
Jerry of the Circus - Spike Saves Jerry But Who Is Spike
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Liberty Mutual customizes your car and home insurance. And now we're customizing this rush hour ad to keep you calm, which could help your driving. And science says therapy is great for a healthy mindset. So enjoy this 14 second session on us. I think you've done everything right and absolutely nothing wrong. In fact, anything that hasn't gone your way could probably be blamed on your father not being emotionally available because his father wasn't emotionally available, and so on. And now that you're calm and healing, you're probably driving better, too.
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Liberty. Liberty. Liberty. Liberty.
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Jerry of the circus.
B
Now for Jerry of the circus.
D
Whoa.
B
Splinter.
D
Help. Somebody help me. I can't hold out anymore.
B
Come on, Jerry. I'm coming. Hold tight.
D
Hurry.
B
Hurry up. Only just a second longer, Jerry. I'll grab that pony. Whoa, there.
D
Whoa.
B
Now you can let yourself down, Jerry. I ought to smack this force a good one right in the nose. Blowing away like that.
D
No, don't hit him, Spike. He couldn't help it. I didn't have the saddle tight enough. He's just a colt. He doesn't know any better. This is only the second time he's been ridden.
B
Take it easy, doggy. The boy's all right.
D
Yeah, I'm all right, Rags. Just a little. Just a little out of breath, though.
B
Just sit down on the ground there and you get your breath back. Well, hello, Rags. Give me your paw. Why, he did it. He gave me his paw.
D
Sure, I thought him good manners.
B
I'll say you did. Say, he's a swell little dog. You can't say as much for this horse of yours.
D
Oh, Splendor's all right. You don't have to hold on to him, Spike. He won't run away.
B
I don't know about that. He ran away with you, didn't he?
D
No, he didn't run away. He just got excited when the saddle slipped. He just kept going around in a circle.
B
Yeah, that's right. Well, all right, then. I'll let loose of him. Go ahead and eat some grass, Pony.
D
I don't know how to thank you for saving me.
B
Ah, forget it, Jerry. I was glad I happened to be coming by this way and heard you hollering. Besides, this makes us even now.
D
What do you mean, spy?
B
Well, you sort of saved my life, too.
D
I saved your life?
B
Sure. And you got me this job.
D
I didn't get it for you. Mr. Murray just told me to go look for a strong man to take Zeke's place. And you were looking for work, so I told you Mr. Murray was looking for a man.
B
Well, anyway, I'm awful thankful to you. I needed a job pretty bad, Jerry. This job means everything to me.
D
You did look kind of hungry and sort of pale.
B
Well, I was more than hungry and pale, Jerry. I was desperate. I just had had to find work.
D
Golly, I didn't know it was that bad.
B
Yep, I got plenty of business to attend to.
D
Must be important, huh?
B
It is important, Jerry. I've got to see a man. He doesn't expect me. And I don't think he's as anxious to see me as I am to see him. But I'm gonna see him.
D
Is he a friend of yours?
B
Hardly.
D
Rags. Rags, come here. Keep away from Splendor.
B
Looks like Rags kind of likes that pony. He doesn't take his eyes off him.
D
Rags is real friendly. He likes most everybody.
B
I think he took a shine to me, give me his paw and wagged his tail like he was greeting an old friend.
D
Sure he likes you, Spike.
B
You really think he does?
D
I'm sure of it. Here, Rex, come here. I can tell by the way he acts.
B
Well, that makes me feel pretty good, Jerry.
D
Why?
B
Well, because they say dogs have a pretty good sense. I. I mean, they can judge humans.
D
You mean that they only like nice people?
B
Yeah, that's what I mean.
D
Well, I guess that's right. Because when we first joined the circus, there was a man named Lorenz who was awful mean. And Rags didn't like him right from the start.
B
Yeah, huh?
D
And finally, Lorenz held up Bennett, the paymaster and stole the payroll money.
B
You don't say.
D
Yeah, but they caught him all right now. He's in jail for about 20 years, I think.
B
Come here, Rags. Ah, nice fella. You're all right.
D
See you, Steel wag. He sure does like his spike.
B
And if I was bad, he'd growl at me, wouldn't he?
D
He sure would.
B
Too bad they don't use dogs on juries so they can pick the right man.
D
What do you mean, spy?
B
Oh, nothing. Oh. How do you feel now? Got your breath back?
D
Yeah, I feel all right. I guess I better get Splendor now and tie him up in the horse stand.
B
Oh, I'll get him for you. Okay.
D
Well, Rags, I guess I was pretty lucky this fight came along and saved me, huh?
B
Come on, Jerry.
D
Okay.
B
This little pony seems to be gentle enough.
D
Oh, sure. He's a grand little horse. Aren't you, slender?
B
Well, I declare, it looks like he knows what you're saying to him.
D
He does. He's smart. Come on, Rag.
B
You Seem to get along with animals mighty fine.
D
I guess that's because I love them.
B
Yeah, that might be. Say, hold that canvas to one side, Jerry. Okay, now where's he go?
D
Just tie him up right here. Wait, I'll get his rope hauler.
