
Journey Into Space 53-09-21 001 Operation Luna01
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Narrator
Journey into Space. BBC presents Jet Morgan in Operation Luna. October 19th, 1965. In the Australian outback, many miles from the nearest town, stands the rocket ship that is about to carry Jet Morgan and his crew to the moon. Beside Jet, the captain, there are Stephen Mitchell, engineer Lemmy Barnett, radio operator, and Doc Matthews. That's me. Already the scaffolding has been removed and the ground crew have taken cover from the shattering rocket blast that is soon to send the moon ship on its way. Within the ship, outwardly calm and strapped to our couches, the four of us who are to make this momentous journey are anxiously waiting for our captain to launch us out into space.
Control
0 minus 45 seconds.
Jet Morgan
Hello, Control. Standby for firing.
Control
Standing by and good luck. Clear enough.
Jet Morgan
Switch on recorder.
Lemmy Barnett
Recorder on.
Jet Morgan
Doc? Gyros.
Narrator
Gyros.
Jet Morgan
Okay. Mitch?
Narrator
Okay.
Mitch
Jet.
Jet Morgan
Doc?
Narrator
Okay.
Jet Morgan
Lemmy?
Lemmy Barnett
Okay, I'll think.
Jet Morgan
Standby for count off.
Mitch
Don't anybody try to move. Don't even try to raise your head.
Jet Morgan
Lemmy, lie down.
Lemmy Barnett
I'm only getting comfortable.
Jet Morgan
Lie flat and stay flat.
Narrator
Hole.
Jet Morgan
Firing in 15 seconds. 10, 9, 8, 7, 6, 5, 4, 3, 2, 1. Contact.
Lemmy Barnett
J, J, what's wrong? She's shaking like a le.
Jet Morgan
Quiet. Let me. Save your breath.
Lemmy Barnett
She. Shake yourself. Pieces.
Control
Height 6.8 miles. Velocity 3750.
Lemmy Barnett
Oh. Oh. What's happening? Jet? Up. I can't move.
Control
0, 20. Height 12.1 miles. Velocity 4350.
Lemmy Barnett
Oh. Oh. Oh. Don't stand it.
Jet Morgan
Hang on, Lenny. It won't last long.
Lemmy Barnett
Oh, why did I ever come?
Control
0 plus 30. Height 27.2. Velocity 6550. Maximum speed will be reached 50 seconds. 0 plus 81 seconds. Height 76 miles. Velocity 11,000 miles per hour.
Jet Morgan
The booster's paid out.
Narrator
Oh.
Control
Standby to jettison booster.
Lemmy Barnett
Oh, I wouldn't go through that again for all the rice in China.
Jet Morgan
You'll be going through it again in just a few moments.
Lemmy Barnett
Oh, no. I'll be pushed right through this couch and out the other side.
Jet Morgan
You all set, Mitch?
Mitch
Yes, Jed.
Jet Morgan
Doc ready? Okay, Doc. Booster, jettison switch. Standby.
Control
Jettison switch. Contact now.
Jet Morgan
Hello, Control. Booster stage jettisoned. Standing by to cut in atomic motor. Waiting for your signal. Over. Hello, Control. Booster now jettisoned. Waiting for your signal. Over. Hello, Control. Hello.
Mitch
What's up, Jet?
Jet Morgan
They don't answer. Hello, Control. Hello, Lemmy. Any idea what's wrong?
Lemmy Barnett
Well, according to the indicator, she's still working. But if you ask me, the shot when you blew the booster off, it must have smashed every valve in the ship.
Narrator
Radar's still working, Jet.
Jet Morgan
Hello, Control. Hello?
Mitch
We can't wait much longer, Jet. We're losing momentum every second. We won't make it.
Jet Morgan
I'll give them one more try. If they don't answer, we'll have to use our own judgment. Hello, Control? Hello? Hello? Let me switch on the televiewer. Stern view.
Lemmy Barnett
Televiewer. Stern view on.
Jet Morgan
Standby to. Cutting the motor, Mitch. We'll give her full power.
