
Little Orphan Annie - The Bridge Is Destroyed
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Marshall
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Joe
Check out this guy and his bird.
Marshall
What is this, your first date? Oh, no. We help people customize and save on car insurance with Liberty Mutual together.
Annie
We're married.
Marshall
Me to a human, him to a bird.
Joe
Yeah, the bird looks out of your league.
Marshall
Anyways, get a've@libertymutual.com or with your local agent.
Annie
Liberty, Liberty. Liberty. Liberty.
Narrator
Who's that little chatterbox? The one with pretty auburn locks? Whom do you see? It's Little Orphan Annie she and Sandy make a pair they never seem to have a care Cute little she this little Orphan Annie Bright eyes, cheeks a rosy glow There's a store of healthiness Handy mite size Always on the go if you want to know I'm so Sandy always wears a sunny smile now wouldn't it be worth the while if you could be like Little Orphan Annie?
Ovaltine Announcer
Well, here we are. Ready to start another big adventure With Orphan Annie in Simmons Corners. But first, let me ask you a question. When you drink your Ovaltine, do you always put in plenty of sugar? You know, Ovaltine comes unsweetened because in some cases, when people are sick, doctors don't want them to have sugar. And that's why Ovaltine does not have any added sugar in it. So remember, when you're drinking your Ovaltine, you can always make it taste as sweet as you want just by adding the sugar yourself. If you've ever tried Ovaltine for the first time and maybe didn't like it because it wasn't sweet enough, ask your mother now to get you another can at her grocery or drugstore so you can try it again. Then when you're mixing your cupful, be sure to add at least one teaspoonful of sugar before you drink it. And boy, just wait till you see how good that Ovaltine is. Why, it tastes even better than a chocolate soda. What's more, your mother will be glad to let you have all the Ovaltine you want because it's so good for you. Every single cupful gives you important food elements to help build up strength and energy and pep for you. Another thing, tell your mother she saves money by insisting on getting real Ovaltine and not some over sweetened product with a lot of sugar already in it. Because ordinary sugar is so cheap, you can just as well add your own and get more value for your money. So tell your mother to be sure to get genuine Ovaltine and not to take anything else in its place. And now let's see what's happening to Annie. After Mr. Flint confessed to the payroll and bank robbery, he escaped with his cronies Wright and Red Hogan. And right now The Marshal and Mr. Silo and Mr. Caslin and Annie and Joe are searching for them in the fields surrounding Simmons Corners. It's still pouring rain and the night's mighty dark. Just listen to that thunder.
Joe
The lizards. It seems to be raining hotter than ever. Shucks, let her rain. We're as wet now as we ever can be. Who minds getting a little wetter?
Marshall
Nobody, Joel? No, sir. Not if we can put this here Flint behind the bars where he belongs.
Annie
You're right, Mr. Shiloh. As citizens, we're gonna do our duty even if we get half drowned.
Marshall
Good for you. I knew I picked a couple of good deputies when I got you two.
Annie
Where are we heading, Marshall? And what's the plan?
Marshall
To know as there is a plan. Caslin Landsakes don't know as we need one. It's a cinch Flint and them others can't get out of the county. Not the way the sheriff and the state police have got the roads blocked by this time. I know. But Mr. Caswell means we ought to have some method of trampin around here in the wet. We may be going till daylight unless we work on some sort of theory. What sort of theory? It's so dark out there. Don't seem no sort of theory hardly could get us any place. Looks to me as if we just have to stumble around until we come plump on to Flint.
Annie
In this dark and rain, Marshall, there's not much chance of that.
Marshall
Darn it, I know it. Here, Joe. There's a hollow and some bushes over there along that fence. Turn that flashlight of yours in there.
Joe
All right. Is that the spot?
Marshall
Yep.
Joe
There's nobody there, Marshall. Nobody at all.