B
Okay, I'll take this bridle off and you slip the halter on him.
D
Here we are, Splinter.
B
I guess we better get this saddle off. I don't guess it's any too comfortable to have it hanging on him like this.
D
Yeah, of course, Splinter. I'll bet he was more scared than I was when the saddles lift.
B
I guess you got it figured out right, Jerry. That's why he started running around like he did. I thought at first maybe he spilled you on purpose.
D
Oh, no, he wouldn't do that.
B
Well, here you are. Where's the saddle go?
D
Just put it down right there.
B
That's that.
D
Goodbye, Splinter. See you later. And the next time we ride, I'll see that the saddle doesn't slip.
B
Go ride him again, huh, Jerry?
D
Sure, why not? Just because something happens once doesn't mean it's going to happen again.
B
Say, that's mighty good reasoning. Well, you coming?
D
Race along, Splendor.
B
It's almost time for supper. At least my stomach tells me that
D
the flag isn't up yet. Hey, look, there's Bombs.
B
Who's that?
D
Don't you know Bombs?
B
No, I don't think I do.
D
Well, you will in a minute. Hi, boss.
C
Hello there, Jerry.
B
He's one of the clowns, ain't he? Uh huh.
C
We all finished working out, Splendor.
D
Yeah, but I don't know whether I worked him out or he worked me out. Oh, excuse me, Bumps. This Spike the new man Mr. Murray got in Zeke's place.
C
Well, glad to meet you, Spike.
B
Same here.
D
Spike just saved my life, Bump.
B
Oh, no, it wasn't that bad.
C
Oh. Oh. Well, the flag's up.
B
Let's go eat and I won't have to be invited twice. Come on.
D
Come on, Ray.
C
You ever been with the circus before, Spike?
B
No, I haven't, Bumps. This is the first time and I think I'm gonna like it.
C
Sure you will. There's just something about a circus and circus people, well, it sort of gets under your skin.
D
What was the last job you had? Spy.
B
Why? Well, I haven't had a good job since. I guess it's been over four years, Jerry.
C
Well, I guess things have been pretty tough. It's not so easy to find something to do.
D
You were lucky Mr. Murray needed man.
B
Yes, I was Very lucky.
C
Paul's a nice fellow to work for too. He's easy to get along with. And if you get along with him, you can stay with this outfit as long as you like.
B
Well, that's swell, but I don't think I'll join out again next season.
D
Spike has some business to attend to.
C
Oh, that so? Well, every man to his own liking. I, for one, wouldn't give 2 cents to have to live and work in a big city all the time. I guess the travel bug has bitten me pretty hard. I really enjoy going from one town to the other and seeing new places all the time.
D
Why, you do? I think the circus is great. Well, I wouldn't give it up for anything.
C
Well, you see there, Spike? It's in Jerry's blood already, the boys do. To spend his life with a circus.
B
Well, he could spend his life a whole lot worse.
C
Yeah, you're right there. A circus isn't the worst place in the world.
D
There's no telling what I might turn out to be. I might be a lion femur like Jason when I grow up. Or a trick rider. Or maybe an aerialist.
C
How about a tightrope walker? Maybe even a clown.
D
I might be a clown. I'd like to be a clown.
B
But you haven't made up your mind yet, huh?
D
No. Hey, look, bumps. There's Mr. Bradley heading for the mess dance.
B
Oh, yeah.
C
Oh, hey, Johnny. Hey, wait for us. We'll go in and eat with you. What?
E
Why? I thought I was the first one to see the flag go up.
C
Not while Jerry has a good pair of eyes. I think his stomach tells his eyes to watch that flag all day.
D
Oh, yeah? Well, it wasn't me who saw the flag go up. It was you, wasn't it, Spike?
B
Well, I guess that's right. He's got you this time, Bump.
C
Jerry doesn't like to be kidded about eating so much, but I go right on kidding him. Greetings, friends.
E
We do now go forth to partake of the culinary achievements of our splendid chefs.
C
Well, could you say that in plainer English, Johnny?
E
To be sure, I can put it this way. We are now going into the mess Tent to sample the vittles and find out what the spread is for tonight.
B
That's better.
D
We understand you now.
C
Well, shall we go in?
B
Well, here's where we part company. I go in the long end. Oh.
E
Say, Spike, did you ever work for Randall before?
B
Nope. This is my first job with any circus. Why?
E
Oh, I'm just trying to place you, that's all. Thought Maybe we'd work together at some time or other.
B
No, I. I don't think that could be. Well, I'll see you later.
D
Bye, Spikes. And thanks again for saving.
C
Oh, yeah, thanks. Bye.
B
Don't mention it, Rags.
D
You run over the wagon now and maybe I'll bring you a nice bone if I can get one for you. Go on, big good dog.
E
Now, Spike's face is surely familiar to me.
C
Oh, he probably looks like someone you know.
E
Yes, maybe so. Hey, what's this about your thanking him for saving you, Jerry?
D
Oh, I was riding Splinter out in back of the horse tent. I didn't get the cinch strap tight enough and the saddle sled.
C
Spike just happened along in time to catch the pony and save Jerry from a bad bump.
