Lets Have Fun 35-10-22epxxx

Summary

Podcast Title: Harold's Old Time Radio

Episode: Let's Have Fun 35-10-22epxxx
Release Date: June 17, 2025
Host: Harolds Old Time Radio
Description: Dive into the Golden Age of Radio with classic-style shows that capture the nostalgia of family gatherings around the radio, enjoying timeless programs like The Shadow, Abbott & Costello, and more.

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Episode Summary: "Let's Have Fun"

Overview

"Let's Have Fun" is a delightful episode that blends classic radio drama with musical comedy, transporting listeners to a whimsical adventure involving time travel, Broadway glamour, and ancient Egypt. The episode showcases original songs by Richard Rogers and Lawrence Hart, interwoven with engaging dialogue and humorous antics reminiscent of the Golden Age of Radio.

Main Characters

• Ken Murray (Host): Narrates the show and introduces segments.
• Lois Long: A talented performer with aspirations both in music and romance.
• Romney Brandt (Barry Lewis): A prominent man about town, involved in the comedic plot.
• Freddie Rich: The charismatic leader of a 40-piece orchestra.
• Professor Alexander: The quirky scientist experimenting with time travel.
• Cleopatra: The glamorous queen of the Nile, portrayed with flair and humor.

Plot Summary

1. Introduction and Setup (00:40 - 02:10)

Ken Murray opens the show by introducing the main cast: Helen Morgan as Cleopatra, Ken Murray as Dick Ford (a Broadway crooner), Randy Brent, and the orchestra led by Freddie Rich. The stage is set for an original musical comedy that promises music, laughter, and dance.

2. The Time-Travel Experiment (02:10 - 05:10)

Lois Long and Romney Brandt engage in a conversation about modern women, expressing nostalgia for the past's glamorous figures like Catherine of Russia and Helen of Troy. Their dialogue is interrupted by Professor Alexander, who reveals his experiments in connecting with the fourth dimension—the dimension of time. He convinces Dick Ford to participate in a time-travel experiment, sending him back 2,000 years to ancient Egypt.

Lois Long (02:10): "I've got so much makeup on I barely recognize you. Get out, will you, Lois?"

3. Arrival in Ancient Egypt (05:10 - 07:03)

Dick Ford lands in Egypt, immediately encountering Cleopatra and a lively royal setting. The scene is vibrant with musical harmonies that signify the opening of time portals. The humor is evident as locals discuss the number of musicians fed to crocodiles, blending historical fantasy with comedic elements.

4. Cleopatra's Royal Court (07:03 - 12:35)

Cleopatra, portrayed with a mix of regal authority and comedic quirks, interacts with Dick and Lois. The royal court is depicted with extravagant descriptions, including captive princesses, elephants painted with gold, and dramatic lighting.

Cleopatra (07:28): "I'm told I am a queen not a sardine. But still it is an interesting sentiment your highness."

5. Musical Performances and Romantic Entanglements (12:35 - 28:56)

Freddie Rich delivers several original songs that enhance the narrative, including humorous and romantic numbers that reflect the characters' emotions and conflicts. Lois Long, now acting as Cleopatra's music teacher, develops a romantic subplot with the queen, leading to comedic tensions about impending dangers and her potential fate among the crocodiles.

Lois Long (28:25): "I love you, Cleo."

6. The Return and Aftermath (28:56 - 33:04)

After navigating comedic threats and romantic dilemmas, Dick Ford successfully returns to the present with a souvenir from Egypt—a genuine Egyptian hair ornament. His return is met with lighthearted banter about his adventure and interactions with Cleopatra. The musical elements continue to underscore the humorous and nostalgic tones of the episode.

Dick Ford (30:27): "Did my experiment work?"

7. Closing Musical Numbers and Farewell (33:04 - 58:33)

The episode culminates with a series of heartfelt and humorous musical performances that tie together the show's themes of love, adventure, and the magical allure of music. Ken Murray wraps up the episode by thanking the cast and teasing future episodes with more original songs and comedic sketches.

Ken Murray (58:07): "Well, all good things must come to an end. And so we must leave Lois Long and her friends until next week."

Key Scenes and Highlights

• Time Travel Mechanism: The whimsical portrayal of Professor Alexander's time machine, activated by "mystic notes" and "crystal doors," sets a fantastical tone for the adventure.

  Professor Alexander (04:00): "These musical harmonies open a lock to the fourth dimension."

• Cleopatra's Character: Cleopatra balances her regal persona with comedic elements, especially evident in her interactions with Lois Long and her playful threats involving crocodiles.

  Cleopatra (12:15): "Anthony, are you getting personal by any chance?"

• Musical Interludes: Original songs by Freddie Rich and the cast not only entertain but also advance the plot and deepen character relationships.

  Freddie Rich (16:06): "Please make me be good. But my foot can live."