Marshall
I see there. Ain't thought maybe Flint and his men might have taken shelter in a hollow like that, Marshall, I think we're just wasting our time prowling around here in the wet. Well, it may be Wastin your time, Mr. Shiloh, but it ain't mine. Dog garnit. I'm not forgettin the way Flint taunted me that day we found Bill Carwin being kept a prisoner in the old Carson house. He said I wasn't much as a police officer. I just want to show him I am. And if I can get my hands on him, I guess that'll show him. And here, as was him all the time that was keeping Bill prisoner.
Annie
I don't blame you at all, Marshall, for feeling the way you do. If I were in your shoes, I'd want to get my hands on Flint first. But I still think we're not doing much to get him by stumbling around out here in these fields in the dark.
Marshall
I agree with Mr. Cassidy. We ought to have a plan for this here search. Just you name me the plan and I'll jump at it. I'm as much at sea as you folks are right now. And say, these here fields are beginning to look like a sea with all this rain. What's your plan?
Annie
Well, I. I don't know exactly. How about you, Mr. Silo?
Marshall
Well, I. I don't know as I had any exact plan in mind. It was you, Elmer, who thought of coming across these fields instead of going into town. Sure it was. And it was a good idea. Of course, it's a cinch Flint and those others wouldn't have gone into Simmons Corners where they'd have been seen and been reported. They must have cut across the fields since they didn't have time to get in their automobiles. Yeah, that makes sense, Elmer. But it doesn't make sense us tumbling around here and looking into hollows with Joe's flashlight.
Annie
Right. Cause it's easy to guess Flint wouldn't take a chance on hiding in any hollow.
Marshall
All right, then, suppose you tell me where he is. Right.
Annie
I don't think I can.
Joe
Listen, Marshall, I've got an idea you have any?
Marshall
What?
Joe
Well, look. What place around here does Mr. Flint know better than any other place?
Marshall
Place he know better?
Joe
Yeah. Needing to hideout for a short while until he had time to get away. Where would he be most likely to head for?
Marshall
I don't know. I hadn't thought of that.
Joe
I can tell you there's one place he'd make for as quick as he could. Cause he knows it better than anybody else. And that's the place where he kept Bill Corwin prisoner. The old Carson house I swore on.
Narrator
Annie.
Marshall
I'll bet you put your finger right on it.
Annie
Makes sense anyhow.
Joe
You bet it does. That's just where he'd go until he had time to plan his getaway. Shucks, Annie, I'll bet he and those others are there right now.
Marshall
Well, it's something to work on. Anyhow. I'm glad we brought you kids along with us. Yucks.
Joe
We want to be a help, Marshall.
Marshall
Well, now, let's see now. Which way is that oval Carson house from here? Strikes me it's straight ahead.
Joe
No, it's to the left, Marshall. Over that fence there. We've been going even with the river. We gotta turn and go toward it.
Annie
Annie's right, Marshall.
Marshall
Well, see, I reckon these children know these fields about here better than we do.
Joe
Shucks, I guess we do. Cause Annie and I haven't played in them for a long time.
Marshall
All right.
Annie
Here.
Marshall
Now let's get over this fence here. Hold that light steady, Joe. I will.
Annie
Land seats. Guess I'm not so young as he used to be when it comes to climbing.
Marshall
We'll make it all right there. Can you kids get across?
Joe
You bet we can almost jump it. Come on, Annie. Okay.
Marshall
Now then, which way?
Joe
Straight ahead, Right away from the fence. That'll take us to the riverbank and the Carson house. Is that right, Joe? That's right, Annie.
Marshall
Just a little to the left, though.
Joe
Yeah, that's it, Joe. A little to the left.
Marshall
Well, come on, then.
Annie
I wish it would stop this raining for a while. It's running right down my eyes.
Marshall
Well, you got to stand it, Haslin.
Annie
Oh, I'm all right.
Marshall
Listen, we must be getting close to the river. I can hear it.
Joe
We are close. It's just ahead there.
Marshall
Land sakes, I haven't heard the river run like that since I was a boy. Just listen to it.
Annie
No wonder, with all this rain and
Marshall
on top of it that cloud burst. The sheriff said they had to the south. Yep. He said on the phone the river was getting to flood stage. Said it was up 8ft and rising every minute. Then there will be a flood. From the sound of it, it's tearing the banks apart.