Mitch
Don't overdo it, Jet. We can't afford the fuel.
Jet Morgan
Watch the tank gauges. We'll cut out as soon as number one tank is empty. Are you ready?
Mitch
Ready.
Jet Morgan
Then stand by every batten down.
Narrator
Okay, Jet.
Jet Morgan
Atomic motor fire. Lie flat. This is going to be unpleasant. Very unpleasant.
Lemmy Barnett
Yes.
Mitch
The tank, she's almost empty. Stand by to switch off.
Jet Morgan
I'm standing by, Eddie.
Lemmy Barnett
Yes. No, can't. My arm.
Jet Morgan
Oh, switch off.
Mitch
Switch her off, for be sake.
Lemmy Barnett
Oh. Oh. Oh.
Narrator
Is it over?
Jet Morgan
Yes, Don. The time being, anyway. You all right?
Narrator
Yeah, I think so. Oh, boy. We must have hit 15 GS at least.
Jet Morgan
Mitch.
Mitch
Okay. I think I. Oh.
Jet Morgan
What's up, Mitch?
Mitch
I don't know. I feel like death.
Narrator
Lie still. Don't move, Lemmy.
Lemmy Barnett
Okay, Jet. I'll think so anyway.
Narrator
We'd all better lie still for a few minutes.
Jet Morgan
Let's hope we've hit the right speed.
Mitch
We certainly won't be under. You didn't switch off soon, Enough. And we used up a little of the reserve fuel.
Jet Morgan
You think we might be going too fast then?
Mitch
Maybe, but there's nothing we can do about it yet.
Jet Morgan
I'm sorry, but the acceleration was so great, I thought I'd never press the switch.
Mitch
We must get through to control.
Jet Morgan
Lemmy, if you feel fit enough, get up and get to work on that radio.
Lemmy Barnett
Yes, Je. Oh.
Jet Morgan
Soon as you like, I'll get going.
Lemmy Barnett
Oh. Oh, here.
Narrator
He's drifting up to the ceiling.
Lemmy Barnett
Get me down. Help.
Jet Morgan
Serves you right for getting off your bed without your boots on.
Lemmy Barnett
Well, all I did was bend down to pick them up and I'll shot straight up here.
Jet Morgan
You should have held onto your couch.
Lemmy Barnett
Can't you throw them up to me?
Narrator
Pull yourself down by the rail, Lemmy.
Lemmy Barnett
Oh. Oh, oh. Just to move makes me feel worse. I feel just like a feather.
Narrator
You certainly don't weigh anymore.
Lemmy Barnett
Yeah. Is it gonna be like this all the way to the moon?
Narrator
I'm afraid so, but you'll get used to it. Now pull yourself down slowly like this. Yeah, that's it.
Jet Morgan
Now put your magnetized boots on, Lily.
Lemmy Barnett
Yeah.
Jet Morgan
In fact, I think we'd all better put them on.
Narrator
Okay, Jack.
Jet Morgan
And keep them on. Keep them on at all times while zero gravity conditions last.
Lemmy Barnett
What, you mean we even wear them when we sleep?
Jet Morgan
No, you can take them off then. But keep a good hold on your bunk while you do it or you'll go drifting up to the roof again.
Narrator
Well, that's mine fixed. Yeah. Well, there's no trouble standing.
Mitch
What's it like to walk, Doc?
Narrator
Okay. Feel a bit light headed.
Jet Morgan
Try walking up the wall.
Lemmy Barnett
Aye.
Jet Morgan
Yes. Go on, Doc. Should be easy.
Narrator
Hey, how's that?
Lemmy Barnett
If you could do that down on Earth, you'd earn a fortune in a circus. Well, come on.
Narrator
Come on, try it.
Jet Morgan
Come on, Lemmy. We'll have a walk on the wall.
Mitch
Don't hang up there like that. I feel bad enough as it is. Hey, what about that radio?
Jet Morgan
Yes, cut out the fun and games. Try and get that radio working. How are you feeling, Mitch?