• Romantic Tension: The burgeoning romance between Lois Long and Cleopatra adds depth and humor, especially as Lois navigates her role as a music teacher in an ancient royal court.

  Lois Long (27:28): "I love you, Cleo."

Notable Quotes

• Lois Long on Women:

  Lois Long (03:12): "Women are great attitudes. Barry, I'm fed up with these modern women."

• Professor Alexander on Time Travel:

  Professor Alexander (03:53): "Make it possible for me to send someone back into almost any period of history."

• Cleopatra's Regal Command:

  Cleopatra (17:11): "The Queen has spoken."

• Romney Brandt on Broadway:

  Romney Brandt (13:03): "Perhaps Anthony had never heard of Broadway. But has Broadway heard about him?"

Themes and Insights

• Nostalgia for the Past: The episode beautifully captures the essence of longing for bygone eras, both in personal relationships and in broader cultural contexts.

• Romantic Comedy: The interplay between characters provides a rich tapestry of romantic entanglements, misunderstandings, and heartfelt declarations that are both humorous and touching.

• Musical Integration: Music is seamlessly woven into the narrative, enhancing emotional beats and providing entertainment that complements the storytelling.

• Time Travel as a Plot Device: The use of time travel introduces elements of fantasy and adventure, allowing characters to explore different eras while maintaining a humorous undertone.

Conclusion

"Let's Have Fun" masterfully blends classic radio drama elements with engaging musical performances and comedic storytelling. Through its vibrant characters, whimsical plot, and memorable musical numbers, the episode offers a nostalgic yet fresh experience that honors the Golden Age of Radio while providing timeless entertainment for modern listeners. Whether revisiting beloved tropes or introducing new twists, this episode stands as a testament to the enduring charm of old-time radio.

Transcript

[Nicole Fire]

We interrupt this program to bring you an important Wayfair message. Wayfair's got style tips for every home. This is Nicole Fire helping you make those rooms flyer. Today's style tip when it comes to making a statement, treat bold patterns like neutrals. Go wild like an untamed animal. Print area rug under a rustic farmhouse table. From wayfair.com Ooh, fierce. This has been your Wayfair style tip to keep those interiors superior.

[Lois Long]

Wayfair every style, every home.

[Ken Murray]

Let's have fun with Helen Morgan, glamorous star of Ziegfeld Showboat with Ken Murray, comedy star of Earl Carroll's sketchbook with Randy Brent, star of the first little show. Let's have fun with a brand new type of radio entertainment. Each week at this time, you'll hear an original musical comedy with music by Richard Rogers, lyrics by Lawrence Hart, story by Peter Dixon. Each week after the show, you will join lois long for 30 minutes of dancing, gayety and entertainment. Listen to the sparkling new songs of Rogers and Hart. Laugh at the predicament of a Broadway crooner in the clutches of Cleopatra. Thrill to the voices of the king's men and the queen's maids. Dance to the rhythms of Freddie rich and his 40 piece orchestra. One full hour of a brand new type of entertainment. Let's have.

[Sam]

Sam.

[Romney Brandt]

Romney. I know you're going to be perfectly wonderful in your part tonight. You look so cute in your makeup.

[Lois Long]

I've got so much makeup on I barely recognize you. Get out, will you, Lois? Overstill is almost finished.

[Freddie Rich]

Oh.

[Ken Murray]

In the theater you have a program to tell you the scenes and the players. Here on the air we have no program, so I must tell you that in tonight's original Rogers and Hart musical comedy, Helen Morgan plays the role of Cleopatra, the fabulous queen of the Nile. The play opens in the lounge of the Keystone Club in New York. We hear Romney Brandt as Barry Lewis, who might be described as a prominent man about town, and Ken Murray as Dick Ford, Broadway crooner and songwriter. They are talking about that eternally provocative subject.

[Lois Long]

Women.

[Cleopatra]

Dick.

[Lois Long]

Women are great attitudes. Barry, I'm fed up with these modern women. In the old days, a man had approved his mettle to win beautiful, glamorous women like Catherine of Russia, Delilah, Helen of Troy of. Pardon me, gentlemen, I couldn't help overhearing your conversation. I am Professor Alexander. Fades not forced to mention thee. I mean, not the professor Bass. Yes, Ford's dimension bass. That's what they call me. Well, I'm Barry Lewis and this is Dick Ford. You Know the songwriter? I know. I know. Mr. Ford did. I understand you should say you wish you could go back in time. Meet Helena Troy, Delilah, or let us say, Cleopatra. Oh, just talk, professor.

[Ken Murray]

Just talk.

