London Particulars 19xx-xx-xx London Particulars - Play 02 - A Cuckoo In The Nest

Summary

Episode Summary: "A Cuckoo In The Nest" (London Particulars - Play 02)

Introduction

"A Cuckoo In The Nest," the second play in the London Particulars series, transports listeners to the gripping world of Victorian-era London. This crime thriller intricately weaves themes of identity, deception, and familial loyalty as it unravels the mystery surrounding the return of a supposedly lost heir.

Main Plot

The narrative centers on the enigmatic return of Oswald Arthur Nettlefield, who was presumed dead after his ship, the Isabella, was lost at sea 14 years prior. Oswald's sudden appearance reignites hope within the Nettlefield family, especially his mother, Marjorie Nettlefield, who has relentlessly sought his return through advertisements and prayers.

Pip Shepherd's Investigation: Enter Pip Shepherd, portrayed by Todd Carty, a seasoned investigator determined to uncover the truth behind Oswald's reappearance. Skeptical of Oswald's identity, Pip teams up with his new partner, Thomas Tedman, a Bow Street Runner (Victorian detective), to scrutinize the circumstances of Oswald's return.

Notable Quote:

Pip Shepherd (00:57): "I know he is. My pet lamb will come back one day. I know he will."

Character Dynamics and Suspicion

As Pip delves deeper, he observes inconsistencies in Oswald's behavior and physical attributes that differ from the descriptions provided by the family. The actress Portraying Marjorie Nettlefield is unwavering in her belief that Oswald is her true son, despite evidence to the contrary.

Key Interactions:

• Family's Blind Faith vs. Investigator's Doubt: Marjorie and Ned Nettlefield steadfastly believe in Oswald's authenticity, blinded by years of hope and emotional investment. Pip's analytical approach starkly contrasts with their emotional conviction.

• Cora Delaney's Involvement: Cora Delaney emerges as a pivotal character, whose interactions with both Oswald and Pip raise further questions about Oswald's legitimacy.

Notable Quote:

Pip Shepherd (16:30): "I'm not one for saying much, Mother."

The Unveiling of the Impostor

The tension escalates during a family gathering where Oswald delivers a heartfelt speech. However, Pip's investigation reveals cracks in Oswald's facade, particularly focusing on his inability to remember life before the shipwreck and his peculiar physical traits, such as a weak grip reminiscent of Oswald's father.

Confrontation Scene: In a climactic confrontation, Pip exposes Oswald as Matthew Stanger, the true identity betraying that he is an impostor. This revelation shatters the family's illusions and leads to emotional fallout.

Notable Quote:

Pip Shepherd (41:14): "Matthew Stanger. I believe that is your true name. Am I correct?"

Themes and Insights

The play masterfully explores the fragility of trust and the ease with which deception can infiltrate even the most closely-knit families. It highlights the struggle between emotional belief and rational inquiry, posing questions about identity and the lengths one might go to preserve hope.

Key Themes:

• Identity and Deception: The ease with which an impostor can infiltrate a family underlines the theme of deception and the complexities of identity.
• Familial Loyalty vs. Truth: The Nettlefield family's unwavering loyalty blinds them to the truth, showcasing the conflict between love and reality.
• The Role of Investigation: Pip's methodical approach underscores the importance of evidence and skepticism in uncovering the truth.

Conclusion

"A Cuckoo In The Nest" concludes with the successful unmasking of the impostor, restoring the Nettlefield family's integrity but leaving emotional scars. Pip Shepherd stands as a beacon of truth amidst deceit, reaffirming the importance of vigilance and truth-seeking in the face of overwhelming doubt.

Final Notable Quote:

Pip Shepherd (42:10): "I was with him when the ship went down. He was swept over the side. He tried to hold me, but he had no grasp."

Production Notes

The play features an ensemble cast including Todd Carty as Pip Shepherd and Charles Simpson as Thomas Tedman, with Tessa Worsley, Harry Myers, and others bringing depth to the Nettlefield family and supporting characters. Directed by David Blount, the production employs period-appropriate soundscapes and dialogues that enhance the immersive Victorian setting.

Closing Remarks

"A Cuckoo In The Nest" is a compelling installment in the London Particulars series, offering a blend of mystery, drama, and rich character development. It serves as a testament to the enduring allure of the Golden Age of Radio, captivating audiences with its intricate plot and resonant themes.

Transcript

[Ryan Seacrest]

Hello, it is Ryan. And I was on a flight the other day playing one of my favorite social spin slot games on chumbacasino.com I looked over the person sitting next to me and you know what they were doing? They were also playing Chumba Casino. Everybody's loving having fun with it. Chumba Casino is home to hundreds of casino style games that you can play for free anytime, anywhere. So sign up [e-mail] to claim your free welcome bonus. That's chumbacasino.com and live the Chumba life. Sponsored by Chumba Casino. No purchase necessary VGW Group Void where prohibited by law 21 + terms and conditions apply.