Mitch
Not so good.
Lemmy Barnett
The radar's still working.
Jet Morgan
Well, that's something. At least we'll be able to calculate our height above Earth.
Mitch
Yes, but we can't depend on the radar, not for the whole trip.
Jet Morgan
We can depend on it for a few hours yet.
Mitch
Well, for height, yes, but what about.
Jet Morgan
Course, now, don't you worry, Mitch. Let me all get that radio going. You can bet on it.
Mitch
I hope so. Well, how's it going? 20 hours he's been at It. And not a peep out of the darn radio.
Jet Morgan
Take it easy, Mitch. He's doing his best. He's been working all this time with no sleep.
Mitch
We should never have brought him. He's psychologically unsuitable.
Jet Morgan
That's a matter of opinion. But now he's here, the least we can do is let him get on with it.
Mitch
But why does he have to take so darned long? Doesn't he know every second is carrying us further and further away from the Earth, possibly to our death?
Jet Morgan
Oh, it's not that bad, Mitch. We can figure our approximate speed and position. If it comes to it, we'll give Lemmy a couple of hours more.
Mitch
Yeah, what if he still hasn't got through to Control?
Jet Morgan
Well, we wait until our velocity has dropped to minimum and then turn the ship over and go back.
Mitch
Go back?
Lemmy Barnett
Go back?
Mitch
This ship's not turning back. It set out to land on the moon and it's going to do it.
Jet Morgan
But if our speed is too high, we'll use up too much fuel during landing. We'll be on the moon all right. But how do we get off again?
Mitch
We've got to take a chance.
Jet Morgan
Oh, no, not that kind of chance. I'm not taking any unnecessary risk with the lives of this crew. If the radio isn't working within 48 hours, we're turning back.
Mitch
We are not turning back.
Jet Morgan
Am I the captain of the ship or are you?
Mitch
Sure you are. As long as you carry out the job I hired you for, this ship is mine. I designed her, I built her, and she's going to the moon.
Jet Morgan
One more word out of you, Mitchell, I'll put you under arrest.
Mitch
That's funny, that is. Go on, try it, try it. Just try and lay a hand on me.
Jet Morgan
Right.
Narrator
All right, Mitch, Jet, break it up. Come on, you're carrying on like a couple of.
Jet Morgan
You stay out of this document. If I want your advice, I'll ask for. Now, look, Jeff, it seems we have a case of mutiny on our hands.
Mitch
Mutiny?
Jet Morgan
What else is it?
Mitch
Now, wait a minute, Jet. I didn't.
Jet Morgan
All right, all right, we'll forget it. But if I decide to go back, we go back. Is that clear?
Narrator
How you doing, Lemmy?
Lemmy Barnett
Well, I'm putting it all together again now and. And hoping.
Narrator
Can I be of any help?
Lemmy Barnett
Oh, yes, Doc. You can pass us a few things as I ask for him. But be careful. One touch and they go shooting all over the place. Talk about light and airy, like a fairy.
Narrator
Okay, I'll be careful then.
Lemmy Barnett
Hand us that for a Start? Yeah, Chuck here. How's the mutiny going?
Narrator
Well, they seem to have forgotten it for the moment. They're trying to work out our position.
Lemmy Barnett
Do you think they'll do it?
Narrator
I guess so, but it'll take a long time. Our real hope is you, Lemmy. You and that radio.
Lemmy Barnett
What made Mitch flare up like that?
Narrator
I don't know. Maybe the thought that he wouldn't get to the moon at all. Or maybe the cramped conditions and lack of gravity had something to do with it. Must be some reason why two men, perfectly stable on Earth should jump at each other's throat less than 24 hours after leaving. It just doesn't make sense.
Lemmy Barnett
I'm not jumping at anybody's throat. Neither are you.
Narrator
Not yet you're not. But watch it.
Lemmy Barnett
Do you think we should turn back, Doc?
Narrator
Yes, unless you can get that radio working. However much figuring we do up here, Lemmy, we may overlook something. We can't be sure our deductions are correct.