[Lois Long]

I can arrange it. What? My experiments in connecting with the fourth dimension. It is merely the dimension of time, you know. Make it possible for me to send someone back into almost any period of history. Amazing. I've merely been looking for someone who would help me in the experiment. You old singing son of a gun. Now, here's your chance to meet Chia Paco. Professor, we accept. Oh, yes. Splendid. If you'll come over to my laboratory with me, we'll begin our experiment at once. We must lose no time. The atmospheric conditions are extremely favorable tonight. All right, come on, let's go. Wait a minute now. Not so fast. Most unusual music I ever heard, professor. Where is it coming from? From that cabinet. These musical harmonies open a lock to the fourth dimension. You merely enter those crystal doors which hold the music of the spheres. You hear these mystic notes, and they take you back. Well, tonight it will be approximately 2,000 years. I see. Marvelous. Well, what were we waiting for? Hold on a minute. Suppose I land back in Egypt 2,000 years ago.

[Anthony]

How will I get back here?

[Lois Long]

I'll bring you back easily. Simply when you hear those same harmonies I played a minute ago, it is a signal to come back. And don't delay, for it may be too late. Quickly, quickly. Fall into the cabinet. Boy, oh, boy. A date with the apartment. After your kings get around, Egypt and I will turn greens at envy. All right, all right. Wait. Never mind. Yes, I did pay my insurance. I'm ready. Egypt, here I come. So long, 1935. Barry, I'll bring you the splint for a souvenir island. I'll be at work. He has gone. He has gone. By the God Ra, I swear to you that there were nine.

[Anthony]

Helen, take us. You are mistaken. Only seven this morning.

[Lois Long]

Pardon me, gentlemen. I don't want to interrupt an argument, but could you tell me just where I am? You are either a fool or a stranger. Well, let's call it a stranger. You are on the grand Avenue of the Pharaohs. Never mind the details. Is. Is this really Egypt? Personally, this is Egypt. I had an idea it might be. Well, how are the working conditions over here? I'm a musician by trade.

[Anthony]

If you know art of music, there are always vacancies in the royal band. Sav. Cleopatra loves music.

[Romney Brandt]

Tell them.

[Anthony]

Take your side.

[Romney Brandt]

Tell you.

[Anthony]

There were seven.

[Lois Long]

Not less than nine. Mumu bib, gentlemen. It's. It's none of my business, but perhaps I can decide this argument. I have told my friend Mumu B that there were nine musicians in the or. No, no, no. Nine musicians fed to the crocodiles. Crocodiles.

[Ken Murray]

Well, I'll be seeing you.

[Anthony]

Wait, stranger. The palace is not that way. Go but a half a le and ask for Roxas. Roxas, be master of the royal and potato lion. I want full power.

[Nicole Fire]

We interrupt this program to bring you an important Wayfair message. Wayfair's got style tips for every home. This is Stiles Mackenzie helping you make those rooms sing. Today's style tip. When it comes to making a statement, treat bold patterns like neutrals. Go wild like an untamed animal. Print area rug under a rustic farmhouse table from Wayfair Fierce. This has been your Wayfair style tip to keep those interiors superior.

[Romney Brandt]

Wayfair.

[Lois Long]

Every style. Every home.

[Anthony]

Thousand blonde slaves from Kota for that opening scene. Then we'll bring in the 16 captive princesses and elephants. And be sure to have them painted with gold. The elephants I mean. And I want three revolving pyramids covered with palm trees and waterfall. And be sure to have red and white and blue lights playing on the royal band. This show in the royal barge is to be my most stupendous, gigantic and supergalactic.

[Lois Long]

Oh, I know you. You're Rockter.

[Anthony]

I am Rockinius. What do you want?

[Freddie Rich]

Oh, me?

[Lois Long]

A job. I can sing.

[Anthony]

You call that music? Raucous melody like the brain of my camel. I know our queen would not like it.

[Sam]

The Queen. The Queen. All hail to the Queen.

[Cleopatra]

Since when Orox has given you the mind of the daughter of the Nile?

[Anthony]

O Cleostros in patriot author of this town and Moynt. Silence.

[Cleopatra]

I would hear more.

[Lois Long]

Say, wait a minute, stranger. Who are you, lady? I. I don't think we've been introduced.

[Cleopatra]

You are a stranger. You know not Cleopatra.

[Lois Long]

Listen, you aren't kidding me, are you?

[Cleopatra]

Kidding? Kidding? I know not what kidding means.

[Lois Long]

No kidding. I can't believe it. Cleopatra. Yes, you must be Cleopatra.

[Cleopatra]

Now continue with that strange music. It will be well if it pleases me. And it will not be well if it does not please me.

[Lois Long]

Well. You hear this? It's a little gem. I wrote it myself.

[Anthony]

And now I can see.

[Lois Long]

I must have had you in mind.

[Freddie Rich]

I let my hearty smell when the waterfall. But it smell. I want my waterfall.

[Anthony]

No skies of blue at all.