[Todd Carty]

This is a crime thriller set in the Victorian age starring the early peelers. Today a missing son returns after 14 years lost at sea. But is he really who he says he is? Or is he a cuckoo in the nest? Pip shepherd, played by Todd Carty, investigates a tale that begins with high drama on the high seas. Girl with a tough. Lower. Lower. Yeah, yeah, Mr. Oswald, lower. Let's go far. And Mr. Oswald, take my hand. I can't. Hold on. I can't. It's all over, Matt. Magic God's hand. Advertisement for the personal column of the Melbourne Argus. A handsome reward will be given to any person who can furnish such information as will discover the fate of my son, Oswald Arthur Nettlefield, who sailed from Sao Paulo on 20 April 1825 in the ship the Isabella and has never been heard of since. It's 14 years ago, Mother. A report reached England to the effect that a portion of the crew and passengers was picked up by a vessel bound to Melbourne, Australia. But Mother.

[Ryan Seacrest]

It's all right, Daddy.

[Todd Carty]

It is not known whether the said Oswald Arthur Nettlefield was among the drowned or saved. He would at the present time be about 39 years of age, is of a delicate constitution, rather tall with very light brown hair and blue eyes. Mr. Nettlefield is the son of Arthur Nettlefield, now deceased and is heir to all his estates. He's not dead. My pet lamb will come back one day. I know he will.

[Ryan Seacrest]

His mother's been putting an advertisement in the Melbourne Argus for 14 years, Pip, and he's turned up. Well, somebody's turned up three months ago. The trouble is, not everyone believes it's Oswald. They are got in touch, did they? No, not exactly. I got in touch with them. Oh. Oswald's sister Dobie is a friend of mine. Tended for us. Dodie wants me to meet her tomorrow. The yard says it Seems worth looking into. Well, first case then, eh? Well, here I am, Pip shepherd, all set to workin with a peeler. Who'd afford it? No more than I'd have thought of working with a Bow street runner three months ago. You don't mind my seeing Dodie by myself first? Did you care? No. She's nervous, you understand. I'm moving in here tomorrow anyway. Yeah, well, I leave the Bow street lodgings, didn't I? Nowhere else. Oh, of course. Look, what better place?

[Todd Carty]

New beginnings all round.

[Ryan Seacrest]

New beginnings.

[Todd Carty]

Easter, Easter. And Happy New Year for everyone.

[Ryan Seacrest]

Well, happy New Year, Pip. Happy New Year, Tom. London Particulars by John Peacock with Todd Carty as Pip shepherd and Charles Simpson as Thomas Tedman. Play 2 A cuckoo in the nest.

[Todd Carty]

Here we are.

[Ryan Seacrest]

Good.

[Todd Carty]

High up. You'll be comfortable.

[Ryan Seacrest]

Catherine's old Rooney. Mrs. Vermilho. Not sitting it by any chance?

[Todd Carty]

You know very well Mr. Vermilloe likes to keep an eye out, what he does.

[Ryan Seacrest]

Only kidding you. Not left, is she?

[Todd Carty]

No, she's gone to Whitby for Christmas, see her parents. I've taken her on to help me with the running of the place since Mr. Vermelo's not been too bright. When she comes back, she's moving into our private quarters. She'll do any laundry you might need. Otherwise, anything you want to do yourself, there's a pump in the yard.

[Ryan Seacrest]

And how is she?

[Todd Carty]

She's very well. Her boyfriend Michael Tovey's not turned up, if that's what you mean. But she's much more settled and I hope she stays.

[Ryan Seacrest]

That way there'll be no problems with me. Sarah.

[Todd Carty]

I never thought there would be.

[Ryan Seacrest]

I care too much for her. I know.

[Todd Carty]

But you must find someone else. I hope she's not the reason you've decided to stay with us.

[Ryan Seacrest]

Oh, no. Got me eyes set somewhere else already. Good.

[Todd Carty]

And your little boy, Alfred, if you ever wanted to bring him here to stay for a few days, I'm sure we could sort something out. As I told Florence, he says he's Oswald. Mother believes him, of course. She's absolutely convinced. She dotes on him. And so does my brother Ned.

[Ryan Seacrest]

But you don't?

[Todd Carty]

No. Not enough to let him claim father's entire estate, which he will do if mother has her way. He has all the right answers, but doesn't remember very much of life before the shipwreck at all. She's having open house in the country for a few days to introduce him to family and friends. Party on the first night and we're joining the hunt. On the last. You and Florence wouldn't join us, would you, Thomas? With your experience of human nature, Tom, you could wheedle out a cuckoo at 200 pasties. Any help you could get would be much appreciated.

[Ryan Seacrest]

Are you asking me as a policeman, Dodie?

[Todd Carty]

Well, I. No, as a friend of mine, Tom. For old times sake. They'll know you're the son of Judge Tedman, but that's all. I don't want them to know you're a policeman.

[Ryan Seacrest]

If I find something is wrong, I should have to represent the law. For my part. That is why I shall be there and why I have received permission to be there.

[Todd Carty]

Yes, I understand that.

[Ryan Seacrest]

And if I do come, I'll be bringing along my new partner.

[Todd Carty]

Your Bow Street Runner. He could be there as your manservant.

[Ryan Seacrest]

Well, I.

[Todd Carty]

It's perfect. What's his name?

[Ryan Seacrest]

It's. It's. It's. Pip. Pip Shepherd.

[Todd Carty]

Let me know where and I'll pick you both up in my carriage on Friday morning. Me? Me. Throw it to me.

[Ryan Seacrest]

I'll put you on top of that wall.

[Todd Carty]

Come here, Lucy. What are you doing? It's not safe up there. Get down. Will you get her down, sir? Of course. Oh, now look what you've done to the gentleman's shirt.

