
Kay Fairchild, Stepmother 39-09-21 (x) Kay Accuses Her Father
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Kay Fairchild
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Peg
Yes, dad? Naturally, I'm wondering why you wanted to see me.
Kay Fairchild
Well, obviously it concerns this whole matter.
John Fairchild
I'm sure you understand, Pig, about the danger your mother is in. Being at Mrs. Clark's lodge, thinking she's well when she is actually so ill.
Granny
And, pig, child, you must see that Mrs. Clarke is out for no good purpose whatsoever.
Peg
Oh, so that's it, child.
Granny
Don't say it that way, Peg, dear.
John Fairchild
You certainly must see we bent over backwards trying to be fair and to.
Kay Fairchild
Work things out with the least possible amount of heart.
Peg
I'm sorry, but how can I think that when this trick came up of Dr. Evans telling Mother she was so seriously ill and that she'd have to go to a sanitarium.
Kay Fairchild
Oh, Peg, are you still letting Mrs. Clark convince you that Dr. Evans was wrong and that fake specialist of hers was right about your mother?
Peg
Dad, since you and Kay are bringing this all out into the open, isn't it a fact that. Well, there might have been a good reason for getting Dr. Evans to tell Mother that?
Kay Fairchild
Oh, what is there to say, Peg?
John Fairchild
Darling, won't you believe that neither your dad nor I have even thought of trying to keep you children from your.
Kay Fairchild
Mother or driving her away, much less to a sanitarium?
Peg
Oh, dad. I'm not blaming you, Peg.
John Fairchild
I'm really surprised at you.
Granny
So am I. I never thought I'd hear you say such a thing.
Kay Fairchild
Nor did I. How you could ever believe Mrs. Clark's charge that Kay would influence me to plot such a thing is beyond me.
Peg
Well, to be frank about it, Kay, you do have a way of handling things, and you know it.
John Fairchild
But. But isn't it apparent that I. I've done everything a woman could to be fair in this whole thing?
Kay Fairchild
There's no use talking about it. Agatha Clark has gotten such a hold on Pagan. Her mother.
Peg
She hasn't any hold at all, dad. It's simply that we see what we see, that's all.
Granny
But, dear, you are seeing what I.
Peg
Don'T think I am. Granny. And Kay, if what you say is true, then why did you work it out so that dad would try to send Mother to her cousin's farm?
John Fairchild
I didn't work that out, Kate.
Kay Fairchild
That was my idea from start to finish. Furthermore, it was the most sensible thing to be done at the moment.
Peg
I'm sorry, but I can't see it, dad.
John Fairchild
Peg, tell us. Why. Can't you see it?
Kay Fairchild
Yes. I'd give anything to understand that myself.
Peg
Isn't it Obvious. Dad, you don't love Mother anymore. Surely you're not going to wander around Walnut Grove to interrupt your life just as Mrs. Clark says. Not as Kate.
John Fairchild
Oh, Peg, that's fantastic.
Kay Fairchild
It's so fantastic, it's laughable.
Peg
Well, if it's fantastic or laughable, why is it that in everything you've suggested it's been something to get Mother away from here?
Kay Fairchild
Get your mother away from here?
Peg
Kate tried to get her to that farm. When that didn't go, this thing was worked out with Dr. Evans to send me to a cemetery.
Kay Fairchild
Peg, I just don't know what to say to you.
Peg
There's nothing to say, dad.
John Fairchild
But, Peg, please try and understand that your dad suggested and I agreed that we'd support your mother and you know, we put it straight up to you and Bud without influencing you as to.
Peg
Whom you wish to be with.
Granny
And, Peg, my land youngster, didn't Kay, in desperation, finally go right into Mrs. Clark's house and tell your mother in front of Mrs. Clark that she wasn't trying to keep Bud or drive her away?
John Fairchild
And I made it clear, Peg, that we'd work something else out with Dr. Evans so she could stay around here.
Kay Fairchild
Of course. What more could we do?
Granny
Now, Peggy, use your head. Stop and ask yourself then.
Peg
Good grief, I don't know. But I'm sure, even if all that isn't true that Mrs. Clark has tried to be a true friend to Mother.
John Fairchild
Peg, that Clark woman is no more a friend to your mother than.
Kay Fairchild
Peg, I see that this woman has worked on you.
John Fairchild
So, darling, you must at least get your mother away from that woman's country lodge.