[Freddie Rich]

I'll take a little of you, I'm told. Keep your sweet summer breeze shining Rainbow Guys will have a quick silver lining if I am your man. Your smile is night and time. Your charms are well designed. Darling, if you don't mind I'll take a little unpol in bad condition.

[Sam]

Sam.

[Freddie Rich]

I'll take a little of you unpoat. I'll have a semi piny or a shining rainbow Diesel. Have a quick silver lining if I am your name. Boy, your smile is nice and kind. Your charms are well designed. Darling, if you don't mind I'll take a little.

[Cleopatra]

I'm told I am a queen not a sardine. But still it is an interesting sentiment your highness.

[Lois Long]

I had no idea he would be so bad.

[Cleopatra]

Alence Roxas, I fear you grow old fashioned. The crocodiles are fed up with musicians. Slaves thrown to the lions instead.

[Anthony]

How should I know about St. Morality? I am only a super senior after all I.

[Freddie Rich]

So.

[Lois Long]

So that's how they take care of critics in Egypt.

[Anthony]

Cleo.

[Lois Long]

Cleo. Who is this?

[Professor Alexander]

This stranger with his strange sounds?

[Cleopatra]

Oh Anthony, you here again. Is he not pleasing Ms. Stranger?

[Professor Alexander]

Oh, I like him not. What does he call himself?

[Cleopatra]

I forgot to ask. Ranger. What is your name?

[Lois Long]

Just call me Dick. Ricky for short. Dick?

[Cleopatra]

That's a sweet name. I like it.

[Professor Alexander]

Oh I don't somewhat mind by you.

[Lois Long]

Me? Oh well you might say I'm from Broadway.

[Romney Brandt]

Broadway?

[Cleopatra]

Is it beyond Rome? Beyond Gaul In Britain?

[Professor Alexander]

No, I never heard of it. I doubt if there is such a land.

[Cleopatra]

Anthony never heard of a Dickie. So there can be no Broadway.

[Lois Long]

Perhaps Anthony had never heard of Broadway. But has Broadway heard about him?

[Professor Alexander]

Oh naturally.

[Cleopatra]

Oh I know the king of Broadway had sent you to me. Has enough with you to teach you the music of Broadway that goes.

[Lois Long]

You're positively psyched.

[Freddie Rich]

Short.

[Cleopatra]

What name is that?

[Lois Long]

You don't recognize it? Short for Toot and Acam.

[Cleopatra]

Oh, that's different. Now make more music for me.

[Lois Long]

Cleo. You could make me do anything.

[Freddie Rich]

Let me be good people of my glances. Don't take any dances. Please make me be good. I'm not made of wool. No trouble with my sight. Keep me within eyesight. Please make me be good. But my foot can live. I implore you, don't let me. Just be firm as you should. And while you correct me.

[Sam]

Sam my.

[Freddie Rich]

Foot and slave I implore you all you try. Don't let me sit as you should and while you caress me be.

[Cleopatra]

Oh it's such a nice song.

[Professor Alexander]

Cleo, your favorite tiger. Cassius had a hungry look this morning.

[Cleopatra]

Cassius has always had a lean and hungry look. Anthony.

[Professor Alexander]

Oh but the Black Panthers have yet to be fed.

[Lois Long]

Anthony, are you getting personal by any chance?

[Cleopatra]

Fear not, Vicky. You ought to be my new music teacher. Rox's music was so passe. I like your style much better.

[Professor Alexander]

Oh, no good will come of this.

[Cleopatra]

I hope not.

[Romney Brandt]

Anthony.

[Lois Long]

You mean to say that I'm to be a new music teacher?

[Cleopatra]

The Queen has spoken. I must be gone. They are laying the cornerstone of another pyramid. But when the moon is even with the prophet for the saint come to me for I would learn music. Until then, farewell.

[Professor Alexander]

Stranger. Stranger, be warned by one who has known Cleopatra for a long, long while. Better go away from this place while it's yet time.

[Lois Long]

Yes.

[Professor Alexander]

Oh, Cleo has been drinking pearls in the wine again. And that always makes her experimental.

[Lois Long]

Oh, so. So Cleopatra's experimental, huh?

[Professor Alexander]

Oh, I sometimes think I was just an experiment. But not the successful one. For after all, I'm still alive.

[Lois Long]

Oh, but I'm not leaving yet, Tony. Not yet. I've come a long way for just this chance.

[Romney Brandt]

The royal music teacher.

[Cleopatra]

The royal music teacher.

[Charmian]

The royal music.

[Lois Long]

It's just me, the royal music teacher, remember? Oh, wake her up. She's expecting me.

[Romney Brandt]

Wake the queen. I'd die first for surely I would die afterwards. And not quite so pleasantly.

[Cleopatra]

Stranger, we were with the Queen this morning and we heard you sing.

[Romney Brandt]

We like you.