Lemmy Barnett
I think so too. Jett was right. Mitch ought to have known better.
Narrator
Maybe. That still doesn't excuse Jet for losing his temper.
Lemmy Barnett
No. Can they hear what we're saying?
Narrator
If they were listening, they might.
Lemmy Barnett
Now we'll try again.
Narrator
What do you think the chances are, Lemmy?
Lemmy Barnett
I don't know. Three times I put this thing together, and each time she should have worked. And three times I've had to pull it to pieces again. Even the emergency cut in circus don't work. I can't understand it. Makes me feel like I'm letting the ship down.
Narrator
Don't go getting to feel that way, Lemmy.
Lemmy Barnett
Well, that's it for the fourth time. Now let's see if we get any current through her.
Narrator
Yes, it's there.
Lemmy Barnett
Yes, we've made it. No. No way.
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Jet Morgan
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Lemmy Barnett
Now let's get too excited. We're not through to home yet.
Narrator
Then give them a Call, for goodness sake. Try to raise them, Lemmy.
Lemmy Barnett
Hello, Control. Rocket ship Luna calling Control. If you love me and can hear me, let's hear from you. Over. Not a peep. They should be receiving us. The. There's bags of aerial current. Oodles of it. They could hear us on Mars with this equipment. Hey, listen. What's that? I don't know. Gives you the creeps, doesn't it?
Narrator
Haven't you any idea what it is?
Lemmy Barnett
It sounds like music, but like music I never heard before.
Narrator
Hey, can I hear a voice there?
Lemmy Barnett
I don't know. I can't make it out.
Narrator
Jet, Mitch, come over here. Listen to this.
Jet Morgan
Got the radio working?
Lemmy Barnett
Well, kind of.
Mitch
You contacted Control?
Lemmy Barnett
We tried to, but. Whether this is them or not, I don't know.
Mitch
If it's not Control, then what is it?
Lemmy Barnett
Search me.
Jet Morgan
Are you sure she's on the right frequency, Lemmy?
Lemmy Barnett
Yes, as far as I can tell, there's no reason why she should drift off. Not with them crystal stabilizers in there. Yeah, it's gone. Packed in again.
Jet Morgan
Try once more. Lemmy, call them again.
Lemmy Barnett
Hello, Earth? Hello, Control. Rocket ship Luna calling. Trying to contact you. Can you hear us? Come in, please.
Control
Hello, Luna. Can't hear you. Strength 4.5.
Lemmy Barnett
It's them. It's them. We made it. Hello?
Jet Morgan
Hello, this is Morgan. Can you still hear me?
Control
Hearing you loud and clear.
Jet Morgan
Oh, thank goodness.
Control
We've been with you ever since the takeoff. I should think every amateur radio station on Earth has been listening to you.
Lemmy Barnett
I.
Jet Morgan
You mean you've been hearing us all the time?
Control
Except when Lemmy took the radio to pieces.
Jet Morgan
Thank goodness for that.
Control
Must be something wrong with your receiving circuit.
Lemmy Barnett
Well, beats me. I couldn't find nothing wrong. Nothing.
Control
Well, you certainly seem okay. Now. We can give you all the information you require. Want to take it?
Jet Morgan
Try and stop us?
Control
And here it comes. The time is now 3 hours, 11 minutes and 54 seconds. Universal Time time from takeoff is 0 plus 27 hours, 11 minutes and 59 seconds. Your distance from Earth is 142,000 miles. Your speed is 4,200 miles per hour. Your position is as follows.
Narrator
Wow.
Jet Morgan
That's more like it. Now we know where we are and what we're doing, there's no question of turning back now. According to Control, we're on course and our speed is very nearly correct. We should reach the neutral gravitational point between Earth and Moon three Earth days from now. The moon will then be only 23,600 miles away. Our speed will be only a few miles an Hour, but enough to overcome the pull of the Earth entirely. From then on, we will be falling towards the moon's surface.
