing this boxcar?

[Lucky]

What are you doing in here?

[Olin Soule]

Same thing you are, I suppose. Any objections?

[Lucky]

Plenty. You ain't no bloat in the glass stiff.

[Olin Soule]

No, no. I've been called a lot of things, but never a bloat in the glass stiff. What is it?

[Lucky]

See, you don't even know the lingo. Why, stiffs as regular bums like. Like me. And look at you, all dressed up, fancy pants. And I'll be. You even got a flower in your buttonhole. Now, ain't that cute?

[Olin Soule]

Well, I'm sorry you don't approve of my clothes, but after all, do clothes make the man?

[Lucky]

I don't like the looks of it, that's all. Hey, what's in that suitcase?

[Olin Soule]

Well, now, let me see.

[Lucky]

I'll bet you made a hole.

[Olin Soule]

A what? A haul.

[Lucky]

Now lookit here. If you got that suitcase full of stolen ice or something, you better get out of here fast. I don't want nothing to do with no crooks.

[Olin Soule]

Excuse me, but I wish you'd light that cigarette before you burn your fingers. Well, now, if you're really so anxious to know what's in my suitcase, I have this flashlight.

[Lucky]

Look out. Look out where you shine that thing. Do you want the whole caboose crew in here?

[Olin Soule]

Oh, my mistake. There. Now, that's got it open.

[Lucky]

There.

[Olin Soule]

Now, you see? A few toilet articles, three shirts, a couple of ties, one extra suit, My electric razor.

[Lucky]

Yeah, I suppose you'll be plugging that in any minute now, huh?

[Olin Soule]

Well, they did tell me it'd work in Pullman cars.

[Lucky]

Yeah, well, not side door Pullman, brother. Hey, what's that thing under your arm there?

[Olin Soule]

Why, this?

[Lucky]

Yeah.

[Olin Soule]

Why, it's just my cane.

[Lucky]

Okay, mister, you got me stumped. Now, look, if you didn't steal anything, then what's a guy like you doing riding the rails?

[Olin Soule]

Well, you see, I just wanted to get away.

[Lucky]

Away?

[Olin Soule]

Yes.

[Lucky]

Away from what? Then you did commit something.

[Olin Soule]

No, no, not a thing. Shall we say that I just wanted to be, well, free?

[Lucky]

I can get that part all right. That's just like me.

[Olin Soule]

Ah, now we're beginning to understand each other.

[Lucky]

But I still don't see why you're beaten your way. Well, you look like a guy that's been used to travel in this style. Yachts, private cars.

[Olin Soule]

Well, this car was private before you got in, huh?

[Lucky]

Okay, mister, okay. You don't want to answer questions, I ain't got no business asking them. I'll say this for you. You got what it takes.

[Olin Soule]

Well, thank you.

[Lucky]

Yeah, but how you ever boarded this rattler before? She slowed down for the grade is more than I know.

[Olin Soule]

Oh, it's quite simple. You see, I was in the station.

[Lucky]

What? You mean to tell me you got on when she stopped downtown?

[Olin Soule]

Why, yes.

[Lucky]

Now, wait a minute. Next thing you'll be telling me a red cap helped you with the suitcase.

[Olin Soule]

Well, as a matter of fact, he did, huh? Yes, very accommodating he was, too. He pushed open the door there and helped me.

[Lucky]

Oh, wait a minute. Now, look here, brother, if you're trying to kid me.

[Olin Soule]

But my dear fellow, I assure you I'm not. Of course, you understand. I had to tip the boy and that had me worried for a minute because I didn't have a dime.

[Lucky]

Yeah? Well, then how?

[Olin Soule]

I. I gave him the key to my car.

[Lucky]

What?

[Olin Soule]

Yes, he seemed quite pleased, too. It's a nice car. 16 cylinder.

[Lucky]

16 cylinder? You gave the key to. You're crazy.

[Olin Soule]

Why, no, not at all. It was the most rational thing to do. I ran out of gas just outside the station. I've told you, I had no money to buy more with, so the car was of no use to me.

[Lucky]

Well, maybe you're right, but it seems an awful funny way of doing things.

[Olin Soule]

But why? I'm sure I'm going to like this mode of travel much better anyway. Yes, yes, we must be doing 40 or 50 miles an hour. Don't even have to bother steering.