E
Well, now, think of that.
C
Well, here we are.
E
Sit down there, Jerry. Okay, I take it then you're not such a very good horseman, Jerry.
D
I am, too. It was just an accident.
E
Oh, I see.
C
It's a pretty sure thing it won't happen again.
D
I'll say it won't. I'll make double sure to get that cinch strap good and tight next time.
E
Ah, here comes the food.
D
Evening, gentlemen.
C
Well, hello, Bismarck. What's on the bill of fare?
D
It's yes, sir, and lamb stew, and it am really fine.
E
It looks mighty good, Bismarck.
B
It's the best as you ever tasted.
C
Yes.
D
Golly, that's a funny name, Bismarck. Is that really his name?
C
Oh, I don't think so, Jerry. He was probably picked up in Bismarck, North Dakota when he first joined out with the show. You know, circus folks have a habit of calling newcomers by the name of the town they came from.
D
Oh, so that's it. That's why they call the guard that works for Olson. What's his name now? Oh, yeah, Springfield.
C
Yeah, that's right, Jerry. He most likely joins us in Springfield.
E
One of the razor bags is called Chickasha.
D
That's a funny name.
C
This is good. Hand me a piece of that bread, Jerry.
D
Yeah. Here you are. Want some milk?
C
Yeah, you just pour me some, Jerry.
D
You too, Mr. Bradley.
E
What's that? Oh, yes, yes, yes.
C
Thank you, Jerry.
D
I'm sure hungry tonight.
C
Tonight? Aren't you hungry every night?
D
Aw, bumps. Quit kidding me.
C
I heard one of the cooks say his food bill went up quite a bit since you joined the show.
D
He did?
C
Yes, he did.
D
Well, I don't eat any more than you do.
C
Well, that's quite a bit for a boy. Say, Johnny, why aren't you eating? Food will get cold.
E
Oh, I was Just thinking this lamb
D
stew is swell, Mr. Bradley.
C
Well, must be something awfully important on your mind keeping you from these fine vittles of Yukon, they say. Jerry.
D
Yeah?
E
Remember that poster we saw down at the post office in the last town we played?
D
You mean the one with the picture of the man that was wanted for breaking jail?
E
Yes, that's the one. And you said you thought you knew who it was or had seen him.
D
Uh huh. What about her?
E
Well, I think I know who that man is. I'm not exactly sure yet, but I'm going to find out. Find out for sure if I'm right.
D
Golly. Well, who do you think it is?
E
Well, I'll tell you just as soon as I'm a little more certain it.
D
Foreign.
A
Liberty Mutual customizes your car and home insurance. And now we're customizing this rush hour ad to keep you calm, which could help your driving. And science says therapy is great for a healthy mindset. So enjoy this 14 second session on us. I think you've done everything right and absolutely nothing wrong. In fact, anything that hasn't gone your way could probably be blamed on your father not being emotionally available because his father wasn't emotionally available and so on. And now that you're calm and healing, you're probably driving better too.
B
Liberty. Liberty. Liberty. Liberty.
F
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Visit your nearby Lowe's.
Podcast: Harold's Old Time Radio
Episode Date: May 20, 2026
Episode Focus: A classic radio drama episode revives the atmosphere of circus life and highlights themes of friendship, gratitude, and intrigue among circus folk. Jerry finds himself in danger but is saved by Spike, prompting new questions about his savior's mysterious past.
This episode centers on camaraderie and trust among circus members while weaving in the suspense of newcomers and hidden identities. After Spike rescues Jerry from a frightening mishap, the circus community welcomes Spike, but some begin to wonder: Who is Spike, really? The episode explores gratitude, belonging, and the ever-present undercurrent of secrets within the traveling circus world.
"Come on, Jerry. I'm coming. Hold tight." (Spike, 02:10)
"No, don't hit him, Spike. He couldn't help it. I didn't have the saddle tight enough." (Jerry, 02:29)
"Well, you sort of saved my life, too." (Spike, 03:28)
"Because they say dogs… can judge humans." (Spike, 04:33)
"Just because something happens once doesn’t mean it’s going to happen again." (Jerry, 06:30)
"There’s just something about a circus and circus people, well, it sort of gets under your skin." (Bumps, 07:19)
"He could spend his life a whole lot worse." (Spike, 08:16)
"Nope. This is my first job with any circus. Why?" (Spike, 09:36)
"Circus folks have a habit of calling newcomers by the name of the town they came from." (Bumps, 10:59)
"I think I know who that man is. I’m not exactly sure yet, but I’m going to find out." (Johnny, 12:32)
The tone is warm and nostalgic, with heartfelt exchanges underscored by gentle humor and a sense of community. However, beneath the camaraderie lies a subtle tension and a growing mystery about Spike’s true identity.
This episode is a classic example of radio’s power to blend everyday life with intrigue. New listeners will appreciate the snapshot of circus routines while being drawn into the central mystery regarding Spike. The blend of old-timey dialogue, memorable supporting characters, and a developing subplot makes it both heartwarming and suspenseful—a perfect slice of golden age radio drama.