Mitch
If we were back on Earth, we'd drink to this.
Narrator
Cold tea is all we have.
Mitch
How about a cigarette, Doc? Do you think the oxygen supply can stand it?
Narrator
Yes, I think it might. Shall I get them, Jet?
Jet Morgan
Yes, Doc, one each. And after that we'll organize the watches. Four hours apiece. Now I'll take first watch. The rest of you can get some sleep. You'll need it. We all need it. The toughest part of this trip is yet to come.
Lemmy Barnett
Hey, Thork.
Narrator
Yeah, Lemmy?
Lemmy Barnett
Push us up a banana, will you?
Jet Morgan
Lemmy, must you always eat your meals upside down on the ceiling?
Lemmy Barnett
What difference does it make? Food goes down. Or should I say up just the same?
Jet Morgan
Well, it looks undignified.
Lemmy Barnett
It's a great idea for parties. Think of the room it saves.
Narrator
Anything more to eat, Lemmy? No thanks to okay then, push your empties down. I'll storm away.
Lemmy Barnett
Here, how about a little after dinner music?
Mitch
Oh, no, Lemmy, not that.
Lemmy Barnett
Well, we've got to do something to pass the time.
Jet Morgan
Why did I ever suggest that each member of the crew should be allowed to bring one small personal object with him?
Narrator
Well, I'm glad you did, Jet, aren't you?
Jet Morgan
Well, yes, but mouth organs should have been banned. Why couldn't he have brought a book or something?
Narrator
Every man to his taste.
Mitch
What was that?
Jet Morgan
A meteor hit the ship. Emergency stations.
Lemmy Barnett
Limey emergency in the Animal A, upside down on the.
Jet Morgan
Let me get the spacesuits.
Lemmy Barnett
Don't panic yet. I'm on the way.
Narrator
Air pressure constant. We don't seem to be losing any media bumper.
Jet Morgan
Must have worked on that. We'll find out. Meanwhile, get your spacesuits on just in case.
Lemmy Barnett
Here you are. Red for Doc.
Narrator
Yep.
Lemmy Barnett
Blue for Jet. Yellow. Permission? Oh, I would be free.
Jet Morgan
Now get into them. Don't fix your helmets yet, but carry them with you all the time.
Narrator
Air pressure still constant. I don't think the cabin could have been damaged.
Jet Morgan
That's a relief. What about the fuel tanks and the motor?
Mitch
I'll be checking up in just a minute.
Lemmy Barnett
Right, that's me. Set.
Jet Morgan
Get the radio. Lemmy, report to to control immediately. Now everybody else, check your indicator reading. See what damage there is. And somebody turn off that buzzer, will you?
Narrator
Well, Doc?
Lemmy Barnett
Yeah?
Narrator
Air supply okay, Oxygen supply okay.
Mitch
Fuel tanks and motor seem to be intact. No damage there as far as I can see.
Lemmy Barnett
Hello, Control. Luna calling.
Control
Hello, Luna.
Lemmy Barnett
And meet the adjusted emergency procedure somewhere.
Narrator
But we seem to be all right.
Jet Morgan
James, we've just been hit by a meteor. He must have done something to us.
Lemmy Barnett
At what?
Jet Morgan
How should I know? Somebody will have to go out there and look.
Lemmy Barnett
What? What? Out there? Outside the ship. Into. Into nothing.
Mitch
I'll go.
Narrator
No, Mitch, this is my job. Besides, you're more important to the crew. And me. I'll go.
Lemmy Barnett
What? You? You mean there's a chance it'll be.
Narrator
The first time any man has ever been out there in space. And I designed the suit he'll wear.
Mitch
You tested it, didn't you?
Narrator
As far as was possible on Earth, yes. But this is different. This is the real thing.
Jet Morgan
Look, let's not start another argument. We'll draw for it.
Mitch
Fair enough.
Jet Morgan
All agreed?
Narrator
Agreed.
Jet Morgan
Lemme get one of the navigational tables. Open it up. Place it face down on the control table with your eyes shut.