[Lucky]

Yeah, you got something there, brother. But. Hey, wait a minute. Dowse that light, all right.

[Olin Soule]

But why?

[Lucky]

Well, don't you see? We're on a curve. Maybe the caboose is far enough back for him to spot this open door. Oh, wait a minute, Al. Okay, it's shut now. Go ahead. You can light up again.

[Olin Soule]

Very good.

[Lucky]

Well, what's the matter?

[Olin Soule]

You know, since you closed that door, I seem to detect a strange odor. Do you suppose a rat could have passed away in here?

[Lucky]

A rat?

[Olin Soule]

Yes.

[Lucky]

No, no, that's my sandwich.

[Olin Soule]

Your what?

[Lucky]

My sandwich. Here. Yeah, he is pretty strong, all right.

[Olin Soule]

Well, I. I don't like to be curious, but. What is it?

[Lucky]

Limburger. A lady gave it to me this morning. Oh, here, here, have some.

[Olin Soule]

Now, you're. You're sure it doesn't taste the way it smells?

[Lucky]

No, no, that smell ain't nothing to get it. It's just the nature of Limburger. Ah, there's nothing better. Go on, go on, have a hunk.

[Olin Soule]

Well, I am a trifle hungry, but.

[Lucky]

Yeah. Well, wait a minute. Maybe you'd like these better then, huh? Frankfurters?

[Olin Soule]

Yes, I think I would. Say, where's this beast coming from?

[Lucky]

Oh, out of my pockets. Oh, wait. Here. Here in my shirts. The buns to go with the dogs. See that? A whole bag of them.

[Olin Soule]

My, my, such a largesse.

[Lucky]

Such what?

[Olin Soule]

I mean, such a. Such a quantity of food.

[Lucky]

Oh. Oh, well, you ain't seen half of it. Wait a minute. Get this other pocket here. Jar of dill pickles. And over here is a bottle of java.

[Olin Soule]

What?

[Lucky]

It's cold, but price this afternoon. Oh, yeah, yeah. Almost forgot. Bananas for dessert. Well, go ahead to eat. What you waiting for?

[Olin Soule]

Why, not a thing. I. I think I'll start on a frankfurter.

[Lucky]

Yeah, go ahead, eat them all. I. I don't want any.

[Olin Soule]

Well, don't you care for them?

[Lucky]

Sure I do, but I can't eat them without mustard.

[Olin Soule]

No?

[Lucky]

No.

[Olin Soule]

Well, I'm hungry enough right now to enjoy them in the nude, so here goes.

[Lucky]

Enjoy them in the nude. That's good. Red Hot's in the nude.

[Olin Soule]

Well, it's nice of you to appreciate my feeble efforts, but in the nude? You know, it doesn't seem quite fair you're supplying all the food like this.

[Lucky]

Oh, don't worry nothing about that. Wouldn't be no use living if you couldn't help a guy out once in a while.

[Olin Soule]

Tell me how long have you been traveling about like this? Hmm?

[Lucky]

Oh, let's see. Kind of hard to figure. Well, anyway, ever since I quit my job.

[Olin Soule]

Oh, you. You have tried working then?

[Lucky]

Oh, yeah, sure, sure. Yeah, I worked in a factory for five years. And you know what I was when I got done? I was employee number 2875, putting leg number 59x on bathtub number 676.

[Olin Soule]

Why, that's very interesting.

[Lucky]

That's what you think. I got so as I'd go home at night and I'd dream about bathtubs.

[Olin Soule]

You don't say.

[Lucky]

Yeah.

[Olin Soule]

Were they full or empty bathtubs?

[Lucky]

They was worse than that, brother. They was upside down.

[Olin Soule]

No.

[Lucky]

Yeah. Then something happened. One morning, I was standing in line waiting to punch the clock. Something come over me and.

[Olin Soule]

You didn't punch it?

[Lucky]

Yeah. Yes, I did. Here, look. See them scars of my knuckles? See? Right there.

[Olin Soule]

My, my.

[Lucky]

Well, sir, I hauled off and I punched that clock right in the face.

[Olin Soule]

Bravo.

[Lucky]

You bet. I turned and I walked out of that joint. I ain't never been tied down to any place since. I just go around, see the world. It's great stuff.