[Lois Long]

Well, you're. You're sort of nice yourself. Both of you, in fact. All six of you.

[Anthony]

Find the queen.

[Romney Brandt]

Sleep. Would you not amuse our.

[Sam]

What?

[Lois Long]

All six of you?

[Romney Brandt]

You are said to be very entertaining.

[Lois Long]

Well, I'll. I'll do my best. Here goes.

[Freddie Rich]

I want a. But.

[Anthony]

I want my waterfall.

[Freddie Rich]

No skies of blue at all. I'll take a little of you and toast. Keep your sweet summer breeze. Also that song called three. I don't want memories. I'll take a little of you and coat for happiness am I finding a shining rainbow. Guys will have a quick silver lining if I am your rainbow. Your smile is night and time.

[Anthony]

Your charms are well designed.

[Freddie Rich]

Darling, if you don't mind, I'll take a little. I'm told.

[Charmian]

He has no desert man he has no planet. But in America we set the little of you on twice so we can talk of it from dancing. Flip and flip Flip. Flint is a pyramid protect a little of you unto oh, you'll never be found and dancing when the desert runs. Please listen to your romantic. Who cares what you think think.

[Sam]

Please hide a fairway.

[Charmian]

Glance you for us and to think you for safety net. We wanted a little on.

[Lois Long]

Say you Girls can certainly swing it. What are you all doing tonight?

[Cleopatra]

You're majesty, while I keep you playing.

[Lois Long]

Hi. It d. Hey, do you look gorgeous?

[Cleopatra]

Vicky, you are late. Know you not what happens to those who do not appear when I expect them?

[Romney Brandt]

The last one she plunged in boiling oil. I might have had the carrot with.

[Cleopatra]

Oh, Vicki, you are different. You I will forgive.

[Lois Long]

Oh, thanks. What about Anthony? Is Anthony right?

[Cleopatra]

Anthony has gone to ask him on important business and then be back before tomorrow if he's lucky. Oh, and now come with me, Frowny carrion. Charmian, you may have the afternoon off. Oh, thank you, brave and majesty and my turtle dove.

[Charmian]

Yes, your majesty.

[Cleopatra]

Before you go, don't forget to put proteins in all the key holes. Oh, Dickie, come sit beside me. Not there. Here. Paul, you have such nice hair. It's like gold in the and all fairy. And Anthony is so bold.

[Lois Long]

Let's talk about you. I never knew you'd be so beautiful. Why, you're gorgeous. You're glorious.

[Anthony]

You're a knockout.

[Cleopatra]

Knockout?

[Lois Long]

My history book didn't tell the half of it.

[Cleopatra]

Oh, darling, that has the nice sound. That word darling, it isn't in our language. What does it mean on Broadway?

[Lois Long]

It doesn't mean much on Broadway.

[Cleopatra]

But listen, darling, you can sit a little closer. Darling, more lift.

[Romney Brandt]

Want attention. I can my hands need on men and not be at one for.

[Sam]

Please.

[Romney Brandt]

Make me be all of my glances and take.

[Cleopatra]

And.

[Romney Brandt]

Please make me be good.

[Freddie Rich]

Or.

[Romney Brandt]

You not made us w nor you travel with my sight.

[Sam]

Easy with my sight.

[Romney Brandt]

Please make me bigger. I adore you. Back my foot and sleep. Why me tight. Don't let me sleep on as you flood. And when you possess me.

[Lois Long]

Leo, I think you're good in spite of your reputation.

[Cleopatra]

Well, I'm not really bad. I just have a few little nervous habits every once in a while. I can't encourage putting a snake under somebody's pillow or pouring a couple of drops of poison into an occasional bowl of soup. Am I a naughty little girl? Oh, sticky.

[Romney Brandt]

Watch me as you start. When marbles get flappy, they get rusty and.

[Anthony]

Hello manifest. Did you hear about the queen and the infidel crooner? Hello, uncle. Ahahaha. Yes, yes.

[Lois Long]

The queen is concealed. Yes, this is the soon cutter for a crooner.

[Anthony]

Hello, Hachetu. This is how I tell you they're blazing talent.

[Lois Long]

Have you heard the news about the strangers?

[Anthony]

Yes, all Egypt is talking about them.

[Cleopatra]

Good morning, Mr. St. Good morning, Mr. Iceman.

[Freddie Rich]

Come on.

[Anthony]

No one can look mucket like a nice man. What's new around the palace is Cleo. What's a new trick is a blond and neutral stranger. You show that guy at future Today's young man is tomorrow's do a little old here.

[Charmian]

Mandation is on the prayers.

[Sam]

Hockey copy.

[Anthony]

Let's see that jelly granite. Put a head on it.

[Lois Long]

Good night for the third edition.

[Anthony]

Yes, sir, Mr. Editor.