Granny
Take her to another doctor. Get his opinion.
Kay Fairchild
I'd be more than happy to have you do that, Peg.
John Fairchild
Would you?
Peg
I don't know as it would be necessary.
Kay Fairchild
Well, it's.
Mr. Burdolph
It's useless.
Kay Fairchild
I give up.
Granny
Peg, why don't you listen to your fault?
John Fairchild
Oh, you must, honey. Your mother's life is in danger. And goodness knows what sort of trouble Mrs. Clark is planning where we are concerned.
Peg
Mrs. Clack has insisted she isn't out for any trouble.
Kay Fairchild
She is. And it's obvious as anything could be.
John Fairchild
Peg, you're making a bad mistake. There's something terrible behind all this.
Peg
Now, that's silly, Kay.
Granny
I don't know what's gotten into you, child.
Peg
Grandma, what do you expect me to do or say? Do you want me to turn against my own mother for. For a stepmother?
Kay Fairchild
Peg, I think you've said enough.
Peg
Well, Dad, I think enough's been said. All Around. If you don't mind, I'm going back to Mrs. Clark's.
John Fairchild
Goodbye.
Kay Fairchild
Well.
John Fairchild
I never thought I'd see Peg act like that.
Kay Fairchild
Neither did I.
Granny
Well, the situation just gets worse and worse.
John Fairchild
Then there's just one hope Left now.
Kay Fairchild
Yes, Mrs. Jones. If Mrs. Jones can only get some information that will enable us to clear up this whole situation before Mrs. Clark.
John Fairchild
Does move or something happens with Ann.
Kay Fairchild
Yes, but it appears to be even too late for that. Because Mrs. Clark is wasting no time now in carrying out her scheme for using Anne to ruin Kay and John. Because right now we find her with Carl up at that mysterious place she's arranged to visit.
Mrs. Clark
Listen, I am delighted that you like our place, Mrs. Clark.
Carl
Very attractive, Mr. Burdolph, for such a different kind of sanitarium.
Mrs. Clark
Thank you.
Carl
Looks like a hotel.
Mr. Burdolph
Making it very ideal for your little plan, madam.
Kay Fairchild
Hmm?
Carl
Perfect, Carl. Perfect.
Mrs. Clark
You understand, I am sure the outside appearances to quiet the fears of our inmates is a rather unfitting word, huh?
Mr. Burdolph
Guests, perhaps, would be better.
Mrs. Clark
Ah, yes. Guests. Or visitors.
Carl
Well, it looks all right. But you're sure, Mr. Burdock, that I.
Mrs. Clark
Can depend upon you, Mrs. Clarke, for the proper fee, which, of course, we have agreed on. I am not only dependable, but I will assist you in every possible manner. Be assured.
Carl
And how can I be sure of that, my friend?
Mrs. Clark
Do you not realize that I will be involving myself in this matter as much as you are?
Mr. Burdolph
Yes, he is right about that, madame.
Kay Fairchild
Of course.
Mrs. Clark
Now, think for a moment. I will take this woman when she arrives. Hold her. Swear that Mrs. Fairchild and her husband, the mayor, gave me instructions to keep her here when she arrived.
Carl
That's true. You will be involved as much as I will.
Mrs. Clark
Which is precisely why my fees are rather exorbitant.
Mr. Burdolph
I would say it is satisfactory, madam.
Carl
Yes, I think it is.
Mrs. Clark
Excellent. Excellent. Then what is your plan?
Carl
This may all take a few days to carry out.
Mrs. Clark
Then you will phone Miss Anne Fairchild, who I understand, is that your lives not far from here.
Carl
Exactly. Now, follow me closely. I'll be posing as the new wife of this Mayor Fairchild of Walnut Grove.
Mrs. Clark
To be sure. The lady you mentioned?
Carl
Yes. And I'm going to ask Anne to meet me here at this hotel for a general discussion of the entire situation I mentioned to you.
Mr. Burdolph
You are understood all of that, Mr. Burdell?
Mrs. Clark
Perfectly, Mr. Carl. And the story is that Mayor Fairchild and his second wife are trying to get rid of this woman by secretly luring her to such a place as this?
Mr. Burdolph
That is the idea, my friend.
Carl
Now, when she gets here, you are to hold her.
Mrs. Clark
Hold her? Oh, yes. And she'll be told that this is.