Annie
I remember the last flood we had here back in 1919. There was nothing could stand against it. Nothing that wasn't solid and anchored down to bedrock.
Marshall
But this ain't getting us nowhere towards catching Flint. And I've got my duty to do. Annie.
Joe
Yeah, Marshall?
Marshall
That old Carson house, where is it from here?
Joe
It's just ahead there behind those trees. You can't see it very well cause it's so dark.
Marshall
I see it. Yep, that's the Carson house, Marshall. Well, let's get to it. We've wasted enough time. And I want to see this fellow Flint get the justice he deserves.
Annie
We all do, Elmer. Let's go.
Joe
Shucks, the place looks awful quiet.
Marshall
It would, Joe.
Joe
Jumping grasshoppers. Mr. Flint wouldn't dare show a light tonight.
Marshall
No, but we would. Let's see a gleam from that flashlight of yours, Joe. Show it right on those steps.
Joe
How's that?
Marshall
Fine. Come on, Folks, we're going in here and if Flint's around, we'll bag him. We're with you, Marshall. Throw that light inside there, Joe. There she is. I don't see nothing. Let's get further in here.
Annie
Right.
Marshall
Still don't see anything. Well, they wouldn't be staying out here. Right in plain sight in the hall. What's this door here?
Joe
It goes into a room, Marshall. Into that room where the old moving fireplace is.
Marshall
Oh, it does? It doesn't. Well, let's have a look.
Joe
Wait a minute, Marshall. Wait.
Marshall
Wait for what?
Joe
I thought I heard a noise in there. I thought.
Ovaltine Announcer
Listen.
Joe
Suffering sunfish. Did you hear that?
Marshall
I sure did.
Annie
What was it, Annie?
Joe
It was the fireplace moving in there. The sliding fireplace that leads down to the tunnel under the house.
Marshall
Look out of the way till I get that door open. They've gone. Gone? Shucks, yes, they've gone down the stairs behind that fireplace. All right.
Annie
Well, let's go down after them.
Joe
We can't. We know how to open the fireplace from the other side. But we never did find out how to move it from this one.
Annie
You mean we're going to let them get away?
Joe
No, Joe. Leaping lizards. I've got an idea.
Marshall
Pardon, erv.
Joe
If they've gone down behind that fireplace, they're intending to get away through the tunnel to the river bank. Maybe if we go straight down to the bank, we can head them off.
Marshall
Well, that sounds like business to me. Come on. Keep that light showing, Joe.
Joe
I will.
Marshall
Say, it stopped raining, anyhow.
Joe
Be careful on the steps. They're kind of mean.
Marshall
Here we are. It's this way, Marshall. Right down the river. I'm coming for your boy.
Joe
Boy, listen to that river.
Annie
Sure ripping out the banks, all right.
Marshall
Don't noise. I ever heard it run like that.
Joe
Say, there's a moon coming out through those clouds up there.
Marshall
Good. With that moon, we'll be able to see something. You said it, Marshall. I see something right now. There on the bank.
Joe
It's three men. They beat us out of the tunnel.
Annie
One of them split, all right.
Joe
Yeah, and there's Red Hogan.
Marshall
Stop. Stop, Flint. Right where you are. Stop in the name of the law.
Joe
Shucks. They're not stopping. They're running faster than ever.
Marshall
Come on, men. After they're with you, Marshall. You bet. I'm going to get justice done if I have to chase them from here to the edge of the county. Stop, Fleet. Start in the name of the law. They're heading toward the bridge. I don't care where they're Heading. I'm going to get them.
Joe
With that moon, we can see anyhow. Yeah, it's getting brighter. Stop.
Marshall
Fleet, stop. I call on you. Stop where you are.
Annie
There they are.
Marshall
On the end of the bridge. They're. They're heading for the other side of the river. And we're heading right after them. Come on. If they can cross that bridge, we can.
Joe
Wait, Marshall, wait.