[Ken Murray]

Now listen, here you come.

[Anthony]

How can I print that story? You wrote it like a dove. Why, that story's a sensation. That's what I'm driving at. Our family circulation will never stand for that. Why? I got the story from a slave girl. He told it without malice. She got it straight from a boyfriend. The iPad of the palace. Cleopatra's blazing for Dick his curly head. The theopatin sinister that he's dead.

[Lois Long]

Hey you kid. Hey you kid. Writing hieroglyphics on the pyramid, Making salt marks on the p. M. What's this? What did they buy?

[Sam]

Beyond me.

[Cleopatra]

Oh, noble sir.

[Lois Long]

Hello, Charmian. The queen awake yet?

[Cleopatra]

He is awake and awake. But Vivian looks warm. The queen loves me.

[Lois Long]

Oh no, nothing like that.

[Cleopatra]

Alas, the queen loves you.

[Lois Long]

Loved by Cleopatra.

[Romney Brandt]

And so you will die.

[Lois Long]

Die, Die. I don't get it.

[Romney Brandt]

It is her custom, her law.

[Anthony]

When she gives her love to a.

[Cleopatra]

Stranger, he must die. It has always been that.

[Lois Long]

Wait a minute. You mean because the queen has a.

[Anthony]

Crush on me, I'm going to be killed?

[Romney Brandt]

Of course.

[Lois Long]

Oh, so that's what she meant when she said Dicky, I could love you to death.

[Cleopatra]

Dicky. What's up? You come sing for me, Dicky. He no music. But sir. Kiss me.

[Lois Long]

Oh, Leo, I don't feel like it.

[Romney Brandt]

Why not?

[Lois Long]

I. I just can't forget those little nervous habits of yours.

[Cleopatra]

It is a rogue.

[Lois Long]

You know, Cleo, I've been thinking of the boys at the club and of the little woman at home. And those seven, maybe eight by now, those curly headed tots.

[Cleopatra]

Seem to me I heard Anthony say that years ago. But he's still around.

[Lois Long]

Yes.

[Cleopatra]

So you're married?

[Lois Long]

I. I had a tell you.

[Cleopatra]

Well, you must meet my family sometime.

[Lois Long]

Listen, Cleo, you don't need me around here anymore. I can't teach you anything more about music.

[Anthony]

In fact, I can't teach you anything.

[Cleopatra]

This music lesson just our little joke. Aw, Dicky, I love you. Say you love me. Dickie.

[Lois Long]

I love you, Cleo.

[Cleopatra]

Dickie, why are your fingers crossed? You are mine, Dickie, I love you. And tonight it should be ours.

[Lois Long]

Tonight.

[Freddie Rich]

Yeah, but.

[Lois Long]

But what about tomorrow?

[Cleopatra]

After tonight, Dickie, tomorrow will not Matter?

[Lois Long]

Meaning that I'm on the menu for the crocodiles.

[Cleopatra]

No, Dicky. I love you too much. Have you fed with a crocodile?

[Lois Long]

Now, that's different for you, Dicky.

[Cleopatra]

Just a goblet of wine and then you will sleep a long, long sleep.

[Professor Alexander]

Oh.

[Cleopatra]

Oh, Dicky.

[Lois Long]

Huh?

[Cleopatra]

You make such a handsome mummy.

[Romney Brandt]

I want no caviar, no chocolate almond bar. One thing I've want so far home.

[Cleopatra]

I'll take a little of you on.

[Romney Brandt]

To don't give me consummate. I'll skip a p today but for a small.

[Cleopatra]

I'll take a little long.

[Lois Long]

Yeah. Listen, I gotta go.

[Ken Murray]

Bye.

[Lois Long]

Bye.

[Romney Brandt]

Please God, the door.

[Charmian]

And for your execution. Fil the risk you can know in.

[Lois Long]

The drama of retribution you're the leading.

[Charmian]

Man down, down on the riverdile there's a big crocodile.

[Lois Long]

You know what makes him smile? You take a little of those.

[Cleopatra]

Vicki. I will be so sad when you have gone to the crocodile. But I will build a pyramid in your mem.

[Lois Long]

Cleo, do you hear anything?

[Cleopatra]

Just the song of a night and day in the palace dog.

[Lois Long]

That's not what I hear. Well, come on, cook.

[Cleopatra]

You're not going.

[Romney Brandt]

You must not go.

[Lois Long]

Come on, Cleo. I'll see you later. I'll be seeing you sometime.

[Ken Murray]

Dick.

[Lois Long]

Dick.

[Romney Brandt]

Dick.