Carl
A hotel only, so she won't be suspicious when I phone her. And when she arrives, put her in a room. Soon she will begin to complain, of course.
Mrs. Clark
They all do.
Carl
And then you are to tell her that this former husband of hers and his new wife arranged all this and instructed you to hold her, all the.
Mrs. Clark
While treating her as though something was wrong up here.
Mr. Burdolph
Yes, but remember, she has a bad half condition.
Carl
No rough. Be very careful of that.
Mrs. Clark
I quite understand. And eventually, when the authorities arrive to.
Carl
Get her out, you are to shrug your shoulders, say you have no idea. You were merely following the instructions of this mere Fairchild and his wife, believing there was something wrong with this woman. Get it, Mr. Berdoff?
Mrs. Clark
Perfectly. And you will leave those pictures of this man and his new wife so I can identify them should they show up here later on.
Mr. Burdolph
I will leave them with the gentleman, madam.
Kay Fairchild
Good.
Carl
Now, just one more thing, and this is very, very important. When this Anne Fairchild gets here, she'll plead with you to get in touch with me, you see.
Mrs. Clark
And should I? Or should I not?
Carl
Only when I phone you. Then you finally make it appear that you are giving in and suggest that you root forward to me a letter which this Anne is to write.
Mrs. Clark
Clever. Very clever. And in that letter she is to.
Carl
Charge that this ex husband of hers and his new wife lured her here. Is that clear?
Mrs. Clark
Very clear. Consider it done, Mrs. Clark.
Mr. Burdolph
Well, then, that is about all, is it not, madam?
Carl
I think so. Now, to carry out everything smoothly. And will I have what I've been working for so long? Will I come?
Mr. Burdolph
There is not even a faint suspicion about it now, or any question. Madam Kaye and John Fairchild will never live this down.
Kay Fairchild
So that's Mrs. Clark's scheme to lure Ann to this place, disguising her voice as kay. And then Mr. Burdolph is to get Ann to write a letter saying that Kay and John are responsible. What can Kay do to protect her family from this vicious woman? Be sure to hear what happens at this same time tomorrow when Mrs. Jones makes a discovery that may help. And one thing more. Daylight Saving Time ends this week. So beginning Monday, Stepmother will be heard at 10:45am Eastern Standard Time and 9:45 Central Standard Time. Now, if you've had trouble finding the right tooth powder to use, do as thousands are doing and start today using the amazing Colgate All Purpose Tooth Powder. We urge you to do this at once, because right now, drug and department Stores everywhere offer Colgate Tooth Powder in a marvelous $0.01 sale that will save you a lot of money. Really, it's the chance of a lifetime to stock up on this astonishing new tooth powder at bargain prices. So don't miss this sensational offer. What's more, you'll be glad you tried Colgate All Purpose Tooth Powder when you discover that it not only brightens your teeth but also sweetens your breath and is safe for gum massage. So don't miss our thrilling $0.01 sale on this remarkable Colgate tooth powder. Just go to drug or department stores, buy one giant sized can at regular 35 cent price. Then pay just 1 cent extra and your dealer will also give you the large size Colgate tooth powder. Now get your Colgate tooth powder for only one cent today before limited supply is gone. That's what thousands are doing to win naturally sparkling teeth and a more attractive smile. And remember, Colgate Tooth Powder will present Stepmother again.
Mrs. Clark
Paul.
Kay Fairchild
Same station, same time. This is the Columbia Broadcasting System.
Mrs. Clark
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Kay Fairchild
Here's a distinguished timepiece.
Mrs. Clark
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Podcast Summary: "Kay Fairchild, Stepmother" on Harold's Old Time Radio
Episode Information
Overview In this gripping episode of Harold's Old Time Radio, titled "Kay Fairchild, Stepmother," listeners are immersed in a suspenseful family drama set against the backdrop of the Golden Age of Radio. The story navigates the complex dynamics between Peg Fairchild, her stepmother Kay, her father John, and the mysterious Mrs. Clark, unfolding a web of deceit, suspicion, and familial tension.
Plot Summary
The Fairchild Household Conflict The episode opens with Peg Fairchild visiting her family home to discuss her mother's situation. Kay Fairchild, Peg's stepmother, and John Fairchild, her father, express their deep concerns over Mrs. Clark's intentions towards Peg's mother, Anne. The family is in a state of turmoil, fearing that Mrs. Clark is orchestrating a plan to manipulate and potentially harm Anne.