[Olin Soule]

You know, you make me feel very optimistic about this venture of mine, especially now that I'm replete with food.

[Lucky]

Replete? Oh, yeah. I suppose you mean you had enough.

[Olin Soule]

Yeah.

[Lucky]

Well, then, how'd you like a little music, eh?

[Olin Soule]

Music? Now, wait a minute. Don't tell me you've got a radio secreted in that trick shirt of yours.

[Lucky]

No, no, no, no, but wait a minute. I got. Got a mouth organ, see? Oh, listen to this. Now, how do you like that, huh?

[Olin Soule]

My dear fellow, you really astound me.

[Lucky]

Yeah.

[Olin Soule]

First we dine and now music. Well, that's a sprightly little ditty. You know, I like that part.

[Lucky]

Oh. Oh, you mean this?

[Jeff]

Yes, yes, that's it.

[Lucky]

Yeah, that happens to be my own stuff. Sort of come to me while I was sitting in a ditch this afternoon waiting for this freight to come along. You know, it's funny. I never think of a new tune all winter long. But then soon as spring starts coming, well, seems as old there's music right in the air. And all you got to do is just reach right out and pick it right out of the air.

[Olin Soule]

You really think spring has something to do with it?

[Lucky]

Wait a minute, Wait a minute. This train's slowing down.

[Olin Soule]

Well, what of it?

[Lucky]

Plenty. This ain't no regular stop. It means they may have spotted us. But how? I don't know. Sometimes the brakeman walks the decks Looking for stiffs. Just our Lucky was on top of this car and heard me a playing tunes. Come on, get moving, brother. We gotta hit the gravel.

[Olin Soule]

Well, you mean. You mean jump off before it stops?

[Lucky]

Yep.

[Olin Soule]

Just step calmly out into the night.

[Lucky]

Oh, don't let that dark bother you. Now look, lean way back when you jump like you wanted to. Land on your back. And when you hit, start running. The speed of the train will stand. Here. Now come on, get going and I'll follow you.

[Olin Soule]

You're the doctor. Or should I say Corona?

[Lucky]

Wait a minute, wait a minute. Before you go, let me handle that suitcase. Give me that. All right, now, go ahead. Go ahead, jump. Get. Okay now. Hey. Hey, Fancy pants, where are you? Here. Huh? In the ditch. Are you okay?

[Olin Soule]

Well, I. I haven't finished taking inventory yet.

[Lucky]

Are you all right?

[Olin Soule]

One thing is certain. That name Fancy Pants isn't as appropriate as when you first used it, Huh? I made a three point landing and did more sliding than running. But I've still got my cane.

[Lucky]

Don't mean it. You're all right, brother. Takes nerve to hit the gravel and dark like that. You're all right.

[Olin Soule]

Well, you're kind of all right yourself.

[Lucky]

Say, you know, I have been thinking. How'd you like to, well, sort of stick with me?

[Olin Soule]

Why, I deem it a privilege and an honor to travel with a bloat in the glass stiff.

[Lucky]

You would. Okay, it's a deal. Here, put it there, partner. Oh, my name is Lucky.

[Olin Soule]

Well, I'm very glad to know you're Lucky. Jeffrey is the name my fond parents hung on me.

[Lucky]

Yeah. How are you, Jeffrey? It's Fancy like your pants, huh? All right. Well, I'm gonna call you Jeff.

[Jeff]

All right.

[Lucky]

Wait a minute. Stay down. We gotta lay low until the brakeman gets past. Look, you see that red light ahead there.

[Olin Soule]

Yes.

[Lucky]

Yeah. Well, that's his lantern. He's found out we ain't in the car by this time. And any minute now he'll be giving him the high sign to go ahead. Now look at here. We gotta work fast. Oh, here, open up that suitcase and stow stuff in your pockets. All right, but get it open.

[Olin Soule]

Don't I look rather bulgy?

[Lucky]

Yeah. Do like I say. Oh, here, here, give me some of them duds. Tie em around my middle here, like this. Do that.

[Olin Soule]

Take it. My suitcase and I are parting company.

[Lucky]

You can't board no moving freight one handed, you know. Come on, give me some more. Wait a minute. There she goes. Are you ready?

[Olin Soule]

No, not yet. Have you got a Knife, Lucky.

[Lucky]

Knife. Yeah, but what?