[Ryan Seacrest]

It was all me own fault. I apologize, Mrs. Good. It was me that started to mark him.

[Todd Carty]

All this excitement. There'll be tears before bedtime.

[Ryan Seacrest]

Oh, I hope not.

[Todd Carty]

Get back in our own yard, Lucy. Oh, Ma. And don't you go winking at her. She must learn to do as she's told. Go on now, Lucy.

[Ryan Seacrest]

In.

[Todd Carty]

He called me by my name. How did you know it?

[Ryan Seacrest]

You're in the bar New Year's Day. I saw you. I liked you, so I asked someone.

[Todd Carty]

You're the Bow Street Runner, aren't you?

[Ryan Seacrest]

Sure. We were disbanded. Yeah, of course. I'm sorry. Oh, I'll have something in the offing.

[Todd Carty]

Well, then a man with something in the offing can't afford to lose a shirt. If you bring it round, I'll see it's mended for you.

[Ryan Seacrest]

Oh, I wouldn't want to bother you.

[Todd Carty]

Other side of the wall. That's where I live. Above the chandler shop. Bring it around tonight.

[Ryan Seacrest]

Come in, Thomas. I can't do that. Not tonight.

[Todd Carty]

Any night then. I'll close my shop at 8 o'.

[Ryan Seacrest]

Clock. Bag packed and ready? Yes, Thomas. Got that carriage waiting? Carriage? That's where Florence is. I thought we should arrive in Stale. Is that all you got? Yes.

[Todd Carty]

Come on up.

[Ryan Seacrest]

Thomas was telling me the Nettlefields made their money from cocoa and chocolate. Don't know much about it myself. Comes in beans, doesn't it, Florence? I believe that's what Oswald was doing when he disappeared. Buying supplies. Went down in a sea of cocoa, eh? That is, if they had a chance to load it up. When did you last see Oswald?

[Todd Carty]

He came to my 14th birthday party.

[Ryan Seacrest]

What was he like?

[Todd Carty]

Not very nice, if I remember. Spoilt.

[Ryan Seacrest]

Do you think you'll know, Tim?

[Todd Carty]

I'm not sure.

[Ryan Seacrest]

Well, his mother says he is. And you'd think she'd know, wouldn't you? Even after for 14 years. Even if she'd never seen him for 44 years. Why'd you say that? If I hadn't seen my boy for 14 years, there'd be. Well, I know there'd be something to signify.

[Todd Carty]

Your boy.

[Ryan Seacrest]

Pip has a son. Alfred? I'd like to think so, at any rate.

[Todd Carty]

Where is Alfred? Does he live with you at the hotel?

[Ryan Seacrest]

No.

[Todd Carty]

Is he with his mother?

[Ryan Seacrest]

His mother died giving birth to him. He's three now. He lives down in Kent with me parents.

[Todd Carty]

Oh, Pip. I'm sorry. Tell me about her.

[Ryan Seacrest]

Honestly, Florence. It's all right, Tom. I'd like to. I haven't talked to her in a good while. Her name is Mary and she was as pretty as a picture.

[Todd Carty]

You weren't there, Reverend. If you'd only heard the way Oswald called me mother on that first meeting at Gravesend. It was a reconciliation. To shame the prodigal son. Was he now? Ned will verify. Ned.

[Ryan Seacrest]

Tell the Reverend it was very moving, however.

[Todd Carty]

Moving. I should not think of killing the fatted calf just yet.

[Ryan Seacrest]

Marjorie, is my horse ready? It's on its way, sir.

[Todd Carty]

Did you not notice the marked resemblance to his father? The turn of the chin, the hold of the head?

[Ryan Seacrest]

I can't say I did. But he's certainly stouter.

[Todd Carty]

There's no doubt in my mind he's an impostor.

[Ryan Seacrest]

The man is a charlatan. He knows neither the biblical verses he learned as a boy nor has he any recollection of our last meeting. And by her own account, did he not walk past Dodie, his very own sister, without showing one smidgen of.

[Todd Carty]

That's right, Mother, he did. Oswald remembers very little of his life before the shipwreck, but Ned is convinced by him and so am I. Do you doubt the recognition of a brother and a mother?

[Ryan Seacrest]

I do. Marjorie, I am afraid you are suffering a great self delusion.

[Todd Carty]

We shall see. But I would not have wished you such a Jeremiah in this time of great reunion and happiness for me. That must be Florence's coat.

[Ryan Seacrest]

I will go and leave you to greet your guests. Mind your snapdragons. Ah, Ned.

[Todd Carty]

John.

[Ryan Seacrest]

Haven't seen you since Eton. Welcome to Nettlefield, crumbling ruin that it is.

[Todd Carty]

Mother, Mrs. Florence Hatfield. How do you do? How do you do? And you remember Thomas. Heaven, I'm so glad Dodie invited you both.

[Ryan Seacrest]

Mrs. Nutterfield, this is Pip, Mr. Pip's shepherd. Get him to take your bags upstairs, eh? And you and I'll open a bottle. Sorry, Pip. I can take them. Oh, thank you, Tom. What did he say? He said thank you. No, I mean, what did he call you? What? Oh, I'm sorry. Yeah. Thank you, Master Thomas. Damn well think so too.

[Todd Carty]

And Jane. Yes, Ms. Dilby? You can show Mr. Shepherd to his room.