Lemmy Barnett
Right. Okay, here goes.
Jet Morgan
We'll guess the page number. Whoever gets nearest goes outside. Okay. Mitch?
Mitch
136.
Jet Morgan
Doc?
Narrator
127.
Jet Morgan
Lemmy?
Lemmy Barnett
149.
Jet Morgan
And I'll take 155. What is it, Lemmy?
Lemmy Barnett
153.
Jet Morgan
Then it's me. Stand by to open the airlock.
Mitch
Airlock. Contact.
Narrator
Airlock. Full pressure.
Jet Morgan
Open the hatch. Right. I'm going down. Fastening helmet over to intercom. Helmet fastened. Okay, I'm ready. Close the hatch and exhaust the airlock. Suit now. Inflating.
Narrator
Air pressure zero.
Jet Morgan
Open the main door, Doc. I'm going out. Good heavens.
Mitch
What is it, Jet?
Jet Morgan
It's more beautiful than I have a dream.
Lemmy Barnett
What, the door?
Jet Morgan
No, no, the stars. Millions of them. Literally millions. Now leaving door and walking upside of ship. I'll make a complete circuit.
Narrator
How's the suit, Jet? Okay, fine.
Mitch
How are the boots?
Jet Morgan
Perfect. Now hitching the safety line and walking towards nose.
Mitch
Any sign of where the meteor hit us?
Jet Morgan
Not yet.
Lemmy Barnett
Here. Ask him if he can see the moon.
Mitch
One thing at a time, Lemmy. Finding where that meteor landed is more important.
Jet Morgan
I found it about 13ft from the nose.
Mitch
Much damage, Jet?
Jet Morgan
No, nothing to worry about. Must have been minute. Only a small area of the bumper is vaporized.
Mitch
Let's thank our lucky stars it wasn't a larger one.
Jet Morgan
You must come out here, all of you. Come on. This is a sight you've got to see.
Mitch
We can't all go. Somebody must stay.
Narrator
Look, I'll stay. Mitch, you and Lemmy go.
Mitch
You sure, Doc?
Narrator
Yeah, yeah. By way of compensation, you can let me be the first to step on the moon.
Mitch
It's a deal, Doc. Now, if you wouldn't mind opening the airlock again, Lemmy and I will get started.
Lemmy Barnett
What a sight. Did you ever see so many stars? So many different colors here. And they don't twinkle like they do on Earth.
Jet Morgan
There's no atmosphere to make them twinkle.
Lemmy Barnett
So small they look. And bright. Chip, how fast are we going?
Jet Morgan
About 2,000 miles an hour.
Lemmy Barnett
But we don't seem to be moving.
Jet Morgan
Look at the moon, Lemmy. Even from here you can begin to see the mountains and craters.
Lemmy Barnett
Anna, how far off is she now?
Jet Morgan
About a hundred thousand miles.
Lemmy Barnett
Oh, no distance at all. Company bus ride. Here, here. Jet, we must be off course.
Jet Morgan
Of course. How do you mean?
Lemmy Barnett
Well, the moon's not in front of us. It's to one side.
Jet Morgan
She'll be there when we are. She's moving towards our rendezvous all the time.
Mitch
Hey, Jet, have you taken a look at the Earth yet? You can make out the African continent quite easily. And the southern ice cap. The reflection is brilliant.
Jet Morgan
Did you ever see anything like it? Oh, Mitch, if we never get to the moon, the trip was worth it just for this.
Lemmy Barnett
Jet, I'm going for a walk down under. See how things look from there.
Jet Morgan
Now, be sure your safety line is secure. We don't want you drifting off.
Lemmy Barnett
Don't worry, Jet boy. Oh, if only Becky could see me now. She wouldn't know if I was on my head, on my heels. No more than I do. Yeah. What's that? It's the funny music again. Hello? Hello? Jet? Jet?
Jet Morgan
Jet.
Mitch
Jet, can you hear me, Jet? Hello?
Jet Morgan
Lemmy? Lemmy.