[Olin Soule]

I've got to slit the lining of the suitcase.

[Lucky]

Slit the lining?

[Olin Soule]

Yes, yes. There happens to be a little brown envelope secreted in there, huh? Come on, come on. The knife, Lucky.

[Lucky]

Here, here.

[Olin Soule]

Okay, thanks.

[Lucky]

Look, Jeff, I don't get this. There.

[Olin Soule]

Here's what I want.

[Lucky]

Well, if you got it, come on, then we gotta ride the bumper.

[Olin Soule]

Yes, all right. Bumpers.

[Lucky]

Yeah.

[Olin Soule]

Oh, yes, bumpers.

[Lucky]

Hurry up.

[Olin Soule]

Fret about those. How about our private car?

[Lucky]

We'll never make it, the way she's picking up speed. Come on, keep running.

[Olin Soule]

Yes.

[Lucky]

Grab the steps of this car as they come past.

[Olin Soule]

I hope the steps are where I grab.

[Lucky]

Go ahead. I'll be right behind you. All right, go on, move up.

[Olin Soule]

You know, I think I made it.

[Lucky]

That was nice going, Jeff.

[Olin Soule]

The daring young man on the flying trapeze.

[Lucky]

Yeah. Now, look, reach around the corner with your foot there and find the bumper.

[Olin Soule]

That sounds like a splendid idea, Lucky, but I've been prodding about with my cane and I don't think there is one.

[Lucky]

Oh, wait, wait. Let me try that. Go ahead, get to one side.

[Olin Soule]

You see?

[Lucky]

See?

[Olin Soule]

There's nothing but space.

[Lucky]

Wouldn't you know it? We picked a couple of icebox cars without no bumpers.

[Olin Soule]

It's an outrage. We'll complain to the management. You know, frankly, I don't fancy hanging onto the side like this.

[Lucky]

No, it's too hard in the arms. Well, we got a hit for the upper deck.

[Olin Soule]

Upper deck?

[Lucky]

Yeah.

[Olin Soule]

You mean climb up there and walk about on the roof?

[Lucky]

Sure, sure. It ain't so bad. Of course, it's kind of slippery sometimes. The main thing is to keep your balance.

[Olin Soule]

Yes, as I can see, that'd be essential.

[Lucky]

All right. Come on, Jeff. Come on. I'll go first and you follow me up.

[Olin Soule]

All right. I do think they might have been a little more generous with these steps.

[Lucky]

Not very big. Well, you can't expect no winding staircase, you know. Come on.

[Olin Soule]

No, I suppose not. But I do wish I had a parachute. You know, Lucky, I have a distinct feeling that I'm about to break my neck.

[Lucky]

Oh, no. Come on, keep coming. That's it.

[Olin Soule]

Well, so this is riding the deck.

[Lucky]

Yep.

[Olin Soule]

That's not so bad once you're up here.

[Lucky]

Oh, no, it's okay. But, Jeff. Jeff, that brown envelope, why'd you have it hid?

[Olin Soule]

Why? Well, because there are persons who'd like very much to get a hold of it, Lucky.

[Lucky]

Well, what's in it?

[Olin Soule]

Well, I'm afraid I can't tell you that.

[Lucky]

You. You didn't steal it, did you?

[Olin Soule]

That's a difficult question to answer. But if it'll relieve your mind any, I can assure you that it isn't money.

[Lucky]

Not money, no. Well, what else would you want to be hiding?

[Olin Soule]

What indeed? Well, I'll tell you this much, Lucky. The envelope contains, well, one might say, the fate of a nation and the fate of a beautiful lady.

[Jeff]

And so we leave Jeff and Lucky perched precariously on the top of a speeding freight train. Of course, it's an old story to Lucky, but will Jeff manage to stay on the roof without losing either his balance, his cane, or the mysterious brown envelope? And what is Jeff, a gentleman with a 14 carat background, doing on a freight train anyhow? Search me, but be sure to tune in tomorrow for another amusing interlude with Jeff and Lucky the gentleman and. And the hobo. Jeff and Lucky is a copyrighted feature. This is Vincent Pelletier speaking.

[Ryan]

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[Lucky]

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[Jeff]

You were made to have strong opinions about sand. We were made to help you and your friends find a place on the beach with a pool and a marina and a waterfall and a soaking tub. Expedia made to travel.