[Ryan Seacrest]

Back of the stables.

[Todd Carty]

I wouldn't be in my job long if I spoke to Miss Dodie like that.

[Ryan Seacrest]

It's all right. We have an understanding, Tom and me.

[Todd Carty]

Through here. There you go again with your Tom.

[Ryan Seacrest]

Only in private, of course.

[Todd Carty]

Tom.

[Ryan Seacrest]

I would never choose to call him by that name in public.

[Todd Carty]

I should think not.

[Ryan Seacrest]

You ought to try it yourself sometime.

[Todd Carty]

Good night, Dodie. She'd kill me. Oh, this is a nice room. I come in here when I want to get away from people. Better company, horses than folk most of the time.

[Ryan Seacrest]

You look after Ms. Dodie then, do you?

[Todd Carty]

Usually. But I've been put to looking after a Mr. Oswald's young lady while she's here. Miss Cora don't see much of her mind.

[Ryan Seacrest]

And Mr. Oswald?

[Todd Carty]

Oh, no, not him at all. Mrs. Nettlefield keeps him well and truly under wraps.

[Ryan Seacrest]

Step into the world of power, loyalty and luck. I'm gonna make him an offer he can't refuse. With family. Cannolis and spins mean everything. Now you want to get mixed up in the family business. Introducing the [e-mail] test your luck in the shadowy world of the Godfather slot. Someday I will call upon you to do a service for me. Play the Godfather [e-mail] Welcome to the family. No purchase necessary. VGW Group void. We're prohibited by law 21 + terms and conditions apply.

[Todd Carty]

She got him out of his room this morning to meet the vicar. And he called such a hullabaloo he went straight back in again. She'll be up there now getting ready for the unveiling. Tonight. Half the town's coming. I would not care were he the Archbishop of Canterbury himself, nor the Pope. Even that vicar Will never be admitted to this house again. He has so upset. Oswald. And just when he was coming out of himself. Just when I felt his mind was beginning to see the light. Mother, don't you think you might be believing what you want to believe rather than the truth? Of course I want to believe. He's my son, whoever he is. But he is, Dodie. He is Oswald. The Oswald I held in my arms as a child. The Oswald who followed in his father's footsteps. The Oswald of the shipwreck. Cut off from those he loved. These 14 years in Wagga Wagga. And I would know him anywhere. The very spit of his father. Why can't you see it? The finest figure of a man you ever saw. He even has his father's beard. And here are you, my daughter. And the church rallied against me to prove me wrong. You can't believe he's out of the estate. He has everything he wants. Money. Looks betrothed to an enchanting, accomplished young lady. Musical, poetic. A pleasant cot in a tranquil spot with a distant view on the chilling sea. My cottage is a magic scheme. The scattering blessing of a glass Streamers as it grows along. Is muring of fairy song that streamers as it rolls along. May it never ring our merry song with me. Come, come, come. Come with it. Come down with me now. Oswald. Say a few words, pet.

[Ryan Seacrest]

I'm not one for saying much, Mother.

[Todd Carty]

I. I know, pet lamb. But it's expected.

[Ryan Seacrest]

I'm so happy to be here with you today, surrounded by so many faces that I would have thought had I a memory I should never see again. 14 years is a long time. And most of my life before the sinking of the Isabella is lost to me. But already I can feel old friends tugging at my memory. Nan there, whose books I carried to school. Professor Trickett, who taught both Ned and me. And some not here. Reverend Chandler, whose verses taught to me as a child were comfort in my darkest hours. Soon in the bosom of my family and with the support of my dearest sweet voiced Cora. I'm sure it will seem as I've never been away. Memories of South America, of Australia gone forever. I will finally thank my beloved mother who never gave up hope and whose prayers and mine have finally been answered.

[Todd Carty]

Oh, Oswald. Music. Oswald and Cora will start the dance.

[Ryan Seacrest]

Cora.

[Todd Carty]

Oswald.

[Ryan Seacrest]

What do you think of Cora?

[Todd Carty]

Not a lot. Flatteringly. Clearing up for her is worse than a spring clean. She just steps out of everything, leaves it where it lies. Doesn't even bother to unbutton things. Soon as there's an old big enough for her to get her head through. It's off.

[Ryan Seacrest]

Get shot in a button fire. Eh?

[Todd Carty]

See, look at this one. Not just a button off, that's torn Best linen. I'm supposed to wash and mend all these ruined calls herself a lady.

[Ryan Seacrest]

I see.

[Todd Carty]

And you know something? Every single thing that she wears is brand new. Made in London. From her ankis to her nether garments.

[Ryan Seacrest]

Knickers. Really?

[Todd Carty]

Yes. And her cases as well. All brand new. Towels, linen.

[Ryan Seacrest]

Why do you think that is, then?

[Todd Carty]

I don't know. But why didn't she bring anything from Australia with her?

[Ryan Seacrest]

Now there's a thing.

[Todd Carty]

And there's another.

[Ryan Seacrest]

What is it?

[Todd Carty]

Your cocoa. We have to have it every night to remember what we owe our employment to. Oh, I don't care what you do with yours. I always throw mine down the sink.

[Ryan Seacrest]

Funny thing, that. Just like my old man. People swear he was in a whisky business.

[Todd Carty]

Why?