[Lois Long]

Come on, wake up. Wake up, huh? So long, Cleo. I'm getting lost. I'm coming around getting some water. Quick, Quick. Dick. What happened? Come on, take out of it. You're all right. You're back home. Oh, hello. Did my experiment work? Well, I. I said I'd bring you back a souvenir. You saw Cleopatra. I must have truth. I said I'd bring you back a souvenir. Is Cleo's head. Let me see it. Yes, it is a genuine Egyptian hair ornament. Well, what about your pastor? Confidentially, how did you make out? Boy, did she go for me. She's kind of cute too. Sweet little thing. But she's not my type. I sang for her. And inside of no time, all Egypt was singing my song. There was a Nile in waving palm trees. Soft knights to the garden.

[Anthony]

Hey, hey, hey, hey, wait a minute, young lady. You can't go in there.

[Romney Brandt]

Well, I want to see Mr. Brent.

[Anthony]

I'm sorry, lady, but I got me orders.

[Romney Brandt]

I got to see Mr. Brent. I'll give you a party here for him tonight.

[Anthony]

No one's allowed past that door. But you don't know who this is.

[Romney Brandt]

This is the Columbia Broadcasting System.

[Sam]

Sami, there you are.

[Romney Brandt]

You were perfectly wonderful in the show.

[Lois Long]

Yes, I Agree with you.

[Romney Brandt]

You know I can hear every word you said.

[Lois Long]

It's saved the leave though. I can act and sing 10 times better than 10. Murray, did you hear me sing?

[Anthony]

How much a slammer.

[Lois Long]

I love you.

[Anthony]

In the first hotel.

[Romney Brandt]

Five years ago, wasn't it? Or was it six?

[Anthony]

Six? My voice is just as fast and beautiful as Zen.

[Romney Brandt]

Have you danced?

[Sam]

Is worth living while you are giving moments of paradise.

[Lois Long]

Hello, Lois.

[Romney Brandt]

I Ken Murray.

[Anthony]

Come on, Adair, go ahead.

[Lois Long]

She's a wonderful singer.

[Romney Brandt]

Oh, you were wonderful in the show tonight, Ken.

[Sam]

Sam.

[Lois Long]

Morgan is beautiful, isn't she?

[Romney Brandt]

Well, yes. He's pretty in a way. I think so, Mr. Murray. I could have played Cleopatra a little more.

[Lois Long]

Oh, I'm so sorry. I ducked on your foot, didn't I?

[Romney Brandt]

Oh, it was nothing. Nothing at all.

[Lois Long]

Not at in by all means, Romney, old fellow.

[Ken Murray]

By all means.

[Lois Long]

Thanks. Now his reluctance to leave is a lazy.

[Romney Brandt]

Oh yes, he was just telling me that I could have played Cleopatra much more convincingly tonight.

[Freddie Rich]

You were going on your way. Now you've got to remain.

[Anthony]

Just as.

[Romney Brandt]

You were going Leaving me all at sea.

[Anthony]

The cloud broke, they broke and oh.

[Freddie Rich]

What a break for me. I can see the sun up high Though we're caught in the storm I can see where you and I could be Cozy and warm Lots of rain, Titty Patty. But it really doesn't matter if the skies are gray Long as I can be with you. It's a lovely day.

[Romney Brandt]

Oh, look, there's Helen Morgan. I didn't know her cuz he was standing up and not sitting on the piano as usual.

[Anthony]

I still think.

[Romney Brandt]

Of course I could have played. Cleo popped it better. But of course I can't sing the way she does, so maybe she's better do it. Friendly is lonely with nothing to do but to live and dream that I make.

[Cleopatra]

All by myself.

[Romney Brandt]

Dreaming that you're behind me. I trust the pretty stories Only to.

[Cleopatra]

Wake up all by myself.

[Romney Brandt]

What is the good of me by myself?

[Sam]

Why was I born?

[Romney Brandt]

Why am I living? What do I get? What am I giving? Why do I want A thing I dare not hope for? What can I almost want? I wish I knew.

[Sam]

Why do I cry?

[Romney Brandt]

Who draw you near me? Why do I cry? You never hear me I'm a poor fool what you are done like.

[Sam]

Why was I.

[Romney Brandt]

Love.

[Sam]

You without a.

[Charmian]

Tailor picture Mr. Martin, Mr. Taylor. Put them all together and what have you got?

[Sam]

A picture of me without you?

[Lois Long]

Mr. Heinz, my dear without a pickle.

[Charmian]

Hold them all together.

[Lois Long]

That's all it is.

[Sam]

Just a Picture of me without you.

[Lois Long]

Fancy, Mr. Vanderbilt without a yacht.

[Anthony]

Picture Staten island without a ferry.

[Charmian]

It is a dancing without a ferry.

[Anthony]

Picture Powder without his horse.

[Romney Brandt]

Picture loves and Hollywood without event.

[Lois Long]

Picture Coney island without a fresco.

[Sam]

Without a whisker. I know what you've got.

[Charmian]

It's the picture of me without you.

[Lois Long]

I'm going to frame you.