Marshall
Let go of my arm. Annie. I gotta get those fellows. Stop.
Joe
Marshall, wait. Mr. Silo, don't go out on that bridge whatsoever.
Marshall
Flint's crossing the bridge. I guess we can.
Joe
No, please. Stand still. You've got to.
Marshall
All right, Annie. But why?
Joe
Look at the bridge. Look at her there in the moonlight. Look at the center of it, just ahead of Flint.
Marshall
On those men great care hushabeth. The cement's Kremlin. It is. It is.
Joe
It's all falling apart.
Narrator
Snakes.
Marshall
That. That bridge is gonna fall. This brother's washing out that rotten cement. Flynn. Flynn, come back. Come back. The bridge is crumbling. They won't stop. They think they're getting away. Look at that center pier.
Joe
Right under him.
Narrator
It's all crumbling to bit.
Marshall
There it goes. The whole world. Bridge. Gone. Gone the whole bridge.
Annie
And with it its builders. Flint, Hogan and Wright. I guess you don't have to do any arresting now, Marshal.
Ovaltine Announcer
Mr. Silo's right. There is justice in the world. And as Mr. Flynn sowed, so did he reap. And now there'll be no more robberies or cheating in Simmons Corners. But say, don't think there isn't going to be plenty of fun and adventure for Annie.
Marshall
There is.
Ovaltine Announcer
Because right at this minute, although Annie doesn't know it, there's a telegram coming over the wires to the Silo farm. It's a mighty mysterious telegram, too. And it's going to start Annie on the greatest adventure she's ever had. So don't miss being here when it comes. And say, you don't want to miss drinking your Ovaltine regularly either. Ask your mother to fix a big, delicious cupful for you to have with your dinner right away. Remember, the boys and girls who are drinking their Ovaltine every day are the very ones who help to keep Annie's adventures going on the radio. And besides, doing a big favor for Annie that she'll appreciate more than ever in her big new adventures just ahead. Remember, you'll be doing yourself a big favor, too, by drinking your Ovaltine every day. Because every single cupful brings you important, nourishing food elements to help make you husky and healthy and strong and keep you bubbling over with good old Orphan Annie pep. And so if you've run all of Ovaltine at your house, be sure and ask your mother to get you another can when she goes to the drug or grocery store tomorrow. And be sure to be here on time next Monday because we're going to start off on a brand new series of adventures with Annie and you want to be in on all the fun that's coming. Until next Monday then. Goodbye.
Joe
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Marshall
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Joe
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This episode of Harold's Old Time Radio features a classic installment from the "Little Orphan Annie" radio adventure series. Set in the small town of Simmons Corners, the episode, "The Bridge Is Destroyed," revolves around a tense night as Annie, her friends, and local lawmen track a notorious criminal, Mr. Flint, and his gang through dark, stormy fields. The chase leads to a dramatic climax at a river crossing, all set against the backdrop of rising floodwaters. The episode captures the spirit of Golden Age radio — suspenseful, community-focused, and full of wholesome drama.
Annie’s Civic Duty:
"We're gonna do our duty even if we get half drowned." (Annie, 03:36)
Community Wisdom:
"Suppose you tell me where he is. Right." (Marshall, 06:26)
"I don't think I can." (Annie, 06:31)
Flood as a Character:
"I haven't heard the river run like that since I was a boy. Just listen to it." (Marshall, 08:28)
Climactic Tension:
"The bridge is crumbling. They won't stop. They think they're getting away." (Marshall, 12:41)
True to 1930s/1940s radio drama, the dialogue is earnest, community-centric, and full of colloquialisms ("shucks", "land sakes"). The episode balances tension with the warmth of characters working together, while the Ovaltine Announcer gently shepherds children into positive behaviors and foreshadows more adventures.
This “Little Orphan Annie” episode captures the excitement and moral clarity of vintage radio. With a thrilling pursuit, dramatic natural disaster, and justice served, it stands as an entertaining and instructive slice of Americana from the Golden Age of Radio, leaving listeners anticipating Annie’s next adventure.