[Ryan Seacrest]

Because I have a drop every night. Would you like to join me?

[Todd Carty]

Oh, thank you very much. Very kind. I shan't throw this down the plug hole. So what do you think? Flat didn't call me that.

[Ryan Seacrest]

Sorry.

[Todd Carty]

Florence.

[Ryan Seacrest]

What do you think? Don't stop dancing.

[Todd Carty]

About what?

[Ryan Seacrest]

Oswald.

[Todd Carty]

You danced with him? Yes.

[Ryan Seacrest]

So what do you think? Did. Did you dance with the true Oswald Nettlefield or not?

[Todd Carty]

Yes. You did. I'm sure it's him, Tom.

[Ryan Seacrest]

How do you know?

[Todd Carty]

Well, I. Seriously, seriously. I'm sure it's him.

[Ryan Seacrest]

Is it something he's heard?

[Todd Carty]

No. It's something I don't think he could possibly know to do if he wasn't Oswald. But what?

[Ryan Seacrest]

Shh.

[Todd Carty]

Keep dancing. Oh, Lawrence, trust me. Let me be sure first. Isn't him.

[Ryan Seacrest]

How do you know?

[Todd Carty]

Cook says. And Cook's been here since Master Oswald was a little boy.

[Ryan Seacrest]

But how does she know?

[Todd Carty]

Cooks know everything.

[Ryan Seacrest]

So if Cora came from Australia like she says, why did she bring nothing with her? Everything she wears is new. Everything bought in London. And her cases. Everything new. Maybe she's as wealthy as Oswald says, but for me. What? Has she seen him? Not much. Only shook his hand. Just like holding a wet codlin. Coral's gone back to London tonight? Soon as the party finished. Business trip, she said. Had to be there early morning. Anyway, I'm having a word with Chandler tomorrow. Local vicar. There's a story he's been banned from the house since he dared doubt Oswald's authenticity. See if I can get more family background. What shall I do? I. I think you should go to London. See if you can find out anything else about Gora. Just. Just. Just make sure you're back in time for the. The hunt on Monday. I don't know where you make a start. Don't worry. I've got an idea or two. Rub a dub dub. Rub a dub dub.

[Todd Carty]

Don't you rubber dub me. I'm all behind. Oh, I shall stick to Coco in future.

[Ryan Seacrest]

Nice, though, eh?

[Todd Carty]

Taking advantage of a young girl.

[Ryan Seacrest]

I did nothing at a coin.

[Todd Carty]

I know. And I wouldn't have minded.

[Ryan Seacrest]

Wouldn't you?

[Todd Carty]

Well, it was nice of you not to.

[Ryan Seacrest]

Those Miss Cora's.

[Todd Carty]

No, I've done them. They're on the line.

[Ryan Seacrest]

These are Miss Dodies on the line. Eh?

[Todd Carty]

What did you want me for?

[Ryan Seacrest]

Just to say I'm off back to town, but we'll see you tomorrow.

[Todd Carty]

More cocoa? I don't know how you've got the.

[Ryan Seacrest]

Nerve, coming to see me. I know.

[Todd Carty]

Looking for a job, are you, now? They got rid of the Bow street runners. I only take on girls. You want Mary, number 43. She takes on Nancy's.

[Ryan Seacrest]

You're a dress, Ira. And it's something I need to know, Dolly. Oh, yeah.

[Todd Carty]

You all come here when you want something. You don't care. Sod all otherwise.

[Ryan Seacrest]

I'm sorry, Polly. Tom's bad, eh?

[Todd Carty]

Oh, can't tell you how bad.

[Ryan Seacrest]

Not if I tried, however hard.

[Todd Carty]

Losing Ethel.

[Ryan Seacrest]

What did it for me.

[Todd Carty]

Best friend I ever had.

[Ryan Seacrest]

Ethel? No.

[Todd Carty]

New girl's worth twopence.

[Ryan Seacrest]

Yeah, well, anyway, don't mind me.

[Todd Carty]

Where's that young lady?

[Ryan Seacrest]

You mean Catherine?

[Todd Carty]

Yeah, her young man ever show Michael Tovey?

[Ryan Seacrest]

Not yet.

[Todd Carty]

Nor never will, if you ask me. So what you want? Drop something short?

[Ryan Seacrest]

No, thanks, Donny.

[Todd Carty]

Think I might.

[Ryan Seacrest]

I need your help if I wanted a wire or buy some really splashy clothes in a hurry. Where'd I go? Here.

[Todd Carty]

Got this nice bit of rose silk. Just come in, new and all. Well, neither makes no difference.

[Ryan Seacrest]

No Dolly, really. Splashy, all new. Made every item of clothing fit for a lady.

[Todd Carty]

Oh, can't think much of her if you're hiring them, can you? Is that all the help you can give me?

[Ryan Seacrest]

Got a lady's undergarment here.

[Todd Carty]

Oh, you're a dark horse. Not your cat?

[Ryan Seacrest]

No, it's the maker I want, Dolly. The initials LL See I give it here.

[Todd Carty]

Oh, chemise, eh? Oh, L L. London fine cotton. Oh, there's a stain here.

[Ryan Seacrest]

Cocoa?

[Todd Carty]

Oh, soon remedied.

[Ryan Seacrest]

It's old and all.