Lemmy Barnett
What's wrong? Jet? That music, didn't you hear it?
Jet Morgan
Music? What music?
Lemmy Barnett
Oh, you must have heard it. It was like it was right inside me.
Jet Morgan
Let me pull yourself together. I heard no music. All I heard was you screaming.
Lemmy Barnett
But I was calling you before that. Didn't you hear me?
Jet Morgan
No.
Lemmy Barnett
Jed. Look, let's get back into the ship. I heard it. I'll tell you. I heard it.
Jet Morgan
Calm down, Lemmy. Stay where you are. Now, don't attempt to re enter the ship until I'm alongside you.
Lemmy Barnett
I heard it, I tell you. The same kind of music we heard when I got the radio working, only this time it was much louder, like it was right inside me helmet. Oh, it was uncanny. It scared the living daylights out of me. It scares me now just to think of it.
Jet Morgan
Lemmy, if there had been any music, it must have been coming through your radio and we'd have heard it too.
Lemmy Barnett
But there was, I'll tell you. I was calling you when it first came on, but you didn't hear me till it stopped.
Narrator
Lemmy, lie on your bunk. Get some sleep.
Lemmy Barnett
I don't need sleep. Yeah, you don't believe me, do you? None of you believe me.
Narrator
Now, come and lie down.
Lemmy Barnett
You believe me, don't you, Doc? You heard that music coming over the radio, didn't you?
Narrator
I wasn't out there, Lemmy. I was here in the ship.
Jet Morgan
What's happening to him, Mitch?
Mitch
What do you think's happening to him? I told you, he's unstable. A psychological misfit.
Narrator
You have been listening to episode one of Journey Into Space with Andrew Fowles as Jet Morgan, Alfie Bass as Lemmy Guy, Kingsley Pointer as Doc, and David Williams as Mitch. Other parts were played by John Casabon. The orchestra was conducted by Van Phillips, who also composed the music. Journey Into Space was written and produced for the BBC by Charles Chilton Foreign.
Ryan
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DTW see terms and conditions 18 +.
Release Date: April 5, 2025
Host/Author: Harold's Old Time Radio
Description: Relive the excitement of the Golden Age of Radio with "Journey Into Space," a gripping space adventure that transports listeners to the nerve-wracking moments of a lunar mission. This episode, "Operation Luna01," captivates with its authentic 1960s radio drama style, complete with dramatic tension, character conflict, and the pioneering spirit of space exploration.
The episode opens on October 19th, 1965, in the vast expanse of the Australian outback, where the rocket ship Luna stands ready for its momentous journey to the moon. The crew comprises:
As the rocket prepares for launch, Narrator sets the stage:
[01:01] "Within the ship, outwardly calm and strapped to our couches, the four of us who are to make this momentous journey are anxiously waiting for our captain to launch us out into space."
The countdown begins, building suspense as Jet Morgan communicates with Control:
[02:28] Jet Morgan: "Hello, Control. Standby for firing."
The launch sequence unfolds with meticulous detail, capturing the tension and anticipation of the crew as they brace for liftoff.
Shortly after ignition, Lemmy Barnett notices unusual vibrations:
[03:19] Lemmy Barnett: "J, J, what's wrong? She's shaking like a le."
Jet Morgan maintains composure, instructing the crew to stay flat and secure:
[03:21] Jet Morgan: "Quiet. Let me. Save your breath."
Despite these measures, the rocket experiences significant shaking, leading to concerns about potential damage:
[03:24] Control: "Height 6.8 miles. Velocity 3750."
The crew grapples with the realization that something may have gone awry during launch.
As the mission progresses, communication with Control falters. Control provides intermittent updates, but the signal strength diminishes:
[05:02] Mitch: "What's up, Jet?"
[05:03] Jet Morgan: "They don't answer. Hello, Control. Hello, Lemmy. Any idea what's wrong?"
This communication breakdown exacerbates tensions among the crew. Stephen Mitchell becomes increasingly frustrated:
[10:02] Mitch: "This ship's not turning back. It set out to land on the moon and it's going to do it."