Key Scenes and Interactions
Initial Confrontation (03:12 - 05:12): Peg confronts her father and stepmother about the dubious actions taken to distance Anne from their household. She questions the motives behind sending her mother to a cousin's farm and later to a sanitarium, doubting their true intentions.
"Isn't it obvious, Dad? You don't love Mother anymore," says Peg at 04:07, highlighting her distrust towards Kay and John.
Accusations and Denials (05:12 - 07:03): The tension escalates as Peg accuses Kay and John of conspiring against her mother. Kay vehemently denies these allegations, asserting that their actions were in Anne's best interest. The conversation reveals deep-seated mistrust and misunderstanding within the family.
"Nor did I. How you could ever believe Mrs. Clark's charge that Kay would influence me to plot such a thing is beyond me," Kay declares at 04:28.
Mrs. Clark's Scheme Unveiled (08:05 - 12:30): The narrative shifts focus to Mrs. Clark, who is revealed to be orchestrating a deceitful plan to manipulate Anne Fairchild. Mrs. Clark collaborates with characters Carl and Mr. Burdolph to create a scenario where Anne is lured to a deceptive sanitarium under false pretenses. Their goal is to frame Kay and John by making it appear that they conspired to remove Anne from her home.
"You're sure, Mr. Burdolph, that I can depend upon you for the proper fee," Mrs. Clark states at 09:02, indicating her control over the situation.
Climactic Revelations (12:30 - 14:59): Kay Fairchild pieces together Mrs. Clark's scheme, realizing the extent of the betrayal against her family. The episode culminates with Kay exposing the intricate plot designed to ruin her and John by manipulating Anne into writing a damaging letter. A suspenseful cliffhanger sets the stage for the next episode, promising further developments as Mrs. Jones makes a potentially pivotal discovery.
"So that's Mrs. Clark's scheme to lure Ann to this place, disguising her voice as Kay," Kay explains at 12:54.
Key Characters
Kay Fairchild: The stepmother grappling to protect her family from Mrs. Clark's manipulative tactics. Her integrity and determination are central to the unfolding drama.
Peg Fairchild: The daughter caught in the middle of familial conflicts, struggling to discern the truth about her parents' motives and Mrs. Clark's intentions.
John Fairchild: Peg's father, whose decisions to send Anne away are questioned, adding layers to the family tension.
Anne Fairchild: Peg's mother, whose well-being becomes the focal point of the family's discord and Mrs. Clark's deceitful plans.
Mrs. Clark: The antagonist, orchestrating a scheme to undermine Kay and John by manipulating Anne and Peg.
Notable Quotes
Peg Fairchild at 04:07:
"Isn't it obvious. Dad, you don't love Mother anymore."
Kay Fairchild at 04:28:
"Nor did I. How you could ever believe Mrs. Clark's charge that Kay would influence me to plot such a thing is beyond me."
Peg Fairchild at 07:03:
"Mrs. Clark has insisted she isn't out for any trouble."
Kay Fairchild at 12:54:
"So that's Mrs. Clark's scheme to lure Ann to this place, disguising her voice as Kay."
Themes and Insights
The episode delves into themes of trust, betrayal, and the complexities of blended family relationships. It highlights the challenges step-parents may face in gaining acceptance and the destructive impact of deceit within familial bonds. The intricate plot crafted by Mrs. Clark serves as a cautionary tale about the lengths to which antagonists might go to achieve their malicious goals.
Conclusion
"Kay Fairchild, Stepmother" masterfully intertwines suspenseful storytelling with rich character development, keeping listeners engaged through its dramatic twists and emotional depth. As the Fairchild family confronts internal and external threats, the episode sets up a compelling narrative arc that promises further intrigue and resolution in upcoming installments. Listeners are left anticipating how Kay and her family will navigate the treacherous plans laid out by Mrs. Clark, ensuring continued interest in the unfolding saga.
Teaser for Next Episode The episode concludes with a promise of new developments as Mrs. Jones uncovers information that could potentially aid the Fairchild family in unraveling Mrs. Clark's scheme. Additionally, a logistical note informs listeners about the shift to Eastern and Central Standard Time broadcasts starting Monday.
This summary captures the essence of the "Kay Fairchild, Stepmother" episode, emphasizing key plot points, character dynamics, and pivotal moments, while integrating notable quotes to enhance the narrative for those who haven't listened to the episode.