[Todd Carty]

No matter. LL Looks quality till you see the stitching. No, no, that's Lydia lamotte. Brewer street on I, is it? Yeah. Shady Dare I stuff for 48 hours else it falls off your back and.

[Ryan Seacrest]

You'Re left standing in your wherewithals nearly the might. Brewer Street.

[Todd Carty]

If that's what you want. I've told you.

[Ryan Seacrest]

I see. Thank you, Dolly. There is something else.

[Todd Carty]

Thought there might be.

[Ryan Seacrest]

Couldn't get into the Rose Hill, could you? Worth a few guineas.

[Todd Carty]

Oh. How many's a few?

[Ryan Seacrest]

Five. Roast hilt, eh?

[Todd Carty]

A couple of hours maybe. With a deal of whalebone. A bit of letting out then.

[Ryan Seacrest]

Listen, this is what I want you to do. Oh, Mr. Tubman. You wouldn't be asking me to betray the secrets of me oldest twins, would you now? However ill advised they may be at this time. Miss Doty said I may confide in you. Oh, so you're acting on Ms. Doty's behalf, are you? Yes. Yes. Yes. Well, the Nettlefield estate is in a terrible mess.

[Todd Carty]

You see.

[Ryan Seacrest]

14 years ago, when the Isabella was lost at sea with a full cargo, it was carrying the hopes.

[Todd Carty]

In eight. The shock killed ath.

[Ryan Seacrest]

He could no longer face life. He had Ned. The ned Drew w.

[Todd Carty]

Everything he had.

[Ryan Seacrest]

Was left to Oswald till he returned. And if he didn't return?

[Todd Carty]

Why then the fortune was to bypass.

[Ryan Seacrest]

A generation and be held in trust for the firstborn male child of either Dodie or Ned when they reach their 21st birthday. So who handles the everyday business of hers? The family solicitor, Emmy says if nothing can be sold, be land or businesses. And it's just about covering itself. But not for much longer. The Marshalsea, the debtors prison lies just around the corner. So if Oswald were to materialize, then the family's financial problems would be over?

[Todd Carty]

That would depend.

[Ryan Seacrest]

On what? Why on Oswald? Everything would be his to do with as he wishes. Why are you so sure that the man purporting to be Oswald is an imposter? I gave me tangible reasons to Marjorie Nettlefield. But spiritually there is no similarity. And you are convinced? Absolutely. How would you physically describe Oswald Nettlefield as you last saw him 14 years ago. He was about 6 foot 2, fair haired with blue eyes. Lean.

[Todd Carty]

And with weak hands.

[Ryan Seacrest]

He had a terrible weak grip like his father. So shaking his hand was like. Was like holding a wet cobling? You could say that. Yes. Yes.

[Todd Carty]

Good morning, madam. Can I be of service to you? I want to see Ms. Lamotte. I've come on behalf of Miss Cora Delaney. It was part of an order from Monsieur Nettlefield. Yes. For my mistress. That is so beautiful. Is it not beautiful? Yes. Except as Harry has unfortunately got a tear on the buttonhole and. And cocoa on it. Well, I do not know what we can do with it. She don't want it cleaning, pet. She wants to buy a new one. Ah, then there is no problem. Where shall I deliver it? Mr. Laney is at the moment residing in the country. Then I shall send it there. Yes. Or to the London address. Would that be St. James apartment? No, the clothes were delivered to Mr. Nettlefield at a gentleman's club. The Coal Hole, just off the Strand.

[Ryan Seacrest]

Afraid you can't go through there, sir. Club back there. Members only. I'll meet Mr. Nettlefield later. Didn't he say I was expecting Mr. Nettlefield? Very good, sir. Enjoy yourself.

[Todd Carty]

Thank you. Thank you. Now for our next song.

[Ryan Seacrest]

E toast Kizamin Adam's root which Eve.

[Todd Carty]

Planted in her little garden and which.

[Ryan Seacrest]

We all sprung from.

[Todd Carty]

Gentlemen. Adams root. William threw Marjorie down on the floor and with his stout gimlet. Big and more to you here, aren't you, sir? I'm Betty.

[Ryan Seacrest]

Yes, I am.

[Todd Carty]

I can comfort. Would you, sir?

[Ryan Seacrest]

Well, I.

[Todd Carty]

Sit down yonder. Shall we glass today? All rum, is it? You look like a rum man to me, sir. Well, don't say I'm mistaken. I should be so disappointed.

[Ryan Seacrest]

Well, I.

[Todd Carty]

Well, what?

[Ryan Seacrest]

Well, I wouldn't want that.

[Todd Carty]

Rum for our friend Jenny and a gin for me. Sit alongside you. Shall I, sir? Cozy and tossly there. All cosy and toffee. Thank you, dear. What is it, sir? It's not your liking, am I? There are lots of other girls. I shan't take offence. You will help each other here? No, it's just something familiar. Who are you looking for?

[Ryan Seacrest]

A girl called Cora.

[Todd Carty]

There's only one Cora works here and she's standing right in front of you. Utter singing. Cora. Oh, Lord. Well, you've seen her now and she's seen you. So what's wrong with me being friendly with Mr. Nettlefield? What's it got to do with you? That's what I want to know. He's employing me. And if I get some pretty clothes out of it. So what?

[Ryan Seacrest]

You said you were from Australia.