Jet Morgan asserts his authority, leading to a heated exchange and a near-mutiny:
[10:31] Jet Morgan: "One more word out of you, Mitchell, I'll put you under arrest."
[10:34] Mitch: "That's funny, that is. Go on, try it, try it. Just try and lay a hand on me."
The conflict highlights the psychological strains of space travel, especially in isolated and high-stress environments.
Lemmy Barnett dedicates himself to restoring communication with Earth, facing repeated failures:
[12:52] Lemmy Barnett: "I don't know. Three times I put this thing together, and each time she should have worked."
Despite his efforts, the radio remains unresponsive, deepening the crew's isolation:
[15:07] Lemmy Barnett: "It's them. It's them. We made it. Hello?"
After several attempts, Control finally re-establishes contact, providing critical mission data:
[15:58] Jet Morgan: "Try and stop us?"
[15:59] Control: "And here it comes. The time is now 3 hours, 11 minutes and 54 seconds. Universal Time time from takeoff is 0 plus 27 hours, 11 minutes and 59 seconds. Your distance from Earth is 142,000 miles. Your speed is 4,200 miles per hour. Your position is as follows."
This reconnection reaffirms the mission's trajectory and calms the crew, restoring a semblance of direction.
Mid-journey, a meteor impacts the Luna, prompting immediate emergency protocols:
[18:19] Jet Morgan: "A meteor hit the ship. Emergency stations."
The crew swiftly dons their spacesuits, ensuring the integrity of the vessel remains uncompromised:
[18:32] Lemmy Barnett: "Here you are. Red for Doc."
An internal examination reveals minimal damage, but awareness of vulnerability persists:
[19:01] Mitch: "Fuel tanks and motor seem to be intact. No damage there as far as I can see."
Asserting the need for external inspection, Jet Morgan initiates a spacewalk. The dramatic portrayal captures the awe and danger of venturing into the void:
[21:30] Jet Morgan: "It's more beautiful than I have a dream. Millions of them. Literally millions."
Back on the ship, Lemmy Barnett begins to exhibit signs of psychological strain, hearing unexplained music and experiencing disorientation:
[24:00] Lemmy Barnett: "What's wrong? Jet? That music, didn't you hear it?"
Jet Morgan remains skeptical, attributing the phenomena to technical issues:
[24:18] Jet Morgan: "But there was, I'll tell you. I heard it. All I heard was you screaming."
Despite Lemmy’s insistence, the crew grapples with the implications of their mental and emotional states in the confines of space.
As the episode draws to a close, the crew faces unresolved tensions and the haunting mystery of the unexplained phenomena within the ship. Mitch confronts the psychological fallout, underscoring the profound impact of isolation and stress:
[25:14] Jet Morgan: "What's happening to him, Mitch?"
[25:16] Mitch: "What do you think's happening to him? I told you, he's unstable. A psychological misfit."
The episode ends on a suspenseful note, leaving listeners eager for the next installment in the Luna's perilous journey.
Jet Morgan on Leadership:
[10:24] Mitch: "Sure you are. As long as you carry out the job I hired you for, this ship is mine."
Lemmy Barnett on Isolation:
[23:27] Mitch: "You can make out the African continent quite easily. And the southern ice cap. The reflection is brilliant."
Jet Morgan Reflecting on the Mission:
[23:27] Jet Morgan: "Did you ever see anything like it? Oh, Mitch, if we never get to the moon, the trip was worth it just for this."
Tensions Escalate:
[10:31] Jet Morgan: "One more word out of you, Mitchell, I'll put you under arrest."
"Journey Into Space" features a stellar cast:
The immersive soundscape is complemented by an original score composed and conducted by Van Phillips, enhancing the dramatic tension and authenticity of the space adventure.
Produced by Charles Chilton Foreign for the BBC, this episode exemplifies the rich storytelling and technical prowess of classic radio dramas, making it a must-listen for enthusiasts of the genre and newcomers alike.
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