[Charmian]

Picture of me without you.

[Romney Brandt]

Anyhow, you love that picture of me without you.

[Charmian]

I bring a flower for the picture of me without you.

[Cleopatra]

You drop the bounding.

[Charmian]

I'm the picture of me without you.

[Cleopatra]

There goes the duchess with the picture.

[Charmian]

Of me without you.

[Sam]

This is the face. I'm the picture of me without you.

[Lois Long]

Who's that old Bumper?

[Professor Alexander]

Who is that pompous soldier?

[Romney Brandt]

Oh, he's a senator. Hello, Senator.

[Lois Long]

Well, little lady, my wife is in the corner over there with Ken Murray. So how about siping a night? Fantastic. With me.

[Anthony]

Why, Senator, I simply adore it.

[Lois Long]

Now we start. 1, 2, 3, 4.

[Romney Brandt]

Oh, Senator, do tell me about Washington.

[Anthony]

Did you see Jubilee?

[Romney Brandt]

They're playing Begin to begin from it. And it's the most divine. Roomba, you walk divinely.

[Sam]

Sam.

[Cleopatra]

What'S next show going to be like?

[Lois Long]

Well, it's going to be marvelous. It goes something like this.

[Anthony]

Now, Dick is transported back to the.

[Lois Long]

Town of Columbus and Isabella.

[Romney Brandt]

And he finally manages to meet the Queen.

[Lois Long]

He's rather overcome by her good looks.

[Romney Brandt]

And he's giving a big buildup on her ability to become a famous music.

[Lois Long]

Listen, who's telling this story? Now? Dick says I could make you the greatest sensation as Hollywood ever saw.

[Anthony]

You'd be America's sweetheart.

[Romney Brandt]

Isabella says.

[Cleopatra]

America? I haven't met him. Is he nice?

[Lois Long]

Listen, Isabella, with that face of yours, that shape, those eyes, those nose, you would thrill me.

[Cleopatra]

Come closer.

[Lois Long]

I'm telling you, you'd be a riot.

[Cleopatra]

And could I really become a great Hollywood queen.

[Lois Long]

I'll take you to Hollywood. I'll star you in a little super epic to start with and direct you my favorite yourself, Isabella, you got everything. And what's more, you got the one thing that makes you a great Hollywood star.

[Romney Brandt]

Yes, what is it?

[Anthony]

What do I mean, what do I mean to you? How do you look like a movie queen to me? I'm so humble. But my words of love I mumble say I give a girl a crumble. What do I mean? What do you mean to me? You're my Broadway melody. I belong to you, you belong to me. If it takes lots, what is it you got that if it takes? Bitter and better. You've Got that out in the movie.

[Romney Brandt]

Sector they'll see how good you are.

[Anthony]

Let me be your direction, you be my star. You've got charms, you've got attraction you've got mood. When I make musical pictures I'll make you billboards will make you famous doubting how great you are with your faith on every action you raise will be a star.

[Romney Brandt]

If it tasted lots of what is it? I got that if it ain't watching the call and I got that in a music actor. They'll see how good I am. If you're a magic director I'm your child, I've got time, I've got attraction, I've got. When you make movies of D I'll make you profit on pants like Beatrice morping a brick. I wear shoes bigger than Garbo and I'll be your star.

[Sam]

Oh yes indeed. Watching us all in the movie.

[Freddie Rich]

Song.

[Sam]

You got a fucking sam.

[Lois Long]

See?

[Romney Brandt]

I bet it's going to be another swell show. I'll have to give another party. I suppose I'm going to go broke if I keep on having one swell show after another.

[Sam]

Sa Sam ra.

[Lois Long]

Thumbnail, your presence requested this evening. It's formal, a top hat, a white tie and tail. And take the wind out of my.

[Anthony]

Sail because I'm invited to step out this evening in top hat of my time tail putting on the top hat.

[Charmian]

And quickly punch in the fingernail.

[Romney Brandt]

I'm stepping out, my baby breather.

[Sam]

Out.

[Charmian]

Among the obstacles and I bumped upon the gas.

[Sam]

Faith down, you'll find a thousand day.

[Anthony]

I'm stepping out my fear in hindsight.

[Charmian]

Step out and wonder why into the hindsight ramp up.

[Sam]

Step on the ground.

[Charmian]

And I did breathe with cloud.

[Ken Murray]

Well, all good things must come to an end. And so we must leave Lois Long and her friends until next week. But then we'll be back with more new songs by Rogers and Heart.

[Lois Long]

With.

[Ken Murray]

More new comedy by Ken Murray, Lois Long and Romney Brent. With more songs by Helen Morgan and.

[Cleopatra]

Don'T forget the scorpion.

[Ken Murray]

And more dance compelling rhythms by Freddie.

[Anthony]

R. This is the Columbia Project.