[Todd Carty]

I'm an actress. It's a job. I can be from wherever anybody wants me me to be. I've played rummer parts than this. Just so bleeding boring in the country. It's all right for a day out. But who are you anyway? Are you playing silly baggers?

[Ryan Seacrest]

I'm Mr. Tedman's man servant on a night out. And it's time for me to go.

[Todd Carty]

Oh, I'd be. I'd be very much obliged if you tell no one about this.

[Ryan Seacrest]

Well see me and I'll be much obliged Ms. Cora, if you do the same.

[Todd Carty]

What's the deal then? He my pip. Fancy seeing you here.

[Ryan Seacrest]

I'm afraid you've got me wrong, sir.

[Todd Carty]

Oh no, no, it's Bert. Night watch Mayfair.

[Ryan Seacrest]

You're mistaken sir.

[Todd Carty]

Lardy datoo snotty for old mate is now an appealers, eh? Appealers.

[Ryan Seacrest]

I tell you sir, you are mistaken. Oh, I see that.

[Todd Carty]

Sorry sir. Now I see you in a better light. I can tell you're not the fellow.

[Ryan Seacrest]

I took you for.

[Todd Carty]

Beg your pardon.

[Ryan Seacrest]

Sorry to intervene.

[Todd Carty]

Going so soon sir. Nothing to any fancy.

[Ryan Seacrest]

I'd be obliged if you not mention my being here to Mr. Oswald, sir. For your trouble.

[Todd Carty]

Thank you sir. Who's Mr. Oswald?

[Ryan Seacrest]

Ms. Cora's gentleman friend.

[Todd Carty]

Oh, you mean Mr. Nettlefield? Yes, Mr. Ned Nettlefield.

[Ryan Seacrest]

Ned?

[Todd Carty]

I know of no other.

[Ryan Seacrest]

Thank you.

[Todd Carty]

Becky. Tell Jenny to go on for me. I can't stay. Gotta get back to the country. Who's there?

[Ryan Seacrest]

A poor man with a torn shirt that needs mending.

[Todd Carty]

Look, Shepherd.

[Ryan Seacrest]

It is.

[Todd Carty]

And I'm glad to see you. Come inside. Well now, is it the man or the shirt that needs looking too?

[Ryan Seacrest]

A little bit of both I reckon. Lucy's asleep.

[Todd Carty]

I should hope so. Oh, it's no good looking at me like that.

[Ryan Seacrest]

Don't you like to be looked at like this?

[Todd Carty]

I can do without that.

[Ryan Seacrest]

Nonsense.

[Todd Carty]

You're too cocky by heart.

[Ryan Seacrest]

Isn't cocky the way you like me?

[Todd Carty]

And that way of talking doesn't suit you either. The sooner they get you and the new police, the safer it will be for all of us. Come on, drink me.

[Ryan Seacrest]

What makes you think I'm going to become a peeler?

[Todd Carty]

I've heard it applied, haven't you? Working with some judges.

[Ryan Seacrest]

Son, I'm sick of pinglers. Already tired of it. I was better off with Toby and her Bow street runners. Same class. We knew how each other felt. This is different.

[Todd Carty]

Isn't that why they put you together? My husband used to say he'd never go to sea again. Nine years ago he came on shore and sweet talked me into marrying him. A year later he was gone. Back to the sea. Leaving me with the child. It's his way of life. Do you mean what you're saying any more than he did?

[Ryan Seacrest]

Maybe not, I don't know. But it's how I feel at the moment.

[Todd Carty]

Well then.

[Ryan Seacrest]

Don'T you hear from him?

[Todd Carty]

Oh, he Sends me a bit of money now and then. I never know where from. We loved each other, but it's something that's done with Widow Cook. I'm no widow. I'm an abandoned wife with a chandler's shop off Seven Dials.

[Ryan Seacrest]

And highly profitable love no doubt. Makes some trader a good wife.

[Todd Carty]

It's not being a wife I'm after. I've let you in because I like you. The child likes you. She's no more sense than I have. If you need some fun, you're good looking and kind enough for me. But that's all. You don't have to promise me anything. And I'm sure that I'll promise you the same comfort.

[Ryan Seacrest]

Comfort.

[Todd Carty]

It's cold out there, isn't it, Pip? Awfully cold.

[Ryan Seacrest]

I should be going. What? Going back there tonight.

[Todd Carty]

Come here.

[Ryan Seacrest]

Bye.

[Todd Carty]

Take that shirt.

[Ryan Seacrest]

Better hunt. I. I just. I have to get back.

[Todd Carty]

I know. You're looking very perky for five o' clock in the morning. Just got here.

[Ryan Seacrest]

I spect something like that.

[Todd Carty]

Tom been asking for me, Master Thomas?

[Ryan Seacrest]

Well, azzy.

[Todd Carty]

Not this morning. He was expecting you last night.

[Ryan Seacrest]

Yes, I know.

[Todd Carty]

Hmm. Should think he's still asleep. Terrible time we've had here.

[Ryan Seacrest]

Why? What's happened?

[Todd Carty]

Miss Cora came back.

[Ryan Seacrest]

Cora?

[Todd Carty]

Early hours. Hired a carriage. By all accounts. Oswald found her at 3:00 clock coming out of Mr. Ned's bedroom. Should have heard it. He called Mrs. Nettlefield. She went mad. Whole out in uproar. Said they'd been talking. I've heard it called some rum thing, but. And I've lost one of her chemises. You duped your brother, seduced the woman he loves under his own roof in the very next but one bedroom.

[Ryan Seacrest]

We only talked of what may affect all of us. What if someone had set about to prove he was not my brother?

[Todd Carty]

Lies. What are you calling me, Luck?

[Ryan Seacrest]

I'm not calling you anything.

[Todd Carty]

If he's my son, which I swear before God he is, then he's your brother. Oh, heaven forbid. What does that make me? Some trollop? I should know. Your father was right. He cut you off without a penny because of your dissonant ways. You blaspheming, drunken, womanizing slough.

[Ryan Seacrest]

Oh.

[Todd Carty]

Get ready for the hunt. Once today's over, I want you out of his house.

[Ryan Seacrest]

But Mother.

[Todd Carty]

I'd rather have anyone for a son than you, Ned.

[Ryan Seacrest]

And that's the truth of it. Try and look as if you know what you're doing, Bib. But I don't. You're only tightening a few Straps. For goodness sake. Can you see Ned? He's over with Cora. She's not riding. So we know that Ned set Cora up as Oswald's intended. Yes. Does Oswald know that? Well he must do because he tells everybody she came from Australia with him. Which he didn't. Get him to the Ned's Rome. Search the see what you can find. Papers, anything. Stirrup cup Then what? Take my stirrup cup. Tell you home a Thomas. Now where? Start with the desk. Damn it. Cora.

[Todd Carty]

You are a peeler, aren't you?

[Ryan Seacrest]

Yes.

[Todd Carty]

Can't you find what you're looking for?

[Ryan Seacrest]

Not yet.

[Todd Carty]

If I tell you. Well there's a secret compartment behind the top drawer of the tallboy. I'll show you.

[Ryan Seacrest]

Well, well. The cuckoo's call. Mr. Matthew Sanger. They called the scent.

[Todd Carty]

Oswald. Oswald? My Oswald. It's faulty. It's all right mother. It's not. Oh Oswald. Leave it to me. On by. No. Comet. Hang on. Oswald. Comet. No. He isn't falling. And he won't fall, will he? Dodie? You were right all along. Always right. Never once a saying much but always right. Let's go back to the house. Mother.

[Ryan Seacrest]

Mother.

[Todd Carty]

Mother. Such a fool that my Oswald should be imitated by such a. Don't. You're a charlatan. An imposter even. I couldn't make myself believe your claptrap any longer. Mother. Oh shut your clap. Could your mother this and your mother that. You think I'm a fool? I don't mind making myself look slightly foolish to save the estate in the family name. But I'm not going to make myself look fit for a lunatic asylum. I trusted you. I made myself believe everything. I would have done anything for you. I even turned Ned from the house. I backed up your stupid lies. I swore I saw family resemblances in all your particulars. Even though you looked no more like my dearest Arthur than that cyborg.

[Ryan Seacrest]

What are you going to do?

[Todd Carty]

There are some gentlemen here who want to ask you a few questions. Detective Police Officer Shepard. Detective Police officer Tedman. Yes. You may go up and send for the others too. Let them all be here to see your shame.

[Ryan Seacrest]

Matthew Stanger. I believe that is your true name. Am I correct? Yes. And did you know the real Oswald Nuttlefield? Yes. I was with him on the Isabella.

[Todd Carty]

And that's how you knew about his hands. You wrote that in your first letter. Mrs. Nettlefield, it was the hands. It was about the hands that convinced me. That made me believe him. I also. The last time I saw Oswald was at my 14th birthday party. He danced with me. He could not hold hands as one does nor guide.

[Ryan Seacrest]

I was with him when the ship went down. He was swept over the side. He tried to hold me, but he had no grasp.

[Todd Carty]

And Ned, what were you to get out of all this?

[Ryan Seacrest]

He made Matthew Stanger sign this agreement, giving in control of the estate once it was his. I'm glad Florence went back to Tapir Pan with Dodie. Oh, I meant to propose marriage to her this weekend. Never did. I kept her waiting so long. Lovely and fresh country air. Thought it would do the T trick. T trick for me. Not my kind of air, though. Country air. No, Pip.

[Todd Carty]

Now.

[Ryan Seacrest]

I'll try to ask her again once we're into town. In A Cuckoo in the Nest by John Peacock, Pip shepherd was played by Todd Carty and Thomas Headman by Charles Simpson. Tessa Worsley was Marjorie Nettlefield, Harry Myers, Ned Nettlefield, Stephen Critchlow, Matthew Sanger, Tracy Wiles, Cora Maggie McCarthy, Dolly Jenks, Deborah Berlin, Jane, Becky Hindley, Susanna Cook, Johan Meredith, the Reverend Chandler and Elizabeth Conboy, Florence Hatfield. Other parts were played by members of the cast. The pianist was Harry Myers. London Particulars is directed by David Blount. It is Ryan Seacrest here. There was a recent social media trend which consisted of flying on a plane with no music, no movies, no entertainment. But a better trend would be going to chumbacasino.com it's like having a mini social casino in your pocket. Chumba Casino has over a hundred online casino style games, all absolutely free. It's the most fun you can have online and on a plane. So grab your free welcome bonus [e-mail] sponsored by Chumba Casino. No purchase necessary. VGW Group void where prohibited by law 21 + terms and conditions apply.